Music of Spain

~ Release by Albéniz, Granados, Milán, Narváez, Rodrigo, Sor, Tárrega, Turina; Julian Bream, Chamber Orchestra of Europe, Gardiner, Brouwer (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1El maestro: Pavana I
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Pavana I
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán1:45
2El maestro: Pavana V
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Pavana V
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán1:28
3El maestro: Pavana VI
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Pavana VI
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán2:17
4El maestro: Fantasía XII
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Fantasia XII
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán2:45
5El maestro: Fantasía VIII
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Fantasia VIII
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán3:13
6El maestro: Fantasía IX
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Fantasia IX
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán2:13
7El maestro: Tento I
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Tento I
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán7:37
8El maestro: Pavana IV
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Pavana IV
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán1:50
9El maestro: Fantasía XVI
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Fantasia XVI
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán3:17
10Los seys libros del Delphín de Música, Book 1: Fantasía V
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro primero: Fantasia (V) del quinto tono de consonancia
composer:
Luis de Narváez (16th century composer) (in 1538)
Luis de Narváez2:20
11Los seys libros del Delphín de Música, Book 2: Fantasía V
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro segondo: Fantasia (XIII) del primer tono
composer:
Luis de Narváez (16th century composer) (in 1538)
Luis de Narváez1:14
12Los seys libros del Delphín de Música, Book 3: La canción del emperador
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro tercero: Mille regres. La canción del Emperador del quarto tono de Jusquin
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
arranger:
Luis de Narváez (16th century composer) (in 1538)
arrangement of:
Mille regretz (à 4)
Luis de Narváez3:27
13Los seys libros del Delphín de Música, Book 2: Fantasía VI
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro segondo: Fantasia (XIV) del primer tono
composer:
Luis de Narváez (16th century composer) (in 1538)
Luis de Narváez1:06
14Los seys libros del Delphín de Música, Book 5: Arde coraçon arde
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro quinto: Ay arde coraçon arde
composer:
Luis de Narváez (16th century composer)
Luis de Narváez1:21
15Los seys libros del Delphín de Música, Book 5: Ya se asiente el Rey Ramiro
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro quinto: Ya se asiente el Rey Ramiro
composer:
Luis de Narváez (16th century composer)
Luis de Narváez2:03
16Los seys libros del Delphín de Música, Book 4: O gloriosa Domina (seys diferencias)
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro quarto: O gloriosa Domina (seys diferencias)
composer:
Luis de Narváez (16th century composer) (in 1538)
Luis de Narváez7:28
17Los seys libros del Delphín de Música, Book 6: Conde Claros
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro sesto: Conde Claros (22 diferencias)
composer:
Luis de Narváez (16th century composer)
Luis de Narváez2:38
18Los seys libros del Delphín de Música, Book 6: Guárdame las vacas
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro sesto: Guárdame las vacas (7 diferencias)
composer:
Luis de Narváez (16th century composer)
is based on:
Guardame las vacas
Luis de Narváez2:49
19Los seys libros del Delphín de Música, Book 6: Tres diferencias por otra parte
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro sesto: Tres diferencias por otra parte
composer:
Luis de Narváez (16th century composer)
Luis de Narváez2:31
20Los seys libros del Delphín de Música, Book 6: Baxa de contrapunto
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de Música, Libro sesto: Baxa de contrapunto
composer:
Luis de Narváez (16th century composer)
Luis de Narváez1:25
21Fantasía
instruments:
Julian Bream (British classical guitarist and lutenist)
lute:
Julian Bream (British classical guitarist and lutenist)
recording of:
Fantasía
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra2:01
2▼CD
#TitleArtistRatingLength
1Fantasie, op. 30: Introduction. Lentamente
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
partial recording of:
Fantaisie, op. 30
composer:
Fernando Sor (Ferdinand Sor)
part of:
Works of Fernando Sor by opus number (number: op. 30)
Fernando Sor1:56
2Fantasie, op. 30: Theme. Allegretto
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
partial recording of:
Fantaisie, op. 30
composer:
Fernando Sor (Ferdinand Sor)
part of:
Works of Fernando Sor by opus number (number: op. 30)
Fernando Sor0:39
3Fantasie, op. 30: Variations 1 to 5
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
partial recording of:
Fantaisie, op. 30
composer:
Fernando Sor (Ferdinand Sor)
part of:
Works of Fernando Sor by opus number (number: op. 30)
Fernando Sor11:03
4Fantasie, op. 7: Largo non tanto
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
recording of:
Fantasia in C minor, op. 7: I. Largo
composer:
Fernando Sor (Ferdinand Sor)
part of:
Fantasia in C minor, op. 7
Fernando Sor7:30
5Fantasie, op. 7: Theme. Andante
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
partial recording of:
Fantasia in C minor, op. 7: II. Theme and Variations
composer:
Fernando Sor (Ferdinand Sor)
part of:
Fantasia in C minor, op. 7
Fernando Sor1:31
6Fantasie, op. 7: Variations 1 to 7
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
partial recording of:
Fantasia in C minor, op. 7: II. Theme and Variations
composer:
Fernando Sor (Ferdinand Sor)
part of:
Fantasia in C minor, op. 7
Fernando Sor10:56
7Variations on a Theme by Mozart, op. 9: Introduction. Andante largo
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
partial recording of:
Introduction and Variations on a Theme by Mozart, op. 9
composer:
Fernando Sor (Ferdinand Sor)
publisher:
B. Schott's Söhne (publisher; do not use as label)
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor1:40
8Variations on a Theme by Mozart, op. 9: Theme. Andante moderato
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
partial recording of:
Introduction and Variations on a Theme by Mozart, op. 9
composer:
Fernando Sor (Ferdinand Sor)
publisher:
B. Schott's Söhne (publisher; do not use as label)
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor1:23
9Variations on a Theme by Mozart, op. 9: Variations 1 to 5
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
partial recording of:
Introduction and Variations on a Theme by Mozart, op. 9
composer:
Fernando Sor (Ferdinand Sor)
publisher:
B. Schott's Söhne (publisher; do not use as label)
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor6:32
10Pieces for Guitar, op. 2: N.º 1. Adagio
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
recording of:
Introduction and Rondo, op. 2 no. 1
composer:
Dionisio Aguado
part of:
3 Rondos brillants, op. 2
Dionisio Aguado6:11
11Pieces for Guitar, op. 2: N.º 2. Polonaise
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
guitar:
Julian Bream (British classical guitarist and lutenist)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
recording of:
Introduction and Rondo, op. 2 no. 2
composer:
Dionisio Aguado
part of:
3 Rondos brillants, op. 2
Dionisio Aguado5:04
12Pieces for Guitar, op. 2: N.º 3. Introduction and Rondo. Andante - Allegro moderato
recording engineer:
Edwin Begley (sound engineer in RCA Victor)
producer:
John F. Pfeiffer (producer and engineer)
solo guitar:
Julian Bream (British classical guitarist and lutenist) (from 1980-10 until 1980-11)
recorded at:
RCA Studio A (New York) in New York, New York, United States
recording of:
Introduction and Rondo, op. 2 no. 3
composer:
Dionisio Aguado
part of:
3 Rondos brillants, op. 2
Dionisio Aguado9:45
3▼CD
#TitleArtistRatingLength
1Cuentos para la juventud: Dedicatoria
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Cuentos de la juventud, op. 1: No. 1: Dedicatoria (from 1982-06 until 1982-07)
composer:
Enrique Granados (composer)
part of:
Cuentos de la juventud, op. 1
Enrique Granados1:41
2La maja de Goya. Tonadilla
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
La maja de Goya (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Enrique Granados (composer)
publisher:
Unión Musical Española
arrangement of:
12 tonadillas al estilo antiguo, H.136: No. 8: La maja de Goya (song)
Enrique Granados4:42
3Danzas españolas, op. 37: N.º 4. Villanesca in G
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
12 danzas españolas, op. 37, nº 4: Villanesca (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 4: Villanesca
Enrique Granados6:27
4Valses poéticos
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Valses poéticos (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Enrique Granados (composer)
arrangement of:
Valses poéticos, H.147
Enrique Granados12:26
5Danzas españolas, op. 37: N.º 5. Andaluza
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
guitar:
Julian Bream (British classical guitarist and lutenist)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Enrique Granados (composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
part of:
12 danzas españolas, op. 37 (catch-all for arrangements)
Enrique Granados4:14
6Mallorca, op. 202
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Mallorca, op. 202 (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Mallorca, op. 202
Isaac Albéniz7:16
7Suite española, op. 47: Cataluña
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Suite española no. 1, op. 47: II. Cataluña (Curranda) (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: II. Cataluña (Curranda) (for solo piano)
Isaac Albéniz2:54
8Suite española, op. 47: Granada
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz5:35
9Suite española, op. 47: Sevilla
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:42
10Suite española, op. 47: Cádiz
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Suite española no. 1, op. 47: IV. Cádiz (Saeta) (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: IV. Cádiz (Saeta) (for solo piano)
Isaac Albéniz4:16
11Cantos de España, op. 232: N.º 4. Córdoba
recording engineer:
John W. Bower (recording engineer) (from 1982-06 until 1982-07)
producer:
James Burnett (producer) (from 1982-06 until 1982-07)
classical guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982-06 until 1982-07)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Cantos de España, op. 232, n.º 4: Córdoba (catch-all for arrangements) (from 1982-06 until 1982-07)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Cantos de España, op. 232, n.º 4: Córdoba
Isaac Albéniz7:16
4▼CD
#TitleArtistRatingLength
1Mazurca in G major
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Mazurka en Sol
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega2:48
2Étude in A major
classical guitar:
Julian Bream (British classical guitarist and lutenist)
Francisco Tárrega1:57
3Marieta
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Marieta (mazurka)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega2:28
4Capricho árabe
classical guitar and guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Capricho árabe
composer:
Francisco Tárrega (Spanish composer and guitarist) (in 1892)
Francisco Tárrega5:22
5Prelude in A minor
classical guitar:
Julian Bream (British classical guitarist and lutenist)
Francisco Tárrega1:42
6Recuerdos de la Alhambra
classical guitar and guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
Francisco Tárrega3:49
7Serenata
classical guitar and guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Impresiones de España: II. Serenata española (catch-all for arrangements, including unspecified guitar versions)
composer:
Joaquim Malats
arrangement of:
Impresiones de España: II. Serenata española
Joaquim Malats3:51
8Tango español
classical guitar and guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
3 Spanish Dances, No. 2: Tango
composer:
Emilio Pujol (composer)
part of:
3 Spanish Dances
Emilio Pujol3:45
9Guajira
classical guitar and guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
3 Spanish Dances, No. 3: Guajira
composer:
Emilio Pujol (composer)
part of:
3 Spanish Dances
Emilio Pujol4:23
10Canciones populares catalanas: I. La nit de Nadal
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
La nit de Nadal (El desembre congelat) (for guitar, Llobet)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
La nit de Nadal
Miguel Llobet Solés1:24
11Canciones populares catalanas: II. Lo rossinyol
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Lo rossinyol
composer:
Miguel Llobet Solés (composer for guitar)
Miguel Llobet Solés1:01
12Canciones populares catalanas: III. El Mestre
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
El mestre
composer:
Miguel Llobet Solés (composer for guitar)
Miguel Llobet Solés3:22
13Canciones populares catalanas: IV. La filadora
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
La filadora
composer:
Miguel Llobet Solés (composer for guitar)
Miguel Llobet Solés1:30
14Canciones populares catalanas: V. El testament d'Amelia
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
El testament d’Amèlia (Miguel Llobet guitar arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
El testament d’Amèlia
Miguel Llobet Solés2:04
15Canciones populares catalanas: VI. Cançó del lladre
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Cançó del lladre (Miguel Llobet guitar arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
Cançó del lladre
Miguel Llobet Solés1:58
16Canciones populares catalanas: VII. Plany
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Plany
composer:
Miguel Llobet Solés (composer for guitar)
Miguel Llobet Solés2:12
17Canciones populares catalanas: VIII. El Noi de la Mare
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
El noi de la mare (Miguel Llobet guitar arrangement)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
El noi de la mare
Miguel Llobet Solés2:12
18Canciones populares catalanas: IX. L'heureu Riera
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
L'hereu Riera
composer:
Miguel Llobet Solés (composer for guitar)
Miguel Llobet Solés0:59
19Fandanguillo, op. 36
classical guitar and guitar:
Julian Bream (British classical guitarist and lutenist)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1983-02-19 until 1983-05-06)
recording of:
Fandanguillo, op. 36
composer:
Joaquín Turina (composer) (from 1925-05-25 until 1925-06-04)
Joaquín Turina4:50
20Sevillana, op. 29
classical guitar and guitar:
Julian Bream (British classical guitarist and lutenist)
recorded at:
Wardour Chapel in Wiltshire, England, United Kingdom (from 1983-02-19 until 1983-05-06)
recording of:
Sevillana (Fantasía), op. 29
composer:
Joaquín Turina (composer) (from 1923-06-14 until 1923-11-15)
Joaquín Turina5:17
21Homenaje a Tárrega, op. 69: Garrotín
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Homenaje a Tárrega, op. 69: I. Garrotín
composer:
Joaquín Turina (composer) (in 1932)
part of:
Homenaje a Tárrega, op. 69
Joaquín Turina2:07
22Homenaje a Tárrega, op. 69: Soleares
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Homenaje a Tárrega, op. 69: II. Soleares
composer:
Joaquín Turina (composer) (in 1932)
part of:
Homenaje a Tárrega, op. 69
Joaquín Turina1:56
5▼CD
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1Fantasía XIV
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Fantasía XIV
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra1:56
2Fantasía XXII
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
El Maestro: Fantasia XXII
composer:
Luis de Milán (Spanish renaissance composer, c. 1500-1561) (in 1536)
part of:
El Maestro
Luis de Milán2:27
3La canción del Emperador
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro tercero: Mille regres. La canción del Emperador del quarto tono de Jusquin
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
arranger:
Luis de Narváez (16th century composer) (in 1538)
arrangement of:
Mille regretz (à 4)
Luis de Narváez3:22
4Conde Claros
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Los seys libros del Delphín de música, Libro sesto: Conde Claros (22 diferencias)
composer:
Luis de Narváez (16th century composer)
Luis de Narváez2:39
5Fantasía X
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Fantasía X
composer:
Alonso Mudarra (Spanish composer and musician, 1510-1580)
Alonso Mudarra1:50
6Prelude and Allegro
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Prelude and Allegro
composer:
Santiago de Murcia (Spanish baroque guitarist and composer)
Santiago de Murcia2:16
7Guitar Quintet in D minor, G. 448: Fandango
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": IV. Fandango
composer:
Luigi Boccherini (composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): II, Fandango
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini4:22
8Grand Solo, op.14
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Grand Solo, op. 14
composer:
Fernando Sor (Ferdinand Sor) (in 1822)
part of:
Works of Fernando Sor by opus number (number: op. 14)
Fernando Sor10:10
9Rondo in A minor, op. 2 n.º 3
classical guitar and guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Introduction and Rondo, op. 2 no. 3
composer:
Dionisio Aguado
part of:
3 Rondos brillants, op. 2
Dionisio Aguado6:11
10Variations on a Theme by Mozart, op. 9: Introduction. Andante largo
classical guitar:
Julian Bream (British classical guitarist and lutenist)
partial recording of:
Introduction and Variations on a Theme by Mozart, op. 9
composer:
Fernando Sor (Ferdinand Sor)
publisher:
B. Schott's Söhne (publisher; do not use as label)
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor1:27
11Variations on a Theme by Mozart, op. 9: Theme. Andante moderato
classical guitar:
Julian Bream (British classical guitarist and lutenist)
partial recording of:
Introduction and Variations on a Theme by Mozart, op. 9
composer:
Fernando Sor (Ferdinand Sor)
publisher:
B. Schott's Söhne (publisher; do not use as label)
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor1:17
12Variations on a Theme by Mozart, op. 9: Variations 1 to 5
classical guitar:
Julian Bream (British classical guitarist and lutenist)
partial recording of:
Introduction and Variations on a Theme by Mozart, op. 9
composer:
Fernando Sor (Ferdinand Sor)
publisher:
B. Schott's Söhne (publisher; do not use as label)
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor6:03
13Fantasie, op. 7
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Fantasia in C minor, op. 7
composer:
Fernando Sor (Ferdinand Sor)
part of:
Works of Fernando Sor by opus number (number: op. 7)
Fernando Sor6:51
14Sonata, op. 25: Minuet
classical guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Grande Sonate in C major, op. 25: IV. Minuetto. Allegro
composer:
Fernando Sor (Ferdinand Sor)
part of:
Grande Sonate in C major, op. 25
Fernando Sor2:53
6▼CD
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1Concierto de Aranjuez: I. Allegro con spirito
guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
Chamber Orchestra of Europe
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Concierto de Aranjuez: I. Allegro con spirito
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:46
2Concierto de Aranjuez: II. Adagio
guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
Chamber Orchestra of Europe
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:35
3Concierto de Aranjuez: III. Allegro gentile
guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
Chamber Orchestra of Europe
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Concierto de Aranjuez: III. Allegro gentile
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo4:55
4Tres piezas españolas: I. Fandango
guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982 until 1983)
recording of:
Tres piezas españolas, nº 1: Fandango
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
publisher:
Schott Musik (publisher; do not use as label)
part of:
Tres piezas españolas
Joaquín Rodrigo4:06
5Tres piezas españolas: II. Passacaglia
guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982 until 1983)
recording of:
Tres piezas españolas, nº 2: Passacaglia
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
publisher:
Schott Musik (publisher; do not use as label)
part of:
Tres piezas españolas
Joaquín Rodrigo7:20
6Tres piezas españolas: III. Zapateado
guitar:
Julian Bream (British classical guitarist and lutenist) (from 1982 until 1983)
recording of:
Tres piezas españolas, nº 3: Zapateado
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
publisher:
Schott Musik (publisher; do not use as label)
part of:
Tres piezas españolas
Joaquín Rodrigo2:59
7Invocation and Dance (Hommage à Manuel de Falla)
guitar:
Julian Bream (British classical guitarist and lutenist)
recording of:
Invocación y danza (Invocation and Dance)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (until 1961)
dedicated to:
Manuel de Falla (Spanish composer)
premiered by:
Alirio Díaz (classical guitarist and composer) (on 1962-05-12)
publisher:
Ediciones Joaquín Rodrigo
premiered at:
Château de La Brède in La Brède, Gironde, Nouvelle-Aquitaine (New Aquitaine), France (on 1962-05-12)
is based on:
El amor brujo (for symphony orchestra)
is based on:
Siete canciones populares españolas, G. 40, nº 7: Polo
Joaquín Rodrigo8:56
8Fantasía para un gentilhombre: I. Villano
guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
RCA Victor Chamber Orchestra
conductor:
Leo Brouwer
partial recording of:
Fantasía para un gentilhombre: I. Villano y ricercare
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo2:44
9Fantasía para un gentilhombre: II. Ricercare
guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
RCA Victor Chamber Orchestra
conductor:
Leo Brouwer
partial recording of:
Fantasía para un gentilhombre: I. Villano y ricercare
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo2:27
10Fantasía para un gentilhombre: III. Españoleta
guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
RCA Victor Chamber Orchestra
conductor:
Leo Brouwer
partial recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo5:04
11Fantasía para un gentilhombre: IV. Fanfare de la caballería de Nápoles
guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
RCA Victor Chamber Orchestra
conductor:
Leo Brouwer
partial recording of:
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo5:30
12Fantasía para un gentilhombre: V. Danza de las hachas
guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
RCA Victor Chamber Orchestra
conductor:
Leo Brouwer
recording of:
Fantasía para un gentilhombre: III. Danza de las hachas
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo2:01
13Fantasía para un gentilhombre: VI. Canario
classical guitar and guitar:
Julian Bream (British classical guitarist and lutenist)
orchestra:
RCA Victor Chamber Orchestra
conductor:
Leo Brouwer
recording of:
Fantasía para un gentilhombre: IV. Canario
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo5:33

Credits

Release group

includes:Music of Spain – The Classical Heritage by Sor (Ferdinand Sor), Aguado; Julian Bream (British classical guitarist and lutenist)