Classic Rock: Shakin’ All Over 1967

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1I’m a Man
The Spencer Davis Group2:53
2Ain’t No Mountain High Enough
vocals:
Marvin Gaye and Tammi Terrell
recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music, Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部
Marvin Gaye & Tammi Terrell4.752:30
3On a Carousel
recording of:
On a Carousel
writer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
The Hollies3:15
4Apples, Peaches, Pumpkin Pie
Jay and the Techniques2:27
5(I’m Not Your) Steppin’ Stone
producer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
bass:
Larry Taylor (US bassist) (on 1966-07-26)
drums (drum set):
Billy Lewis (drummer) (on 1966-07-26)
guitar:
Wayne Erwin (on 1966-07-26), Gerry McGee (on 1966-07-26) and Louie Shelton (on 1966-07-26)
organ:
Bobby Hart (on 1966-07-26)
percussion:
Henry Levy (on 1966-07-26)
background vocals:
Tommy Boyce (US songwriter of Boyce and Hart) (on 1966-07-26) and Bobby Hart (on 1966-07-26)
lead vocals:
Micky Dolenz (on 1966-07-26)
arranger:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
recorded at:
Western Recorders, Studio 1 in Hollywood, Los Angeles, California, United States (on 1966-07-26)
cover recording of:
(I’m Not Your) Steppin’ Stone (on 1966-07-26)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
The Monkees4.52:25
6Tramp
recorded in:
Memphis, Tennessee, United States (from 1967-01 until 1967-02)
producer:
Steve Cropper and Jim Stewart (US producer, founder for Stax & Volt Records)
bass [electric bass] and bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-01 until 1967-02)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (from 1967-01 until 1967-02)
guitar:
Steve Cropper (from 1967-01 until 1967-02)
keyboard:
Isaac Hayes (from 1967-01 until 1967-02) and Booker T. Jones (from 1967-01 until 1967-02)
piano:
Booker T. Jones (from 1967-01 until 1967-02)
tenor saxophone:
Joe Arnold (from 1967-01 until 1967-02) and Andrew Love (from 1967-01 until 1967-02)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-01 until 1967-02)
background vocals:
Carla Thomas (from 1967-01 until 1967-02)
vocals:
Otis Redding (from 1967-01 until 1967-02) and Carla Thomas (from 1967-01 until 1967-02)
performer:
Carla Thomas (from 1967-01 until 1967-02)
cover recording of:
Tramp (from 1967-01 until 1967-02)
writer:
Lowell Fulson and Jimmy McCracklin
publisher:
Budget Music, Careers‐BMG Music Publishing, Inc. and Powerforce Music
Otis Redding & Carla Thomas4.53:00
7Friday on My Mind
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Harry Vanda and George Young (Australian musician and producer)
publisher:
Unart Music Corporation (in 1973)
The Easybeats3.42:45
8Tell Mama
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
drums (drum set):
Roger Hawkins (on 1967-08-24)
electric bass guitar:
David Hood (on 1967-08-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-08-24) and Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1967-08-24)
organ:
Carl Banks (on 1967-08-24) and Dewey Oldham (on 1967-08-24)
piano:
Dewey Oldham (on 1967-08-24)
saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-08-24), Floyd Newman (on 1967-08-24) and Aaron Varnell (on 1967-08-24)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1967-08-24)
lead vocals:
Etta James (on 1967-08-24)
arranger:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-08-24)
cover recording of:
Tell Mama (on 1967-08-24)
writer:
Clarence Carter, Marcus Daniel and Wilbur Terrell
publisher:
Lowery Music Corp.
Etta James42:22
9Boogaloo Down Broadway
The Fantastic Johnny C2:34
10Creeque Alley
producer:
Lou Adler
produced for:
Dunhill Records USA
recording of:
Creeque Alley
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Trousdale Music Pub., Inc.
The Mamas & the Papas3.753:50
11Dry Your Eyes
Brenda & the Tabulations2:39
12Windy
recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Association52:55
1398.6
Keith3:04
14Reflections
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Reflections
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 and Stone Agate Music (in 1967)
Diana Ross & The Supremes2:53
15Talk Talk
recording of:
Talk Talk (The Music Machine)
lyricist and composer:
Sean Bonniwell
publisher:
ATV Music Ltd., Bike Music, Lovolar Music and Thrush Music Publishing (from 1966 to ????)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ソニー・ミュージックパブリッシング A事業部
The Music Machine1:59
16Baby, I Love You
recording engineer:
Tom Dowd (on 1967-06-23) and Arif Mardin (on 1967-06-23)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-23)
bass guitar:
Tommy Cogbill (on 1967-06-23)
bass trombone:
Tony Studd (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
electric piano, organ and piano:
Spooner Oldham (on 1967-06-23) and Truman Thomas (on 1967-06-23)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-06-23) and King Kurtis (saxophonist) (on 1967-06-23)
trumpet:
Melvin Lastie (on 1967-06-23)
vibraphone:
Ted Somers (vibes) (on 1967-06-23)
choir vocals:
Aretha Franklin (on 1967-06-23), Carolyn Franklin (on 1967-06-23) and Irma Franklyn (on 1967-06-23)
lead vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
recording of:
Baby I Love You (on 1967-06-23)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. and Pronto Music
Aretha Franklin32:39
17Society’s Child
recording of:
Society's Child
lyricist and composer:
Janis Ian
publisher:
Dialogue Music, Inc and Taosongs Two
Janis Ian3:15
18She’d Rather Be With Me
performer:
The Turtles (late 60s US rock band)
recording of:
She’d Rather Be With Me
writer:
Garry Bonner and Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
The Turtles3.352:21
19The Beat Goes On
recording of:
The Beat Goes On
lyricist and composer:
Sonny Bono
publisher:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sonny & Cher3:23
20I’ve Been Lonely Too Long
The Young Rascals3:02
21Soul Finger
recorded in:
Memphis, Tennessee, United States (in 1967)
bass [electric bass]:
James Alexander (US soul bassist, singer and songwriter) (in 1967)
drums (drum set):
Carl Cunningham (drummer for The Bar‐Kays) (in 1967)
guitar:
Jimmy King (US guitarist for The Bar‐Kays) (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
recording of:
Soul Finger (in 1967)
writer:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones and Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:22
22Ode to Billie Joe
phonographic copyright (℗) by:
Capitol Records Nashville (in 1967)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 191) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 412)
recording of:
Ode to Billie Joe (in 1967-03)
lyricist and composer:
Bobbie Gentry
publisher:
Larry Shayne Music, Inc.
Bobbie Gentry54:13

Credits

Release group

part of:Classic Rock (Time-Life Music) (number: 15) (order: 14)