The Studio Albums

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

A collection of twelve studio albums by Luciano Pavarotti. All albums have been remastered, and are hardback editions with original notes, texts, and translations.

Annotation last modified on 2021-11-26 11:30 UTC.

Tracklist

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▼ CD 1: Arias by Verdi and Donizetti
#TitleArtistRatingLength
1Luisa Miller: Act II, scene 3. “Quanda le sere al placido chiaror” (Rodolfo)
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo) (in 1968-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi5:47
2I due Foscari: Act I. “Dal più remoto esiglio” (Jacopo)
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Jacopo]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
I due Foscari: Atto I. “Ah si, ch'io senta ancora … Dal piu remoto esilio” (in 1968-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto I
Giuseppe Verdi5:44
3Un ballo in maschera: Act III, scene 2. “Ma se m'è forza perderti” (Richard)
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Richard]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (in 1968-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (in 1968-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:53
4Macbeth: Act IV, scene 1. “Ah, la paterna mano” (Macduff)
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Macduff]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1968-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1968-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi3:45
5Lucia di Lammermoor: Act III, scene 3. “Fra poco a me ricovero darà negletto avello” (Edgardo)
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Edgardo]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti7:59
6Il duca d'Alba: Act IV. “Angelo casto e bel” (Marcello)
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Marcello]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
Il duca d'Alba: Atto IV. "Inosservato, penetrava in questo sacro recesso" ... "Angelo casto e bel" (Marcello) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Angelo Zanardini
part of:
Il duca d'Alba
Gaetano Donizetti7:14
7La favorita: Act IV. “Spirto gentil” (Fernando)
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Fernando]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
La favorita: Atto IV, Scena 3. “Favorita del re!” (Baldassarre, Fernando) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
Gaetano Donizetti5:30
8Dom Sébastien: Act II. “Deserto in terra, che più m'avanza” (Dom Sébastien)
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Dom Sébastien]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
Don Sebastiano: "Deserto in terra" (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Eugène Scribe
Gaetano Donizetti5:55
▼ CD 2: Tenor Arias from Italian Opera
#TitleArtistRatingLength
1Guglielmo Tell: Act IV. “Non mi lasciare, o speme di vendetta! … O muto asil del pianto … Corriam, voliam!” (Arnoldo, Chorus)
choir vocals:
Wiener Opernchor (in 1969-09)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (in 1969-09)
orchestra:
Wiener Opernorchester (in 1969-09)
conductor:
Nicola Rescigno (conductor) (in 1969-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-09)
recording of:
Guglielmo Tell: Atto IV, scena 1. “Non mi lasciare, o speme di vendetta” (in 1969-09)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
recording of:
Guglielmo Tell: Atto IV, scena 2. “O muto asil del pianto” (in 1969-09)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto IV
recording of:
Guglielmo Tell: Atto IV. “Corriam! voliam!” (in 1969-09)
composer:
Gioachino Rossini (composer)
part of:
Guglielmo Tell: Atto IV
Gioachino Rossini9:48
2I puritani: Act I. “A te, o cara” (Arturo, Elvira, Giorgio, Valton, Inmates of the Castle)
bass vocals [Giorgio]:
Reid Bunger (bass-baritone) (in 1969-09)
bass vocals [Valton]:
Herbert Lackner (operatic bass) (in 1969-09)
choir vocals:
Wiener Opernchor (in 1969-09)
soprano vocals [Elvira]:
Arleen Augér (soprano) (in 1969-09)
tenor vocals [Arturo]:
Luciano Pavarotti (tenor) (in 1969-09)
orchestra:
Wiener Opernorchester (in 1969-09)
conductor:
Nicola Rescigno (conductor) (in 1969-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-09)
recording of:
I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro) (in 1969-09)
composer:
Vincenzo Bellini (Sicilian opera composer) (in 1835)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini6:39
3Don Pasquale: Act III. “Com'è gentil” (Ernesto, Chorus)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-01)
tenor vocals [Ernesto]:
Luciano Pavarotti (tenor) (in 1971-01)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1971-01)
conductor:
Leone Magiera (conductor, pianist) (in 1971-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-01)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro) (in 1971-01)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:41
4Mefistofele: Epilogue. “Ogni mortal mister gustai … Giunto sull passo estremo” (Faust)
tenor vocals [Faust]:
Luciano Pavarotti (tenor) (in 1971-01)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1971-01)
conductor:
Leone Magiera (conductor, pianist) (in 1971-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-01)
recording of:
Mefistofele: Epilogo. "Ogni mortal mister gustai" / "Giunto sul passo estremo" (Faust) (in 1971-01)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Epilogo
Arrigo Boito4:42
5Il trovatore: Act III, Finale. “Di qual tetra luce … Ah sì, ben mio … L'onda de' suoni mistici … Di quella pira” (Leonora, Manrico, Ruiz, Followers)
choir vocals:
Wiener Opernchor (in 1969-09)
soprano vocals [Leonora]:
Gildis Flossmann (mezzo-soprano) (in 1969-09)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (in 1969-09)
tenor vocals [Ruiz]:
Peter Baillie (tenor) (in 1969-09)
orchestra:
Wiener Opernorchester (in 1969-09)
conductor:
Nicola Rescigno (conductor) (in 1969-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1969-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1969-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1969-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi10:16
6La Gioconda: Act II. “Cielo e mar” (Enzo)
tenor vocals [Enzo]:
Luciano Pavarotti (tenor) (in 1971-01)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1971-01)
conductor:
Leone Magiera (conductor, pianist) (in 1971-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-01)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo) (in 1971-01)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli5:11
7La Bohème: Act I. “Che gelida manina” (Rodolfo)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1971-01)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1971-01)
conductor:
Leone Magiera (conductor, pianist) (in 1971-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-01)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1971-01)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:53
8L'arlesiana: Act II. Lamento di Federico: “È la solita storia” (Federico)
choir vocals:
Wiener Opernchor (in 1969-09)
tenor vocals [Federico]:
Luciano Pavarotti (tenor) (in 1969-09)
orchestra:
Wiener Opernorchester (in 1969-09)
conductor:
Nicola Rescigno (conductor) (in 1969-09)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1969-09)
recording of:
L’arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico) (in 1969-09)
composer:
Francesco Cilea (composer) (in 1897)
librettist:
Leopoldo Marenco (librettist)
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
L’arlesiana: Atto II
Francesco Cilea5:05
9Maristella: Act I. “Io conosco un giardino”
tenor vocals:
Luciano Pavarotti (tenor) (in 1971-01)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1971-01)
conductor:
Leone Magiera (conductor, pianist) (in 1971-01)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-01)
recording of:
Maristella: "Io conosco un giardino" (in 1971-01)
composer:
Giuseppe Pietri (composer)
librettist:
Maso Salvini
Giuseppe Pietri2:04
▼ CD 3: The World's Favourite Tenor Arias
#TitleArtistRatingLength
1Pagliacci: “Recitar! … Vesti la giubba”
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-12)
orchestra:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio) (in 1973-12)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo3:46
2Martha: “M'appari”
tenor vocals:
Luciano Pavarotti (tenor) (in 1972-06)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1972-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1972-06)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1972-06)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Friedrich von Flotow3:33
3Carmen: “La fleur que tu m'avais jetée”
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-12)
orchestra:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1973-12)
composer:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:32
4La Bohème: “Che gelida manina
tenor vocals:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (Puccini)
Giacomo Puccini4:43
5Rigoletto: “La donna è mobile”
tenor vocals:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:27
6Faust: “Quel trouble inconnu me pénètre … Salut! demeure chaste et pure”
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-12)
orchestra:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) (in 1973-12)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod5:34
7Tosca: “E lucevan le stelle”
tenor vocals:
Luciano Pavarotti (tenor) (in 1972-04)
orchestra:
Royal Philharmonic Orchestra (in 1972-04)
conductor:
Leone Magiera (conductor, pianist) (in 1972-04)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1972-04)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini3:16
8Aida: “Se quel guerrier io fossi! … Celeste Aida”
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-12)
orchestra:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1973-12)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:34
9Turandot: “Nessun dorma!” (Calaf, Coro)
choir vocals:
The John Alldis Choir (in 1972-08) and Wandsworth School Boys’ Choir (in 1972-08)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (in 1972-08)
orchestra:
London Philharmonic Orchestra (LPO) (in 1972-08)
conductor:
Zubin Mehta (conductor) (in 1972-08)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (in 1972-08)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini3:05
10Il trovatore: “Di quella pira” (Manrico)
tenor vocals [Manrico]:
Luciano Pavarotti (tenor) (in 1969-09)
orchestra:
Wiener Volksopernorchester (see annotation before use) (in 1969-09)
conductor:
Nicola Rescigno (conductor) (in 1969-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1969-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:14
▼ CD 4: Pavarotti in Concert
#TitleArtistRatingLength
1Griselda: “Per la gloria d'adorarvi”
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Griselda: Atto II. "Per la gloria d'adorarvi" (in 1973-07)
lyricist:
Paolo Antonio Rolli (until 1722)
composer:
Giovanni Battista Bononcini (composer, 1670-1747) (until 1722)
arranger:
Douglas Gamley (film composer)
publisher:
G. Schirmer Inc.
part of:
Griselda
Giovanni Battista Bononcini4:33
2Atalanta: “Care selve”
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Atalanta, HWV 35: Atto I. "Care selve, ombre beate" (in 1973-07)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Douglas Gamley (film composer)
part of:
Atalanta, HWV 35: Atto I
George Frideric Handel3:23
3L'onestà negli amori: “Già il sole dal Gange”
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
L'honestà negli amori: "Gia il sole dal Gange" (in 1973-07)
lyricist:
Felice Parnasso
composer:
Alessandro Scarlatti (composer)
arranger:
Douglas Gamley (film composer)
publisher:
G. Schirmer Inc.
part of:
L'honestà negli amori
Alessandro Scarlatti2:07
4Ma rendi pur contento
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Ma rendi pur contento (in 1973-07)
lyricist:
Pietro Metastasio
composer:
Vincenzo Bellini (Sicilian opera composer)
Vincenzo Bellini2:28
5Dolente immagine di Fille mia
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Dolente immagine di Fille mia (in 1973-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Vincenzo Bellini (Sicilian opera composer)
arranger:
Douglas Gamley (film composer)
Vincenzo Bellini3:29
6Malinconia, ninfa gentile
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Malinconia, ninfa gentile (in 1973-07)
lyricist:
Ippolito Pindemonte
composer:
Vincenzo Bellini (Sicilian opera composer)
Vincenzo Bellini1:48
7Bella Nice, che d'amore
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Bella Nice, che d’amore (in 1973-07)
lyricist:
[anonymous] (special purpose artist)
composer:
Vincenzo Bellini (Sicilian opera composer)
arranger:
Douglas Gamley (film composer)
Vincenzo Bellini2:47
8Vanne, o rosa fortunata
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Vanne, o rosa fortunata (in 1973-07)
lyricist:
Pietro Metastasio
composer:
Vincenzo Bellini (Sicilian opera composer)
recording of:
Vanne, o rosa fortunata
lyricist:
Pietro Metastasio
composer:
Vincenzo Bellini (Sicilian opera composer)
Vincenzo Bellini2:30
9La serenata
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
La serenata (catch-all for arrangements) (in 1973-07)
composer:
Francesco Paolo Tosti (composer) (in 1888)
version of:
La serenata (original, for voice and piano)
Francesco Paolo Tosti3:21
10Luna d'estate
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Luna d’estate! (in 1973-07)
lyricist:
Riccardo Mazzola
composer:
Francesco Paolo Tosti (composer)
arranger:
Douglas Gamley (film composer)
Francesco Paolo Tosti2:14
11Malia
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Malìa (Douglas Gamley arrangement for Pavarotti) (in 1973-07)
lyricist:
Rocco Pagliara
composer:
Francesco Paolo Tosti (composer)
arranger:
Douglas Gamley (film composer)
dedicated to:
Édouard de Reszke
version of:
Malía (for voice & piano/orchestra)
Francesco Paolo Tosti2:51
12Non t'amo più!
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Non t’amo più! (in 1973-07)
lyricist:
Carmelo Errico
composer:
Francesco Paolo Tosti (composer)
arranger:
Douglas Gamley (film composer)
Francesco Paolo Tosti5:29
13Nevicata
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Nevicata, P. 65 (arr. for voice and orchestra, Gamley) (in 1973-07)
lyricist:
Ada Negri
composer:
Ottorino Respighi (composer)
arranger:
Douglas Gamley (film composer)
part of:
Ottorino Respighi Catalog by Potito Pedarra (number: P. 065)
Ottorino Respighi2:27
14Pioggia
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Sei liriche: No. 6. Pioggia (in 1973-07)
lyricist:
Vittoria Aganoor
composer:
Ottorino Respighi (composer) (in 1909)
part of:
Sei liriche
Ottorino Respighi2:25
15Nebbie
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Nebbie, P. 64 (in 1973-07)
lyricist:
Ada Negri
composer:
Ottorino Respighi (composer) (in 1906)
part of:
Ottorino Respighi Catalog by Potito Pedarra (number: P. 064)
Ottorino Respighi3:07
16Soirées musicales: La danza
recording engineer:
Colin Moorfoot (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-07)
vocals:
Luciano Pavarotti (tenor) (in 1973-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1973-07)
live recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” (in 1973-07)
lyricist:
Carlo Pepoli (Italian librettist, 19th c.)
composer:
Gioachino Rossini (composer)
part of:
Soirées musicales
Gioachino Rossini3:09
▼ CD 5: O Holy Night
#TitleArtistRatingLength
1O Holy Night (Cantique de Noël: Minuit! Chrétiens)
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”) (in 1976-01)
lyricist:
Placide Cappeau
composer:
Adolphe Adam (composer) (in 1847)
is based on:
Minuit, chrétiens (Poem)
Adolphe Adam4:18
2Pietà, Signore
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Pietà, Signore (in 1976-01)
lyricist and previously attributed to:
Alessandro Stradella (composer)
composer:
Louis Niedermeyer
publisher:
G. Schirmer Inc.
Alessandro Stradella8:28
3Panis angelicus
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (in 1976-01)
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian-born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck4:03
4Le sette ultime parole di Nostra Signore sulla croce: Parola quinta. “Qual giglio candido”
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Le sette ultime parole di Nostro Signore sulla croce: V. Ho sete! (Parola quinta: "Qual giglio candido...") (in 1976-01)
composer and librettist:
Saverio Mercadante (composer)
part of:
Le sette ultime parole di Nostro Signore sulla croce (Seven last words of Our Lord on the Cross)
Saverio Mercadante4:43
5Ave Maria
recording engineer:
John Dunkerley (engineer) and James Lock (engineer) (in 1976-01)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’) (in 1976-01)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert4:50
6Gesù bambino
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Gesù bambino (in 1976-01)
lyricist:
Frederick Martens (US lyricist, early 20th century)
composer:
Pietro Yon (organist & composer) (in 1917)
Pietro Yon4:31
7Ave Maria
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Ave Maria (Bach/Gounod) (in 1976-01)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach / Charles Gounod2:59
8Mille cherubini in coro
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Mille cherubini in coro (in 1976-01)
lyricist:
Ernst Marischka
composer:
Franz Schubert (composer)
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Franz Schubert4:04
9Agnus Dei
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Agnus Dei (in 1976-01)
composer:
Georges Bizet (composer)
arranger:
Ernest Guiraud
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:46
10Requiem: Sanctus
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
London Voices (in 1976-01) and Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01) and Terry Edwards (British choir director) (in 1976-01)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Requiem, op. 5: IX. Sanctus (in 1976-01)
lyricist and composer:
Hector Berlioz (composer)
part of:
Requiem, op. 5 « Grande Messe des Morts »
Hector Berlioz9:10
11Adeste fideles
recording engineer:
John Dunkerley (engineer) and James Lock (engineer)
producer:
Ray Minshull (record producer)
choir vocals:
London Voices (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Terry Edwards (British choir director) (in 1976-01)
arranger:
Douglas Gamley (film composer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Adeste fideles (original latin version) (in 1976-01)
lyricist and composer:
John Francis Wade (from 1740 until 1743)
John Francis Wade3:32
▼ CD 6: ’O sole mio: Favourite Neapolitan Songs
#TitleArtistRatingLength
1’O sole mio
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
’O sole mio (in 1979-03)
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
arrangement of:
O sole mio
part of:
For the First Time (1959 film)
Eduardo Di Capua3:28
2’A vucchella
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1979-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1979-07)
conductor:
Anton Guadagno (conductor) (in 1979-07)
arranger:
Giancarlo Chiaramello
recording of:
’A vucchella (in 1979-07)
lyricist:
Gabriele D'Annunzio (in 1892)
composer:
Francesco Paolo Tosti (composer) (in 1904)
Francesco Paolo Tosti3:13
3’O surdato ’nnamurato
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1979-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1979-07)
conductor:
Anton Guadagno (conductor) (in 1979-07)
arranger:
Giancarlo Chiaramello
recording of:
’O surdato ’nnammurato (in 1979-07)
lyricist:
Aniello Califano (in 1915)
composer:
Enrico Cannio (in 1915)
Enrico Cannio3:40
4’O marenariello
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1979-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1979-07)
conductor:
Anton Guadagno (conductor) (in 1979-07)
arranger:
Giancarlo Chiaramello
recording of:
’O marenariello (in 1979-07)
lyricist:
Gennaro Ottaviano
composer:
Salvatore Gambardella
Salvatore Gambardella4:09
5Fenesta vascia
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1979-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1979-07)
conductor:
Anton Guadagno (conductor) (in 1979-07)
arranger:
Giancarlo Chiaramello
recording of:
Fenesta vascia
writer:
[anonymous] (special purpose artist)
[anonymous]4:13
6Marechiare
recording engineer:
Colin Moorfoot (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Marechiare (in 1979-03)
lyricist:
Salvatore Di Giacomo
composer:
Francesco Paolo Tosti (composer)
Francesco Paolo Tosti3:56
7Torna e Surriento
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Torna a Surriento (Giancarlo Chiaramello arrangement) (in 1979-03)
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer)
arranger:
Giancarlo Chiaramello
arrangement of:
Torna a Surriento
Ernesto De Curtis4:27
8Pecchè?
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1977-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-07)
conductor:
Anton Guadagno (conductor) (in 1977-07)
arranger:
Giancarlo Chiaramello
recording of:
Pecchè? (in 1977-07)
lyricist:
Carlo de Flavis
composer:
Gaetano Pennino (in 1913)
Gaetano Pennino3:10
9’O paese d’ ’o sole
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1977-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-07)
conductor:
Anton Guadagno (conductor) (in 1977-07)
arranger:
Giancarlo Chiaramello
recording of:
'O paese d' 'o sole (in 1977-07)
lyricist:
Libero Bovio
composer:
Vincenzo d'Annibale
Vincenzo d'Annibale3:33
10Piscatore ’e Pusilleco
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1977-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-07)
conductor:
Anton Guadagno (conductor) (in 1977-07)
arranger:
Giancarlo Chiaramello
recording of:
Piscatore 'e Pusilleco (in 1977-07)
lyricist:
Ernesto Murolo
composer:
Ernesto Tagliaferri (composer)
Ernesto Tagliaferri3:11
11Tu, ca nun chiagne
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1977-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-07)
conductor:
Anton Guadagno (conductor) (in 1977-07)
arranger:
Giancarlo Chiaramello
recording of:
Tu ca nun chiagne (in 1977-07)
lyricist:
Libero Bovio
composer:
Ernesto De Curtis (composer)
Ernesto De Curtis2:47
12Maria, Marì!
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1977-07)
recording engineer:
Colin Moorfoot (engineer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-07)
conductor:
Anton Guadagno (conductor) (in 1977-07)
arranger:
Giancarlo Chiaramello
recording of:
Maria, Marì! (in 1977-07)
lyricist:
Vincenzo Russo
composer:
Eduardo Di Capua
Eduardo Di Capua4:02
13Funiculì, funiculà
recorded in:
Bologna, Bologna, Emilia-Romagna, Italy (in 1977-07)
choir vocals:
Coro del Teatro Comunale di Bologna (in 1977-07)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1977-07)
conductor:
Anton Guadagno (conductor) (in 1977-07)
arranger:
Giancarlo Chiaramello
recording of:
Funiculì, funiculà (in 1977-07)
composed in:
Castellammare di Stabia, Napoli, Campania, Italy (in 1880)
lyricist:
Peppino Turco
composer:
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. and Robbins Music Corp.
Luigi Denza2:46
▼ CD 7: Verismo Arias
#TitleArtistRatingLength
1Fedora: Act II. “Amor ti vieta” (Loris)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Loris]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06) and Nicola Rescigno (conductor) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga) (in 1979-06)
composer:
Umberto Giordano (Italian opera composer) (in 1898)
librettist:
Arturo Colautti
part of:
Fedora: Atto II
Umberto Giordano1:46
2Mefistofele: Act I, scene 2. “Dai campi, dai prati” (Faust)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Faust]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Mefistofele: Atto I, Scena IIa. “Dai campi, dai prati” (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto I
Arrigo Boito2:42
3Mefistofele: Epilogue. “Ogni mortal mister gustai … Giunto sul passo estremo” (Faust)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Faust]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Mefistofele: Epilogo. "Ogni mortal mister gustai" / "Giunto sul passo estremo" (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Epilogo
Arrigo Boito4:14
4Adriana Lecouvreur: Act I. “La dolcissima effigie” (Maurizio)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Maurizio]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Adriana Lecouvreur: Atto I. “La dolcissima effigie” (Maurizio) (in 1979-06)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea2:23
5Adriana Lecouvreur: Act II. “L'anima ho stanca” (Maurizio)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Maurizio]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Adriana Lecouvreur: Atto II. “L’anima ho stanca” (Maurizio)
composer:
Francesco Cilea (composer) (in 1902)
librettist:
Arturo Colautti (in 1902)
part of:
Adriana Lecouvreur: Atto II
Francesco Cilea1:37
6Iris: Act I. “Apri la tua finestra!” (Osaka)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Osaka]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Iris: Atto I. “Apri la tua finestra“ (Osaka, Kyoto, Dhia, Iris) (in 1979-06)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Luigi Illica
part of:
Iris: Atto I
Pietro Mascagni2:18
7L'africana: Act IV. “Mi batte il cuor! … O paradiso” (Vasco)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Vasco]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso” (in 1979-06)
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
translated version of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
Giacomo Meyerbeer3:30
8Werther: Act III. “Pourquoi me réveiller…” (Werther)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Werther]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1979-06)
composer:
Jules Massenet (French Romantic composer)
librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) and Paul Milliet (Librettist)
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:06
9Andrea Chénier: Act I. “Colpito qui m'avete … Un dì all'azzurro spazio” (Chénier)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Riccardo Chailly (conductor) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano5:20
10Andrea Chénier: Act IV. “Come un bel dì di maggio” (Chénier)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Riccardo Chailly (conductor) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)
composer:
Umberto Giordano (Italian opera composer) (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:12
11Andrea Chénier: Act III. “Sì, fui soldato” (Chénier)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Riccardo Chailly (conductor) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Andrea Chénier: Atto III. “Sì, fui soldato” … “Passa la vita mia” (Chénier)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano2:22
12La fanciulla del West: Act III. “Ch'ella mi creda libero e lontano” (Johnson)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Johnson]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance) (in 1979-06)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
Giacomo Puccini2:05
13Manon Lescaut: Act I. “Ma se vi talenta … Tra voi belle” (Des Grieux)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Des Grieux]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Manon Lescaut: Atto I. “Tra voi, belle, brune e bionde” (Des Grieux, Edmondo, coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:03
14Manon Lescaut: Act I. “Donna non vidi mai” (Des Grieux)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Des Grieux]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1979-06)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:38
15Manon Lescaut: Act III. “Ah! non m'avvicinate! … No! no! pazzo son!” (Des Grieux, Capitano)
recording engineer:
James Lock (engineer)
producer:
Ray Minshull (record producer)
baritone vocals [Capitano]:
Neil Howlett (English operatic baritone) (in 1979-06)
tenor vocals [Des Grieux]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Manon Lescaut: Atto III. “Presto! In fila!…No! No! pazzo son” (Des Grieux, Sergente, Comandante)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto III
Giacomo Puccini3:23
▼ CD 8: Mattinata
#TitleArtistRatingLength
1Alma del core
recording engineer and balance engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Alma del core (in 1977-04)
lyricist:
[anonymous] (special purpose artist) (until 1710)
composer:
Antonio Caldara (until 1710)
publisher:
G. Schirmer Inc.
Antonio Caldara3:14
2Gli tre cicisbei ridicoli: “Tre giorni son che Nina”
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Tre giorni son che Nina (in 1977-04)
composer and librettist:
Vincenzo Legrenzio Ciampi
previously attributed to:
Giovanni Battista Pergolesi (composer)
Vincenzo Legrenzio Ciampi3:44
3Vaga luna, che inargenti
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Vaga luna che inargenti (in 1977-04)
lyricist:
[anonymous] (special purpose artist)
composer:
Vincenzo Bellini (Sicilian opera composer)
Vincenzo Bellini3:49
4Danza, danza, fanciulla
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1982-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1982-08)
conductor:
Antonio Tonini (conductor) (in 1982-08)
arranger:
Alexander Faris (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Danza fanciulla gentile (in 1982-08)
lyricist:
Lorenzo Pagans (Spanish tenor, 19c.) (until 1874)
composer:
Francesco Durante
publisher:
G. Schirmer Inc.
Francesco Durante1:36
5Caro mio ben
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Caro mio ben (in 1977-04)
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani3:05
6Soirées musicales: La promessa
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Soirées musicales: No. 1. La promessa “’Ch’io mai vi possa lasciar amare” (in 1977-04)
lyricist:
Pietro Metastasio
composer:
Gioachino Rossini (composer)
part of:
Soirées musicales
Gioachino Rossini3:54
7Orfeo ed Euridice: “Che farò senza Euridice?”
recording engineer and balance engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Jerry Lanning
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (in 1977-04)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck4:26
8L'alba separa dalla luce l'ombra
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Quattro canzoni d’Amaranta: No. 2. L'alba separa dalla luce l'ombra (in 1977-04)
lyricist:
Gabriele D'Annunzio
composer:
Francesco Paolo Tosti (composer)
part of:
Quattro canzoni d'Amaranta
Francesco Paolo Tosti2:42
9Aprile
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1982-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1982-08)
conductor:
Antonio Tonini (conductor) (in 1982-08)
arranger:
Alexander Faris (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
Aprile (in 1982-08)
lyricist and composer:
Francesco Paolo Tosti (composer)
Francesco Paolo Tosti3:25
10Chanson de l'adieu
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1982-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1982-08)
conductor:
Antonio Tonini (conductor) (in 1982-08)
arranger:
Alexander Faris (conductor)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1982-08)
recording of:
La Chanson de l’adieu (in 1982-08)
lyricist:
Alfred de Musset
composer:
Francesco Paolo Tosti (composer)
Francesco Paolo Tosti4:23
11L'ultima canzone
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
L’ultima canzone (in 1977-04)
lyricist:
Francesco Cimmino
composer:
Francesco Paolo Tosti (composer)
dedicated to:
Rina Giacchetti
Francesco Paolo Tosti4:18
12Il barcaiuolo
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Il barcaiolo (in 1977-04)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Leopoldo Tarantini
Gaetano Donizetti3:14
13Mattinata
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Mattinata (in 1977-04)
lyricist and composer:
Ruggero Leoncavallo (composer)
Ruggero Leoncavallo2:00
14In questa tomba oscura, WoO 133
recording engineer and balance engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
"In questa tomba oscura", WoO 133 (in 1977-04)
lyricist:
Giuseppe Carpani
composer:
Ludwig van Beethoven (German composer) (from 1806 until 1807)
dedicated to:
Joseph Franz von Lobkowitz
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 133)
Ludwig van Beethoven3:32
▶ CD 9: Mamma
▶ CD 10: Passione
▶ CD 11: Volare
▶ CD 12: Ti adoro