Enigma Variations / The Sanguine Fan / Grania & Diarmid

~ Release by Elgar; London Philharmonic Orchestra, Bryden Thomson, Jenny Miller (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Variation on an Original Theme (“Enigma”) for orchestra, op. 36: Introduction - I. (C.A.E.)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:26
2Variation on an Original Theme (“Enigma”) for orchestra, op. 36: II. (H.D.S-P.)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:47
3Variation on an Original Theme (“Enigma”) for orchestra, op. 36: III. (R.B.T.)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:21
4Variation on an Original Theme (“Enigma”) for orchestra, op. 36: IV. (W.M.B.)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:30
5Variation on an Original Theme (“Enigma”) for orchestra, op. 36: V. (R.P.A.)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:16
6Variation on an Original Theme (“Enigma”) for orchestra, op. 36: VI. (Ysobel)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:19
7Variation on an Original Theme (“Enigma”) for orchestra, op. 36: VII. (Troyte)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar0:59
8Variation on an Original Theme (“Enigma”) for orchestra, op. 36: VIII. (W.N.)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:04
9Variation on an Original Theme (“Enigma”) for orchestra, op. 36: IX. (Nimrod)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1988-01-18 until 1988-01-19)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:42
10Variation on an Original Theme (“Enigma”) for orchestra, op. 36: X. (Dorabella) Intermezzo
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:35
11Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XI. (G.R.S.)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:00
12Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XII. (B.G.N.)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:40
13Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XIII. (***) Romanza
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar2:49
14Variation on an Original Theme (“Enigma”) for orchestra, op. 36: XIV. (E.D.U.) Finale
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar6:00
15The Sanguine Fan, op. 81: Moderato, Maestoso
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
partial recording of:
The Sanguine Fan, op. 81 (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Edward Elgar4:42
16The Sanguine Fan, op. 81: Andantino
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
partial recording of:
The Sanguine Fan, op. 81 (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Edward Elgar3:31
17The Sanguine Fan, op. 81: Più moderato
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
partial recording of:
The Sanguine Fan, op. 81 (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Edward Elgar2:07
18The Sanguine Fan, op. 81: Allegro molto
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
partial recording of:
The Sanguine Fan, op. 81 (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Edward Elgar0:39
19The Sanguine Fan, op. 81: Grandioso
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
partial recording of:
The Sanguine Fan, op. 81 (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Edward Elgar1:29
20The Sanguine Fan, op. 81: Allegretto moderato
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
partial recording of:
The Sanguine Fan, op. 81 (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Edward Elgar3:02
21The Sanguine Fan, op. 81: Allegro
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
partial recording of:
The Sanguine Fan, op. 81 (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Edward Elgar1:09
22The Sanguine Fan, op. 81: Allegro
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
partial recording of:
The Sanguine Fan, op. 81 (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Edward Elgar0:58
23The Sanguine Fan, op. 81: Moderato
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
partial recording of:
The Sanguine Fan, op. 81 (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Edward Elgar1:52
24Incidental Music from “Grania & Diarmid”, op. 42: Incidental Music
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Grania and Diarmid, op. 42: I. Incidental Music (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1901)
part of:
Grania and Diarmid, op. 42
Edward Elgar3:07
25Incidental Music from “Grania & Diarmid”, op. 42: Funeral March
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Grania and Diarmid, op. 42: II. Funeral March (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1901)
part of:
Grania and Diarmid, op. 42
Edward Elgar7:41
26Incidental Music from “Grania & Diarmid”, op. 42: There are seven that pull the thread (Song, Act I)
sound engineer:
Ralph Couzens (engineer/editor/producer) (from 1988-01-18 until 1988-01-19)
assistant engineer:
Janet Middlebrook (from 1988-01-18 until 1988-01-19)
producer:
Tim Oldham (editor / producer) (from 1988-01-18 until 1988-01-19)
editor:
Tim Oldham (editor / producer)
soprano vocals:
Jenny Miller (mezzo-soprano) (from 1988-01-18 until 1988-01-19)
orchestra:
London Symphony Orchestra (from 1988-01-18 until 1988-01-19)
conductor:
Bryden Thomson (conductor) (from 1988-01-18 until 1988-01-19)
concertmaster:
David Nolan (violinist and conductor) (from 1988-01-18 until 1988-01-19)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 1989)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1988-01-18 until 1988-01-19)
recording of:
Grania and Diarmid, op. 42: III. "There are seven that pull the thread" (Song in Act I) (from 1988-01-18 until 1988-01-19)
composer:
Edward Elgar (composer) (in 1901)
part of:
Grania and Diarmid, op. 42
Edward Elgar2:19

Credits

Release

art direction:Vicky Langdale (art direction on Chandos releases)
graphic design:Penny Olymbios (designer)
copyrighted (©) by:Chandos Records Ltd. (not for release label use) (in 1989)
discography entry:https://www.chandos.net/products/catalogue/CHAN 8610 [info]