Heavy Exposure

~ Release by Woody Herman (see all versions of this release, 1 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Flying Easy
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Edward Soph (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
instrumental cover recording of:
Flying Easy (in 1969-09)
composer:
Donny Hathaway
3:11
A2I Can't Get Next To You
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Morris Jennings (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
instrumental cover recording of:
I Can’t Get Next to You (in 1969-09)
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd. and Stone Agate Music
2:54
A3Aquarius
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Morris Jennings (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
instrumental recording of:
Aquarius (from “Hair”) (in 1969-09)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. and United Artist Music Publishing
part of:
Hair (1967 musical)
3:30
A4Memphis Underground
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Morris Jennings (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
recording of:
Memphis Underground (in 1969-09)
composer:
Herbie Mann
3:33
A5High School Hero
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Edward Soph (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
instrumental cover recording of:
High School Hero (in 1969-09)
lyricist and composer:
Jake Holmes
3:00
A6Lancaster Gate
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Morris Jennings (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
3:18
B1The Hut
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Edward Soph (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
3:44
B2My Cheri Amour
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Edward Soph (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
instrumental cover recording of:
My Cherie Amour (in 1969-09)
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music, Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
2:45
B3It's Your Thing
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
instrumental cover recording of:
It’s Your Thing (in 1969-09)
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Tee Pee Music Ltd.
3:00
B4Catch That Bird
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Edward Soph (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
recording of:
Catch That Bird (in 1969-09)
composer:
Loonis McGlohon
2:50
B5Sex Machine
engineer:
Stu Black and Ron Malo
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer)
bass:
Gene A Perla (from 1969-09-02 until 1969-09-03)
clarinet and saxophone:
Woody Herman (from 1969-09-02 until 1969-09-03)
drums (drum set):
Edward Soph (from 1969-09-02 until 1969-09-03)
guitar:
Phil Upchurch (from 1969-09-02 until 1969-09-03)
organ:
Donny Hathaway (from 1969-09-02 until 1969-09-03)
percussion:
Marshall Thompson (drums) (from 1969-09-02 until 1969-09-03)
piano:
John Hicks (American jazz pianist) (from 1969-09-02 until 1969-09-03)
reeds:
Alan Gauvin (from 1969-09-02 until 1969-09-03), Steve Lederer (from 1969-09-02 until 1969-09-03), Sal Nistico (jazz tenor saxophonist) (from 1969-09-02 until 1969-09-03) and Frank Vicari (from 1969-09-02 until 1969-09-03)
trombone:
Bobby Burgess (american trombonist) (from 1969-09-02 until 1969-09-03), Pete Dalbis (from 1969-09-02 until 1969-09-03) and Tom “Bones” Malone (US trombonist) (from 1969-09-02 until 1969-09-03)
trumpet:
Jeff Brillinger (from 1969-09-02 until 1969-09-03), Bill Byrne (trumpeter) (from 1969-09-02 until 1969-09-03), Bill Chase (American trumpeter) (from 1969-09-02 until 1969-09-03), Harry Hall (trumpet) (from 1969-09-02 until 1969-09-03), Richard Murphy (trumpet) (from 1969-09-02 until 1969-09-03) and Rigby Powell (from 1969-09-02 until 1969-09-03)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1969-09-02 until 1969-09-03)
instrumental cover recording of:
Sex Machine (Sly & the Family Stone) (in 1969-09)
lyricist and composer:
Sylvester Stewart
5:54