# | Title | Artist | Rating | Length |
---|
1 | BWV 232 Credo / Chorus - Credo in unum Deum | Johann Sebastian Bach | | 1:58 |
2 | BWV 232 Credo / Chorus - Patrem omnipotentem- engineer:
- Mike Hatch
- producer:
- Mark Brown
- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- St. Augustine’s Church in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1994-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:01 |
3 | BWV 232 Credo / Duet (soprano I, alto) - Et in unum Dominum | Johann Sebastian Bach | | 4:22 |
4 | BWV 232 Credo / Chorus - Et incarnatus est | Johann Sebastian Bach | | 3:20 |
5 | BWV 232 Credo / Chorus - Crucifixus- engineer:
- Mike Hatch
- producer:
- Mark Brown
- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- St. Augustine’s Church in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1994-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:12 |
6 | BWV 232 Credo / Chorus - Et resurrexit | Johann Sebastian Bach | | 4:01 |
7 | BWV 232 Credo / Aria (bass) - Et in Spiritum Sanctum | Johann Sebastian Bach | | 5:18 |
8 | BWV 232 Credo / Chorus - Confiteor unum baptisma | Johann Sebastian Bach | | 4:54 |
9 | BWV 232 Credo / Chorus - Et Expecto | Johann Sebastian Bach | | 2:15 |
10 | BWV 232 Sanctus / Chorus - Sanctus | Johann Sebastian Bach | | 4:50 |
11 | BWV 232 Osanna / Chorus - Osanna- engineer:
- Mike Hatch
- producer:
- Mark Brown
- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- St. Augustine’s Church in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1994-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:03 |
12 | BWV 232 Benedictus / Chorus - Aria (tenor) Benedictus | Johann Sebastian Bach | | 4:25 |
13 | BWV 232 Osanna / Chorus - Osanna- engineer:
- Mike Hatch
- producer:
- Mark Brown
- choir vocals:
- The Sixteen
- orchestra:
- Orchestra of The Sixteen
- conductor:
- Harry Christophers
- recorded at:
- St. Augustine’s Church in London , England, United Kingdom
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1994-04)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:03 |
14 | BWV 232 Agnus Dei / Aria (alto) - Agnus Dei | Johann Sebastian Bach | | 5:37 |
15 | BWV 232 Dona nobis pacem / Chorus - Dona nobis pacem | Johann Sebastian Bach | | 2:43 |