Larry’s Party Rock 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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Medium 1
#TitleArtistRatingLength
1Intro: Rofo’s Theme
Rofo1:53
2Ritmo De La Noche
recording of:
Ritmo de la noche
writer:
Peter Allen (Australian singer‐songwriter), Adrienne Anderson, Harry Castioni, Alex Christensen (German techno DJ/producer), Bela Lagonda and Jeff Wycombe
publisher:
Pink Music and Warner Chappell
Chocolate3:22
3Don’t You Want Me
recording of:
Don’t You Want Me (Human League song)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
The Human League3:46
4Just Can’t Get Enough (live)
engineer:
Jon Botting
mixer:
Depeche Mode and John Fryer (British producer and engineer)
recorded at:
A Broken Frame Tour (1982-10-25) (London, UK, day 2)
recorded at:
Hammersmith Odeon (Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1982-10-25)
live recording of:
Just Can’t Get Enough (on 1982-10-25)
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (ended), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング A事業部
Depeche Mode5:27
5Dancin Party
cover recording of:
Dancing Party
lyricist:
Kal Mann
composer:
Dave Appell
Showaddywaddy2:31
6Rock’n’Roll High SchoolRamones2:13
7School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.23:22
8Bad News
recording of:
Bad News
lyricist and composer:
Moon Martin
publisher:
Sony/ATV Songs LLC
Moon Martin3:49
9The Look of Love
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
SARM Studios in London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4) and The Downloader’s Music Source Book (number: 73)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
part of:
Mantrap (ABC long-form film)
ABC4.13:28
10Mit 18
Marius Müller‐Westernhagen4:08
11Westerland
recording of:
Westerland
lyricist and composer:
Farin Urlaub
publisher:
Ed. Brause-Beat
Die Ärzte3:42
12Was wollen wir trinken
Comix3:45
13Radar Love
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music and Snamyook Music (publisher associated with George Kooymans)
Golden Earring5:01
14Rock the Night
recording of:
Rock the Night
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Europe2:29
15The Time Warp
recording of:
The Time Warp
lyricist and composer:
Richard O’Brien
publisher:
Druidcrest Ltd., Hollenbeck Music and Richard O’Brien Druidcrest Ltd.
part of:
The Rocky Horror Picture Show (1975 film soundtrack)
part of:
The Rocky Horror Show (1973 stage musical)
Richard O’Brien3:14
16Lola
recording of:
Lola
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin (in 1970, in 1984) and Davray (publisher) (in 1970, in 1984)
The Kinks3:55
17Wheel in the Sky (live)Journey4:59
18Everyday (live)
live recording of:
Everyday (Slade)
composer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd.
Slade3:14
Medium 2
#TitleArtistRatingLength
1Intro
After the Fire2:31
2Turn Me Loose
recording of:
Turn Me Loose
writer:
Paul Dean (Canadian guitarist) and Mike Reno
Loverboy3:44
3Locomotive Breath
recording of:
Locomotive Breath
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull3:40
4Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.13:35
5Rock This Town
recording of:
Rock This Town
lyricist and composer:
Brian Setzer
Stray Cats3:19
6Surfin’ USA
recording of:
Surfin’ U.S.A.
lyricist:
Brian Wilson (Beach Boys co‐founder)
composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
is based on:
Sweet Little Sixteen
The Beach Boys2:21
7Don’t Be Cruel
cover recording of:
Don’t Be Cruel
lyricist, writer and composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
Cheap Trick3:04
8Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
The Clash4.63:03
9Funky Town
cover recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Red Sea Songs, Rick S. Music (publishing company associated with Casablanca) and Steven Greenberg Music
Pseudo Echo33:38
10Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:23
11Hold On Tight
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1981)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1981)
electric piano:
Richard Tandy (in 1981)
guitar, piano and synthesizer:
Jeff Lynne (in 1981) and Richard Tandy (in 1981)
lead vocals:
Jeff Lynne (in 1981)
conductor:
Rainer Pietsch (in 1981)
phonographic copyright (℗) by:
Jet Records (in 1981), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2005) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1981)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (in 1981)
recording of:
Hold On Tight (in 1981)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Electric Light Orchestra43:00
12I Love to Boogie
recording of:
I Love to Boogie
lyricist and composer:
Marc Bolan
publisher:
Wizard (Bahamas) Ltd.
T. Rex2:02
13Whatever You Want
recording of:
Whatever You Want
written in:
Jersey
writer:
Andy Bown and Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton and Shawbury Music Ltd. (publisher)
Status Quo3:57
14Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Publishing Ltd., Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Milk Money Music, Sony/ATV Harmony, Sony/ATV Melody and Sony/ATV Music Publishing Ltd.
part of:
The 57th Academy Award for Best Original Song (number: 2)
Kenny Loggins4.13:44
15The Ballroom Blitz
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd.
The Sweet3:58
16Tiger Feet
recording of:
Tiger Feet
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it) and BMG Music Publishing Ltd.
Mud3:49
17Rock You Like a Hurricane
engineer:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) and Gerd Rautenbach
producer:
Dieter Dierks
mixer:
Mike Beiriger, Dieter Dierks and Scorpions (German rock band)
acoustic guitar:
Rudolf Schenker
bass guitar:
Francis Buchholz
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany)
electric guitar:
Rudolf Schenker (in 1984)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs and Rudolf Schenker
slide guitar:
Matthias Jabs
background vocals:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) and Rudolf Schenker
lead vocals:
Klaus Meine
arranger:
Dieter Dierks
phonographic copyright (℗) by:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2018), Breeze Music (in 1984), EMI (EMI Records, since 1972) (in 1984) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1983 until 1984)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
recording of:
Rock You Like a Hurricane (in 1984)
lyricist:
Klaus Meine and Herman Rarebell (drummer, Germany)
composer:
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH
Scorpions4.054:10
18Purple Rain
phonographic copyright (℗) by:
NPG Records, Inc. (in 2017)
edit of:
Purple Rain (live, 1983-08-03: Minnesota Dance Theatre, First Avenue Nightclub, Minneapolis, MN, USA, with overdubs) by Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
recording of:
Purple Rain
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music and Island Music Ltd.
Prince14:05