The Classic 1958-62 Recordings

~ Release by The Ahmad Jamal Trio (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1But not for me
live instrumental recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
?:??
2The Surrey With The Fringe On Top
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
The Surrey With the Fringe on Top (on 1958-01-16)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
3Moonlight in Vermont
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
Moonlight in Vermont (on 1958-01-16)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
?:??
4Music! Music! Music! (Put Another Nickel In)
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
Music! Music! Music! (on 1958-01-16)
writer:
Bernie Baum and Stephan Weiss
?:??
5There Is No Greater Love
recording engineer:
Malcolm Chisholm (on 1958-01-16)
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
live instrumental recording of:
There Is No Greater Love (on 1958-01-16)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
?:??
6Poinciana
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
Poinciana (Song of the Tree) (on 1958-01-16)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
?:??
7Woody 'n' You
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live recording of:
Woody ’n’ You (on 1958-01-16)
composer:
Dizzy Gillespie
?:??
8What's new?
recording engineer:
Malcolm Chisholm (on 1958-01-16)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-16)
drums (drum set):
Vernell Fournier (on 1958-01-16)
piano:
Ahmad Jamal (on 1958-01-16)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-16)
live instrumental recording of:
What’s New? (on 1958-01-16)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
Warner Bros., Inc. (not for release label use!)
?:??
9Too late now
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Too Late Now (Royal Wedding / On a Clear Day) (on 1958-01-17)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
?:??
10All the things you are
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
?:??
11Cherokee
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Cherokee (on 1958-01-17)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
?:??
12It might as well be spring
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1958-01-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair
?:??
13I'll remember april
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
I’ll Remember April (on 1958-01-17)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music, MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
?:??
14My Funny Valentine
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (in 1958-01)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
?:??
15Gone with the wind
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Gone With the Wind (on 1958-01-17)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel
publisher:
Bourne Co. (not for release label use, this is a music publisher)
?:??
16Billy Boy
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (on 1958-01-17)
arranger:
Ahmad Jamal
recorded at:
The Pershing in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Billy Boy (on 1958-01-17)
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
?:??
17It's you or no one
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernell Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
It’s You or No One (on 1958-01-17)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
instrumental recording of:
It’s You or No One (in 1958-01)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
?:??
18They Can't Take That Away From Me
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1958-01-17)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
?:??
19Poor Butterfly
recording engineer:
Malcolm Chisholm (on 1958-01-17)
producer:
Dave Usher
double bass:
Israel Crosby (on 1958-01-17)
drums (drum set):
Vernel Fournier (on 1958-01-17)
piano:
Ahmad Jamal (in 1958-01, on 1958-01-17)
recorded at:
Pershing Lounge in Chicago, Illinois, United States (on 1958-01-17)
live instrumental recording of:
Poor Butterfly (on 1958-01-17)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
?:??
20Secret Love
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
?:??
21Taking A Chance On Love
recorded in:
Chicago, Illinois, United States (in 1958)
double bass:
Israel Crosby (in 1958)
drums (drum set):
Vernell Fournier (in 1958)
piano:
Ahmad Jamal (in 1958)
instrumental cover recording of:
Taking a Chance on Love (in 1958)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
?:??
22Soft Winds
recorded in:
Chicago, Illinois, United States (in 1958)
double bass:
Israel Crosby (in 1958)
drums (drum set):
Vernell Fournier (in 1958)
piano:
Ahmad Jamal (in 1958)
instrumental cover recording of:
Soft Winds (also attributed to Fletcher Henderson) (in 1958)
composer:
Benny Goodman (clarinetist and bandleader) and Art Tatum (US jazz pianist)
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label) and Twenty-Eighth Street Music
?:??
▼ CD 2
#TitleRatingLength
1Taboo
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Taboo (1961 English lyrics version of Tabú) (from 1958-09-05 until 1958-09-06)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Margarita Lecuona (Cuban composer)
publisher:
Peer International Corporation (BMI), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and ピアーミュージック (Japan, subsidiary of Nichion)
translated version of:
Tabú (original 1934 spanish lyrics)
?:??
2Should I?
?:??
3Stompin' At The Savoy
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Stompin’ at the Savoy (from 1958-09-05 until 1958-09-06)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
?:??
4The Girl Next Door
?:??
5I wish I knew
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
I Wish I Knew (from 1958-09-05 until 1958-09-06)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
?:??
6Cheek To Cheek
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Cheek to Cheek (from “Top Hat”) (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 8th Academy Award for Best Original Song (number: 2)
part of:
Top Hat (1935 film)
?:??
7Autumn In New York
?:??
8Secret Love
recorded in:
Chicago, Illinois, United States (in 1958)
double bass:
Israel Crosby (in 1958)
drums (drum set):
Vernell Fournier (in 1958)
piano:
Ahmad Jamal (in 1958)
instrumental cover recording of:
Secret Love (song from “Calamity Jane”) (in 1958)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!) and Warner Chappell North America
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 26)
part of:
Calamity Jane (stage musical)
?:??
9Squatty Roo
?:??
10That's All
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
That’s All (from 1958-09-05 until 1958-09-06)
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
?:??
11This can't be love
?:??
12Autumn Leaves
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (from 1958-09-05 until 1958-09-06)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
?:??
13Ahmad's Blues
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live recording of:
Ahmad’s Blues (from 1958-09-05 until 1958-09-06)
composer:
Ahmad Jamal
?:??
14Ole Devil Moon
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (from 1958-09-05 until 1958-09-06)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
part of:
Finian’s Rainbow (1947 Broadway musical)
?:??
15Seleritus
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live recording of:
Seleritus (from 1958-09-05 until 1958-09-06)
composer:
Ahmad Jamal
?:??
16It Could Happen To You
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
It Could Happen to You (from 1958-09-05 until 1958-09-06)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
?:??
17Ivy
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Ivy (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Hoagy Carmichael
?:??
18Tater pie
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Tater Pie (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Irving Ashby
?:??
19Let's Fall In Love
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
Let’s Fall in Love (from 1958-09-05 until 1958-09-06)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
?:??
20Aki & Ukthay (Brother & Sister)
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live recording of:
Aki and Ukthay (Brother and Sister) (from 1958-09-05 until 1958-09-06)
composer:
Ahmad Jamal
?:??
▼ CD 3
#TitleRatingLength
1You Don't Know What Love Is
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
You Don’t Know What Love Is (from 1958-09-05 until 1958-09-06)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
?:??
2I Didn't Know What Time It Was
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (from 1958-09-05 until 1958-09-06)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
?:??
3So Beats My Heart For You
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
So Beats My Heart for You (from 1958-09-05 until 1958-09-06)
writer:
Pat Ballard, Charles Henderson and Tom Waring
?:??
4A Gal In Calico
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live instrumental cover recording of:
A Gal in Calico (from 1958-09-05 until 1958-09-06)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Arthur Schwartz
part of:
The 20th Academy Award for Best Original Song (number: 2)
?:??
5Our Delight
double bass:
Israel Crosby (from 1958-09-05 until 1958-09-06)
drums (drum set):
Vernell Fournier (from 1958-09-05 until 1958-09-06)
piano:
Ahmad Jamal (from 1958-09-05 until 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (from 1958-09-05 until 1958-09-06)
live cover recording of:
Our Delight (from 1958-09-05 until 1958-09-06)
composer:
Tadd Dameron
?:??
6Little Old Lady
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Little Old Lady (in 1960-01)
lyricist:
Stanley Adams (US lyricist & songwriter) and Hoagy Carmichael
composer:
Hoagy Carmichael
4?:??
7For All We Know
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
For All We Know (1934 song) (in 1960-01)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
5?:??
8Pavanne
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
5?:??
9Excerpt From The Blues
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
?:??
10Easy To Love
?:??
11Time on my hands
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Time on My Hands (in 1960-01)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell, Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
?:??
12Raincheck
?:??
13I'll Never Stop Loving You
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
I’ll Never Stop Loving You (in 1960-01)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
?:??
14Speak Low
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
instrumental recording of:
Speak Low (One Touch of Venus) (in 1960-01)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
?:??
15Rhumba No. 2
engineer:
Ron Malo
producer:
Jack Tracy
bass:
Israel Crosby (from 1960-01-20 until 1960-01-21)
drums (drum set):
Vernell Fournier (from 1960-01-20 until 1960-01-21)
piano:
Ahmad Jamal (from 1960-01-20 until 1960-01-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-01-20 until 1960-01-21)
?:??
16We kiss in the shadow
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
We Kiss in a Shadow (The King and I) (on 1961-06-22)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
?:??
17Sweet and lovely
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Sweet and Lovely (on 1961-06-22)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
?:??
18The party's over
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
The Party’s Over (Bells Are Ringing) (on 1961-06-22)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Bells Are Ringing (stage musical)
?:??
19Love For Sale
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Love for Sale (on 1961-06-22)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
?:??
20Snowfall
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Snowfall (on 1961-06-22)
writer:
Claude Thornhill and Ruth Thornhill
publisher:
Chappell
?:??
▼ CD 4
#TitleRatingLength
1Broadway
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Broadway (on 1961-06-22)
writer:
Bill Bird (US composer mostly known for co-writing "Broadway" in 1940), Teddy McRae and William Henri Woode
publisher:
Rayven Music
?:??
2Willow weep for me
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Willow Weep for Me (on 1961-06-22)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部
?:??
3Autumn Leaves
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1961-06-22)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
?:??
4Isn't it romantic
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1961-06-22)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
?:??
5The breeze and I
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
The Breeze and I (on 1961-06-22)
lyricist:
Al Stillman
composer:
Ernesto Lecuona
publisher:
E.B. Marks Music Corp.
translated version of:
Andalucia
?:??
6Time on my hands
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Time on My Hands (on 1961-06-22)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell, Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
?:??
7Angel eyes
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Angel Eyes (1946 jazz standard) (on 1961-06-22)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
?:??
8You go to my head
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
You Go to My Head (on 1961-06-22)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
?:??
9Star eyes
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Star Eyes (on 1961-06-22)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
?:??
10All of you
?:??
11You're blasé
?:??
12What is this thing called love?
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1961-06-22)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner Bros., Inc. (not for release label use!) and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
?:??
13Poinciana 9
double bass:
Israel Crosby (on 1961-06-22)
drums (drum set):
Vernell Fournier (on 1961-06-22)
piano:
Ahmad Jamal (on 1961-06-22)
recorded at:
Ahmad Jamal's Alhambra in Chicago, Illinois, United States (on 1961-06-22)
live instrumental recording of:
Poinciana (Song of the Tree) (on 1961-06-22)
lyricist:
Buddy Bernier (in 1936)
composer:
Nat Simon (in 1936)
?:??
14Autumn Leaves (1955 Studio Version)
?:??
▼ CD 5
#TitleRatingLength
1I'll Take Romance / My Funny Valentine
?:??
2Like someone in love
?:??
3Falling in love with love
?:??
4The best thing for you
?:??
5April in Paris
?:??
6The second time around
?:??
7We live in two different worlds
?:??
8Night mist blues
?:??
9Darn that dream
?:??
10On Green Dolphin Street
?:??
11Poinciana (1955 Studio Version)
?:??
12Pavanne (1955 Studio Version)
recording of:
Easy Does It
writer:
James Oliver Young and Sy Oliver
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Warock Corp.
?:??
13All Of You (1955 Studio Version)
?:??
14Darn That Dream (1955 Studio Version)
?:??
15Ahmad's Blues (1952 Studio Version)
?:??
16A Gal In Calico (1952 Studio Version)
?:??
17Aki & Ukthay (Brother & Sister)
recording of:
Aki and Ukthay (Brother and Sister)
composer:
Ahmad Jamal
?:??
18Billy Boy (1952 Studio Version)
?:??