A Portrait

~ Release by Cecilia Bartoli (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Parto, parto, ma tu, ben mio (La clemenza di Tito)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
soprano vocals [Sesto]:
Cecilia Bartoli (mezzo-soprano) (from 1991 until 1992)
orchestra:
Academy of Ancient Music (from 1991 until 1992)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1991 until 1992)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (from 1991 until 1992)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart6:17
2Temerari!... Come scoglio (Cosî fan tutte)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:49
3In uomini, in soldati (Così fan tutte)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
György Fischer (pianist and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:40
4Voi che sapete (Le nozze di Figaro)
mezzo-soprano vocals [Cherubino]:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
György Fischer (pianist and conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:49
5Giunse alfin il momento... Deh vieni (Le nozze di Figaro)
mezzo-soprano vocals and soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra)
conductor:
György Fischer (pianist and conductor)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:25
6Batti, batti, o bel Masetto (Don Giovanni)
cello:
Franz Bartolomey (cellist) (in 1993-04)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (in 1993-04)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra) (in 1993-04)
conductor:
György Fischer (pianist and conductor) (in 1993-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1994)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1993-04)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:46
7Ch'io mi scodri di te?, K. 505
engineer:
Simon Eadon (classical music engineer), James Lock (James Locke, engineer) and Jonathan Stokes (engineer)
producer:
Christopher Raeburn (producer)
piano:
András Schiff (pianist) (from 1989-08-28 until 1990-05-22)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (from 1989-08-28 until 1990-05-22)
orchestra:
Wiener Kammerorchester (Vienna Chamber Orchestra) (from 1989-08-28 until 1990-05-22)
conductor:
György Fischer (pianist and conductor) (from 1989-08-28 until 1990-05-22)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (Universal Music Operations Limited, not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1995)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1989-08-28 until 1990-05-22)
recording of:
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" (from 1989-08-28 until 1990-05-22)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786-12)
dedicated to:
Nancy Storace
premiered at:
[farewell concert of Nancy Storage] (1787-02-23)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: 505), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 505) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 505)
Wolfgang Amadeus Mozart10:17
8Se tu m'ami
piano:
György Fischer (pianist and conductor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1990-11 until 1991-07)
recording of:
Se tu m'ami (catch-all arrangement)
lyricist:
Paolo Antonio Rolli (until 1727)
composer:
Alessandro Parisotti (until 1885)
Alessandro Parisotti2:34
9Caro mio ben
piano:
György Fischer (pianist and conductor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1990-11 until 1991-07)
recording of:
Caro mio ben
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani2:47
10Amarilli
piano:
György Fischer (pianist and conductor)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1990-11 until 1991-07)
recording of:
Le nuove musiche: 8. Amarilli, mia bella (original, for voice and continuo)
lyricist:
Elisabeth von Hessen-Kassel
composer:
Giulio Caccini (Italian renaissance composer, 1551-1618)
publisher:
G. Schirmer Inc.
part of:
Le nuove musiche
Giulio Caccini3:13
11La pastorella, D. 528
engineer:
Stanley Goodall (engineer)
producer:
Christopher Raeburn (producer)
editor:
Jenni Whiteside
piano:
András Schiff (pianist) (from 1992-08-05 until 1992-08-08)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (from 1992-08-05 until 1992-08-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (Universal Music Operations Limited, not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1992-08-05 until 1992-08-08)
recording of:
La pastorella al prato, D. 528 (from 1992-08-05 until 1992-08-08)
lyricist:
Carlo Goldoni
composer:
Franz Schubert (composer) (in 1817-01)
Franz Schubert2:15
12Vedi quanto adoro ancora ingrato!, D. 510
engineer:
Stanley Goodall (engineer)
producer:
Christopher Raeburn (producer)
editor:
Jenni Whiteside
piano:
András Schiff (pianist) (from 1992-08-05 until 1992-08-08)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (from 1992-08-05 until 1992-08-08)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (Universal Music Operations Limited, not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1993)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1992-08-05 until 1992-08-08)
recording of:
Didone abbandonata, D. 510 (from 1992-08-05 until 1992-08-08)
lyricist:
Pietro Metastasio
composer:
Franz Schubert (composer) (in 1816-12)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 510)
Franz Schubert4:54
13Beltà crudele
piano:
Charles Spencer (British classical pianist) (from 1990-04 until 1990-05)
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano) (from 1990-04 until 1990-05)
recorded at:
Konzerthaus: Schubertsaal in Landstraße, Wien (Vienna), Austria (from 1990-04 until 1990-05)
recording of:
Beltà crudele "Amori scendete propizi al mio core" (from 1990-04 until 1990-05)
lyricist:
N. di Santo-Mango
composer:
Gioachino Rossini (composer)
Gioachino Rossini4:44
14Bel raggio lusinghier (Semiramide)
choir vocals:
Chorus del Gran Teatro la Fenice
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Orchestra del Gran Teatro la Fenice
conductor:
Ion Marin (conductor)
recording of:
Semiramide: Atto I. Cavatina “Bel raggio lusinghier” (Semiramide)
composer:
Gioachino Rossini (composer)
librettist:
Gaetano Rossi (librettist)
part of:
Semiramide: Atto I
Gioachino Rossini7:59
15Giusto ciel, in tal periglio (Maometto II)
choir vocals:
Coro del Teatro La Fenice
mezzo-soprano vocals:
Cecilia Bartoli (mezzo-soprano)
orchestra:
Orchestra del Teatro La Fenice
conductor:
Ion Marin (conductor)
recording of:
Maometto II: Atto I. Preghiera “Giusto ciel, in tal periglio” (Anna, donne)
composer:
Gioachino Rossini (composer)
librettist:
Cesare della Valle
part of:
Maometto II: Atto I
Gioachino Rossini3:27
16Nacqui all'affano...Non più mesta (La Cenerentola)
baritone vocals:
Alessandro Corbelli (baritone), Enzo Dara (operatic bass) and Michele Pertusi (operatic bass)
choir vocals [Chorus]:
Coro del Teatro Comunale di Bologna
mezzo-soprano vocals:
Gloria Banditelli (mezzo-soprano) and Cecilia Bartoli (mezzo-soprano)
soprano vocals:
Fernanda Costa (soprano)
tenor vocals:
William Matteuzzi (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Riccardo Chailly (conductor)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini7:16

Credits

Release

mezzo-soprano vocals:Cecilia Bartoli (mezzo-soprano)
ASIN:US: B000004288 [info]