Requiem / Magnificat / Moteti

~ Release by Lassus; Pro Cantione Antiqua (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Requiem à 5: Introitus
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Introitus
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:28
2Requiem à 5: Kyrie
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Kyrie
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:21
3Requiem à 5: Graduale (Cantus gregorianus)
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Graduale
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:27
4Requiem à 5: Tractus "Absolve Domine"
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Tractus: Absolve Domine
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus4:56
5Requiem à 5: Offertorium "Domine Jesu Christe"
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Offertorium: Domine Jesu Christe
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus6:53
6Requiem à 5: Sanctus Benedictus
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Sanctus - Benedictus
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:36
7Requiem à 5: Agnus Dei
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Agnus Dei
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus3:33
8Requiem à 5: Communio "Lux aeterna"
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135: Communio: Lux aeterna
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Pro defunctis (Requiem) à 5, H. vi, 135 (One of Lassus' 3 requiems)
Orlande de Lassus2:59
9O bone Jesu
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
O bone Jesu, S. i, 69
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. i/69)
Orlande de Lassus3:52
10Magnificat "Praeter rerum seriem"
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Collegium Aureum
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Magnificat Praeter rerum seriem
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
Orlande de Lassus13:46
11Alma Redemptoris mater
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Alma Redemptoris mater a 6, S. xiii, 108 (One of the four by Lassus)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. xiii/108) and Orlando di Lasso: Sämtliche Werke (S.) (number: S. xiii/108)
Orlande de Lassus4:17
12Ave Maria
additional instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble
instruments:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble
bass vocals:
Mark Brown (operatic bass, early music singer, conductor, and producer), Brian Etheridge (operatic bass), William Mason (opera bass) and David Thomas (British operatic bass)
choir vocals:
Pro Cantione Antiqua (UK early music vocal ensemble)
countertenor vocals:
Keith Davis (doo wop artist), John Elwes (tenor), Paul Esswood (countertenor), Geoffrey Mitchell and Kevin Smith (english counter-tenor)
tenor vocals:
James Griffett (tenor), James Lewington and Ian Thompson (tenor)
orchestra:
Pro Cantione Antiqua (UK early music vocal ensemble)
conductor and chorus master:
Bruno Turner (musicologist, choral conductor)
recording of:
Ave Maria Gratia Plena À 5
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Orlando di Lasso: Sämtliche Werke (S.) (number: S. v/118)
Orlande de Lassus2:43