The Messiah

~ Release by George Frideric Handel; Royal Philharmonic Orchestra, Sir Malcolm Sargent (see all versions of this release, 5 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Part I: Overture
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (from 1965-05-11 until 1965-05-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:09
2Part I: Recit - “Comfort Ye”
tenor vocals:
Alexander Young (tenor) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:00
3Part I: Air - “Every Valley”
tenor vocals:
Alexander Young (tenor) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:16
4Part I: Chorus - “And the Glory of the Lord Shall Be Revealed”
choir vocals:
Royal Choral Society
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 1965-05-11 until 1965-05-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:51
5Part I: Recit - “Thus Saith the Lord”
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:51
6Part I: Air - “But Who May Abide the Day of His Coming”
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:31
7Part I: Chorus - “And He Shall Purify”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (on 1965-05-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:07
8Part I: Recit - “Behold! A Virgin Shall Conceive”
contralto vocals:
Norma Procter (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (from 1965-05-11 until 1965-05-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:32
9Part I: Air - “O Thou That Tellest Good Tidings to Zion”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
contralto vocals:
Norma Procter (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel7:12
10Part I: Recit - “For Behold, Darkness Shall Cover the Earth”
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:56
11Part I: Air - “The People That Walked in the Darkness”
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:06
12Part I: Chorus - “For Unto Us a Child Is Born”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:18
13Part I: Pifa (Pastoral Symphony)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:00
14Part I: Recit - “There Were Shepherds Abiding in the Fields”
soprano vocals:
Elizabeth Harwood (soprano) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 14a. Recitative “There were shepherds, abiding in the field” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
George Frideric Handel0:25
15Part I: Recit - “And Low the Angel”
soprano vocals:
Elizabeth Harwood (soprano) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 14b. Recitative “And lo! the angel of the Lord come upon them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
George Frideric Handel0:29
16Part I: Recit - “And the Angel Said Unto Them”
soprano vocals:
Elizabeth Harwood (soprano) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
partial recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:25
17Part I: Recit - “For Unto You”
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
partial recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:28
18Part I: Recit - “And Suddenly There Was With the Angel”
soprano vocals:
Elizabeth Harwood (soprano) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:25
19Part I: Chorus - “Glory to God”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:47
20Part I: Air - “Rejoice Greatly O Daughter of Zion”
soprano vocals:
Elizabeth Harwood (soprano) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:07
21Part I: Recit - “Then Shall the Eyes of the Blind Be Open’d”
contralto vocals:
Norma Procter (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:36
22Part I: Air - “He Shall Feed His Flock Like a Shepherd”
contralto vocals:
Norma Procter (from 1965-05-11 until 1965-05-22)
soprano vocals:
Elizabeth Harwood (soprano) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:51
23Part I: Chorus - “His Yoke Is Easy”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:59
24Part II: Chorus - “Behold the Lamb God”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:06
▼ CD 2
#TitleArtistRatingLength
1Part II: Air - “He Was Despised”
contralto vocals:
Norma Procter (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel5:39
2Part II: Chorus - “Surely He Hath Borne Our Griefs”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel5:32
3Part II: Chorus - “All We, Like Sheep Have Gone Astray”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel5:14
4Part II: Recit - “All That They See Him to Scorn”
solo tenor vocals:
Alexander Young (tenor) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:51
5Part II: Chorus - “He Trusted in God That He Would Deliver Him”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:24
6Part II: Recit - “Thy Rebuke Hath Broken His Heart”
solo tenor vocals:
Alexander Young (tenor) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:07
7Part II: Air - “Behold and See If There Be Any Sorrow”
solo tenor vocals:
Alexander Young (tenor) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:15
8Part II: Recit - “He Was Cut Off Out of the Land of the Living”
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:26
9Part II: Air - “But Thou Didst Not Leave His Soul in Hell”
solo tenor vocals:
Alexander Young (tenor) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:35
10Part II: Chorus - “Who Is the King of Glory”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
George Frideric Handel4:00
11Part II: Chorus - “The Lord Gave the Word”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:37
12Part II: Air - “How Beautiful Are the Feet of Them”
soprano vocals:
Elizabeth Harwood (soprano) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:02
13Part II: Chorus - “Their Sound Is Gone Out Into All the Lands”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:04
14Part II: Air - “Why Do the Nations So Furiously Rage”
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:05
15Part II: Chorus - “Let Us Break Their Bonds Asunder”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:22
16Part II: Recitative - “He That Dwelleth in Heaven”
solo tenor vocals:
Alexander Young (tenor) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
17Part II: Air - “Thou Shalt Break Them”
solo tenor vocals:
Alexander Young (tenor) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:16
18Part II: Chorus - “Hallelujah”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel5:24
19Part III: Air - “I Know That My Redeemer Liveth”
soprano vocals:
Elizabeth Harwood (soprano) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel7:09
20Part III: Chorus - “Since by Man Came Death”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:32
21Part III: Recit - “Behold, I Tell You a Mystery”
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:41
22Part III: Air - “The Trumpet Shall Sound”
bass-baritone vocals:
John Shirley‐Quirk (operatic bass / baritone) (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:22
23Part III: Chorus - “Worthy Is the Lamb”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part III, no. 53a. Chorus “Worthy is the Lamb”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
George Frideric Handel4:58
24Part III: Chorus - “Amen”
choir vocals:
The Royal Choral Society (from 1965-05-11 until 1965-05-22)
orchestra:
Royal Philharmonic Orchestra (from 1965-05-11 until 1965-05-22)
conductor:
Sir Malcolm Sargent (conductor) (from 1965-05-11 until 1965-05-22)
phonographic copyright (℗) by:
The Reader’s Digest Association Ltd. (not for release label use!) (in 1965)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1965-05-11 until 1965-05-22)
recording of:
Messiah, HWV 56: Part III, no. 53b. Chorus “Amen”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
George Frideric Handel4:28

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ASIN:US: B000003GE4 [info]