Annotation

99363/* are the individual disc cat#s. The discs might have individual barcodes as well.

Barcode of disc 5 = 5028421936352 (only one I have!)

Annotation last modified on 2017-07-22 08:44 UTC.

Tracklist

CD 1: BWV 80, 82, 61
# Title Rating Length
1 Cantata, BWV 80 "Ein feste Burg ist unser Gott": I. Choir "Ein feste Burg ist unser Gott" 5:16
2 Cantata, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Soprano, Bass) "Mit unser Macht" 3:57
3 Cantata, BWV 80 "Ein feste Burg ist unser Gott": III. Recitative (Bass) "Erwäge doch, Kind Gottes" 1:56
4 Cantata, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Soprano) "Komm in mein Herzenshaus" 3:16
5 Cantata, BWV 80 "Ein feste Burg ist unser Gott": V. Choral (Choir) "Und wenn die Welt voll Teufel wär" 3:47
6 Cantata, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitative (Tenor) "So stehe denn bei Christi" 1:25
7 Cantata, BWV 80 "Ein feste Burg ist unser Gott": VII. Duet (Alto, Tenor) "Wie selig sind doch die" 4:01
8 Cantata, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral (Choir) "Das Wort sie sollen lassen stahn" 1:12
9 Cantata, BWV 82 "Ich habe genug": I. Aria (Bass) "Ich habe genug" 7:43
10 Cantata, BWV 82 "Ich habe genug": II. Recitative (Bass) "Ich habe genug!" 1:13
11 Cantata, BWV 82 "Ich habe genug": III. Aria (Bass) "Schlummert ein, ihr matten Augen" 9:25
12 Cantata, BWV 82 "Ich habe genug": IV. Recitative (Bass) "Mein Gott! wann kommt das schöne: Nun!" 0:52
13 Cantata, BWV 82 "Ich habe genug": V. Aria (Bass) "Ich freue mich auf meinen Tod" 3:53
14 Cantata, BWV 61 "Nun komm, der Heiden Heiland": I. Choir "Nun komm, der Heiden Heiland" 3:01
15 Cantata, BWV 61 "Nun komm, der Heiden Heiland": II. Recitative (Tenor) "Der Heiland ist gekommen" 1:33
16 Cantata, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenor) "Komm, Jesu, komm zu deiner Kirche" 4:00
17 Cantata, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitative (Bass) "Siehe, ich stehe vor der Tür" 0:46
18 Cantata, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" 3:48
19 Cantata, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral (Choir) "Amen, Amen!" 1:01
CD 2: BWV 16, 170, 133
# Title Rating Length
1 Herr Gott, dich loben wir BWV 16 - I Coro 1:30
2 Herr Gott, dich loben wir BWV 16 - II Recitativo (Basso) 1:26
3 Herr Gott, dich loben wir BWV 16 - III Coro & Aria (Basso) 3:45
4 Herr Gott, dich loben wir BWV 16 - IV Recitativo (Alto) 1:36
5 Herr Gott, dich loben wir BWV 16 - V Aria (Tenore) 8:09
6 Herr Gott, dich loben wir BWV 16 - VI Choral (Coro) 1:13
7 Vergnügte Ruh beliebte Seelenlust BWV 170 - I Aria (Alto) 5:27
8 Vergnügte Ruh beliebte Seelenlust BWV 170 - II Recitativo (Alto) 1:21
9 Vergnügte Ruh beliebte Seelenlust BWV 170 - III Aria (Alto) 7:17
10 Vergnügte Ruh beliebte Seelenlust BWV 170 - IV Recitativo (Alto) 1:18
11 Vergnügte Ruh beliebte Seelenlust BWV 170 - V Aria (Alto) 6:19
12 Ich freue mich in dir BWV 133 - I Coro 4:19
13 Ich freue mich in dir BWV 133 - II Aria (Alto) 4:16
14 Ich freue mich in dir BWV 133 - III Recitativo (Tenore) 0:56
15 Ich freue mich in dir BWV 133 - IV Aria (Soprano) 7:42
16 Ich freue mich in dir BWV 133 - V Recitativo (Basso) 1:00
17 Ich freue mich in dir BWV 133 - VI Choral (Coro) 1:07
CD 3: BWV 97, 132, 72
# Title Rating Length
1 In allen meinen Taten BWV 97 - I Coro 4:16
2 In allen meinen Taten BWV 97 - II Aria (Basso) 3:43
3 In allen meinen Taten BWV 97 - III Recitativo (Tenore) 0:36
4 In allen meinen Taten BWV 97 - IV Aria (Tenore) 5:51
5 In allen meinen Taten BWV 97 - V Recitativo (Alto) 0:45
6 In allen meinen Taten BWV 97 - VI Aria (Alto) 4:20
7 In allen meinen Taten BWV 97 - VII Duetto (Soprano, Basso) 3:53
8 In allen meinen Taten BWV 97 - VIII Aria (Soprano) 3:22
9 In allen meinen Taten BWV 97 - IX Choral (Coro) 1:04
10 Bereitet die Wege, bereitet die Bahn BWV 132 - I Aria (Soprano) 5:41
11 Bereitet die Wege, bereitet die Bahn BWV 132 - II Recitativo (Tenore) 2:22
12 Bereitet die Wege, bereitet die Bahn BWV 132 - III Aria (Basso) 2:35
13 Bereitet die Wege, bereitet die Bahn BWV 132 - IV Recitativo (Alto) 1:56
14 Bereitet die Wege, bereitet die Bahn BWV 132 - V Aria (Alto) 3:36
15 Bereitet die Wege, bereitet die Bahn BWV 132 - VI Choral (Coro) 1:05
16 Alles nur nach Gottes Willen BWV 72 - I Coro 3:45
17 Alles nur nach Gottes Willen BWV 72 - II Recitativo (Alto) 2:09
18 Alles nur nach Gottes Willen BWV 72 - III Aria (Alto) 4:18
19 Alles nur nach Gottes Willen BWV 72 - IV Recitativo (Basso) 1:00
20 Alles nur nach Gottes Willen BWV 72 - V Aria (Soprano) 4:41
21 Alles nur nach Gottes Willen BWV 72 - VI Choral (Coro) 1:09
CD 4: BWV 113,42
# Title Rating Length
1 Herr Jesu Christ, du höchstes Gut BWV 113 - I Coro 3:40
2 Herr Jesu Christ, du höchstes Gut BWV 113 - II Choral (Alto) 4:18
3 Herr Jesu Christ, du höchstes Gut BWV 113 - III Aria (Basso) 3:30
4 Herr Jesu Christ, du höchstes Gut BWV 113 - IV Recitativo (Basso) 2:23
5 Herr Jesu Christ, du höchstes Gut BWV 113 - V Aria (Tenore) 5:32
6 Herr Jesu Christ, du höchstes Gut BWV 113 - VI Recitativo (Tenore) 2:00
7 Herr Jesu Christ, du höchstes Gut BWV 113 - VII Aria (Duetto- Soprano, Alto) 2:25
8 Herr Jesu Christ, du höchstes Gut BWV 113 - VIII Choral (Coro) 1:15
9 Am Abend aber desselbigen Sabbats BWV 42 - I Sinfonia 6:51
10 Am Abend aber desselbigen Sabbats BWV 42 - II Recitativo (Tenore) 0:32
11 Am Abend aber desselbigen Sabbats BWV 42 - III Aria (Alto) 11:01
12 Am Abend aber desselbigen Sabbats BWV 42 - IV Aria (Duetto- Soprano, Tenore) 2:54
13 Am Abend aber desselbigen Sabbats BWV 42 - V Recitativo (Basso) 0:56
14 Am Abend aber desselbigen Sabbats BWV 42 - VI Aria (Basso) 3:33
15 Am Abend aber desselbigen Sabbats BWV 42 - VII Choral (Coro) 1:48
CD 5: BWV 33, 56, 37
# Title Rating Length
1 Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": I. Choir "Allein zu dir, Herr Jesu Christ" 4:51
2 Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": II. Recitative (Bass) "Mein Gott und Richter" 1:09
3 Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria (Alto) "Wie furchtsam wankten" 7:39
4 Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": IV. Recitative (Tenor) "Mein Gott, verwirf mich nicht" 1:10
5 Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": V. Duet (Tenor, Bass) "Gott, der du die Liebe heißt" 4:35
6 Cantata, BWV 33 "Allein zu dir, Herr Jesu Christ": VI. Choral (Choir) "Ehr sei Gott in dem höchsten Thron" 1:28
7 Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria (Bass) "Ich will den Kreuzstab gerne tragen" 6:44
8 Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative (Bass) "Mein Wandel auf der Welt" 1:56
9 Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria (Bass) "Endlich, endlich wird mein Joch" 7:27
10 Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative (Bass) "Ich stehe fertig und bereit" 1:36
11 Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Choral (Choir) "Komm, o Tod, du Schlafes Bruder" 1:34
12 Cantata, BWV 37 "Wer da gläubet und getauft wird": I. Choir "Wer da gläubet und getauft wird" 2:46
13 Cantata, BWV 37 "Wer da gläubet und getauft wird": II. Aria (Tenor) "Der Glaube ist das Pfand der Liebe" 5:11
14 Cantata, BWV 37 "Wer da gläubet und getauft wird": III. Choral (Soprano, Alto) "Herr Gott Vater, mein starker Held" 2:56
15 Cantata, BWV 37 "Wer da gläubet und getauft wird": IV. Recitative (Bass) "Ihr Sterblichen, verlanget ihr mit mir" 1:04
16 Cantata, BWV 37 "Wer da gläubet und getauft wird": V. Aria (Bass) "Der Glaube schafft der Seele Flügel" 3:02
17 Cantata, BWV 37 "Wer da gläubet und getauft wird": VI. Choral (Choir) "Den Glauben mir verleihe" 1:15

Credits

CD 1: BWV 80, 82, 61

alto vocals:
Sytse Buwalda (track 7)
bass vocals:
Bas Ramselaar (operatic bass) (tracks 2–3, 9–13, 17)
choir vocals:
Holland Boys Choir (tracks 1, 5, 8, 14, 19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (1714) (tracks 14–19)
Johann Sebastian Bach (German Baroque period composer & musician) (1715 – 1730) (tracks 1–8)
Johann Sebastian Bach (German Baroque period composer & musician) (1727) (tracks 9–13)
conductor:
Pieter Jan Leusink (tracks 1–19)
lyricist:
Martin Luther (German theologian of the Reformation) (track 8)
orchestra:
Netherlands Bach Collegium (tracks 1–19)
soprano vocals:
Ruth Holton (soprano) (tracks 2, 4, 18)
tenor vocals:
Knut Schoch (tenor) (tracks 6, 15–16)
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (1999-04 – 1999-09) (tracks 1–19)
part of:
Breitkopf 389 Choralgesänge (number: 76) (track 8)
arrangements:
is based on:
later versions:
orchestrations:
Ein' feste Burg ist unser Gott (orch. by Stokowski) (track 1)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass) (tracks 9–13)
recording of:

CD 2: BWV 16, 170, 133

premiered in:
Leipzig, Sachsen, Germany (1726-07-28) (tracks 7–11)
viola:
Jan Willem Vis (track 1)
natural brass instruments:
Teunis van der Zwart (horn player) (track 1)
alto vocals:
Sytse Buwalda (tracks 4, 7–11, 13)
bass vocals:
Bas Ramselaar (operatic bass) (tracks 2–3, 16)
choir vocals:
Holland Boys Choir (tracks 1, 3, 6, 12, 17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (1724) (tracks 12–17)
Johann Sebastian Bach (German Baroque period composer & musician) (1726) (tracks 1–11)
conductor:
Pieter Jan Leusink (tracks 1–17)
librettist:
Paul Eber (1580) (track 6)
Georg Christian Lehms (1711) (tracks 1–5, 7–11)
lyricist:
Caspar Ziegler (German hymn writer) (track 17)
orchestra:
Netherlands Bach Collegium (tracks 1–17)
soprano vocals:
Ruth Holton (soprano) (track 15)
tenor vocals:
Nico van der Meel (tenor) (track 5)
Knut Schoch (tenor) (track 14)
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (1999-04 – 1999-09) (tracks 1–17)
part of:
Breitkopf 389 Choralgesänge (number: 125) (track 6)
Breitkopf 389 Choralgesänge (number: 181) (track 17)
arrangements:
later versions:
part of:
recording of:

CD 3: BWV 97, 132, 72

alto vocals:
Sytse Buwalda (tracks 5–6, 13–14, 17–18)
bass vocals:
Bas Ramselaar (operatic bass) (tracks 2, 7, 12, 19)
choir vocals:
Holland Boys Choir (tracks 1, 9, 15–16, 21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (1715) (tracks 10–15)
Johann Sebastian Bach (German Baroque period composer & musician) (1726) (tracks 16–21)
Johann Sebastian Bach (German Baroque period composer & musician) (1734 – 1735) (tracks 1–9)
conductor:
Pieter Jan Leusink (tracks 1–21)
lyricist:
Paul Fleming (poet) (track 9)
orchestra:
Netherlands Bach Collegium (tracks 1–21)
soprano vocals:
Ruth Holton (soprano) (tracks 7–8, 10, 20)
tenor vocals:
Knut Schoch (tenor) (tracks 3–4, 11)
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (1999-04 – 1999-09) (tracks 1–21)
part of:
Breitkopf 389 Choralgesänge (number: 297) (track 9)
Breitkopf 389 Choralgesänge (number: 344) (track 21)
part of:
recording of:

CD 4: BWV 113,42

alto vocals:
Sytse Buwalda (tracks 2, 7, 11)
bass vocals:
Bas Ramselaar (operatic bass) (tracks 3–4, 13–14)
choir vocals:
Holland Boys Choir (tracks 1, 8, 15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (1724) (tracks 1–8)
Johann Sebastian Bach (German Baroque period composer & musician) (1725) (tracks 9–15)
conductor:
Pieter Jan Leusink (tracks 1–15)
lyricist:
Martin Luther (German theologian of the Reformation) (track 15)
orchestra:
Netherlands Bach Collegium (tracks 1–15)
soprano vocals:
Ruth Holton (soprano) (tracks 7, 12)
tenor vocals:
Knut Schoch (tenor) (tracks 5–6, 10, 12)
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (1999-04 – 1999-09) (tracks 1–15)
part of:
Breitkopf 389 Choralgesänge (number: 142) (track 8)
Breitkopf 389 Choralgesänge (number: 322) (track 15)
arrangements:
has revision:
part of:
recording of:

CD 5: BWV 33, 56, 37

alto vocals:
Sytse Buwalda (tracks 3, 14)
bass vocals:
Bas Ramselaar (operatic bass) (tracks 2, 5, 7–10, 15–16)
choir vocals:
Holland Boys Choir (tracks 1, 6, 11–12, 17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (1724) (tracks 1–6, 12–17)
Johann Sebastian Bach (German Baroque period composer & musician) (1726) (tracks 7–11)
conductor:
Pieter Jan Leusink (tracks 1–17)
librettist:
[anonymous] (Special Purpose Artist) (tracks 7–10)
John Franck (1653) (track 11)
lyricist:
Johannes Kolrose (German hymn writer) (track 17)
Johannes Schneesing (German hymn writer) (track 6)
orchestra:
Netherlands Bach Collegium (tracks 1–17)
soprano vocals:
Ruth Holton (soprano) (track 14)
tenor vocals:
Knut Schoch (tenor) (tracks 4–5, 13)
recorded at:
Sint-Nicolaaskerk (Elburg) in Elburg, Gelderland, Netherlands, Kingdom of the Netherlands (1999-04 – 1999-09) (tracks 1–17)
part of:
Breitkopf 389 Choralgesänge (number: 16) (track 6)
Breitkopf 389 Choralgesänge (number: 72) (track 11)
Breitkopf 389 Choralgesänge (number: 178) (track 17)
arrangements:
later versions:
Choralsatz "Ich dank' dir, lieber Herre" (version of BWV 37) (track 17)
part of:
recording of:

Release Group

part of:Bach Edition (number: 4) (order: 4)