Meet the Jazztet

~ Release by Art Farmer & Benny Golson (see all versions of this release, 5 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Serenata
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
instrumental cover recording of:
Serenata (from 1960-02-06 until 1960-02-10)
lyricist:
Mitchell Parish (in 1950)
composer:
Leroy Anderson (on 1947-02-12)
is based on:
Serenata (Instrumental)
3:33
A2It Ain't Necessarily So
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
instrumental cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (from 1960-02-06 until 1960-02-10)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
4:29
A3Avalon
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
instrumental cover recording of:
Avalon (from 1960-02-06 until 1960-02-10)
writer:
B. G. DeSylva, Al Jolson and Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Jerome H. Remick & Co. (on 1920-09-04)
3:32
A4I Remember Clifford
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
instrumental cover recording of:
I Remember Clifford (from 1960-02-06 until 1960-02-10)
lyricist:
Jon Hendricks
composer:
Benny Golson
3:13
A5Blues March
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
cover recording of:
Blues March (from 1960-02-06 until 1960-02-10)
composer:
Benny Golson
5:18
B1It's All Right With Me
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
instrumental cover recording of:
It’s All Right with Me (Can‐Can musical) (from 1960-02-06 until 1960-02-10)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
3:56
B2Park Avenue Petite
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
cover recording of:
Park Avenue Petite (from 1960-02-06 until 1960-02-10)
composer:
Benny Golson
3:44
B3Mox Nix
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
recording of:
Mox Nix (from 1960-02-06 until 1960-02-10)
writer:
Art Farmer
4:05
B4Easy Living
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
instrumental cover recording of:
Easy Living (from 1960-02-06 until 1960-02-10)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
writer:
Ralph Rainger (in 1937) and Leo Robin (US composer, lyricist & songwriter) (in 1937)
composer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
3:37
B5Killer Joe
engineer:
Tommy Nola
producer:
Jack Tracy
double bass:
Addison Farmer (from 1960-02-06 until 1960-02-10)
drums (drum set):
Lex Humphries (from 1960-02-06 until 1960-02-10)
piano:
McCoy Tyner (jazz pianist) (from 1960-02-06 until 1960-02-10)
tenor saxophone:
Benny Golson (from 1960-02-06 until 1960-02-10)
trombone:
Curtis Fuller (from 1960-02-06 until 1960-02-10)
trumpet:
Art Farmer (from 1960-02-06 until 1960-02-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1960-02-06 until 1960-02-10)
cover recording of:
Killer Joe (from 1960-02-06 until 1960-02-10)
composer:
Benny Golson
4:57