The Very Best of Nat King Cole

~ Release by Nat King Cole (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Unforgettable
producer:
Lee Gillette
piano:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
3.853:30
2(Get Your Kicks On) Route 66
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 and Burke-Van Heusen, Inc. (on 1946-04-22)
3:03
3The Frim Fram Sauce
recording of:
The Frim‐Fram Sauce
lyricist:
Redd Evans (in 1945)
composer:
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
3:19
4Straighten Up and Fly Right
double bass and double bass [bass]:
Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30), Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30) and Oscar Moore (on 1943-11-30)
performer:
The Nat King Cole Trio (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Straighten Up and Fly Right (on 1943-11-30)
writer:
Nat King Cole and Irving Mills
publisher:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
sub-publisher:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and コンソーシアム音楽出版 C・F事業部 (until 2021-06-30)
52:28
5Jumpin' at Capitol
double bass:
Red Callender (on 1943-11-30) and Johnny Miller (part of the Nat King Cole Trio) (on 1943-11-30)
guitar:
Oscar Moore (on 1943-11-30)
piano:
Nat King Cole (on 1943-11-30)
vocals:
Nat King Cole (on 1943-11-30)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1943-11-30)
recording of:
Jumpin’ at Capitol (on 1943-11-30)
composer:
Nadine Robinson
2:29
6Sweet Lorraine
recording of:
Sweet Lorraine
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
3:11
7The Christmas Song (Merry Christmas)
producer:
Lee Gillette
piano:
Nat King Cole
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
orchestrator:
Charles R. Grean and Pete Rugolo
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (on 1961-03-30)
lyricist:
Mel Tormé (“The Velvet Fog”) and Robert Wells (songwriter) (from 1944 until 1945)
composer:
Mel Tormé (“The Velvet Fog”) (from 1944 until 1945)
publisher:
Chappell/Morris Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Sony/ATV Tunes LLC, Warner Chappell Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
3.353:14
8(I Love You) For Sentimental Reasons
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-08-22)
guitar:
Oscar Moore (on 1946-08-22)
piano:
Nat King Cole (on 1946-08-22)
vocals:
Nat King Cole (on 1946-08-22)
performer:
The Nat King Cole Trio (on 1946-08-22)
recorded at:
WMCA Studios in New York, New York, United States (on 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (on 1946-08-22)
lyricist:
Ivory “Deek” Watson
composer:
William “Pat” Best
publisher:
MCA Duchess Music Corporation and Peter Maurice Music Co. Ltd.
42:55
9Nature Boy
recorded in:
New York, New York, United States (on 1947-08-22)
additional guitar:
Oscar Moore (on 1947-08-22)
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1947-08-22)
piano:
Nat King Cole (on 1947-08-22)
violin:
Harry Bluestone (on 1947-08-22)
vocals:
Nat King Cole (on 1947-08-22)
orchestra:
Frank De Vol Orchestra (on 1947-08-22)
recording of:
Nature Boy (on 1947-08-22)
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
32:40
10My Baby Just Cares for Me
recorded in:
New York, New York, United States (on 1949-11-07)
bongos and congas and membranophone:
Jack Costanzo (on 1949-11-07)
double bass:
Joe Comfort (on 1949-11-07)
guitar:
Irving Ashby (on 1949-11-07)
piano:
Nat King Cole (on 1949-11-07)
vocals:
Nat King Cole (on 1949-11-07) and Woody Herman (on 1949-11-07)
performer:
The Nat King Cole Trio (on 1949-11-07)
cover recording of:
My Baby Just Cares for Me (on 1949-11-07)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
2:48
11Mona Lisa
cover recording of:
Mona Lisa
lyricist:
Raymond B. Evans (American songwriter)
composer:
Jay Livingston
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
BMG Unisong Music Publishers BV
part of:
The 23rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 23)
3:17
12Too Young
recording of:
Too Young
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
3:14
13Walkin' My Baby Back Home
producer:
Lee Gillette
bass:
Joe Comfort (on 1961-07-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1961-07-20)
guitar:
Alvino Rey (on 1961-07-20)
piano:
Nat King Cole (on 1961-07-20)
vocals:
Nat King Cole (on 1961-07-20)
conductor:
Billy May (on 1961-07-20)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1961-07-20)
cover recording of:
Walkin’ My Baby Back Home (on 1961-07-20)
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
42:42
14Pretend
producer:
Lee Gillette
double bass:
Joe Comfort (on 1952-12-30)
guitar:
Irving Ashby (on 1952-12-30)
piano:
Nat King Cole (on 1952-12-30)
vocals:
Nat King Cole (on 1952-12-30)
orchestra:
Nelson Riddle and His Orchestra (on 1952-12-30)
conductor:
Ralph Carmichael and Nelson Riddle
recording of:
Pretend (on 1952-12-30)
lyricist:
Lew Douglas, Frank Lavere and Cliff Parman
composer:
Dan Belloc, Lew Douglas, Frank Lavere and Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:46
15Tenderly
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
2:58
16Darling, Je vous aime beaucoup
cover recording of:
Darling, je vous aime beaucoup
lyricist and composer:
Anna Sosenko (in 1935)
publisher:
Chappell & Co., Inc. (USA) and Francis Day S.A.
medley of:
La Vie en rose (French original)
2:52
17Smile
recording of:
Smile
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
52:56
18Autumn Leaves (Les Feuilles mortes)
vocals:
Nat King Cole (in 1955-08)
performer:
Nelson Riddle and His Orchestra (in 1955-08)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (in 1955-08)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
2:42
19Love Is a Many Splendored Thing
bass:
Charlie Harris (jazz bassist) (on 1955-08-25)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-25)
cello:
Victor Gottlieb (on 1955-08-25), Kurt Reher (on 1955-08-25) and Joseph Saxon (on 1955-08-25)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-25)
French horn:
Jack Cave (on 1955-08-25) and Vincent DeRosa (on 1955-08-25)
guitar:
John Collins (jazz guitarist) (on 1955-08-25)
harp:
Kathryn Julye (on 1955-08-25)
piano:
Nat King Cole (on 1955-08-25) and Bill Miller (pianist) (on 1955-08-25)
reeds:
Harry Klee (on 1955-08-25), Wilbur Schwartz (on 1955-08-25) and Champ Webb (on 1955-08-25)
trombone:
Ed Kusby (on 1955-08-25)
valve trombone:
Juan Tizol (on 1955-08-25)
viola:
Alvin Dinkin (on 1955-08-25) and Stanley Spiegelman (on 1955-08-25)
violin:
Victor Bay (on 1955-08-25), Alex Beller (on 1955-08-25), Erno Neufeld (on 1955-08-25), Nathan Ross (on 1955-08-25), Paul Shure (on 1955-08-25), Felix Slatkin (on 1955-08-25), Marshall Sosson (on 1955-08-25) and Gerald Vinci (American violinist and strings conductor) (on 1955-08-25)
vocals:
Nat King Cole (on 1955-08-25)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-25)
conductor:
Nelson Riddle (on 1955-08-25)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1955-08-25)
cover recording of:
Love Is a Many‐Splendored Thing (on 1955-08-25)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The 28th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 28)
2:43
20Let's Fall in Love
recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2:49
21Lover, Come Back to Me!
recording of:
Lover, Come Back to Me (The New Moon)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
2:33
22I Wish You Love (Que reste-t-il de nos amours)
cover recording of:
I Wish You Love
lyricist:
Charles Trenet
composer:
Léo Chauliac and Charles Trenet
translator:
Albert Beach
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部
translated version of:
Que reste-t-il de nos amours ?
2:54
▼ CD 2
#TitleRatingLength
1Caravan
cover recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
2:47
2Ballerina
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1956-09-19)
bass:
Charlie Harris (jazz bassist) (on 1956-09-19)
bass trombone:
George Roberts (american bass trombone) (on 1956-09-19)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1956-09-19)
guitar:
John Collins (jazz guitarist) (on 1956-09-19)
harp:
Kathryn Julye (on 1956-09-19)
percussion:
Louis Singer (percussionist) (on 1956-09-19)
piano:
Jimmy Rowles (on 1956-09-19)
saxophone:
Joe Koch (on 1956-09-19), Irving "Babe" Russin (on 1956-09-19), Wilbur Schwartz (on 1956-09-19) and Buck Skalak (on 1956-09-19)
trombone:
Joe Howard (american trombone player) (on 1956-09-19) and Jimmy Priddy (on 1956-09-19)
trumpet:
Conrad Gozzo (on 1956-09-19), Cappy Lewis (on 1956-09-19), Vito N. Mangano (on 1956-09-19) and Shorty Sherock (on 1956-09-19)
valve trombone:
Juan Tizol (on 1956-09-19)
vocals:
Nat King Cole (on 1956-09-19)
orchestra:
Nelson Riddle and His Orchestra (on 1956-09-19)
conductor:
Nelson Riddle (on 1956-09-19)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1956-09-19)
cover recording of:
Ballerina (on 1956-09-19)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
2:54
3Saint Louis Blues
2:27
4Love Letters
cover recording of:
Love Letters
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
part of:
The 18th Academy Award for Best Original Song (number: 2)
2:47
5When I Fall in Love
vocals:
Nat King Cole (on 1956-12-28)
conductor:
Gordon Jenkins (on 1956-12-28)
arranger:
Gordon Jenkins
cover recording of:
When I Fall in Love (on 1956-12-28)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
1.53:12
6Fascination
2:30
7Quizás, quizás, quizás
background vocals [chorus vocal]:
The Facundo Rivero Four (on 1958-02-20)
vocals:
Nat King Cole (on 1958-02-20)
orchestra:
Orquesta Cubana de Música Moderna (on 1958-02-20)
recorded at:
Panart Studios in La Habana, Cuba (on 1958-02-20)
cover recording of:
Quizás, quizás, quizás (on 1958-02-20)
lyricist and composer:
Osvaldo Farrés
42:48
8Cachito
bass:
Joe Comfort (on 1958-06-09)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-06-09)
guitar:
John Collins (jazz guitarist) (on 1958-06-09), Charles Gonzales (guitarist, Armando Romeu's orchestra) (on 1958-06-09), Fred Hernandez (guitarist, Armando Romeu's orchestra) (on 1958-06-09) and Joe Nieto (on 1958-06-09)
percussion:
Chico Guerrero (on 1958-06-09), Joe Guerrero (on 1958-06-09), Armando Mesa (on 1958-06-09) and Carlos Vidal (Cuban percussionist) (on 1958-06-09)
piano:
René Touzet (Cuban-born American composer, pianist and bandleader) (on 1958-06-09)
trumpet:
Manny Klein (on 1958-06-09), Rudy Loera (on 1958-06-09), Henry Miranda (on 1958-06-09) and Alberto Rojo (on 1958-06-09)
vocals:
Nat King Cole (on 1958-06-09)
conductor:
Armando Romeu, Jr.
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-06-09)
cover recording of:
Cachito (on 1958-06-09)
lyricist and composer:
Consuelo Velázquez (in 1957)
2:52
9Perfidia
recorded in:
Rio de Janeiro, Rio de Janeiro, Brazil (from 1959-04-13 until 1959-04-16)
bass:
Charlie Harris (jazz bassist) (from 1959-04-13 until 1959-04-16)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (from 1959-04-13 until 1959-04-16)
guitar:
John Collins (jazz guitarist) (from 1959-04-13 until 1959-04-16)
vocals:
Nat King Cole (from 1959-04-13 until 1959-04-16)
conductor:
Dave Cavanaugh (from 1959-04-13 until 1959-04-16)
instruments arranger:
Dave Cavanaugh (in 1959)
cover recording of:
Perfidia (from 1959-04-13 until 1959-04-16)
lyricist and composer:
Alberto Domínguez
2:21
10Ay, Cosita Linda
cover recording of:
Ay cosita linda
lyricist and composer:
Pacho Galán
2:17
11The Very Thought of You
recording of:
The Very Thought of You
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
13:51
12Cherchez la Femme
2:42
13The Late, Late Show
alto saxophone:
Marshall Royal (on 1958-07-01) and Frank Wess (on 1958-07-01)
baritone saxophone:
Charlie Fowlkes (on 1958-07-01)
bass:
Eddie Jones (US jazz double bassist) (on 1958-07-01)
drums (drum set):
Sonny Payne (on 1958-07-01) and Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1958-07-01)
guitar:
Freddie Green (on 1958-07-01)
piano:
Gerald Wiggins (on 1958-07-01)
tenor saxophone:
Frank Foster (saxophonist) (on 1958-07-01) and Billy Mitchell (US jazz saxophonist) (on 1958-07-01)
trombone:
Henry Coker (on 1958-07-01), Al Grey (trombone) (on 1958-07-01) and Benny Powell (on 1958-07-01)
trumpet:
John Anderson (US jazz trumpeter) (on 1958-07-01), Wendell Culley (on 1958-07-01), Thad Jones (on 1958-07-01), Joe Newman (US jazz trumpeter) (on 1958-07-01) and Snooky Young (on 1958-07-01)
vocals:
Nat King Cole (on 1958-07-01)
orchestra:
The Count Basie Orchestra (on 1958-07-01)
conductor:
Dave Cavanaugh (on 1958-07-01)
arranger:
Dave Cavanaugh
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1958-07-01)
cover recording of:
The Late Late Show (on 1958-07-01)
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
recording of:
The Late Late Show
lyricist:
Murray Berlin
composer:
Roy Alfred (Tin Pan Alley lyricist and composer)
2:34
14Avalon
1:47
15Mr. Cole Won't Rock 'n' Roll
recording of:
Mr. Cole Won't Rock & Roll
writer:
Joe Sherman and Noel Sherman
7:41
16Wild Is Love
producer:
Lee Gillette
piano:
Nat King Cole
vocals:
Nat King Cole
conductor:
Nelson Riddle (on 1960-03-01)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-03-01)
recording of:
Wild Is Love (on 1930-03-01)
writer:
Raymond Rasch and Dottie Wayne
2:52
17Azure te
cover recording of:
Azure-Té (Paris Blues) (on 1961-12-19)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Wild Bill Davis
publisher:
Gale & Gayles Inc.
3:57
18Ramblin' Rose
recording of:
Ramblin’ Rose (1962 popular torch song)
lyricist:
Noel Sherman
composer:
Joe Sherman
publisher:
Sony/ATV Music Publishing, LLC (1995–2020)
2:50
19Those Lazy Hazy Crazy Days of Summer
recording of:
Those Lazy Hazy Crazy Days of Summer
lyricist:
Charles Tobias (Tin Pan Alley songwriter)
composer:
Hans Carste
2:26
20L.O.V.E.
engineer:
Ryan Robinson (engineer)
mixer:
Joel Iwataki
assistant editor:
Sam Zeines
vocals:
Nat King Cole (on 1964-06-03)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (on 1964-06-03)
recording of:
L-O-V-E (on 1964-06-03)
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
52:35
21The Girl From Ipanema
vocals:
Nat King Cole (on 1964-12-03)
recorded at:
Coast Recorders in San Francisco, California, United States (on 1964-12-03)
cover recording of:
The Girl From Ipanema (on 1964-12-03)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc., Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Windswept Music (London) Ltd.
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
2:57
22Vaya con Dios
recording of:
Vaya con Dios (original) (in 1962-03)
writer:
Inez James, Buddy Pepper and Larry Russell (Film composer)
publisher:
Ardmore Music Corp., Chappell Music Ltd. and Manuskript (not for release label use! this is only for copyrights and publishing relationships)
2:31