Whatever: The ’90s Pop & Culture Box

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleArtistRatingLength
1U Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music and Stone Diamond Music Corporation
is based on:
Super Freak
MC Hammer4.14:15
2Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer‐songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:09
3No Myth
drum machine programming:
Michael Penn
engineer:
Susan Rogers (US sound engineer)
producer:
Tony Berg (record producer, executive, and session guitarist)
bass, guitar and lead vocals:
Michael Penn
electric cello:
David Coleman (American cellist & composer)
keyboard:
Patrick Warren
percussion:
Art Wood (US session drummer/percussionist)
recorded at:
Zeitgeist Studio in Los Angeles, California, United States
recording of:
No Myth
lyricist and composer:
Michael Penn
publisher:
Careers Music, Inc. (in 1989) and Liafail Music (publisher) (in 1989)
Michael Penn3.54:10
4Ladies First
producer:
DJ Mark the 45 King (aka DJ Mark)
guest vocals and additional performer:
Monie Love (English rapper, actress & radio personality)
performer:
Monie Love (English rapper, actress & radio personality)
phonographic copyright (℗) by:
Tommy Boy Music, Inc. (in 1989)
recording of:
Ladies First
writer:
Anthony Peaks, Mark Howard James (aka DJ Mark), Queen Latifah, Shane Harbin Faber and Simone Johnson (English rapper, actress & radio personality)
Queen Latifah feat. Monie Love3:57
5Ball and Chain
recording engineer, producer and mixer:
Dave Jerden
bass guitar and background vocals:
John Maurer (US punk rock bassist)
drums (drum set):
Christopher Reece (US drummer for Social Distortion/The Lewd)
guitar:
Dennis Danell and Mike Ness
lead vocals:
Mike Ness
recorded at:
Track Record Studios in North Hollywood, Los Angeles, California, United States
recording of:
Ball and Chain
lyricist and composer:
Mike Ness
Social Distortion4.255:45
6Birdhouse in Your Soul
recording engineer and mixer:
Roger Moutenot
producer:
Clive Langer and Alan Winstanley (English record producer)
electric guitar:
John Flansburgh
keyboard, background vocals and lead vocals:
John Linnell
trumpet [sampled]:
Frank London
violin:
Mark Feldman (American violinist)
recording of:
Birdhouse in Your Soul
writer:
John Flansburgh and John Linnell
publisher:
TMBG Music
They Might Be Giants4.453:19
7Chloe Dancer / Crown of Thorns
producer:
Mark Dearnley and Mother Love Bone
mixer:
Tim Palmer (British producer/mixer)
phonographic copyright (℗) by:
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
recording of:
Chloe Dancer / Crown of Thorns
writer:
Jeff Ament, Bruce Fairweather, Greg Gilmore, Stone Gossard and Andrew Wood (alt. rock singer)
medley of:
Chloe Dancer
medley of:
Crown of Thorns
Mother Love Bone3.88:21
8Here’s Where the Story EndsThe Sundays4.253:55
9Gonna Make You Sweat (Everybody Dance Now)
assistant producer:
Ricky Crespo and Alan Friedman
producer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and David Cole (US musician/producer, member of C+C Music Factory)
additional drums (drum set):
Alan Friedman
drums (drum set) and percussion:
Robert Clivillés (record producer, songwriter, arranger, music video director)
keyboard:
Ricky Crespo and Dave Cole (US musician/producer, member of C+C Music Factory)
vocals:
Martha Wash and Freedom Williams
keyboard arranger:
Robert Clivillés (record producer, songwriter, arranger, music video director)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
part of:
Cachitos Nochevieja 2022 (number: 116) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 402)
recording of:
Gonna Make You Sweat (Everybody Dance Now)
writer:
Robert Clivillés (record producer, songwriter, arranger, music video director) and Frederick B. Williams (UK dance vocalist aka Freedom Williams)
publisher:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (from 1990 to ????) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (from 1990 to ????)
C+C Music Factory4.154:06
10Groove Is in the Heart
additional engineer:
Bob Power
assistant engineer:
Derek Lategan and Eddie Sancho
engineer:
Mike Rogers (US producer/engineer, aka Tweekin')
additional producer and additional mixer:
Mike Rogers (US producer/engineer, aka Tweekin')
producer:
Deee‐Lite
saxophone:
Maceo Parker (US funk/jazz saxophonist)
trombone:
Fred Wesley
background vocals:
Bootsy Collins (US funk musician & songwriter)
vocals:
Q‐Tip (American rapper)
additional arranger:
Mike Rogers (US producer/engineer, aka Tweekin')
arranger:
Deee‐Lite
samples:
Bring Down the Birds by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Get Up by Vernon Burch
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 68), TV Cream: Real 100 Best Singles Ever (number: 83) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 233)
recording of:
Groove Is in the Heart
writer:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) and Kier Kirby
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.13:54
11Right Here, Right Now
engineer and producer:
Martyn Phillips (producer, engineer, multi-instrumentalist)
mixer:
John Fryer (British producer and engineer)
music videos:
Right Here, Right Now by Jesus Jones
recording of:
Right Here, Right Now
lyricist and composer:
Mike Edwards (UK guitar/keyboards for Jesus Jones)
publisher:
EMI Blackwood Music Inc.
Jesus Jones4.43:10
12New Jack Hustler (Nino’s Theme)
producer:
DJ Aladdin and Ice‐T
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1991) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991)
recording of:
New Jack Hustler (Nino’s Theme) (from 1990-07 until 1991-01)
lyricist:
Ice‐T
composer:
DJ Aladdin and Ice‐T
Ice‐T4.54:44
13I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:48
14Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:30
15Hard to Handle
engineer:
Brendan "Bud" O'Brien (engineer)
executive producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
producer:
George Drakoulias
assistant mixer:
Lee Manning (US engineer)
bass:
Johnny Colt
drums (drum set):
Steve Gorman
guitar:
Jeff Cease and Rich Robinson
vocals:
Chris Robinson (US rock and roll singer, in The Black Crowes)
phonographic copyright (℗) by:
American Recordings (in 1990) and RRE, LLC (not a release label, for copyrights use only) (in 1990)
music videos:
Hard to Handle (Music video) by The Black Crowes
cover recording of:
Hard to Handle
writer:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell and Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
recording of:
Hard to Handle
writer:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell and Otis Redding
publisher:
Irving Music (BMI), Carlin Music Corporation (in 1968) and Irving Music, Inc. (in 1968)
The Black Crowes4.453:10
16O.P.P.
phonographic copyright (℗) by:
Tommy Boy Music, Inc. (in 1991) and Tommy Boy Music, LLC (not for release label!) (in 2004)
samples:
ABC by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 96)
recording of:
O.P.P.
composer:
Anthony Criss, Berry Gordy, Keir Gist (Naughty by Nature’s DJ Keir Gist), Fonce Mizell, Freddie Perren, Deke Richards (American songwriter and record producer) and Vincent Brown
publisher:
Jobete Music Co., Inc. and Naughty Music (associated with Naughty By Nature)
Naughty by Nature4.254:32
17Walking in Memphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn44:15
18It’s So Hard to Say Goodbye to Yesterday
programming:
Rick Sheppard (engineer)
executive producer:
BIV and Vida Sparks
producer and mixer:
Dallas Austin
contains samples by:
Rick Sheppard (engineer)
arranger:
Dallas Austin and Boyz II Men
cover recording of:
It’s So Hard to Say Goodbye to Yesterday
writer:
Freddie Perren and Christine Yarian
publisher:
BIV Entertainment Corp., Diva One Productions and Jobete Music (appears also as: Jobete Msc.)
Boyz II Men42:48
2CD
#TitleArtistRatingLength
1Silent Lucidity
assistant recording engineer:
Marc Ramaer
recording engineer and mixer:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
producer:
Peter Collins (producer)
assistant mixer:
Dan Harjung
12 string guitar, acoustic guitar and electric guitar:
Chris DeGarmo and Michael Wilton
drums (drum set) and percussion:
Scott Rockenfield
electric bass guitar, fretless bass and background vocals:
Eddie Jackson (US metal bassist for Queensrÿche)
keyboard, lead vocals and whistling:
Geoff Tate
orchestrator:
Michael Kamen (American score composer)
produced for:
Jill Music Ltd.
recorded at:
Vancouver Studios in Vancouver, British Columbia, Canada
mixed at:
Royal Recorders in Lake Geneva, Wisconsin, United States
recording of:
Silent Lucidity
orchestrator:
Michael Kamen (American score composer)
lyricist and composer:
Chris DeGarmo
Queensrÿche4.55:47
2Into the Drink
recording of:
Into the Drink
lyricist:
Mark McLaughlin
composer:
Matt Lukin, Mark McLaughlin, Dan Peters (Mudhoney drummer) and Steve Turner (American guitarist, member of Mudhoney, Green River)
Mudhoney4.52:08
3Girlfriend
recording of:
Girlfriend
lyricist and composer:
Matthew Sweet (US rock singer-songwriter and musician)
Matthew Sweet4.753:41
4I’m Too Sexy
programming and producer:
Tommy D.
engineer:
Graham Bonnett (Sound Engineer)
bass guitar:
Phil Spalding
guitar:
Robert Manzoli
lead vocals:
Richard Fairbrass
arranger:
Tommy D.
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom
mixed at:
Joe's Garage (Bristol) in Bristol, England, United Kingdom and Red Bus Studios in London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 475)
recording of:
I’m Too Sexy
writer:
Fred Fairbrass, Richard Fairbrass and Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:52
5Calling All Angels
recording of:
Calling All Angels
orchestrator:
Thomas Pasatieri
lyricist:
Jane Siberry
composer:
Thomas Newman (American score composer) and Jane Siberry
publisher:
Universal Music Publishing Canada II and Wing-It Music
Jane Siberry feat. k.d. lang5:15
6Only Shallow
producer and mixer:
Kevin Shields (singer/guitarist/producer (My Bloody Valentine))
bass guitar:
Debbie Googe (English bassist)
drums (drum set):
Colm O'Ciosoig (Irish drummner, member of My Bloody Valentine)
guitar:
Bilinda Butcher and Kevin Shields (singer/guitarist/producer (My Bloody Valentine))
vocals:
Bilinda Butcher and Kevin Shields (singer/guitarist/producer (My Bloody Valentine))
music videos:
Only Shallow (Music video) by My Bloody Valentine (Irish shoegaze band)
recording of:
Only Shallow (in 1991)
lyricist:
Bilinda Butcher
composer:
Kevin Shields (singer/guitarist/producer (My Bloody Valentine))
publisher:
EMI Music Ltd.
My Bloody Valentine4.054:18
7It’s a Shame About Ray
producer:
Evan Dando and Robb Brothers
recording of:
It's a Shame About Ray
lyricist:
Evan Dando and Tom Morgan (Smudge / Sneeze member)
composer:
Evan Dando
The Lemonheads43:07
8Baby Got Back
programming, engineer, producer and mixer:
Sir Mix‐A‐Lot
guest vocals:
Amy Dorsey
arranger:
Sir Mix‐A‐Lot
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 327)
recording of:
Baby Got Back
lyricist and composer:
Sir Mix‐A‐Lot
publisher:
Mix-A-Lot Publishing and Universal–Songs of PolyGram International, Inc.
Sir Mix‐A‐Lot3.74:22
9They Want EFX
arranger:
Chris Charity and Derek Lynch (member of Solid Scheme)
recording of:
They Want EFX
writer:
Andre Weston, Charles Bobbitt, James Brown (The Godfather of Soul), Fred Wesley and Willie Hines (member of Das EFX)
Das EFX4.353:41
10Jump
recording of:
Jump
writer:
Alphonso Mizell, Andrew Noland, Berry Gordy, Jr., Leroy Bonner (funk guitarist, aka Sugarfoot), Jermaine Dupri (American rapper, record producer, actor & DJ), Fred Perren, Joe Nicolo, Marshall Jones (US bassist & songwriter, member of Ohio Players), Marvin Pierce, Norman Napier, Ralph Middlebrooks, Deke Richards (American songwriter and record producer), Walter Morrison and Greg Webster (drummer for Ohio Players)
Kris Kross53:15
11Walk
art direction:
Bob Defrin (US art director & graphic designer)
engineer, producer and mixer:
Terry Date (American record producer and engineer) and Vinnie Paul
co-producer:
Pantera (metal band)
drums (drum set):
Vinnie Paul
electric bass guitar:
Rex Brown
guitar:
Diamond Darrell
lead vocals:
Philip Anselmo
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at and mixed at:
Pantego Sound Studio in Pantego, Texas, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 29)
recording of:
Walk
writer:
Phil Anselmo, Rex Brown, Darrell Lance Abbott and Vinnie Paul
Pantera3.955:16
12N.W.O.
producer:
Hermes Pan (industrial bassist/producer/engineer) and Hypo Luxa
recording of:
N.W.O.
lyricist:
Al Jourgensen
composer:
Paul Barker (industrial bassist/producer/engineer) and Al Jourgensen
publisher:
Spurburn Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ministry3.75:30
13Shitlist
additional engineer:
Mr. Colson, Steve Marker and Jeff Sheehan
engineer and mixer:
Butch Vig
producer:
L7 (US punk rock) and Butch Vig
recorded at:
Smart Studios in Madison, Wisconsin, United States and Sound City Studios in Van Nuys, California, United States
recording of:
Shitlist
lyricist and composer:
Donita Sparks
L74.652:55
14Absynthe
The Gits43:13
15Coattail RiderSupersuckers2:28
16Runaway Train
assistant engineer:
David Michael Dill (engineer) and Dan Gellert (sound engineer)
producer:
Michael Beinhorn
assistant mixer:
Craig Doubet (recording engineer) and Steve Sisco
mixer:
Andy Wallace (engineer)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
lyricist and composer:
Dave Pirner
publisher:
EMI Music Publishing Taiwan, LFR Music, Standing Water Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
Soul Asylum4.44:25
17Little Miss Can’t Be Wrong
engineer:
Peter Denenberg
producer and mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass:
Mark White (Spin Doctors)
drums (drum set), Hammond organ and percussion and background vocals:
Aaron Comess
guitar:
Eric Schenkman
vocals:
Chris Barron
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Little Miss Can’t Be Wrong
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Spin Doctors3.83:55
18Dizz Knee Land
producer:
Ken Scott (UK record producer & engineer)
recorded at:
Total Access in Redondo Beach, California, United States
recording of:
Dizz Knee Land
writer:
Joie Calio (member of dada & 7Horse) and Michael Gurley
dada54:07
19Nearly Lost You
recording engineer:
John Agnello (engineer & producer)
producer:
Don Fleming
mixer:
Andy Wallace (engineer)
recording of:
Nearly Lost You
writer:
Gary Lee Conner, Van Conner and Mark Lanegan
publisher:
Glowing Eel Music, Ripplestick Music, Solomon Grundy Music and Sony Songs Inc.
Screaming Trees4.34:05
3CD
#TitleArtistRatingLength
1Under the Bridge
engineer:
Brendan O’Brien (engineer)
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
bass:
Flea (US bassist)
drums (drum set):
Chad Smith (drummer from Red Hot Chili Peppers)
guitar:
John Frusciante
guest choir vocals:
Gail Frusciante
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) and Warner Bros., Inc. (not for release label use!) (in 1991)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 33), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 328)
recording of:
Under the Bridge
lyricist:
Anthony Kiedis
composer:
John Frusciante, Anthony Kiedis, Michael Peter Balzary (US bassist) and Chad Smith (drummer from Red Hot Chili Peppers)
publisher:
EMI Blackwood Music Inc., Moebetoblame Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Artemis Music
Red Hot Chili Peppers4.354:26
2Unsung
recording engineer and engineer:
Wharton Tiers (US audio engineer, record producer, drummer & percussionist)
assistant engineer:
Steve Sisco
producer:
Helmet (US alternative metal band)
mixer:
Andy Wallace (engineer)
bass guitar:
Henry Bogdan
drums (drum set):
John Stanier
guitar:
Page Hamilton and Peter Mengede
lead vocals:
Page Hamilton
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
recording of:
Unsung
lyricist and composer:
Page Hamilton
Helmet4.353:58
3Jump Around
producer:
DJ Muggs
phonographic copyright (℗) by:
Tommy Boy Music, Inc. (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
samples:
Harlem Shuffle by Bob & Earl and Shoot Your Shot by Jr. Walker & the All Stars
music videos:
Jump Around by House of Pain
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 442)
recording of:
Jump Around
writer:
Dave Appell, Kal Mann, Larry Muggerud and Erik Schrody
House of Pain4.053:36
4Free Your Mind
recording engineer:
Steve Counter
additional engineer:
Neil King (sound engineer) and Michael Semanick
assistant engineer:
John Jackson (engineer)
producer:
Foster & McElroy, Denzil Foster and Thomas McElroy
mixer:
Ken Kessie
arranger:
Denzil Foster and Thomas McElroy
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
Can Am Studios in Tarzana, Los Angeles, California, United States
recording of:
Free Your Mind
writer:
Denzil Foster and Thomas McElroy
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing and Irving Music (BMI) (from 1992 to present)
En Vogue4.754:53
5Rump Shaker
assistant engineer:
Keston Wright (engineer)
engineer and mixer:
Franklyn Grant (Sound engineer and producer), Jean‐Marie Horvat and Teddy Riley (US R&B singer & producer)
producer:
Aqil Davidson, Markell Riley, Teddy Riley (US R&B singer & producer), Tyrone Fyffe and David Wynn
samples:
Darkest Light by Lafayette Afro-Rock Band
Wreckx‐N‐Effect4.65:12
6Informer
co-producer:
John Ficarrotta
producer:
MC Shan (old-school US rapper Shawn Moltke)
additional vocals:
MC Shan (old-school US rapper Shawn Moltke)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 95)
recording of:
Informer
lyricist:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary and Shawn Moltke (old-school US rapper Shawn Moltke)
writer:
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary and Shawn Moltke (old-school US rapper Shawn Moltke)
Snow4.54:29
7Connected
assistant engineer:
Neil Douglas and Elliot Singerman
engineer:
Al Stone (UK engineer)
producer:
Stereo MC’s
additional keyboard:
James Hallawell
brass:
Kick Horns
additional vocals:
Cath Coffey, Verona Davis, Andrea Groves and Jennifer Ismail
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1992)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom
samples:
Let Me Let Me Be Your Lover by Jimmy “Bo” Horne
recording of:
Connected
writer:
Rob Birch (Stereo MCs), Harry Wayne Casey, Richard Finch, Nick Hallam and Jimmy “Bo” Horne
publisher:
EMI Virgin Songs, Inc., Harrick Music, Longitude Music Co. and Virgin Music Ltd.
Stereo MC’s3.955:14
8Detachable Penis
phonographic copyright (℗) by:
Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1992)
recording of:
Detachable Penis
lyricist:
John S. Hall
composer:
John S. Hall, Roger Murdock, Dave Rick and Chris Xefos
King Missile53:22
9Freak Me
recording of:
Freak Me
writer:
Anthony Johnson (a.k.a. Anthony "Teno" Johnson), Roy Murray (Producer, songwriter, keyboardist, worked with Keith Sweat) and Keith Sweat
Silk54:32
10Ordinary World
producer:
Duran Duran (English rock band) and John Jones (producer)
arranger:
Duran Duran (English rock band)
recording of:
Ordinary World
lyricist:
Warren Cuccurullo, John Nigel Taylor (UK bassist for Duran Duran), Simon Le Bon (singer for Duran Duran) and Nick Rhodes
composer:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes and John Taylor (UK bassist for Duran Duran)
publisher:
KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., American Skintrade Music Inc (from 1993 to present), EMI April Music Inc. (from 1993 to present) and Private Parts Musicall (from 1993 to present)
Duran Duran4.655:40
11If I Can’t Change Your Mind
engineer and producer:
Lou Giordano (Boston engineer) and Bob Mould
assistant mixer:
Tom Bender (engineer)
bass guitar:
David Barbe
drums (drum set):
Malcolm Travis (member of Sugar)
guitar, keyboard and lead vocals:
Bob Mould
percussion:
Bob Mould and Malcolm Travis (member of Sugar)
recorded at:
The Outpost (Stoughton, Massachusetts) in Stoughton, Massachusetts, United States
mixed at:
Carriage House Studios in Stamford, Connecticut, United States
recording of:
If I Can't Change Your Mind
lyricist and composer:
Bob Mould
publisher:
Granary Music
Sugar3.53:18
12Three Little Pigs
producer:
C. J. Buscaglia and Sylvia Massy
guest vocals:
Maynard James Keenan
music videos:
Three Little Pigs (official) by Green Jellÿ
recording of:
Three Little Pigs
lyricist and composer:
Mark Levinthal and Bill Manspeaker
is based on:
Three Little Pigs (The Three Little Pigs, Original fable)
Green Jellÿ4.55:55
13Start Choppin
engineer:
John Agnello (engineer & producer)
producer:
J Mascis (US musician, member of Dinosaur Jr.)
music videos:
Start Choppin’ by Dinosaur Jr. (US rock band)
recording of:
Start Choppin
lyricist and composer:
J Mascis (US musician, member of Dinosaur Jr.)
publisher:
Spam as the Bread Music
Dinosaur Jr.5:37
14The Devil’s Chasing Me
Reverend Horton Heat5:19
15Gone to the Moon
Fastbacks1:52
16My Name Is Mud
engineer:
Derek Featherstone (engineer) and Ron Rigler (sound engineer)
producer:
Primus (US rock band)
arranger:
Primus (US rock band)
recorded at:
Ultrasound in Downtown Los Angeles, Los Angeles, California, United States
mixed at:
The Plant (1981–2008) in Sausalito, California, United States
music videos:
My Name Is Mud by Primus (US rock band)
recording of:
My Name Is Mud
writer:
Tim Alexander (drummer, member of Primus), Les Claypool and Larry LaLonde
Primus3.84:46
17What’s Up
recording engineer:
David Tickle (in 1992) and Mark Hensley (in 1992)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass and background vocals:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
piano:
Laurent Tardy (in 1992)
lead vocals:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
music videos:
What’s Up? by 4 Non Blondes
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes3.84:56
4CD
#TitleArtistRatingLength
1Thunder Kiss ’65
assistant engineer:
David Carpenter (Engineer)
engineer, producer and mixer:
Andy Wallace (engineer)
bass guitar:
Sean Yseult
drums (drum set):
Ivan de Prume
guitar:
J.
lead vocals:
Rob Zombie
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 84)
recording of:
Thunder Kiss ’65 (in 1991-05)
lyricist:
Rob Zombie
composer:
Ivan de Prume, J., Sean Yseult and Rob Zombie
publisher:
Psychohead Music and WB Music Corp. (1929–2019)
White Zombie4.253:54
2Whoomp! (There It Is)
recording of:
Whoomp! (There It Is)
writer:
Steve Gibson (US rapper, half of the duo Tag Team) and Cecil Glenn
Tag Team4:29
3Broken Hearted Savior
Big Head Todd and the Monsters4:21
4Trust Me
assistant engineer:
Tracii Sherman
engineer:
Jason Ball
co-producer:
N’Dea Davenport
producer and mixer:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
lead vocals:
N’Dea Davenport
vocals:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
arranger:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
produced for:
Guru Productions Inc.
recorded at:
D&D Studios in Manhattan, New York, New York, United States
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and EMI Publishing Studios in London (Greater London), England, United Kingdom
recording of:
Trust Me
lyricist:
N’Dea Davenport and Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
composer:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
Guru feat. N’Dea Davenport4:28
5Gepetto
assistant engineer:
Dave Buchanan
engineer:
Tracy Chisholm
producer:
Belly (US pop-rock band), Tracy Chisholm and Gil Norton (British record producer)
bass guitar:
Fred Abong
drums (drum set) and percussion:
Chris Gorman
guitar:
Tanya Donelly and Thomas Gorman
vocals:
Tanya Donelly
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1993)
recorded at and mixed at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, United Kingdom
recording of:
Gepetto
lyricist and composer:
Tanya Donelly
publisher:
Slow Dog Music and Universal–Songs of PolyGram International, Inc.
Belly4.253:23
6Eye to Eye
The Muffs3:31
7Gentlemen
assistant engineer:
Jeffrey Reed
engineer:
John Hampton (engineer, producer) and Jeff Powell (engineer)
producer:
Greg Dulli
mixer:
Greg Dulli and Jeff Powell (engineer)
performer:
John Curley, Greg Dulli, Steve Earle (Afghan Whigs drummer) and Rick McCollum
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1993)
recording of:
Gentlemen
lyricist and composer:
Greg Dulli
Afghan Whigs4.253:53
8Leafy Incline
engineer:
Larry Brewer
producer:
J Mascis (US musician, member of Dinosaur Jr.)
mixer:
John Agnello (engineer & producer)
recording of:
Leafy Incline
writer:
Kurt Danielson (bassist / vocalist in Tad), Tad Doyle (American musician and engineer), John Snider (drummer) and Gary Thorstensen (guitarist in Tad)
Tad3:30
9Dream All Day
mixer:
David Bianco (American engineer and record producer)
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1993)
recording of:
Dream All Day
writer:
Jon Auer and Ken Stringfellow
publisher:
Fastmilk Music and Number 23 Songs
The Posies4.653:03
10Hey Jealousy
assistant engineer:
James Senter (James "Left Of" Senter, Engineer)
engineer and mixer:
John Hampton (engineer, producer)
producer:
Gin Blossoms and John Hampton (engineer, producer)
acoustic guitar:
Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
bass:
Bill Leen
drums (drum set) [drums] and percussion:
Phillip Rhodes (drummer of Gin Blossoms)
guitar:
Doug Hopkins (Gin Blossoms) and Jesse Valenzuela
mandolin:
Jesse Valenzuela
vocals:
Jesse Valenzuela and Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (in 1992)
mixed at:
Ardent Studios in Memphis, Tennessee, United States
music videos:
Hey Jealousy by Gin Blossoms
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 354) and Indie 88: Top 500 Indie Rock Songs (number: 440)
recording of:
Hey Jealousy
writer:
Doug Hopkins (Gin Blossoms)
publisher:
East Jesus Music and WB Music Corp. (1929–2019)
Gin Blossoms43:55
11My Sister
recording of:
My Sister
The Juliana Hatfield Three43:24
12Whatta Man
recording engineer:
Al "Taz" Machera and Andre DeBourg
executive producer:
Herby "Luvbug" Azor
producer:
Herby "Luvbug" Azor
mixer:
Al "Taz" Machera, Andre DeBourg and Herby "Luvbug" Azor
background vocals:
3 feet and En Vogue
vocals:
En Vogue
vocals arranger:
Khadejia Bass and Kimiko Whittaker
phonographic copyright (℗) by:
London Records USA (not for release label use - for copyrights only) (in 1993)
recorded at and mixed at:
Sound Trek Studios in Kansas City, Missouri, United States
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 6)
recording of:
Whatta Man
writer:
Hurby Azor, Cheryl James (Member of Salt-n-Pepa) and Dave Crawford (US soul songwriter, keyboard player, singer & producer)
version of:
What a Man
Salt‐N‐Pepa55:09
13Back & Forth
recording engineer and engineer:
Peter Mokran
producer:
R. Kelly
mixer:
R. Kelly and Peter Mokran
other vocals [rap [ad-libs]]:
R. Kelly
vocals:
Aaliyah (American R&B singer)
phonographic copyright (℗) by:
Blackground Enterprises (label for early Aaliyah releases until 1998, later renamed Blackground Entertainment) (in 1994), Zomba Recording LLC (in 1994) and Blackground Records (fka Blackground Entertainment, renamed since 2000) (in 1996)
recorded at and engineered at:
Chicago Recording Company in Chicago, Illinois, United States
mixed at:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, United States
music videos:
Back & Forth by Aaliyah (American R&B singer)
part of:
The Downloader’s Music Source Book (number: 25)
recording of:
Back & Forth
lyricist and composer:
R. Kelly
publisher:
R. Kelly Publishing Inc., Rubber Band Music, Universal Music–Z Songs and Zomba Songs Inc.
Aaliyah4.353:50
14If That’s Your Boyfriend (He Wasn’t Last Night)
producer:
David Gamson and Meshell Ndegeocello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
mixer:
Bob Power
drums (drum set):
David Gamson
instruments and vocals:
Meshell Ndegeocello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
phonographic copyright (℗) by:
Maverick Recording Company (not for release label use, for copyrights use only) (in 1993)
recording of:
If That's Your Boyfriend (He Wasn't Last Night)
lyricist and composer:
Meshell Ndegeocello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
Me’Shell NdegéOcello34:31
15Freedom of ’76
recording engineer, producer and mixer:
Andrew Weiss (US musician, composer, engineer & producer)
drums (drum set):
Claude Coleman, Jr.
electric bass guitar:
Andrew Weiss (US musician, composer, engineer & producer)
electric guitar:
Dean Ween
lead vocals:
Gene Ween
music videos:
Freedom of '76 (Music video) by Ween (US alternative rock band)
recording of:
Freedom of ’76
writer:
Ween (US alternative rock band) and Ed Wilson (friend of Ween)
publisher:
Browndog Music and Solid Waste Music
Ween3.12:49
16Cut Your Hair
mixer:
Bryce Goggin
music videos:
Cut Your Hair by Pavement (US indie rock band)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 28) and Indie 88: Top 500 Indie Rock Songs (number: 443)
recording of:
Cut Your Hair
lyricist and composer:
Stephen Malkmus
Pavement43:07
17God
recording engineer:
John Beverly Jones, Paul McKenna (mixing engineer) and Eric Rosse
programming:
Eric Rosse
mixer:
Kevin Killen
bass:
George Porter, Jr. (from 1993-02 until 1993-10)
drums (drum set):
Carlo Nuccio (from 1993-02 until 1993-10)
guitar family:
Steve Caton (from 1993-02 until 1993-10)
percussion:
Paulinho da Costa (Brazilian percussionist) (from 1993-02 until 1993-10)
piano and lead vocals:
Tori Amos (from 1993-02 until 1993-10)
publisher:
Sword and Stone
recorded at:
The Fishhouse in New Mexico, United States (from 1993-02 until 1993-10)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
God (from 1993-02 until 1993-10)
lyricist and composer:
Tori Amos
Tori Amos3.653:55
18Mmm Mmm Mmm Mmm
additional recording engineer:
David Vartanian
recording engineer:
Tommy Lipnick
engineer:
Dan Harjung
producer:
Crash Test Dummies and Jerry Harrison (Talking Heads)
mixer:
Tom Lord‐Alge
editor:
Patrick Murphy (engineer)
accordion, keyboard [keyboards], piano and background vocals [back-up vocals]:
Ellen Reid
acoustic guitar [acoustic guitars], electric guitar [electric guitars] and lead vocals:
Brad Roberts (of Crash Test Dummies)
phonographic copyright (℗) by:
BMG Music Canada Inc. (in 1991, in 1993) and BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1993)
recorded at:
DV Productions in Milwaukee, Wisconsin, United States, Mindscape in Chicago, Illinois, United States and Music Head Recording in Lake Geneva, Wisconsin, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
produced at:
God Of Thunder Studios
music videos:
Mmm Mmm Mmm Mmm by Crash Test Dummies
recording of:
Mmm Mmm Mmm Mmm
lyricist and composer:
Brad Roberts (of Crash Test Dummies)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Door Number Two Music (in 1993), Dummies Productions Inc. (in 1993) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1993)
Crash Test Dummies3.953:56
19PossessionSarah McLachlan4.64:36
5CD
#TitleArtistRatingLength
1Shine
engineer and mixer:
Matthew Serletic and Ed Roland
producer:
Ed Roland
bass:
Will Turpin
drums (drum set):
Shane Evans
guitar:
Dean Roland and Ed Roland
guitar [lead guitar]:
Ross Childress
vocals:
Ed Roland
arranger:
Ed Roland
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1993)
produced for:
Rising Storm Productions
recorded at and mixed at:
MSE Studios in Miami, Florida, United States, Real 2 Reel Studios (original location, Stockbridge 76-00) in Stockbridge, Georgia, United States and Rising Storm Studios in Atlanta, Georgia, United States
recording of:
Shine
lyricist and composer:
Ed Roland
publisher:
Roland/Lentz Music
Collective Soul4.655:07
2Far Behind
assistant engineer:
Jon Plum
engineer:
Kelly Gray
producer and mixer:
Candlebox and Kelly Gray
bass:
Bardi Martin
drums (drum set):
Scott Mercado
guitar:
Peter Klett
vocals:
Kevin Martin (Candlebox vocalist)
recorded at:
Robert Lang Studios in Shoreline, Washington, United States (on 1992-04-19)
recording of:
Far Behind
lyricist:
Kevin Martin (Candlebox vocalist)
composer:
Candlebox
Candlebox4.64:56
3You Gotta Be
drum machine programming:
Kevin Clarke (in 1999)
co-producer:
Des’ree and Ashley Ingram
mixer:
Mark “Spike” Stent (producer, engineer)
bass and keyboard:
Ashley Ingram (in 1999)
strings arranger:
Ashley Ingram
recording of:
You Gotta Be (in 1999)
writer:
Des’ree and Ashley Ingram
Des’ree3.354:07
4Girl, You’ll Be a Woman Soon
cover recording of:
Girl, You’ll Be a Woman Soon
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Bang Records (Bert Berns label) (in 1967)
Urge Overkill3.93:10
5She Don’t Use Jelly
recording of:
She Don’t Use Jelly
writer:
Wayne Coyne, Steven Drozd, Michael Ivins and Ronald Jones (guitarist for the Flaming Lips)
The Flaming Lips3:25
6M.I.A.
7 Year Bitch3:54
721st Century (Digital Boy)
producer:
Bad Religion (in 1990-05)
drums (drum set):
Pete Finestone (US drummer, Bad Religion) (in 1990-05)
electric bass guitar:
Jay Bentley (in 1990-05)
electric guitar:
Brett Gurewitz (guitarist and songwriter in Bad Religion) (in 1990-05) and Greg Hetson (in 1990-05)
lead vocals:
Greg Graffin (in 1990-05)
recording of:
21st Century (Digital Boy) (in 1990-05)
lyricist and composer:
Brett Gurewitz (guitarist and songwriter in Bad Religion)
Bad Religion4.22:48
8Sugar Free Jazz
recording engineer and mixer:
Tchad Blake
engineer:
John Paterno
producer:
Tchad Blake and Soul Coughing
recording of:
Sugar Free Jazz
writer:
Soul Coughing
Soul Coughing33:54
9Mockingbirds
recording of:
Mockingbirds
lyricist and composer:
Grant Lee Phillips (American singer‐songwriter and multi‐instrumentalist)
Grant Lee Buffalo4.54:40
10What’s the Frequency, Kenneth?
additional engineer:
David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
engineer:
Pat McCarthy
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Victor Janacua
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1994)
recorded at:
Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
mixed at:
Louie’s Clubhouse in Los Angeles, California, United States
music videos:
What’s the Frequency, Kenneth? (music video) by R.E.M. (American rock band)
recording of:
What’s the Frequency, Kenneth?
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.23:59
11Revolve
recording of:
Revolve
lyricist:
Buzz Osborne
composer:
Mark Deutrom and Buzz Osborne
Melvins4:44
12Buddy Holly
assistant engineer:
Hal Belknap, David Heglmeier and Daniel Smith (engineer)
engineer:
Chris Shaw (US producer & engineer)
producer:
Ric Ocasek
bass guitar [bass]:
Matt Sharp (Weezer/The Rentals)
drums (drum set):
Patrick Wilson (Weezer/The Special Goodness)
guitar:
Brian Bell (guitarist) and Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
vocals:
Brian Bell (guitarist), Rivers Cuomo (US singer, guitarist & songwriter of Weezer) and Matt Sharp (Weezer/The Rentals)
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1994)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1993-08 until 1993-09)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 484) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 497)
recording of:
Buddy Holly (from 1993-08 until 1993-09)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
premiered by:
Weezer (American rock band)
publisher:
E.O. Smith Music
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Weezer4.252:40
13Here and Now
producer:
Mike Denneen
bass guitar [bass]:
Scott Riebling
drums (drum set) [drums]:
Stacy Jones (US musician, songwriter, producer; in American Hi-Fi, Letters to Cleo)
guitar:
Michael Eisenstein and Greg McKenna
background vocals [backing vocals]:
Mary Beth Ramshy
vocals:
Kay Hanley
recording of:
Here & Now
writer:
Letters to Cleo
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Rebecca Lula Music
Letters to Cleo43:39
14Good
recording engineer and producer:
Dan Rothchild
phonographic copyright (℗) by:
Swell Records (label associated with Better Than Ezra) (in 1993) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1995)
recording of:
Good
lyricist and composer:
Kevin Griffin (member of Better Than Ezra)
Better Than Ezra4.253:06
15Run‐Around
additional assistant recording engineer:
Brian Sperber
assistant recording engineer:
Todd Vos
engineer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson)
producer and mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional assistant mixer:
Jay Ryan (recording engineer)
assistant mixer:
Eric Thompson (Sound and mixing engineer)
acoustic guitar, electric guitar and mandolin:
Chan Kinchla
bass and fretless bass:
Bobby Sheehan
drums (drum set) and percussion:
Brendan Hill (Blues Traveler)
harmonica and background vocals and lead vocals:
John Popper
keyboard and piano:
Chuck Leavell
percussion:
Bashiri Johnson
arranger:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Blues Traveler and Steve Thompson (producer)
music videos:
Run-Around by Blues Traveler
recording of:
Run-Around
lyricist and composer:
John Popper
publisher:
Blues Traveler Publishing Corporation
Blues Traveler4.454:40
16I’ll Be There for You (Theme From “Friends”)
executive producer:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) and Marta Kauffman
vocals:
The Soldiers (singing trio of British Army soldiers)
recording of:
I’ll Be There for You (theme from ‘Friends’)
lyricist:
Allee Willis
additional composer:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
composer:
Michael Skloff
The Rembrandts43:07
17Tomorrow
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
recorded at and engineered at:
triple j Studios (Sydney Headquarters) in Sydney, New South Wales, Australia
produced at:
triple j Studios (Sydney Headquarters) in Sydney, New South Wales, Australia
recording of:
Tomorrow
lyricist and composer:
Ben Gillies and Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Sony/ATV Music Publishing Australia Pty Ltd. (from 1997-10-14 until 2020-12-15) and Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (from 2020-12-15 to present)
Silverchair4.14:27
18Not a Pretty GirlAni DiFranco4.53:56
19Carnival
engineer and mixer:
John Holbrook
producer:
Natalie Merchant
bass:
Barrie Maguire (US bassist for The Wallflowers)
drums (drum set) [drums]:
Peter Yanowitz
guitar:
Jennifer Turner
percussion:
Adrián López Guevarra (from 1994-12 until 1995-03)
guest background vocals [backing vocals]:
Katell Keineg (from 1994-12 until 1995-03)
vocals:
Natalie Merchant (from 1994-12 until 1995-03)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1994-12 until 1995-03)
mixed at:
RPM Studios in New York, New York, United States
recording of:
Carnival (from 1994-12 until 1995-03)
lyricist and composer:
Natalie Merchant
publisher:
Indian Love Bride Music
Natalie Merchant3.55:56
6CD
7CD