Singles

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Lush Life
recording of:
Lush Life
lyricist:
Billy Strayhorn (from 1933 until 1938)
composer:
Gary Fuhrmann and Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Reservoir Media Music, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) and Tempo Music Inc (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:19
2Jet
recording of:
Jet
lyricist:
Bennie Benjamin and George David Weiss
composer:
Harry Revel (British-born American composer)
2:51
3Somewhere Along the Way
recording of:
Somewhere Along the Way
lyricist:
Sammy Gallop
composer:
Kurt Adams
publisher:
United Music Corp.
2:55
4Because You're Mine
vocals:
Nat King Cole (in 1952)
performer:
Nelson Riddle and His Orchestra (in 1952)
recording of:
Because You’re Mine (Because You’re Mine) (in 1952)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 25th Academy Award for Best Original Song (number: 2)
3:13
5Faith Can Move Mountains
recording of:
Faith Can Move Mountains
lyricist:
Ben Raleigh
composer:
Guy B. Wood
3:14
6Pretend
producer:
Lee Gillette
double bass:
Joe Comfort (on 1952-12-30)
guitar:
Irving Ashby (on 1952-12-30)
piano:
Nat King Cole (on 1952-12-30)
vocals:
Nat King Cole (on 1952-12-30)
orchestra:
Nelson Riddle and His Orchestra (on 1952-12-30)
conductor:
Ralph Carmichael and Nelson Riddle
recording of:
Pretend (on 1952-12-30)
lyricist:
Lew Douglas, Frank Lavere and Cliff Parman
composer:
Dan Belloc, Lew Douglas, Frank Lavere and Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:46
7Mother Nature and Father Time3:13
8Can't I
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (jazz guitarist) (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (trumpeter) (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (40s jazz trumpeter) (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Can’t I? (on 1953-01-14)
lyricist and composer:
Leroy Lovett Jr
3:16
9Tenderly
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
2:58
10Smile
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1954-07-27)
bass trombone:
George Roberts (american bass trombone) (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (on 1954-07-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (American horn player) (on 1954-07-27)
guitar:
John Collins (jazz guitarist) (on 1954-07-27)
percussion:
Louis Singer (percussionist) (on 1954-07-27)
piano:
Bill Miller (pianist) (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (trombone) (on 1954-07-27)
viola:
Stanley Harris (US big band viola player) (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (violinist) (on 1954-07-27), Eudice Shapiro (Violinist) (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (American violinist and strings conductor) (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (on 1954-07-27)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
2:55
11A Blossom Fell
bass:
Red Callender (on 1954-12-20)
bass trombone:
George Roberts (american bass trombone) (on 1954-12-20)
cello:
Victor Gottlieb (on 1954-12-20) and Edgar Lustgarten (on 1954-12-20)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-12-20)
flute:
Harry Klee (on 1954-12-20), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-12-20) and Champ Webb (on 1954-12-20)
French horn:
Vincent DeRosa (on 1954-12-20) and Joseph Eger (horn player) (on 1954-12-20)
guitar:
Al Hendrickson (on 1954-12-20)
harp:
Kathryn Julye (on 1954-12-20)
piano:
Ray Turner (pianist) (on 1954-12-20)
trombone:
Joe Howard (american trombone player) (on 1954-12-20)
trumpet:
Harry “Sweets” Edison (on 1954-12-20)
valve trombone:
Juan Tizol (on 1954-12-20)
viola:
Stanley Spiegelman (on 1954-12-20) and Dave Sterkin (on 1954-12-20)
violin:
Israel Baker (violinist) (on 1954-12-20), Victor Bay (on 1954-12-20), Alex Beller (on 1954-12-20), Harry Bluestone (on 1954-12-20), Walter Edelstein (on 1954-12-20), Murray Kellner (on 1954-12-20), Nathan Ross (on 1954-12-20) and Mischa Russell (violinist) (on 1954-12-20)
vocals:
Nat King Cole (on 1954-12-20)
orchestra:
Nelson Riddle and His Orchestra (on 1954-12-20)
conductor:
Nelson Riddle (on 1954-12-20)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-12-20)
recording of:
A Blossom Fell (on 1954-12-20)
writer and composer:
Howard Barnes, Harold Cornelius and Dominic John (songwriter, aka Dominic John)
42:33
12Dreams Can Tell a Lie
recording of:
Dreams Can Tell a Lie (1956 song)
writer:
Howard Barnes, Harold Cornelius and Dominic John (songwriter, aka Dominic John)
3:01
13Too Young to Go Steady
recording of:
Too Young to Go Steady
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
publisher:
Harold Adamson Music
2:54
14Love Me as Though There Were No Tomorrow
recording of:
Love Me as Though There Were No Tomorrow
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
2:38
15To the Ends of the Earth2:21
16Time and the River
2:22
17That's You2:38
18That Sunday, That Summer3:14
19Look No Further
3:00
20People
2:41

Credits

Release

copyrighted (©) by:EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (from 2001 to present)
phonographic copyright (℗) by:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (from 1992 to present)
Discogs:https://www.discogs.com/release/4423096 [info]
ASIN:UK: B000006X4V [info]