Fauré: Requiem / Pavane / Bach: Magnificat

~ Release by Gabriel Fauré, Johann Sebastian Bach; Daniel Barenboim (see all versions of this release, 1 available)

Annotation

Label: EMI64634

Annotation last modified on 2005-10-06 06:40 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Requiem, Op. 48: I. Introit et Kyrie
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
choir vocals:
Edinburgh Festival Chorus (in 1974-01)
soprano vocals:
Sheila Armstrong (soprano) (in 1974-01)
orchestra:
Orchestre de Paris (in 1974-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1974-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1974-01)
recording of:
Requiem, op. 48: I. Introït et Kyrie (in 1974-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré8:04
2Requiem, Op. 48: II. Offertoire
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
choir vocals:
Edinburgh Festival Chorus (in 1974-01)
soprano vocals:
Sheila Armstrong (soprano) (in 1974-01)
orchestra:
Orchestre de Paris (in 1974-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1974-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1974-01)
recording of:
Requiem, op. 48: II. Offertoire (in 1974-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré10:00
3Requiem, Op. 48: III. Sanctus
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
choir vocals:
Edinburgh Festival Chorus (in 1974-01)
soprano vocals:
Sheila Armstrong (soprano) (in 1974-01)
orchestra:
Orchestre de Paris (in 1974-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1974-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1974-01)
recording of:
Requiem, op. 48: III. Sanctus (in 1974-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré2:43
4Requiem, Op. 48: IV. Pie Jesu
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
choir vocals:
Edinburgh Festival Chorus (in 1974-01)
soprano vocals:
Sheila Armstrong (soprano) (in 1974-01)
orchestra:
Orchestre de Paris (in 1974-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1974-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1974-01)
recording of:
Requiem, op. 48: IV. Pie Jesu (in 1974-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré3:31
5Requiem, Op. 48: V. Agnus Dei
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
choir vocals:
Edinburgh Festival Chorus (in 1974-01)
soprano vocals:
Sheila Armstrong (soprano) (in 1974-01)
orchestra:
Orchestre de Paris (in 1974-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1974-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1974-01)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (in 1974-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré6:08
6Requiem, Op. 48: VI. Libera Me
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
choir vocals:
Edinburgh Festival Chorus (in 1974-01)
soprano vocals:
Sheila Armstrong (soprano) (in 1974-01)
orchestra:
Orchestre de Paris (in 1974-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1974-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1974-01)
recording of:
Requiem, op. 48: VI. Libera me (in 1974-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré5:12
7Requiem, Op. 48: VII. In Paradisum
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01)
choir vocals:
Edinburgh Festival Chorus (in 1974-01)
soprano vocals:
Sheila Armstrong (soprano) (in 1974-01)
orchestra:
Orchestre de Paris (in 1974-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1974-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1974-01)
recording of:
Requiem, op. 48: VII. In Paradisum (in 1974-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48
Gabriel Fauré3:28
8Pavane in F sharp minor, Op. 50
choir vocals:
Edinburgh Festival Chorus (in 1974-01)
orchestra:
Orchestre de Paris (in 1974-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1974-01)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1974-01)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1974-01)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:28
9Magnificat in D major, BWV 243: I. Magnificat
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
chorus master:
Wilhelm Pitz (chorus master) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:58
10Magnificat in D major, BWV 243: II. Et exsultavit
soprano vocals [Sop II]:
Anne Pashley (soprano) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:30
11Magnificat in D major, BWV 243: III. Quia respexit
soprano vocals [Sop I]:
Lucia Popp (soprano) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:50
12Magnificat in D major, BWV 243: IV. Omnes generationes
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
chorus master:
Wilhelm Pitz (chorus master) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:24
13Magnificat in D major, BWV 243: V. Quia fecit mihi magna
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:03
14Magnificat in D major, BWV 243: VI. Et misericordia
alto vocals:
Janet Baker (mezzo-soprano and alto) (in 1968)
tenor vocals:
Robert Tear (tenor) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach4:32
15Magnificat in D major, BWV 243: VII. Fecit potentiam
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
chorus master:
Wilhelm Pitz (chorus master) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:16
16Magnificat in D major, BWV 243: VIII. Deposuit potentes
tenor vocals:
Robert Tear (tenor) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:12
17Magnificat in D major, BWV 243: IX. Esurientes implevit bonis
alto vocals:
Janet Baker (mezzo-soprano and alto) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:10
18Magnificat in D major, BWV 243: X. Suscepit Israel
alto vocals:
Janet Baker (mezzo-soprano and alto) (in 1968)
soprano vocals [Sop I]:
Lucia Popp (soprano) (in 1968)
soprano vocals [Sop II]:
Anne Pashley (soprano) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:14
19Magnificat in D major, BWV 243: XI. Sicut locutus est
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
chorus master:
Wilhelm Pitz (chorus master) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:12
20Magnificat in D major, BWV 243: XII. Gloria Patri
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1968)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1968)
conductor:
Daniel Barenboim (pianist and conductor) (in 1968)
chorus master:
Wilhelm Pitz (chorus master) (in 1968)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1968)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:04

Credits

Release

bass vocals:Don Garrard (operatic bass)
Thomas Hemsley (baritone)
Discogs:https://www.discogs.com/release/9574692 [info]
ASIN:US: B000002S4P [info]