Easter Oratorio, Ascension Oratorio

~ Release by Johann Sebastian Bach; Taverner Consort, Taverner Players, Andrew Parrott (see all versions of this release, 1 available)

Annotation

Kommt, eilet und laufet first appeared on Virgin: 5 45011 2
Lobet Gott in seinen Reichen first appeared on EMI: 7 49959 2
This is disc 3 in a Bach box set:
Label: Virgin - Cat. #: 5 62068 2 - EAN: 724356206823 - Format: 5CD - ASIN: B00005UNXB

Annotation last modified on 2007-03-18 19:28 UTC.

Tracklist

▼ Medium 1
#TitleArtistRatingLength
1Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Sinfonia
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:09
2Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Adagio
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach3:33
3Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Chorus "Kommt, eilet und laufet"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
performer:
The Taverner Consort & Players (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:10
4Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "O kalter Männer Sinn!"
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
baritone vocals and bass-baritone vocals:
Peter Kooij (baritone) (in 1993-04)
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach1:01
5Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Aria "Seele, deine Spezereien"
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach10:04
6Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "Hier ist die Gruft"
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
baritone vocals and bass-baritone vocals:
Peter Kooij (baritone) (in 1993-04)
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:47
7Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Aria "Sanfte soll mein Todeskummer"
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:36
8Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "Indessen seufzen wir"
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:56
9Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Aria "Saget, saget mir geschwinde"
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:54
10Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "Wir sind erfreut"
baritone vocals and bass-baritone vocals:
Peter Kooij (baritone) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:39
11Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Chorus "Preis und Dank"
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach2:25
12Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Chorus "Lobet Gott in seinen Reichen"
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:34
13Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Der Herr Jesus hub seine Hände auf"
tenor vocals:
Wilfried Jochens (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:30
14Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Ach, Jesu, ist dein Abschied schon so nah?"
bass vocals:
Stephen Charlesworth (bass-baritone) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:54
15Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Aria "Ach, bleibe doch, mein liebstes Leben"
alto vocals:
Margaret Cable (mezzo-soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach5:59
16Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Und ward aufgehoben zusehens"
tenor vocals:
Wilfried Jochens (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:24
17Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Nun lieget alles unter dir"
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1989-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:04
18Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Und da sie ihm nachsahen" / "Ihr Männer von Galiläa" / "Ach Ja! so komme bald zurück"
alto vocals:
Margaret Cable (mezzo-soprano) (in 1989-04)
soprano vocals:
Evelyn Tubb (soprano) (in 1989-04)
tenor vocals:
Wilfried Jochens (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach2:10
19Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Aria "Jesu, deine Gnadenblicke"
soprano vocals:
Emma Kirkby (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:04
20Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Wenn soll es doch geschehen"
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:02

Credits

Release

ASIN:UK: B00005UNXB [info]