Jazz on Vogue

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Django Reinhardt - Souvenirs de Django Reinhardt Vol. 1, 2, & 3
#TitleArtistRatingLength
1Minor Swing
clarinet:
Maurice Meunier (on 1947-08-29)
double bass:
Emmanuel Soudieux (on 1947-08-29)
drums (drum set):
André Jourdan (on 1947-08-29)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-08-29) and Eugène Vées (on 1947-08-29)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-08-29)
recording of:
Minor Swing (on 1947-08-29)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:51
2Swing 41
clarinet:
Maurice Meunier (on 1947-08-29)
double bass:
Emmanuel Soudieux (on 1947-08-29)
drums (drum set):
André Jourdan (on 1947-08-29)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-08-29) and Eugène Vées (on 1947-08-29)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-08-29)
recording of:
Swing 41 (on 1947-08-29)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:10
3Artillerie Lourde
clarinet:
Gérard Lévecque (in 1947-11)
double bass:
Emmanuel Soudieux (in 1947-11)
drums (drum set):
André Jourdan (in 1947-11)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) and Eugène Vées (in 1947-11)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-11-08 until 1947-11-13)
recording of:
Artillerie lourde (in 1947-11)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
Django Reinhardt4:15
4Peche a la mouche
clarinet:
Gérard Lévecque (in 1947-11)
double bass:
Emmanuel Soudieux (in 1947-11)
drums (drum set):
André Jourdan (in 1947-11)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) and Eugène Vées (in 1947-11)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-11-08 until 1947-11-13)
recording of:
Pêche à la mouche (in 1947-11)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:15
5Swing Guitars
clarinet:
Maurice Meunier
double bass:
Emmanuel Soudieux
drums (drum set):
Jacques Martinon
guitar:
Django Reinhardt (French jazz guitarist and composer) and Eugène Vées
piano:
Eddie Bernard
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-08-25 until 1950)
recording of:
Swing Guitars
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:03
6Belleville
clarinet:
Gérard Lévecque (from 1947-10-08 until 1947-10-13, in 1947-11)
double bass:
Emmanuel Soudieux (from 1947-10-08 until 1947-10-13, in 1947-11)
drums (drum set):
André Jourdan (from 1947-10-08 until 1947-10-13, in 1947-11)
electric guitar:
Django Reinhardt (French jazz guitarist and composer) (from 1947-10-08 until 1947-10-13)
guitar:
Eugène Vées (from 1947-10-08 until 1947-10-13, in 1947-11) and Django Reinhardt (French jazz guitarist and composer) (in 1947-11)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-11-08 until 1947-11-13)
recording of:
Belleville (from 1947-10-08 until 1947-10-13)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:34
7Douce ambiance
clarinet:
Gérard Lévecque (in 1947-11)
double bass:
Emmanuel Soudieux (in 1947-11)
drums (drum set):
André Jourdan (in 1947-11)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) and Eugène Vées (in 1947-11)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-11-08 until 1947-11-13)
recording of:
Douce ambiance (in 1947-11)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:21
8Swing de Paris
clarinet:
Gérard Lévecque (in 1947-11)
double bass:
Emmanuel Soudieux (in 1947-11)
drums (drum set):
André Jourdan (in 1947-11)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) and Eugène Vées (in 1947-11)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-11-08 until 1947-11-13)
recording of:
Swing from Paris (in 1947-11)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:50
9Babik
clarinet:
Maurice Meunier
double bass:
Emmanuel Soudieux
drums (drum set):
Jacques Martinon
guitar:
Django Reinhardt (French jazz guitarist and composer) and Eugène Vées
piano:
Eddie Bernard
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-08-25 until 1950)
recording of:
Babik
recording of:
Babik — Bi-bop
Django Reinhardt2:06
10Swingtime in the Springtime
clarinet:
Maurice Meunier (on 1947-09-07) and Hubert Rostaing (on 1947-09-07)
double bass:
Emmanuel Soudieux (on 1947-09-07)
drums (drum set):
André Jourdan (on 1947-09-07)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-09-07) and Eugène Vées (on 1947-09-07)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-09-07)
recording of:
Swingtime in Springtime (on 1947-09-07)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:09
11Manoir de mes reves
clarinet:
Gérard Lévecque (in 1947-11)
double bass:
Emmanuel Soudieux (in 1947-11)
drums (drum set):
André Jourdan (in 1947-11)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) and Eugène Vées (in 1947-11)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-11-08 until 1947-11-13)
recording of:
Manoir de mes rêves (in 1947-11)
composer:
Django Reinhardt (French jazz guitarist and composer) and Lawrence Riesner
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
Django Reinhardt3:48
12Blues en mineur
clarinet:
Maurice Meunier (on 1947-08-29)
double bass:
Emmanuel Soudieux (on 1947-08-29)
drums (drum set):
André Jourdan (on 1947-08-29)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-08-29) and Eugène Vées (on 1947-08-29)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-08-29)
recording of:
Blues en Mineur (on 1947-08-29)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:28
13Swing 39
clarinet:
Maurice Meunier (on 1947-08-29)
double bass:
Emmanuel Soudieux (on 1947-08-29)
drums (drum set):
André Jourdan (on 1947-08-29)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-08-29) and Eugène Vées (on 1947-08-29)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-08-29)
recording of:
Swing 39 (on 1947-08-29)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:34
14Melodie au crepuscule
clarinet:
Gérard Lévecque (in 1947-11)
double bass:
Emmanuel Soudieux (in 1947-11)
drums (drum set):
André Jourdan (in 1947-11)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) and Eugène Vées (in 1947-11)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-11-08 until 1947-11-13)
recording of:
Mélodie au crépuscule (in 1947-11)
lyricist:
Lawrence Riesner
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:15
15Feerie
clarinet:
Hubert Rostaing (on 1947-09-07)
double bass:
Emmanuel Soudieux (on 1947-09-07)
drums (drum set):
André Jourdan (on 1947-09-07)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-09-07) and Eugène Vées (on 1947-09-07)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-09-07)
recording of:
Féerie (on 1947-09-07)
Django Reinhardt2:20
16Dinette
clarinet:
Gérard Lévecque (in 1947-11)
double bass:
Emmanuel Soudieux (in 1947-11)
drums (drum set):
André Jourdan (in 1947-11)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) and Eugène Vées (in 1947-11)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-11-08 until 1947-11-13)
recording of:
Dînette (in 1947-11)
composer:
Hubert Rostaing
version of:
Dinah
Django Reinhardt2:52
17Stockholm
recorded in:
Paris, Île-de-France, France (on 1947-09-07)
clarinet:
Hubert Rostaing (on 1947-09-07)
double bass:
Emmanuel Soudieux (on 1947-09-07)
drums (drum set):
André Jourdan (on 1947-09-07)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-09-07) and Eugène Vées (on 1947-09-07)
performer:
Quintette du Hot Club de France and Souvenirs de Django Reinhardt (on 1947-09-07)
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-09-07)
recording of:
Stockholm (on 1947-09-07)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:20
18Nuages
clarinet:
Maurice Meunier
double bass:
Emmanuel Soudieux
drums (drum set):
Jacques Martinon
guitar:
Django Reinhardt (French jazz guitarist and composer) and Eugène Vées
piano:
Eddie Bernard
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-08-25 until 1950)
recording of:
Nuages (instrumental)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:20
19Del salle
clarinet:
Maurice Meunier (on 1947-08-29)
double bass:
Emmanuel Soudieux (on 1947-08-29)
drums (drum set):
André Jourdan (on 1947-08-29)
electric guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-08-29)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-08-29) and Eugène Vées (on 1947-08-29)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-08-29) and Radio Diffusion Franċaise Studios (Montparnasse) in Paris, Île-de-France, France (on 1947-08-29)
recording of:
Del Salle (1) (on 1947-08-29)
composer:
Django Reinhardt (French jazz guitarist and composer)
recording of:
Del Salle (2) (on 1947-08-29)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:21
20Vendredi 13
clarinet:
Hubert Rostaing (on 1947-09-07)
double bass:
Emmanuel Soudieux (on 1947-09-07)
drums (drum set):
André Jourdan (on 1947-09-07)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-09-07) and Eugène Vées (on 1947-09-07)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-09-07)
recording of:
Vendredi 13 (on 1947-09-07)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt1:58
21Sweet Chorus
clarinet:
Hubert Rostaing (on 1947-10-15)
double bass:
Emmanuel Soudieux (on 1947-10-15)
drums (drum set):
André Jourdan (on 1947-10-15)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-10-15) and Eugène Vées (on 1947-10-15)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-10-15)
recording of:
Sweet Chorus (on 1947-10-15)
composer:
Stéphane Grappelli (jazz violinist) and Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:02
22Crepuscule
clarinet:
Hubert Rostaing (on 1947-10-15)
double bass:
Emmanuel Soudieux (on 1947-10-15)
drums (drum set):
André Jourdan (on 1947-10-15)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-10-15) and Eugène Vées (on 1947-10-15)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-10-15)
recording of:
Crépuscule (on 1947-10-15)
composer:
Francis Blanche and Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt3:56
23Songe d'automne
clarinet:
Hubert Rostaing (on 1947-10-15)
double bass:
Emmanuel Soudieux (on 1947-10-15)
drums (drum set):
André Jourdan (on 1947-10-15)
guitar:
Django Reinhardt (French jazz guitarist and composer) (on 1947-10-15) and Eugène Vées (on 1947-10-15)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (on 1947-10-15)
Django Reinhardt3:21
24Folie a amphion
clarinet:
Gérard Lévecque (in 1947-11)
double bass:
Emmanuel Soudieux (in 1947-11)
drums (drum set):
André Jourdan (in 1947-11)
guitar:
Django Reinhardt (French jazz guitarist and composer) (in 1947-11) and Eugène Vées (in 1947-11)
performer:
Quintette du Hot Club de France
recorded at:
Centre Armand-Moisant (Studio Armand-Moisant Studio de la RDF) in France (from 1947-11-08 until 1947-11-13)
recording of:
Folie à Amphion (in 1947-11)
composer:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt2:57
▼ CD 2: Dizzy Gillespie - Pleyel Jazz Concert Vol 1 - 1948 / Max Roach (1949)
#TitleArtistRatingLength
1Round About Midnight
alto saxophone:
John Brown (alto saxophone player) (on 1948-02-28) and Howard Johnson (saxophone (1905-1991)) (on 1948-02-28)
baritone saxophone:
Cecil Payne (on 1948-02-28)
congas:
Chano Pozo (on 1948-02-28)
double bass:
John Brown (bass) (on 1948-02-28) and Al McKibbon (on 1948-02-28)
drums (drum set):
Kenny Clarke (on 1948-02-28)
instruments:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1948-02-28)
piano:
Al Haig (on 1948-02-28) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
saxophone:
James Moody (jazz saxophonist) (on 1948-02-28)
solo alto saxophone:
Howard Johnson (tuba & baritone saxophone) (on 1948-02-28)
solo piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
solo trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28)
solo trumpet:
Dizzy Gillespie (on 1948-02-28)
tenor saxophone:
Joe Gayles (on 1948-02-28) and George Nicholas (Australian producer, composer, and mixer) (on 1948-02-28)
trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28), William Sheperd (on 1948-02-28) and William Shepherd (US jazz trombonist) (on 1948-02-28)
trumpet:
Dave Burns (trumpet) (on 1948-02-28), Ernest Bailey (on 1948-02-28), Dizzy Gillespie (on 1948-02-28), Elmon Wright (on 1948-02-28) and Lammar Wright, Jr. (on 1948-02-28)
vocals:
Kenny Hagood (on 1948-02-28)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1948-02-28)
live recording of:
’Round Midnight (on 1948-02-28)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Dizzy Gillespie8:45
2Algo Bueno Woody'n You
alto saxophone:
Howard Johnson (saxophone (1905-1991)) (on 1948-02-28)
congas:
Chano Pozo (on 1948-02-28)
drums (drum set):
Kenny Clarke (on 1948-02-28)
instruments:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1948-02-28)
piano:
Al Haig (on 1948-02-28) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
saxophone:
James Moody (jazz saxophonist) (on 1948-02-28)
solo double bass:
John Brown (bass) (on 1948-02-28)
solo trumpet:
Dizzy Gillespie (on 1948-02-28)
trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28) and William Sheperd (on 1948-02-28)
trumpet:
Benny Bailey (on 1948-02-28), Dave Burns (trumpet) (on 1948-02-28) and Lammar Wright, Jr. (on 1948-02-28)
vocals:
Kenny Hagood (on 1948-02-28)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1948-02-28)
recording of:
Woody ’n’ You (on 1948-02-28)
composer:
Dizzy Gillespie
Dizzy Gillespie3:16
3I Can't Get Started
alto saxophone:
John Brown (alto saxophone player) (on 1948-02-28) and Howard Johnson (saxophone (1905-1991)) (on 1948-02-28)
baritone saxophone:
Cecil Payne (on 1948-02-28)
congas:
Chano Pozo (on 1948-02-28)
double bass:
John Brown (bass) (on 1948-02-28) and Al McKibbon (on 1948-02-28)
drums (drum set):
Kenny Clarke (on 1948-02-28)
instruments:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1948-02-28)
piano:
Al Haig (on 1948-02-28) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
saxophone:
James Moody (jazz saxophonist) (on 1948-02-28)
solo trumpet:
Dizzy Gillespie (on 1948-02-28)
tenor saxophone:
Joe Gayles (on 1948-02-28) and George Nicholas (Australian producer, composer, and mixer) (on 1948-02-28)
trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28), William Sheperd (on 1948-02-28) and William Shepherd (US jazz trombonist) (on 1948-02-28)
trumpet:
Dave Burns (trumpet) (on 1948-02-28), Ernest Bailey (on 1948-02-28), Dizzy Gillespie (on 1948-02-28), Elmon Wright (on 1948-02-28) and Lammar Wright, Jr. (on 1948-02-28)
vocals:
Kenny Hagood (on 1948-02-28)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1948-02-28)
live recording of:
I Can’t Get Started (on 1948-02-28)
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Dizzy Gillespie3:47
4Ool-Ya-Koo
alto saxophone:
John Brown (alto saxophone player) (on 1948-02-28) and Howard Johnson (saxophone (1905-1991)) (on 1948-02-28)
baritone saxophone:
Cecil Payne (on 1948-02-28)
congas:
Chano Pozo (on 1948-02-28)
double bass:
John Brown (bass) (on 1948-02-28) and Al McKibbon (on 1948-02-28)
drums (drum set):
Kenny Clarke (on 1948-02-28)
instruments:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1948-02-28)
piano:
Al Haig (on 1948-02-28) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
saxophone:
James Moody (jazz saxophonist) (on 1948-02-28)
solo trumpet:
Dizzy Gillespie
tenor saxophone:
Joe Gayles (on 1948-02-28) and George Nicholas (Australian producer, composer, and mixer) (on 1948-02-28)
trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28), William Sheperd (on 1948-02-28) and William Shepherd (US jazz trombonist) (on 1948-02-28)
trumpet:
Dave Burns (trumpet) (on 1948-02-28), Ernest Bailey (on 1948-02-28), Dizzy Gillespie (on 1948-02-28), Elmon Wright (on 1948-02-28) and Lammar Wright, Jr. (on 1948-02-28)
vocals:
Kenny Hagood (on 1948-02-28)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1948-02-28)
live recording of:
Ool-Ya-Koo (on 1948-02-28)
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Dizzy Gillespie
Dizzy Gillespie5:10
5Afro-Cuban Drum Suite
alto saxophone:
John Brown (alto saxophone player) (on 1948-02-28) and Howard Johnson (saxophone (1905-1991)) (on 1948-02-28)
baritone saxophone:
Cecil Payne (on 1948-02-28)
congas and solo congas:
Chano Pozo (on 1948-02-28)
double bass:
John Brown (bass) (on 1948-02-28) and Al McKibbon (on 1948-02-28)
drums (drum set):
Kenny Clarke (on 1948-02-28)
instruments:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1948-02-28)
piano:
Al Haig (on 1948-02-28) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
saxophone:
James Moody (jazz saxophonist) (on 1948-02-28)
solo trumpet:
Dizzy Gillespie (on 1948-02-28)
tenor saxophone:
Joe Gayles (on 1948-02-28) and George Nicholas (Australian producer, composer, and mixer) (on 1948-02-28)
trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28), William Sheperd (on 1948-02-28) and William Shepherd (US jazz trombonist) (on 1948-02-28)
trumpet:
Dave Burns (trumpet) (on 1948-02-28), Ernest Bailey (on 1948-02-28), Dizzy Gillespie (on 1948-02-28), Elmon Wright (on 1948-02-28) and Lammar Wright, Jr. (on 1948-02-28)
vocals:
Kenny Hagood (on 1948-02-28)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1948-02-28)
live recording of:
Afro-Cuban Jazz Suite (on 1948-02-28)
composer:
Chico O’Farrill
Dizzy Gillespie5:48
6Things to Come
alto saxophone:
John Brown (alto saxophone player) (on 1948-02-28) and Howard Johnson (saxophone (1905-1991)) (on 1948-02-28)
baritone saxophone:
Cecil Payne (on 1948-02-28)
congas:
Chano Pozo (on 1948-02-28)
double bass:
Al McKibbon (on 1948-02-28)
drums (drum set):
Kenny Clarke (on 1948-02-28)
instruments:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1948-02-28)
piano:
Al Haig (on 1948-02-28) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
saxophone:
James Moody (jazz saxophonist) (on 1948-02-28)
solo double bass:
John Brown (bass) (on 1948-02-28)
solo trumpet:
Dizzy Gillespie (on 1948-02-28)
tenor saxophone:
Joe Gayles (on 1948-02-28) and George Nicholas (Australian producer, composer, and mixer) (on 1948-02-28)
trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28), William Sheperd (on 1948-02-28) and William Shepherd (US jazz trombonist) (on 1948-02-28)
trumpet:
Dave Burns (trumpet) (on 1948-02-28), Ernest Bailey (on 1948-02-28), Dizzy Gillespie (on 1948-02-28), Elmon Wright (on 1948-02-28) and Lammar Wright, Jr. (on 1948-02-28)
vocals:
Kenny Hagood (on 1948-02-28)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1948-02-28)
live recording of:
Things to Come (on 1948-02-28)
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Dizzy Gillespie
Dizzy Gillespie3:07
7Ool-Pop-a-Da
alto saxophone:
John Brown (alto saxophone player) (on 1948-02-28) and Howard Johnson (saxophone (1905-1991)) (on 1948-02-28)
baritone saxophone:
Cecil Payne (on 1948-02-28)
congas:
Chano Pozo (on 1948-02-28)
double bass:
John Brown (bass) (on 1948-02-28) and Al McKibbon (on 1948-02-28)
drums (drum set):
Kenny Clarke (on 1948-02-28)
instruments:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1948-02-28)
piano:
Al Haig (on 1948-02-28) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
saxophone:
James Moody (jazz saxophonist) (on 1948-02-28)
tenor saxophone:
Joe Gayles (on 1948-02-28) and George Nicholas (Australian producer, composer, and mixer) (on 1948-02-28)
trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28), William Sheperd (on 1948-02-28) and William Shepherd (US jazz trombonist) (on 1948-02-28)
trumpet:
Dave Burns (trumpet) (on 1948-02-28), Ernest Bailey (on 1948-02-28), Dizzy Gillespie (on 1948-02-28), Elmon Wright (on 1948-02-28) and Lammar Wright, Jr. (on 1948-02-28)
vocals:
Kenny Hagood (on 1948-02-28)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1948-02-28)
recording of:
Oop-Pop-A-Da (on 1948-02-28)
composer:
Babs Gonzales
Dizzy Gillespie4:54
8Two Bass Hit
alto saxophone:
John Brown (alto saxophone player) (on 1948-02-28) and Howard Johnson (saxophone (1905-1991)) (on 1948-02-28)
baritone saxophone:
Cecil Payne (on 1948-02-28)
congas:
Chano Pozo (on 1948-02-28)
double bass:
John Brown (bass) (on 1948-02-28) and Al McKibbon (on 1948-02-28)
drums (drum set):
Kenny Clarke (on 1948-02-28)
instruments:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1948-02-28)
piano:
Al Haig (on 1948-02-28) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
saxophone:
James Moody (jazz saxophonist) (on 1948-02-28)
tenor saxophone:
Joe Gayles (on 1948-02-28) and George Nicholas (Australian producer, composer, and mixer) (on 1948-02-28)
trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28), William Sheperd (on 1948-02-28) and William Shepherd (US jazz trombonist) (on 1948-02-28)
trumpet:
Dave Burns (trumpet) (on 1948-02-28), Ernest Bailey (on 1948-02-28), Dizzy Gillespie (on 1948-02-28), Elmon Wright (on 1948-02-28) and Lammar Wright, Jr. (on 1948-02-28)
vocals:
Kenny Hagood (on 1948-02-28)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1948-02-28)
live recording of:
Two Bass Hit (on 1948-02-28)
composer:
Dizzy Gillespie and John Lewis (pianist, member of Modern Jazz Quartet)
Dizzy Gillespie4:01
9Good Bait
alto saxophone:
John Brown (alto saxophone player) (on 1948-02-28) and Howard Johnson (saxophone (1905-1991)) (on 1948-02-28)
baritone saxophone:
Cecil Payne (on 1948-02-28)
congas:
Chano Pozo (on 1948-02-28)
double bass:
John Brown (bass) (on 1948-02-28) and Al McKibbon (on 1948-02-28)
drums (drum set):
Kenny Clarke (on 1948-02-28)
instruments:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1948-02-28)
piano:
Al Haig (on 1948-02-28) and John Lewis (pianist, member of Modern Jazz Quartet) (on 1948-02-28)
saxophone:
James Moody (jazz saxophonist) (on 1948-02-28)
tenor saxophone:
Joe Gayles (on 1948-02-28) and George Nicholas (Australian producer, composer, and mixer) (on 1948-02-28)
trombone:
Ted Kelly (US jazz trombonist) (on 1948-02-28), William Sheperd (on 1948-02-28) and William Shepherd (US jazz trombonist) (on 1948-02-28)
trumpet:
Dave Burns (trumpet) (on 1948-02-28), Ernest Bailey (on 1948-02-28), Dizzy Gillespie (on 1948-02-28), Elmon Wright (on 1948-02-28) and Lammar Wright, Jr. (on 1948-02-28)
vocals:
Kenny Hagood (on 1948-02-28)
recorded at:
Salle Pleyel (1927-) in Paris, Île-de-France, France (on 1948-02-28)
live recording of:
Good Bait (on 1948-02-28)
lyricist:
Tadd Dameron
composer:
Count Basie (pianist) and Tadd Dameron
publisher:
Redwood Music Ltd. (Carlin) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dizzy Gillespie5:19
10Baby Sis
double bass:
Tommy Potter (on 1949-05-15)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-05-15)
piano:
Al Haig (on 1949-05-15)
tenor saxophone:
James Moody (jazz saxophonist) (on 1949-05-15)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-05-15)
performer:
Max Roach Quintet
recorded at:
Studio Technisonor in Paris, Île-de-France, France (on 1949-05-15)
Max Roach5:31
11Tomorrow
double bass:
Tommy Potter (on 1949-05-15)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-05-15)
piano:
Al Haig (on 1949-05-15)
tenor saxophone:
James Moody (jazz saxophonist) (on 1949-05-15)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-05-15)
performer:
Max Roach Quintet
recorded at:
Studio Technisonor in Paris, Île-de-France, France (on 1949-05-15)
Max Roach6:03
12Prince Albert
bass and double bass:
Tommy Potter (on 1949-05-15)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-05-15)
piano:
Al Haig (on 1949-05-15)
tenor saxophone:
James Moody (jazz saxophonist) (on 1949-05-15)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-05-15)
performer:
Max Roach Quintet
recorded at:
Studio Technisonor in Paris, Île-de-France, France (on 1949-05-15)
recording of:
Prince Albert (on 1949-05-15)
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer)
Max Roach5:49
13Just Moody
recorded in:
Lausanne, Vaud, Switzerland (on 1949-04-30)
bass and double bass:
Alvin "Buddy" Banks (jazz bassist) (on 1949-04-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-04-30) and Clarence Terry (on 1949-04-30)
piano:
Art Simmons (on 1949-04-30)
tenor saxophone:
James Moody (jazz saxophonist) (on 1949-04-30)
vocals:
Al Edwards (jazz vocalist) (on 1949-04-30)
performer:
James Moody Quartet
Max Roach3:04
14Maximum
bass and double bass:
Tommy Potter (on 1949-05-15)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-05-15)
piano:
Al Haig (on 1949-05-15)
tenor saxophone:
James Moody (jazz saxophonist) (on 1949-05-15)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1949-05-15)
performer:
Max Roach Quintet
recorded at:
Studio Technisonor in Paris, Île-de-France, France (on 1949-05-15)
Max Roach3:28
▼ CD 3: Roy Eldridge and His Little Jazz / Roy Eldridge Joue Pour La Danse
#TitleArtistRatingLength
1The Heat Is On (Très chaud)
recorded in:
Paris, Île-de-France, France (on 1951-03-28)
double bass:
Guy de Fatto (on 1951-03-28)
drums (drum set):
Armand Molinetti (on 1951-03-28)
piano:
Claude Bolling (on 1951-03-28)
tenor saxophone:
Don Byas (on 1951-03-28)
trumpet:
Roy Eldridge (on 1951-03-28)
performer:
Roy Eldridge Quintet
Roy Eldridge3:25
2Fireworks
recorded in:
Paris, Île-de-France, France (on 1951-03-29)
piano:
Claude Bolling (on 1951-03-28)
trumpet:
Roy Eldridge (on 1951-03-28)
Roy Eldridge3:01
3Hollywood Passtime
recorded in:
Paris, Île-de-France, France (on 1951-03-28)
double bass:
Guy de Fatto (on 1951-03-28)
drums (drum set):
Armand Molinetti (on 1951-03-28)
piano:
Claude Bolling (on 1951-03-28)
tenor saxophone:
Don Byas (on 1951-03-28)
trumpet:
Roy Eldridge (on 1951-03-28)
performer:
Roy Eldridge Quintet
Roy Eldridge4:01
4Tu Disais Qu'tu M'aimais
recorded in:
Paris, Île-de-France, France (on 1950-10-28)
bass saxophone:
William Boucaya (on 1951-03-28)
double bass:
Barney Spieler (on 1951-03-28)
drums (drum set):
Robert Barnet (on 1951-03-28)
piano:
Raymond Fol (on 1951-03-28)
tenor saxophone:
Albert Ferreri (on 1951-03-28)
trombone:
Benny Vasseur (on 1951-03-28)
trumpet:
Roy Eldridge (on 1951-03-28)
vocals:
Roy Eldridge (on 1951-03-28)
performer:
King David & His Little Jazz
Roy Eldridge3:25
5Oh Shut Up!
recorded in:
Paris, Île-de-France, France (on 1951-03-28)
double bass:
Guy de Fatto (on 1951-03-28)
drums (drum set):
Armand Molinetti (on 1951-03-28)
piano:
Claude Bolling (on 1951-03-28)
tenor saxophone:
Don Byas (on 1951-03-28, on 1951-03-29)
trumpet:
Roy Eldridge (on 1951-03-28, on 1951-03-29)
performer:
Roy Eldridge Quintet
Roy Eldridge3:10
6Wild Man Blues
recorded in:
Paris, Île-de-France, France (on 1951-03-29)
piano:
Claude Bolling (on 1951-03-29)
trumpet:
Roy Eldridge (on 1951-03-29)
recording of:
Wild Man Blues (on 1951-03-29)
composer:
Louis Armstrong and Ferdinand Joseph LaMothe
Roy Eldridge3:49
7I'd Love Him So
recorded in:
Paris, Île-de-France, France (on 1951-03-28)
double bass:
Guy de Fatto (on 1951-03-28)
drums (drum set):
Armand Molinetti (on 1951-03-28)
piano:
Claude Bolling (on 1951-03-28)
tenor saxophone:
Don Byas (on 1951-03-28)
trumpet:
Roy Eldridge (on 1951-03-28)
performer:
Roy Eldridge Quintet
Roy Eldridge3:26
8Une Petite Laitue
recorded in:
Paris, Île-de-France, France (on 1950-10-28)
bass saxophone:
William Boucaya (on 1951-03-28)
double bass:
Barney Spieler (on 1951-03-28)
drums (drum set):
Robert Barnet (on 1951-03-28)
piano:
Raymond Fol (on 1951-03-28)
tenor saxophone:
Albert Ferreri (on 1951-03-28)
trombone:
Benny Vasseur (on 1951-03-28)
trumpet:
Roy Eldridge (on 1951-03-28)
performer:
King David & His Little Jazz
Roy Eldridge3:17
9Goliath Bounce
recorded in:
Paris, Île-de-France, France (on 1950-06-14)
double bass:
Pierre Michelot (on 1950-06-14)
drums (drum set):
Kenny Clarke (on 1950-06-14)
piano:
Gerry Wiggins (on 1950-06-14)
trumpet:
Roy Eldridge (on 1950-06-14)
performer:
King David & His Little Jazz
Roy Eldridge3:38
10Someone to Watch Over Me
recorded in:
Paris, Île-de-France, France (on 1950-06-14)
double bass:
Pierre Michelot (on 1950-06-14)
drums (drum set):
Kenny Clarke (on 1950-06-14)
piano:
Gerry Wiggins (on 1950-06-14)
trumpet:
Roy Eldridge (on 1950-06-14)
performer:
King David & His Little Jazz
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1950-06-14)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
Roy Eldridge3:09
11Ain't No Flies On Me
recorded in:
Paris, Île-de-France, France (on 1950-06-09)
double bass:
Pierre Michelot (on 1950-06-09)
drums (drum set):
Ed Shaughnessy (on 1950-06-09)
piano:
Dick Hyman (jazz pianist) (on 1950-06-09)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1950-06-09)
trumpet:
Roy Eldridge (on 1950-06-09)
vocals:
Roy Eldridge (on 1950-06-09) and Anita Love (on 1950-06-09)
performer:
King David & His Little Jazz
recording of:
Ain't No Flies on Me (on 1950-06-09)
writer:
Roy Eldridge
Roy Eldridge3:21
12Black and Blue
recorded in:
Paris, Île-de-France, France (on 1950-10-28)
baritone saxophone and bass saxophone:
William Boucaya (on 1950-10-28)
double bass:
Barney Spieler (on 1950-10-28)
drums (drum set):
Robert Barnet (on 1950-10-28)
piano:
Raymond Fol (on 1950-10-28)
tenor saxophone:
Albert Ferreri (on 1950-10-28)
trombone:
Benny Vasseur (on 1950-10-28)
trumpet:
Roy Eldridge (on 1950-10-28) and Benny Vasseur (on 1950-10-28)
vocals:
Roy Eldridge (on 1950-10-28)
performer:
King David & His Little Jazz
Roy Eldridge3:27
13If I Had You
recorded in:
Paris, Île-de-France, France (on 1951-03-28)
double bass:
Guy de Fatto (on 1951-03-28)
drums (drum set):
Armand Molinetti (on 1951-03-28)
piano:
Claude Bolling (on 1951-03-28)
tenor saxophone:
Don Byas (on 1951-03-28)
trumpet:
Roy Eldridge (on 1951-03-28)
performer:
Roy Eldridge Quintet
Roy Eldridge3:35
14L'isle Adam
recorded in:
Paris, Île-de-France, France (on 1950-10-28)
baritone saxophone and bass saxophone:
William Boucaya (on 1950-10-28)
double bass:
Barney Spieler (on 1950-10-28)
drums (drum set):
Robert Barnet (on 1950-10-28)
piano:
Raymond Fol (on 1950-10-28)
tenor saxophone:
Albert Ferreri (on 1950-10-28)
trombone:
Benny Vasseur (on 1950-10-28)
trumpet:
Roy Eldridge (on 1950-10-28) and Benny Vasseur (on 1950-10-28)
vocals:
Roy Eldridge (on 1950-10-28)
performer:
King David & His Little Jazz
Roy Eldridge3:18
15I Remember Harlem
recorded in:
Paris, Île-de-France, France (on 1950-10-28)
baritone saxophone and bass saxophone:
William Boucaya (on 1950-10-28)
double bass:
Barney Spieler (on 1950-10-28)
drums (drum set):
Robert Barnet (on 1950-10-28)
piano:
Raymond Fol (on 1950-10-28)
tenor saxophone:
Albert Ferreri (on 1950-10-28)
trombone:
Benny Vasseur (on 1950-10-28)
trumpet:
Roy Eldridge (on 1950-10-28) and Benny Vasseur (on 1950-10-28)
vocals:
Roy Eldridge (on 1950-10-28)
performer:
King David & His Little Jazz
Roy Eldridge2:55
16Nuts
recorded in:
Paris, Île-de-France, France (on 1950-06-14)
double bass:
Pierre Michelot (on 1950-06-14)
drums (drum set):
Kenny Clarke (on 1950-06-14)
piano:
Gerry Wiggins (on 1950-06-14)
trumpet:
Roy Eldridge (on 1950-06-14)
performer:
King David & His Little Jazz
Roy Eldridge3:15
▼ CD 4: Bechet Souvenirs / On Parade / Ambiance Bechet
#TitleArtistRatingLength
1Kansas City Man Blues
recorded in:
Paris, Île-de-France, France (on 1951-09-07)
clarinet:
Claude Luter (on 1951-09-07) and André Réwéliotty (on 1951-09-07)
double bass:
Georges D’Halluin (on 1951-09-07)
drums (drum set):
Michel Pacout (on 1951-09-07)
piano:
Yannick Singéry (on 1951-09-07)
soprano saxophone:
Sidney Bechet (on 1951-09-07)
trombone:
Jean-Louis Durand (on 1951-09-07)
trumpet:
Marcel Bornstein (on 1951-09-07)
performer:
Sidney Bechet, Claude Luter and André Réwéliotty et son orchestre
recording of:
Kansas City Man Blues (on 1951-09-07)
composer:
Clarence Johnson (1930s jazz & blues pianist) and Clarence Williams (US jazz pianist, composer, singer and bandleader)
Sidney Bechet3:42
2Of All the Wrongs You've Done to Me
recorded in:
Paris, Île-de-France, France (on 1951-09-07)
clarinet:
Claude Luter (on 1951-09-07) and André Réwéliotty (on 1951-09-07)
double bass:
Georges D’Halluin (on 1951-09-07)
drums (drum set):
Wallace Bishop (on 1951-09-07)
piano:
Yannick Singéry (on 1951-09-07)
soprano saxophone:
Sidney Bechet (on 1951-09-07)
trombone:
Jean-Louis Durand (on 1951-09-07)
trumpet:
Marcel Bornstein (on 1951-09-07)
performer:
Sidney Bechet, Claude Luter and André Réwéliotty et son orchestre
Sidney Bechet3:22
3Apex Blues
recorded in:
Paris, Île-de-France, France (on 1951-09-07)
clarinet:
Claude Luter (on 1951-09-07) and André Réwéliotty (on 1951-09-07)
double bass:
Georges D’Halluin (on 1951-09-07)
drums (drum set):
Michel Pacout (on 1951-09-07)
piano:
Yannick Singéry (on 1951-09-07)
soprano saxophone:
Sidney Bechet (on 1951-09-07)
trombone:
Jean-Louis Durand (on 1951-09-07)
trumpet:
Marcel Bornstein (on 1951-09-07)
performer:
Sidney Bechet, Claude Luter and André Réwéliotty et son orchestre
recording of:
Apex Blues (on 1951-09-07)
composer:
Jimmie Noone
Sidney Bechet3:07
4Together
recorded in:
Paris, Île-de-France, France (on 1951-09-07)
clarinet:
Claude Luter (on 1951-09-07) and André Réwéliotty (on 1951-09-07)
double bass:
Georges D’Halluin (on 1951-09-07)
drums (drum set):
Michel Pacout (on 1951-09-07)
piano:
Yannick Singéry (on 1951-09-07)
soprano saxophone:
Sidney Bechet (on 1951-09-07)
trombone:
Jean-Louis Durand (on 1951-09-07)
trumpet:
Marcel Bornstein (on 1951-09-07)
performer:
Sidney Bechet, Claude Luter and André Réwéliotty et son orchestre
Sidney Bechet3:04
5Put On Your Old Grey Bonnet
recorded in:
Paris, Île-de-France, France (on 1951-09-07)
clarinet:
Claude Luter (on 1951-09-07) and André Réwéliotty (on 1951-09-07)
double bass:
Georges D’Halluin (on 1951-09-07)
drums (drum set):
Wallace Bishop (on 1951-09-07)
piano:
Yannick Singéry (on 1951-09-07)
soprano saxophone:
Sidney Bechet (on 1951-09-07)
trombone:
Jean-Louis Durand (on 1951-09-07)
trumpet:
Marcel Bornstein (on 1951-09-07)
performer:
Sidney Bechet, Claude Luter and André Réwéliotty et son orchestre
instrumental recording of:
Put on Your Old Grey Bonnet (on 1951-09-07)
lyricist:
Stanley Murphy
composer:
Percy Wenrich (American composer)
Sidney Bechet2:58
6Sleepy Time Gal
recorded in:
Paris, Île-de-France, France (on 1951-09-07)
clarinet:
Claude Luter (on 1951-09-07) and André Réwéliotty (on 1951-09-07)
double bass:
Georges D’Halluin (on 1951-09-07)
drums (drum set):
Michel Pacout (on 1951-09-07)
piano:
Yannick Singéry (on 1951-09-07)
soprano saxophone:
Sidney Bechet (on 1951-09-07)
trombone:
Jean-Louis Durand (on 1951-09-07)
trumpet:
Marcel Bornstein (on 1951-09-07)
performer:
Sidney Bechet, Claude Luter and André Réwéliotty et son orchestre
instrumental recording of:
Sleepy Time Gal (on 1951-09-07)
writer:
Joseph R. Alden, Raymond B. Egan, Ange Lorenzo and Richard A. Whiting
Sidney Bechet2:53
7Darling Nelly Gray
recorded in:
Paris, Île-de-France, France (on 1951-09-07)
clarinet:
Claude Luter (on 1951-09-07) and André Réwéliotty (on 1951-09-07)
double bass:
Georges D’Halluin (on 1951-09-07)
drums (drum set):
Wallace Bishop (on 1951-09-07)
piano:
Yannick Singéry (on 1951-09-07)
soprano saxophone:
Sidney Bechet (on 1951-09-07)
trombone:
Jean-Louis Durand (on 1951-09-07)
trumpet:
Marcel Bornstein (on 1951-09-07)
performer:
Sidney Bechet, Claude Luter and André Réwéliotty et son orchestre
recording of:
Darling Nellie Gray (on 1951-09-07)
composer:
Benjamin R. Hanby
Sidney Bechet2:46
8Sidney Wedding Day
recorded in:
Paris, Île-de-France, France (on 1951-09-07)
clarinet:
Claude Luter (on 1951-09-07) and André Réwéliotty (on 1951-09-07)
double bass:
Georges D’Halluin (on 1951-09-07)
drums (drum set):
Wallace Bishop (on 1951-09-07)
piano:
Yannick Singéry (on 1951-09-07)
soprano saxophone:
Sidney Bechet (on 1951-09-07)
trombone:
Jean-Louis Durand (on 1951-09-07)
performer:
Sidney Bechet, Claude Luter and André Réwéliotty et son orchestre
Sidney Bechet3:34
9Le marchand de poissons
recorded in:
Paris, Île-de-France, France (on 1952-01-18)
audio engineer:
Sidney Bechet
banjo:
Claude Philippe (on 1952-01-18)
clarinet:
Claude Luter (on 1952-01-18)
double bass:
Roland Bianchini (on 1952-01-18)
drums (drum set):
François "Moustache" Galépidès (on 1952-01-18)
piano:
Christian Azzi (on 1952-01-18)
soprano saxophone:
Sidney Bechet (on 1952-01-18)
trombone:
Bernard Zacharias (on 1952-01-18)
trumpet:
Guy Longnon (on 1952-01-18)
performer:
Claude Luter et son orchestre
instrumental recording of:
Le Marchand de poissons (on 1952-01-18)
lyricist:
Fernand Bonifay
composer:
Sidney Bechet
Sidney Bechet2:46
10Si tu vois ma Mère (Slow)
recorded in:
Paris, Île-de-France, France (on 1952-01-18)
audio engineer:
Sidney Bechet
banjo:
Claude Philippe (on 1952-01-18)
clarinet:
Claude Luter (on 1952-01-18)
double bass:
Roland Bianchini (on 1952-01-18)
drums (drum set):
François "Moustache" Galépidès (on 1952-01-18)
piano:
Christian Azzi (on 1952-01-18)
soprano saxophone:
Sidney Bechet (on 1952-01-18)
trombone:
Bernard Zacharias (on 1952-01-18)
trumpet:
Guy Longnon (on 1952-01-18)
performer:
Claude Luter et son orchestre
instrumental recording of:
Si tu vois ma mère (aka "I Remember When") (on 1952-01-18)
lyricist:
Jean Broussolle
composer:
Sidney Bechet
Sidney Bechet3:14
11Wabash Blues
recorded in:
Paris, Île-de-France, France (on 1952-01-18)
audio engineer:
Sidney Bechet
banjo:
Claude Philippe (on 1952-01-18)
clarinet:
Claude Luter (on 1952-01-18)
double bass:
Roland Bianchini (on 1952-01-18)
drums (drum set):
François "Moustache" Galépidès (on 1952-01-18)
piano:
Christian Azzi (on 1952-01-18)
soprano saxophone:
Sidney Bechet (on 1952-01-18)
trombone:
Bernard Zacharias (on 1952-01-18)
trumpet:
Guy Longnon (on 1952-01-18)
performer:
Claude Luter et son orchestre
Sidney Bechet3:07
12Dans les rues d'antibes
recorded in:
Paris, Île-de-France, France (on 1952-01-18)
audio engineer:
Sidney Bechet
banjo:
Claude Philippe (on 1952-01-18)
clarinet:
Claude Luter (on 1952-01-18)
double bass:
Roland Bianchini (on 1952-01-18)
drums (drum set):
François "Moustache" Galépidès (on 1952-01-18)
piano:
Christian Azzi (on 1952-01-18)
soprano saxophone:
Sidney Bechet (on 1952-01-18)
trombone:
Bernard Zacharias (on 1952-01-18)
trumpet:
Guy Longnon (on 1952-01-18)
performer:
Claude Luter et son orchestre
recording of:
Dans les rues d'Antibes (on 1952-01-18)
composer:
Sidney Bechet (in 1952)
Sidney Bechet3:27
13Strike Up the Band
recorded in:
Paris, Île-de-France, France (on 1952-01-18)
audio engineer:
Sidney Bechet
banjo:
Claude Philippe (on 1952-01-18)
clarinet:
Claude Luter (on 1952-01-18)
double bass:
Roland Bianchini (on 1952-01-18)
drums (drum set):
François "Moustache" Galépidès (on 1952-01-18)
piano:
Christian Azzi (on 1952-01-18)
soprano saxophone:
Sidney Bechet (on 1952-01-18)
trombone:
Bernard Zacharias (on 1952-01-18)
trumpet:
Guy Longnon (on 1952-01-18)
performer:
Claude Luter et son orchestre
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (on 1952-01-18)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
Sidney Bechet3:08
14As-tu le cafard?
recorded in:
Paris, Île-de-France, France (on 1952-01-18)
audio engineer:
Sidney Bechet
banjo:
Claude Philippe (on 1952-01-18)
clarinet:
Claude Luter (on 1952-01-18)
double bass:
Roland Bianchini (on 1952-01-18)
drums (drum set):
François "Moustache" Galépidès (on 1952-01-18)
piano:
Christian Azzi (on 1952-01-18)
soprano saxophone:
Sidney Bechet (on 1952-01-18)
trombone:
Bernard Zacharias (on 1952-01-18)
trumpet:
Guy Longnon (on 1952-01-18)
performer:
Claude Luter et son orchestre
Sidney Bechet2:31
15Pattes de mouche
recorded in:
Paris, Île-de-France, France (on 1952-01-18)
audio engineer:
Sidney Bechet
banjo:
Claude Philippe (on 1952-01-18)
clarinet:
Claude Luter (on 1952-01-18)
double bass:
Roland Bianchini (on 1952-01-18)
drums (drum set):
François "Moustache" Galépidès (on 1952-01-18)
piano:
Christian Azzi (on 1952-01-18)
soprano saxophone:
Sidney Bechet (on 1952-01-18)
trombone:
Bernard Zacharias (on 1952-01-18)
trumpet:
Guy Longnon (on 1952-01-18)
performer:
Claude Luter et son orchestre
Sidney Bechet2:43
16Ghost of the Blues
recorded in:
Paris, Île-de-France, France (on 1952-01-18)
audio engineer:
Sidney Bechet
banjo:
Claude Philippe (on 1952-01-18)
clarinet:
Claude Luter (on 1952-01-18)
double bass:
Roland Bianchini (on 1952-01-18)
drums (drum set):
François "Moustache" Galépidès (on 1952-01-18)
piano:
Christian Azzi (on 1952-01-18)
soprano saxophone:
Sidney Bechet (on 1952-01-18)
trombone:
Bernard Zacharias (on 1952-01-18)
trumpet:
Guy Longnon (on 1952-01-18)
performer:
Claude Luter et son orchestre
Sidney Bechet3:12
17It's No Sin (Est-ce un pèche?)
recorded in:
Paris, Île-de-France, France (on 1952-01-21)
double bass:
Alf Masselier (on 1952-01-21)
drums (drum set):
Armand Molinetti (on 1952-01-21)
piano:
Charlie Lewis (french jazz pianist) (on 1952-01-21)
soprano saxophone:
Sidney Bechet (on 1952-01-21)
trombone:
Jean-Louis Durand (on 1952-01-21)
trumpet:
Guy Longnon (on 1952-01-21)
performer:
Sidney Bechet & His All Star Band
Sidney Bechet3:21
18Because Of You (Sans ton amour)
recorded in:
Paris, Île-de-France, France (on 1952-01-21)
double bass:
Alf Masselier (on 1952-01-21)
drums (drum set):
Armand Molinetti (on 1952-01-21)
piano:
Charlie Lewis (french jazz pianist) (on 1952-01-21)
soprano saxophone:
Sidney Bechet (on 1952-01-21)
trombone:
Jean-Louis Durand (on 1952-01-21)
trumpet:
Guy Longnon (on 1952-01-21)
performer:
Sidney Bechet & His All Star Band
instrumental recording of:
Sans ton amour (Because of You) (on 1952-01-21)
writer:
Charles Aznavour
Sidney Bechet3:06
19That Old Black Magic
recorded in:
Paris, Île-de-France, France (on 1952-01-21)
double bass:
Alf Masselier (on 1952-01-21)
drums (drum set):
Armand Molinetti (on 1952-01-21)
piano:
Charlie Lewis (french jazz pianist) (on 1952-01-21)
soprano saxophone:
Sidney Bechet (on 1952-01-21)
trombone:
Jean-Louis Durand (on 1952-01-21)
trumpet:
Guy Longnon (on 1952-01-21)
vocals:
James Campbell (Canadian/American clarinetist b. 1949)
performer:
Sidney Bechet & His All Star Band
recording of:
That Old Black Magic (on 1952-01-21)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Sidney Bechet2:56
20I Get a Kick Out of You
recorded in:
Paris, Île-de-France, France (on 1952-01-21)
double bass:
Alf Masselier (on 1952-01-21)
drums (drum set):
Armand Molinetti (on 1952-01-21)
piano:
Charlie Lewis (french jazz pianist) (on 1952-01-21)
soprano saxophone:
Sidney Bechet (on 1952-01-21)
trombone:
Jean-Louis Durand (on 1952-01-21)
trumpet:
Guy Longnon (on 1952-01-21)
performer:
Sidney Bechet & His All Star Band
instrumental recording of:
I Get a Kick Out of You (on 1952-01-21)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
Sidney Bechet3:05
21You're Lucky to Me
recorded in:
Paris, Île-de-France, France (on 1952-01-21)
double bass:
Alf Masselier (on 1952-01-21)
drums (drum set):
Armand Molinetti (on 1952-01-21)
piano:
Charlie Lewis (french jazz pianist) (on 1952-01-21)
soprano saxophone:
Sidney Bechet (on 1952-01-21)
trombone:
Jean-Louis Durand (on 1952-01-21)
trumpet:
Guy Longnon (on 1952-01-21)
performer:
Sidney Bechet & His All Star Band
instrumental recording of:
You’re Lucky to Me (on 1952-01-21)
lyricist:
Andy Razaf
composer:
Eubie Blake
Sidney Bechet3:32
22Petite fleur
recorded in:
Paris, Île-de-France, France (on 1952-01-21)
double bass:
Alf Masselier (on 1952-01-21)
drums (drum set):
Armand Molinetti (on 1952-01-21)
piano:
Charlie Lewis (french jazz pianist) (on 1952-01-21)
soprano saxophone:
Sidney Bechet (on 1952-01-21)
trombone:
Jean-Louis Durand (on 1952-01-21)
trumpet:
Guy Longnon (on 1952-01-21)
performer:
Sidney Bechet & His All Star Band
recording of:
Petite Fleur (original instrumental) (on 1952-01-21)
composer:
Sidney Bechet
Sidney Bechet3:12
23Girl's Dance
recorded in:
Paris, Île-de-France, France (on 1952-01-21)
double bass:
Alf Masselier (on 1952-01-21)
drums (drum set):
Armand Molinetti (on 1952-01-21)
piano:
Charlie Lewis (french jazz pianist) (on 1952-01-21)
soprano saxophone:
Sidney Bechet (on 1952-01-21)
trombone:
Jean-Louis Durand (on 1952-01-21)
trumpet:
Guy Longnon (on 1952-01-21)
performer:
Sidney Bechet & His All Star Band
Sidney Bechet2:58
24Blues
recorded in:
Paris, Île-de-France, France (on 1952-01-21)
double bass:
Alf Masselier (on 1952-01-21)
drums (drum set):
Armand Molinetti (on 1952-01-21)
piano:
Charlie Lewis (french jazz pianist) (on 1952-01-21)
soprano saxophone:
Sidney Bechet (on 1952-01-21)
trombone:
Jean-Louis Durand (on 1952-01-21)
trumpet:
Guy Longnon (on 1952-01-21)
performer:
Sidney Bechet & His All Star Band
Sidney Bechet3:28
▼ CD 5: Mary Lou Williams Plays In London / Mary Lou Williams Quartet
#TitleArtistRatingLength
1Titoros
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
Mary Lou Williams3:03
2They Can't Take That Away From Me
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1953-01-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Mary Lou Williams3:01
3Round About Midnight
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
recording of:
’Round Midnight (on 1953-01-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Mary Lou Williams4:35
4Perdido
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
recording of:
Perdido (original instrumental version) (on 1953-01-23)
composer:
Juan Tizol
Mary Lou Williams2:53
5Kool Bongo
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
recording of:
Kool Bongo (on 1953-01-23)
composer:
Mary Lou Williams
Mary Lou Williams2:59
6For You
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
Mary Lou Williams3:15
7Don't Blame Me
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
instrumental recording of:
Don’t Blame Me (on 1953-01-23)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
Mary Lou Williams3:48
8Lady Bird
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
recording of:
Lady Bird (on 1953-01-23)
composer:
Tadd Dameron
Mary Lou Williams3:06
9Titoros (alternative take)
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
Mary Lou Williams3:16
10They Can't Take That Away From Me (alternative take)
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
Mary Lou Williams3:22
11Round About Midnight (alternative take)
recorded in:
London (Greater London), England, United Kingdom (on 1953-01-23)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (on 1953-01-23)
double bass:
Kenny Napper (on 1953-01-23)
drums (drum set):
Allan Ganley (English jazz drummer) (on 1953-01-23)
piano:
Mary Lou Williams (on 1953-01-23)
performer:
Mary Lou Williams Trio
recording of:
’Round Midnight (on 1953-01-23)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Mary Lou Williams2:51
12Azur-Tè
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
instrumental recording of:
Azure-Té (Paris Blues) (in 1954)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Wild Bill Davis
publisher:
Gale & Gayles Inc.
Mary Lou Williams2:33
13Flying Home
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
instrumental recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (in 1954)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
Mary Lou Williams3:09
14Nickels
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
Mary Lou Williams2:58
15Yesterdays
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey
piano:
Mary Lou Williams
performer:
Mary Lou Williams Quartet
instrumental recording of:
Yesterdays (in 1954)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Mary Lou Williams3:59
16That Man I Love
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
instrumental recording of:
The Man I Love (in 1954)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Mary Lou Williams3:01
17Twilight
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
Mary Lou Williams2:38
18Just One of Those Things
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
instrumental recording of:
Just One of Those Things (in 1954)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Mary Lou Williams2:34
19Why
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
recording of:
Why (in 1954)
composer:
Mary Lou Williams
Mary Lou Williams3:45
20Yesterdays (alternative take)
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
instrumental recording of:
Yesterdays (in 1954)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Mary Lou Williams3:46
21The Man I Love (alternative take)
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
instrumental recording of:
The Man I Love (in 1954)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
Mary Lou Williams2:45
22Just One of Those Things (alternative take)
recorded in:
London (Greater London), England, United Kingdom (in 1954)
bongos:
Tony Scott (bongos, performed with Mary Lou Williams) (in 1954)
double bass:
Lennie Bush (in 1954)
drums (drum set):
Tony Kinsey (in 1954)
piano:
Mary Lou Williams (in 1954)
performer:
Mary Lou Williams Quartet
instrumental recording of:
Just One of Those Things (in 1954)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Mary Lou Williams2:47
▶ CD 6: Martial Solal Trio / Martial Solal Vol 2 / Martial Solal
▶ CD 7: Lee Konitz Plays
▶ CD 8: Lionel Hampton - Jazz Time Paris Vol. 4/ Jazz Time Paris Vol. 5 / Jazz Time Paris Vol. 6
▶ CD 9: Clifford Brown & Gigi Gryce Sextet - Jazz Time Paris Vol. 11 / Clifford Brown Quartet - Jazz Time Paris Vol. 13
▶ CD 10: Bobby Jaspar's New Jazz / Bobby Jaspar's New Jazz Vol. 2
▶ CD 11: Jimmy Raney Visits Paris
▶ CD 12: Henri Renaud All Stars Vol. 1 / Henri Renaud All Stars Vol. 2
▶ CD 13: Oscar Pettiford Sextet Vol. 1
▶ CD 14: Rene Thomas et son Quintette / Henri Renaud - Sextius
▶ CD 15: The Gerry Mulligan Quartet - 3rd salon du jazz, Salle Pleyel Juin 1954
▶ CD 16: Thelonious Monk - Piano Solo
▶ CD 17: Roy Haynes - Roy Haynes Modern Group / Jimmie Jones Trio featuring Roy Haynes and Joe Benjamin
▶ CD 18: Andre Hodeir - Essais par le Jazz Groupe de Paris / Musique de Films par Andre Hodeir
▶ CD 19: Lalo Schifrin - Rendez-vous dansant a Copacabana
▶ CD 20: Barney Wilen - Tilt

Credits

Release

art direction:Objectif Lune (graphic design house)
producer:Daniel Baumgarten
mastering:Mathieu Bameulle (Engineer)
Jean‐Pierre Chalbos (mastering engineer)
distributed by:Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
mastered at:La Source Mastering in Courbevoie, Hauts-de-Seine, Île-de-France, France
Discogs:https://www.discogs.com/release/9587276 [info]
ASIN:US: B0087PI57K [info]
Allmusic:https://www.allmusic.com/album/release/mr0003909986 [info]