Messe in h-Moll, BWV 232

~ Release by J.S. Bach; Kurt Equiluz, Max van Egmond, Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 4 available)

Tracklist

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▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach8:44
A2Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison
soprano vocals:
Rotraud Hansmann (soprano) (from 1968-04 until 1968-05) and Emiko Iiyama (soprano) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:00
A3Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:05
A4Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:51
A5Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:43
B1Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te
soprano vocals:
Emiko Iiyama (soprano) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:39
B2Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:54
B3Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus
soprano vocals:
Rotraud Hansmann (soprano) (from 1968-04 until 1968-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:47
B4Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:29
B5Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes
alto vocals:
Helen Watts (contralto) (from 1968-04 until 1968-05)
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:04
▼ 12" Vinyl 2
#TitleArtistRatingLength
A1Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus
bass vocals:
Max van Egmond (bass-baritone) (from 1968-04 until 1968-05)
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:32
A2Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:17
A3Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:07
A4Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:05
A5Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. En in unum Dominum
alto vocals:
Helen Watts (contralto) (from 1968-04 until 1968-05)
soprano vocals:
Rotraud Hansmann (soprano) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:38
A6Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:40
A7Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:20
A8Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:20
A9Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum
bass vocals:
Max van Egmond (bass-baritone) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:24
A10Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:33
A11Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Ex expecto
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:19
B1Messe in H-moll, BWV 232: III. Sanctus. Sanctus
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:52
B2Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Osanna
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:53
B3Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Benedictus
tenor vocals:
Kurt Equiluz (tenor) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:34
B4Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei
alto vocals:
Helen Watts (contralto) (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:46
B5Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Donna nobis pacem
choir vocals:
Chorus Viennensis (from 1968-04 until 1968-05) and Wiener Sängerknaben (from 1968-04 until 1968-05)
orchestra:
Concentus Musicus Wien (from 1968-04 until 1968-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1968-04 until 1968-05)
chorus master:
Hans Gillesberger (from 1968-04 until 1968-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1968-04 until 1968-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (from 1968-04 until 1968-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:01