Tracklist

CD 1
# Title Artist Rating Length
1 Fantasia on a Theme by Thomas Tallis Ralph Vaughan Williams 15:19
2 Fantasia on Greensleeves Ralph Vaughan Williams 4:20
3 The Lark Ascending Ralph Vaughan Williams 16:07
4 Five Variants of 'Dives and Lazarus' Ralph Vaughan Williams 13:00

Credits

CD 1

violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (1971-05) (tracks 1, 3–4)
Trevor Connah (violinist) (1971-05) (track 1)
cello:
Kenneth Heath (1971-05) (tracks 1, 4)
viola:
Stephen Shingles (1971-05) (track 1)
flute:
William Bennett (flautist) (1971-05) (track 2)
harp:
Skaila Kanga (harpist) (1971-05) (track 4)
arranger:
Ralph Greaves (1934) (track 2)
balance engineer:
Stanley Goodall (engineer) (1971-05) (tracks 2–3)
composer:
Ralph Vaughan Williams (English composer) (track 4)
Ralph Vaughan Williams (English composer) (1910) (track 1)
Ralph Vaughan Williams (English composer) (1914) (track 3)
Ralph Vaughan Williams (English composer) (1924 – 1928) (track 2)
conductor:
Neville Marriner (conductor) (1971-05) (tracks 1–4)
orchestra:
Academy of St Martin in the Fields (1971-05) (tracks 1–4)
producer:
Michael Bremner (producer/engineer) (tracks 2–3)
premiered at:
[concert] (1921-06-14) (track 3)
publisher:
Oxford University Press (1936) (track 2)
premiered at:
Queen’s Hall in London, England, United Kingdom (1921-06-14) (track 3)
recorded at:
Kingsway Hall in London, England, United Kingdom (1971-05) (tracks 1–4)
arrangement of:
The Lark Ascending (for violin and piano) (track 3)
arrangements:
Fantasia on a Theme by Thomas Tallis (for two pianos) (track 1)
The Lark Ascending (arr. Paul Drayton for violin and chamber choir) (track 3)
is based on:
Dives and Lazarus (track 4)
Greensleeves (track 2)
Lovely Joan (traditional English folk song) (track 2)
Sir John in Love (track 2)
is the basis for:
What Child Is This? (for organ, Roper) (track 2)
parts:
recording of:
Fantasia on “Greensleeves” (1971-05) (track 2)
The Lark Ascending (for violin and orchestra) (1971-05) (track 3)
referred to in medleys: