It’s a Sixties Party

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Johnny B. Goode
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (on 1958-01-06)
drums (drum set):
Jasper Thomas (on 1958-01-06)
guitar and lead vocals:
Chuck Berry (on 1958-01-06)
piano:
Johnnie Johnson (on 1958-01-06)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-01-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 7), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 33) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 53)
recording of:
Johnny B. Goode (on 1958-01-06)
lyricist and composer:
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and ロックンロール ミュージック
part of:
Back to the Future: the Musical
Chuck Berry4.252:40
2Bye Bye Love
Everly Brothers42:21
3Sha La La La Lee
producer:
Kenny Lynch (English singer, songwriter, entertainer & actor)
cover recording of:
Sha-La-La-La-Lee
writer:
Kenny Lynch (English singer, songwriter, entertainer & actor) and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Small Faces42:57
4Tell Him
recording of:
Tell Him
lyricist and composer:
Bert Russell
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Billie Davis42:12
5That’ll Be the Day
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
recording of:
That’ll Be the Day (on 1956-07-22)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
The Crickets32:29
6Hats Off to Larry
recording of:
Hats Off to Larry
lyricist and composer:
Del Shannon
Del Shannon2.52:02
7(If Paradise Is) Half as Nice
recording of:
(If Paradise Is) Half as Nice
lyricist:
Jack Fishman
composer:
Lucio Battisti
is based on:
Il paradiso della vita
Amen Corner42:50
8Pied Piper
recording of:
The Pied Piper
writer:
Steve Duboff and Artie Kornfeld
Crispian St. Peters42:33
9You’re More Than a Number in My Little Red Book
recording of:
You’re More Than a Number in My Little Red Book
composer:
Roger Greenaway and Tony Macaulay
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing Ltd.
The Drifters3:17
10I Can’t Help Myself
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1965)
strings:
Detroit Symphony Orchestra (in 1965)
background vocals:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul "Duke" Fakir (in 1965), Jackie Hicks (in 1965) and Lawrence Payton (in 1965)
lead vocals:
Levi Stubbs (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 30), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 415) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.52:44
11Baby, Now That I’ve Found You
recording of:
Baby Now That I’ve Found You
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd. and Sony/ATV Music Pub. Ltd.
The Foundations42:58
12Let’s Twist Again
vocals:
Chubby Checker (in 1961-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 40)
recording of:
Let’s Twist Again (in 1961-06)
lyricist:
Kal Mann
composer:
Dave Appell
publisher:
Kalmann Music Inc. and Belinda (Scandinavia) AB (in 1974)
Chubby Checker4.652:23
13Sugar and Spice
recording of:
Sugar and Spice
lyricist and composer:
Fred Nightingale
The Searchers42:15
14It’s My Party
producer:
Qunicy Jones
arranger:
Claus Ogerman
recording of:
It’s My Party (on 1963-03-30)
writer:
John Gluck, Jr., Wally Gold, Seymour Gottlieb and Herb Weiner
publisher:
A. Schroeder Music Ltd. and Chappell & Co., Inc. (USA)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.52:21
15She’d Rather Be With Me
performer:
The Turtles (late 60s US rock band)
recording of:
She’d Rather Be With Me
writer:
Garry Bonner and Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
The Turtles3.352:20
16Surf City
recording of:
Surf City
writer:
Jan Berry and Brian Wilson (Beach Boys co‐founder)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Jan & Dean32:27
17Oh! Carol
recording of:
Oh! Carol
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal Music Careers
translated version of:
Karel (Oh Carol)
Neil Sedaka42:18
18Rubber Ball
recording of:
Rubber Ball
lyricist and composer:
Gene Pitney and Aaron Schroeder (1950s~1960s US songwriter)
Bobby Vee32:19
19Dance On
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1962)
recording of:
Dance On!
composer:
Ray Adams (UK songwriter, member of the Avons), Elaine Murtagh (Irish composer and songwriter) and Valerie Murtagh (UK composer and songwriter)
publisher:
S. Bron Music Co. Ltd.
The Shadows32:24
20Fire!
associate producer:
Pete Townshend (of The Who)
producer:
Kit Lambert
bass:
Sean Nicholas
drums (drum set):
Dracken Theaker
organ:
Vincent Crane
vocals:
Arthur Brown
arranger:
Vincent Crane
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
recording of:
Fire
writer:
Arthur Brown, Vincent Crane, Mike Finesilver and Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. and Onward Music Ltd.
Arthur Brown42:58
21Bread and Butter
recording of:
Bread and Butter (in 1964)
writer:
Larry Parks and Jay Turnbow
The Newbeats4.352:00
22Judy in Disguise (with Glasses)
part of:
TV Cream: Real 100 Best Singles Ever (number: 96)
recording of:
Judy in Disguise (With Glasses) (in 1967)
writer:
Andrew Bernard and John Fred (John Fred Gourrier)
publisher:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and MCS Music Ltd.
John Fred & His Playboy Band42:55
▼ CD 2
#TitleArtistRatingLength
1Runaround Sue
recording of:
Runaround Sue
lyricist:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
composer:
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan), Inc., A Division and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
Dion4?:??
2Oh, Pretty Woman
Roy Orbison4?:??
3How Do You Do It?
recording of:
How Do You Do It (in 1963-03)
lyricist and composer:
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.5?:??
4If I Had a Hammer
cover recording of:
If I Had a Hammer
writer:
Lee Hays (in 1949) and Pete Seeger (in 1949)
Trini Lopez4?:??
5Last Train to Clarksville
recording of:
Last Train to Clarksville
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Bobby Hart
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4?:??
6Let’s Dance
lead vocals:
Chris Montez
recording of:
Let’s Dance
lyricist and composer:
Jim Lee ("Let's Dance" writer/producer)
publisher:
Chappell Morris Ltd., DeVorzon Music, Rondell Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez3?:??
7Give Him a Great Big Kiss
The Shangri‐Las4?:??
8Telstar
producer:
Joe Meek
recording of:
Telstar (in 1962)
composer:
Joe Meek
publisher:
Ivy Music Ltd.
The Tornados3.5?:??
9Nut Rocker
recording of:
Nut Rocker
composer:
Kim Fowley and Пётр Ильич Чайковский (Russian romantic composer)
publisher:
Kim Fowley Music
is based on:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
B. Bumble & the Stingers3?:??
10Cut Across Shorty
recording of:
Cut Across Shorty
writer:
Wayne Walker and Marijohn Wilkin
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Eddie Cochran3?:??
11Good Golly Miss Molly
cover recording of:
Good Golly Miss Molly
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
The Swinging Blue Jeans3?:??
12Dimples
cover recording of:
Dimples
lyricist:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1956)
composer:
James Bracken
publisher:
Conrad Music (publisher; do NOT use as release label), Costoma Publishing Company and Tristan Music Ltd.
The Animals2.5?:??
13Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Supremes4.15?:??
14In the Middle of Nowhere
recording of:
In the Middle of Nowhere
composer:
Buddy Kaye and Beatrice Verdi
Dusty Springfield3?:??
15Out of Time
cover recording of:
Out of Time
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Chris Farlowe3?:??
16Brown Eyed Girl
Van Morrison4?:??
17Si Tu Dois Partir
engineer:
John Wood (US sound engineer and producer)
producer:
Joe Boyd (US producer, founder of Hannibal Records), Fairport Convention (English folk rock band) and Simon Nicol (singer, multi-instrumentalist and producer from England)
bass and bass guitar:
Ashley Hutchings
drums (drum set):
Martin Lamble
fiddle:
Dave Swarbrick
guitar:
Simon Nicol (singer, multi-instrumentalist and producer from England) and Richard Thompson (UK folk rock singer/songwriter)
triangle:
Trevor Lucas
vocals:
Sandy Denny, Ashley Hutchings, Simon Nicol (singer, multi-instrumentalist and producer from England) and Richard Thompson (UK folk rock singer/songwriter)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! UK record company) (in 2003)
cover recording of:
Si tu dois partir
lyricist and composer:
Bob Dylan (in 1965)
translator:
Fairport Convention (English folk rock band)
publisher:
Special Rider Music
translated version of:
If You Gotta Go, Go Now (or Else You Got to Stay All Night)
Fairport Convention3?:??
18March of the Mods
recording of:
March of the Mods
writer:
Tony Carr
Joe Loss3?:??
19Gimme Some Lovin’
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (UK) (in 1966)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.6?:??
20I Can’t Let Go
cover recording of:
I Can't Let Go
writer:
Al Gorgoni and Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), M. Carey Songs, Sony Songs Inc., Wallyworld Music and WB Music Corp. (1929–2019)
The Hollies4?:??
21The Letter
producer:
Dan Penn
phonographic copyright (℗) by:
Arista Records (not an imprint, use "Arista" for release labels) (in 1967)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Lovolar Music and Sony Music Publishing (Japan) Inc. (song publisher, never a release label)
The Box Tops4.35?:??
221‒2‒3
recording of:
1‐2‐3
additional writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
writer:
Leonard Borisoff, John Madara and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Mijac Double Diamond Music, Songs of Universal, Inc., Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Welbeck Music Ltd.
Len Barry3?:??
23Heartbeat
producer:
Norman Petty
bass:
George Atwood (from 1958-05-25 until 1958-05-26)
drums (drum set):
Jerry Allison (from 1958-05-25 until 1958-05-26)
guitar:
Tommy Allsup (from 1958-05-25 until 1958-05-26) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-05-25 until 1958-05-26)
recording of:
Heartbeat (from 1958-05-25 until 1958-05-26)
writer:
Bob Montgomery and Norman Petty
publisher:
Melody Lane Publications Inc.
Buddy Holly4.65?:??