| # | Title | Artist | Rating | Length |
|---|
| 1 | Where Did Our Love Go | The Supremes | 5 | 2:30 |
| 2 | Under the Boardwalk | The Drifters | | 2:37 |
| 3 | Time Is on My Side | Irma Thomas | | 2:52 |
| 4 | Respect | Aretha Franklin | 3.9 | 2:27 |
| 5 | Dancing in the Street- producer:
- William Stevenson
- publisher:
- EMI Music Publishing
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1964) and UMG Recordings, Inc. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 40) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 130)
- recording of:
- Dancing in the Street
- writer:
- Marvin Gaye, Ivy Jo Hunter and William Stevenson
- publisher:
- EMI Music Publishing , FCG Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha Reeves and the Vandellas | 3.6 | 2:38 |
| 6 | How Sweet It Is (To Be Loved by You) | Marvin Gaye | 5 | 2:58 |
| 7 | It’s a Man’s, Man’s, Man’s World | James Brown | | 2:46 |
| 8 | Knock on Wood | Eddie Floyd | | 3:02 |
| 9 | Ride Your Pony | Lee Dorsey | | 2:54 |
| 10 | Hold on I’m Coming | Sam & Dave | | 2:30 |
| 11 | Reach Out, I’ll Be There- producer:
- Lamont Dozier and Brian Holland
- instruments:
- The Funk Brothers (in 1966)
- background vocals:
- The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul "Duke" Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
- lead vocals:
- Levi Stubbs (in 1966)
- recorded at:
- Hitsville in Detroit, Michigan, United States (in 1966)
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 206)
- recording of:
- Reach Out, I’ll Be There (in 1966)
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Four Tops | 4 | 2:59 |
| 12 | Ain’t Too Proud to Beg | The Temptations | | 2:32 |
| 13 | Rescue Me | Fontella Bass | | 2:54 |
| 14 | Soul Finger | The Bar‐Kays | 4.5 | 2:17 |
| 15 | Chain of Fools- recorded in:
- New York, New York, United States
- recording engineer and mixer:
- Tom Dowd
- producer:
- Jerry Wexler
- bass guitar:
- Tommy Cogbill (on 1967-06-23)
- drums (drum set):
- Roger Hawkins (on 1967-06-23)
- electric piano:
- Spooner Oldham (on 1967-06-23)
- guitar:
- Jimmy Johnson (on 1967-06-23) and Joe South (on 1967-06-23)
- piano:
- Aretha Franklin (on 1967-06-23)
- choir vocals:
- Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
- vocals:
- Aretha Franklin (on 1967-06-23)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1967) and Atlantic Recording Corporation (in 1968)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 249) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 306)
- recording of:
- Chain of Fools (on 1967-06-23)
- lyricist and composer:
- Don Covay
- publisher:
- 14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music, Springtime Music, Inc., Warner Chappell Music Ltd. and Warner-Tamerlane Publishing Co.
| Aretha Franklin | 4.25 | 2:42 |
| 16 | You Can’t Hurry Love | Diana Ross & The Supremes | | 2:49 |
| 17 | I Was Made to Love Her- producer:
- Henry Cosby
- bass:
- James Jamerson (on 1967-03-31)
- electric sitar:
- Eddie Willis (on 1967-03-31)
- harmonica and lead vocals:
- Stevie Wonder (on 1967-03-31)
- instruments:
- The Funk Brothers (on 1967-03-31)
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1966) and Motown Record Corporation (in 1967)
- recorded at:
- Hitsville in Detroit, Michigan, United States (on 1967-03-31)
- recording of:
- I Was Made to Love Her (on 1967-03-31)
- writer:
- Henry Cosby, Lula Mae Hardaway, Sylvia Moy and Stevie Wonder
- publisher:
- Black Bull Music, Inc., EMI Blackwood Music Inc. , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
| Stevie Wonder | 4.65 | 2:36 |
| 18 | Peace of My Heart | Erma Franklin | | 2:35 |
| 19 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- H.H.O. Ltd and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 54)
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Pronto Music, Inc. , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:50 |
| 20 | Try a Little Tenderness | Otis Redding | | 3:45 |
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