Tracklist

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CD 1
#TitleArtistRatingLength
1A Midsummer Night’s Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck)
producer:
Ursula Singer
choir vocals [Fairies]:
New London Children’s Choir (in 1995-12)
soprano vocals [Mustardseed (Fairy)]:
Sara Rey (in 1995-12)
soprano vocals [Peaseblossom (Fairy)]:
Claudia Conway (in 1995-12)
spoken vocals [Puck]:
Carl Ferguson (in 1995-12)
treble vocals [Cobweb (Fairy)]:
David Newman (treble) (in 1995-12)
treble vocals [Moth]:
Matthew Long (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck) (in 1995-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:51
2A Midsummer Night’s Dream, op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania)
producer:
Ursula Singer
choir vocals [Fairies]:
New London Children’s Choir (in 1995-12)
countertenor vocals [Oberon]:
Brian Asawa (countertenor) (in 1995-12)
soprano vocals [Tytania]:
Sylvia McNair (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania) (in 1995-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:18
3A Midsummer Night’s Dream, op. 64: Act I. "Well, go thy way" (Oberon, Puck)
producer:
Ursula Singer
countertenor vocals [Oberon]:
Brian Asawa (countertenor) (in 1995-12)
spoken vocals [Puck]:
Carl Ferguson (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Well, go thy way" (Oberon, Puck) (in 1995-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:39
4A Midsummer Night’s Dream, op. 64: Act I. "How now, my love" (Lysanda, Hermia)
producer:
Ursula Singer
mezzo-soprano vocals [Hermia]:
Ruby Philogene (mezzo-soprano) (in 1995-12)
tenor vocals [Lysander]:
John Mark Ainsley (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "How now, my love" (Lysanda, Hermia) (in 1995-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten4:26
5A Midsummer Night’s Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena)
producer:
Ursula Singer
baritone vocals:
Paul Whelan (NZ bass-baritone) (in 1995-12)
countertenor vocals [Oberon]:
Brian Asawa (countertenor) (in 1995-12)
soprano vocals:
Janice Watson (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena) (in 1995-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:40
6A Midsummer Night’s Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon)
producer:
Ursula Singer
countertenor vocals [Oberon]:
Brian Asawa (countertenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon) (in 1995-12)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten5:45
7A Midsummer Night’s Dream, op. 64: Act I. "Is all our company here?" (Rustics)
producer:
Ursula Singer
baritone vocals:
Neil Davies (bass-baritone) (in 1995-12)
bass vocals:
Gwynne Howell (operatic bass) (in 1995-12) and Stephen Richardson (British bass) (in 1995-12)
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
tenor vocals:
Ian Bostridge (tenor) (in 1995-12) and Mark Tucker (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Is all our company here?" (Rustics)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten6:35
8A Midsummer Night’s Dream, op. 64: Act I. "Fair love, you faint with wand’ring in the wood" (Lysander, Hermia)
producer:
Ursula Singer
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1995-12)
tenor vocals:
John Mark Ainsley (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Fair love, you faint with wand'ring in the wood" (Lysander, Hermia)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten3:21
9A Midsummer Night’s Dream, op. 64: Act I. "Through the forest I have gone" (Puck)
producer:
Ursula Singer
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Through the forest I have gone" (Puck)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten1:38
10A Midsummer Night’s Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia)
producer:
Ursula Singer
baritone vocals:
Paul Whelan (NZ bass-baritone) (in 1995-12)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1995-12)
soprano vocals:
Janice Watson (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten5:13
11A Midsummer Night’s Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania)
producer:
Ursula Singer
soprano vocals:
Sylvia McNair (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:12
12A Midsummer Night’s Dream, op. 64: Act I. "You spotted snakes with double tongue" (Yaogd;)
producer:
Ursula Singer
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "You spotted snakes with double tongue" (Yaogd;)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:21
13A Midsummer Night’s Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon)
producer:
Ursula Singer
countertenor vocals:
Brian Asawa (countertenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act I
Benjamin Britten2:35
14A Midsummer Night’s Dream, op. 64: Act II. Introduction: the Wood
producer:
Ursula Singer
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. Introduction: the Wood
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:21
15A Midsummer Night’s Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck)
producer:
Ursula Singer
baritone vocals:
Neil Davies (bass-baritone) (in 1995-12)
bass vocals:
Gwynne Howell (operatic bass) (in 1995-12) and Stephen Richardson (British bass) (in 1995-12)
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
tenor vocals:
Ian Bostridge (tenor) (in 1995-12) and Mark Tucker (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:48
16A Midsummer Night’s Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
soprano vocals:
Sylvia McNair (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:11
17A Midsummer Night’s Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania)
producer:
Ursula Singer
soprano vocals:
Sylvia McNair (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten1:34
18A Midsummer Night’s Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
soprano vocals:
Sylvia McNair (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten5:09
19A Midsummer Night’s Dream, op. 64: Act II. "I have a reas’nable good ear in music" (Bottom, Tytania)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
soprano vocals:
Sylvia McNair (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "I have a reas'nable good ear in music" (Bottom, Tytania)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten5:00
20A Midsummer Night’s Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia)
producer:
Ursula Singer
baritone vocals:
Paul Whelan (NZ bass-baritone) (in 1995-12)
countertenor vocals:
Brian Asawa (countertenor) (in 1995-12)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten2:49
CD 2
#TitleArtistRatingLength
1A Midsummer Night’s Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia)
producer:
Ursula Singer
countertenor vocals:
Brian Asawa (countertenor) (in 1995-12)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1995-12)
tenor vocals:
John Mark Ainsley (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten6:29
2A Midsummer Night’s Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius)
producer:
Ursula Singer
baritone vocals:
Paul Whelan (NZ bass-baritone) (in 1995-12)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1995-12)
soprano vocals:
Janice Watson (soprano) (in 1995-12)
tenor vocals:
John Mark Ainsley (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:27
3A Midsummer Night’s Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck)
producer:
Ursula Singer
countertenor vocals:
Brian Asawa (countertenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten1:51
4A Midsummer Night’s Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia)
producer:
Ursula Singer
baritone vocals:
Paul Whelan (NZ bass-baritone) (in 1995-12)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1995-12)
soprano vocals:
Janice Watson (soprano) (in 1995-12)
tenor vocals:
John Mark Ainsley (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten5:37
5A Midsummer Night’s Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies)
producer:
Ursula Singer
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act II
Benjamin Britten3:23
6A Midsummer Night’s Dream, op. 64: Act III. "My gentle Robin, see’st thou this sweet sight?" (Oberon, Puck, Tytania)
producer:
Ursula Singer
countertenor vocals:
Brian Asawa (countertenor) (in 1995-12)
soprano vocals:
Sylvia McNair (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "My gentle Robin, see'st thou this sweet sight?" (Oberon, Puck, Tytania)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten8:05
7A Midsummer Night’s Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia)
producer:
Ursula Singer
baritone vocals:
Paul Whelan (NZ bass-baritone) (in 1995-12)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1995-12)
soprano vocals:
Janice Watson (soprano) (in 1995-12)
tenor vocals:
John Mark Ainsley (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten6:14
8A Midsummer Night’s Dream, op. 64: Act III. "When my cue comes, call me" (Bottom)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "When my cue comes, call me" (Bottom)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten3:38
9A Midsummer Night’s Dream, op. 64: Act III. "Have you sent to Bottom’s house?" (Rustics)
producer:
Ursula Singer
baritone vocals:
Neil Davies (bass-baritone) (in 1995-12)
bass vocals:
Gwynne Howell (operatic bass) (in 1995-12) and Stephen Richardson (British bass) (in 1995-12)
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
tenor vocals:
Ian Bostridge (tenor) (in 1995-12) and Mark Tucker (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Have you sent to Bottom's house?" (Rustics)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten4:50
10A Midsummer Night’s Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia)
producer:
Ursula Singer
bass vocals:
Brian Bannatyne-Scott (in 1995-12)
contralto vocals:
Hilary Summers (contralto) (in 1995-12)
mezzo-soprano vocals:
Ruby Philogene (mezzo-soprano) (in 1995-12)
soprano vocals:
Janice Watson (soprano) (in 1995-12)
tenor vocals:
John Mark Ainsley (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten4:48
11A Midsummer Night’s Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics)
producer:
Ursula Singer
baritone vocals:
Neil Davies (bass-baritone) (in 1995-12)
bass vocals:
Gwynne Howell (operatic bass) (in 1995-12) and Stephen Richardson (British bass) (in 1995-12)
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
tenor vocals:
Ian Bostridge (tenor) (in 1995-12) and Mark Tucker (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:25
12A Midsummer Night’s Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue)
producer:
Ursula Singer
bass vocals:
Gwynne Howell (operatic bass) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:26
13A Midsummer Night’s Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall)
producer:
Ursula Singer
tenor vocals:
Mark Tucker (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:05
14A Midsummer Night’s Dream, op. 64: Act III. "O grim-look’d night, o night with hue so black" (Bottom/Pyramus)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "O grim-look'd night, o night with hue so black" (Bottom/Pyramus)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:54
15A Midsummer Night’s Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
tenor vocals:
Ian Bostridge (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:27
16A Midsummer Night’s Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion)
producer:
Ursula Singer
bass vocals:
Stephen Richardson (British bass) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten0:50
17A Midsummer Night’s Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion)
producer:
Ursula Singer
baritone vocals:
Neil Davies (bass-baritone) (in 1995-12)
bass vocals:
Stephen Richardson (British bass) (in 1995-12)
tenor vocals:
Ian Bostridge (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:58
18A Midsummer Night’s Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus)
producer:
Ursula Singer
bass-baritone vocals:
Robert Lloyd (operatic bass) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten1:51
19A Midsummer Night’s Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby)
producer:
Ursula Singer
tenor vocals:
Ian Bostridge (tenor) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten2:28
20A Midsummer Night’s Dream, op. 64: Act III. "Come, your Bergomask" (Theseus)
producer:
Ursula Singer
bass vocals:
Brian Bannatyne-Scott (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Come, your Bergomask" (Theseus)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten3:05
21A Midsummer Night’s Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania)
producer:
Ursula Singer
countertenor vocals:
Brian Asawa (countertenor) (in 1995-12)
soprano vocals:
Sylvia McNair (soprano) (in 1995-12)
orchestra:
London Symphony Orchestra (in 1995-12)
conductor:
Sir Colin Davis (English conductor) (in 1995-12)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (in 1995-12)
recording of:
A Midsummer Night's Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1960)
part of:
A Midsummer Night's Dream, op. 64: Act III
Benjamin Britten5:10

Credits

Release

producer:Ursula Singer
vocals:New London Children’s Choir (in 1995-12)
ASIN:US: B0000041ET [info]