Jazz Advance

~ Release by Cecil Taylor Quartet (see all versions of this release, 7 available)

Annotation

Under the title Jazz Advance:
Label: Transition - Catalog #: GXF 3121 - Format: 12"LP - Rel: JP
Label: Toshiba - Catalog #: LNJ 70072 - Format: 12"LP - Rel: JP
Label: Blue Note - Catalog #: BST 84 487/88 - Format: 12"LP - Rel: UK
Label: Toshiba - Catalog #: EMI TOCJ 5884 - Format: CD - Rel: JP
Label: Toshiba - Catalog #: EMI TOCJ 9348 - Format: CD - Rel: JP
Label: Blue Note - Catalog #: 7 84462 2 - Format: CD - Rel: 1991 US

It's not perfectly clear yet which of the above contain 6 or 7 tracks.
Plus it's not clear if GXF 3121 is a Transition or a Blue Note, and how does TRLP 19 relates to GXF 3121...

As part of a two-fer (bundled with Love For Sale), under the title In Transition:
Label: Blue Note - Catalog #: LA 458 H2 - Format: 2x12"LP - Rel: 1975 US - Note: erroneous sleeve informations about rec data

All but #4 and #6 published by Giants of Jazz Sarabandas 53172, CD 1994 (IT)

Track #7 actually **first** appeared in compilation Jazz In Transition (Transition (US) TRLP 30 (lp) probably 1957 and EMI (Japan) TOCJ-5889 (cd) 1994 and also probably GXF 3126), which is somewhat hard to dig (exact tracklist unconfirmed, which is why we don't have it in MusicBrainz yet). You can check here a decent front cover sleeve.
Hence the links to track 7 are technically incorrect.

Annotation last modified on 2007-02-14 14:30 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Bemsha Swing
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Bemsha Swing (instrumental) (on 1956-09-14)
composer:
Denzil Best and Thelonious Monk
publisher:
Bayes Music Corporation, Bocu Music Ltd. and Thelonious Music
7:27
2Charge ’em Blues
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Charge 'em Blues (on 1956-09-14)
composer:
Cecil Taylor
11:06
3Azure
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
Azure (on 1956-09-14)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
7:30
4Song
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
soprano saxophone:
Steve Lacy (jazz saxophonist and composer 1934–2004) (on 1956-09-14)
recording of:
Song (on 1956-09-14)
composer:
Cecil Taylor
5:20
5You’d Be So Nice to Come Home To
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-09-14)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
9:18
6Rick Kick Shaw
recorded in:
Boston, Massachusetts, United States (on 1956-09-14)
double bass:
Buell Neidlinger (on 1956-09-14)
drums (drum set):
Denis Charles (drums) (on 1956-09-14)
piano:
Cecil Taylor (on 1956-09-14)
recording of:
Rick Kick Shaw (on 1956-09-14)
composer:
Cecil Taylor
6:06
7Sweet and Lovely
double bass:
Buell Neidlinger
membranophone:
Denis Charles (drums)
piano:
Cecil Taylor
cover recording of:
Sweet and Lovely (on 1956-09-14)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
6:36