Now That’s What I Call Music! 1980: The Millennium Series

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Another One Bites the Dust
engineer:
Mack (German rock producer/engineer Reinhold Mack)
co-producer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass, bass guitar, guitar, keyboard, piano [piano (reversed)] and synthesizer [synthesizer (reversed)]:
John Deacon (from 1980-02 until 1980-05)
drums (drum set) and electronic instruments [electronic percussion]:
Roger Taylor (Queen drummer) (from 1980-02 until 1980-05)
electric guitar:
John Deacon (from 1980-02 until 1980-05) and Brian May (Queen guitarist) (from 1980-02 until 1980-05)
background vocals and lead vocals:
Freddie Mercury (from 1980-02 until 1980-05)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) and Raincloud Productions Ltd. (in 1980, in 2014)
recorded at:
Musicland Studios (Munich) in München, Bayern, Germany (from 1979-06 until 1980-05)
recording of:
Another One Bites the Dust (from 1980-02 until 1980-05)
lyricist and composer:
John Deacon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Beechwood Music Corp. (in 1980), Queen Music Ltd. (in 1980) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (German version of the Queen musical)
part of:
We Will Rock You (Queen musical)
Queen4.253:36
2Ashes to Ashes
recording engineer:
David Bowie (English singer‐songwriter) (from 1980-02-15 until 1980-06) and Tony Visconti (from 1980-02-15 until 1980-06)
assistant engineer:
Larry Alexander (producer/engineer) (from 1980-02 until 1980-04) and Jeff Hendrickson (sound engineer) (from 1980-02 until 1980-04)
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
analog synthesizer [Yamaha CS-80] and Minimoog:
Andy Clark (UK keyboard and synthesizer player) (from 1980-02-15 until 1980-06)
drums (drum set):
Dennis Davis (drummer) (from 1980-02-15 until 1980-06)
electric bass guitar:
George Murray (American bass guitarist) (from 1980-02-15 until 1980-06)
guitar:
Carlos Alomar (from 1980-02-15 until 1980-06)
guitar synthesizer [Roland GR-500 guitar synthesizer]:
Chuck Hammer (from 1980-02-15 until 1980-06)
percussion and shakers:
Tony Visconti (from 1980-02-15 until 1980-06)
piano [flanged piano]:
Roy Bittan (from 1980-02-15 until 1980-06)
background vocals and lead vocals:
David Bowie (English singer‐songwriter) (from 1980-04 until 1980-06)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1992) and Tintoretto Music (in 1992)
recorded at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1980-02-15 until 1980-06) and Good Earth Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1980-04 until 1980-06)
recording of:
Ashes to Ashes (from 1980-02-15 until 1980-06)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.34:24
3Games Without Frontiers
engineer:
Hugh Padgham
producer:
Steve Lillywhite
bass synthesizer and synthesizer:
Larry Fast (American synthesizer player and composer)
bass synthesizer, synthesizer and whistle and lead vocals:
Peter Gabriel (formerly of Genesis)
drums (drum set) and percussion:
Jerry Marotta (Drummer and composer)
guitar:
David Rhodes (guitarist, singer, and songwriter)
whistle:
Steve Lillywhite and Hugh Padgham
background vocals:
Kate Bush
vocals:
Peter Gabriel (formerly of Genesis)
phonographic copyright (℗) by:
Charisma Records (in 1980)
recording of:
Games Without Frontiers
lyricist and composer:
Peter Gabriel (formerly of Genesis)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Real World Music, Ltd.
Peter Gabriel4.43:57
4Oh Yeah (on the Radio)
engineer:
Rhett Davies
producer:
Rhett Davies and Roxy Music
mixer:
Bob Clearmountain
bass guitar:
Neil Jason (bassist)
drums (drum set):
Allan Schwartzberg
guitar:
Neil Hubbard and Phil Manzanera
keyboard and strings:
Paul Carrack
piano:
Bryan Ferry
saxophone:
Andy Mackay (of Roxy Music)
vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1980), Virgin EG Records Ltd. (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 1999)
recorded at:
Basing Street Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Gallery Studio (Chertsey, until 1997) in Chertsey, Surrey, England, United Kingdom
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
Oh Yeah (Roxy Music)
lyricist and composer:
Bryan Ferry
publisher:
BMG Songs Ltd., Careers‐BMG Music Publishing, Inc., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1980)
Roxy Music34:51
5No Doubt About It
recording of:
No Doubt About It
writer:
Mike Burns (songwriter Michael Gerard Burns), Steve Glen and David Most
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:27
6Embarrassment
recording of:
Embarrassment
lyricist:
Lee “Kix” Thompson (Madness)
composer:
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness4.353:11
7I Got You
engineer and producer:
David Tickle
recording of:
I Got You
lyricist and composer:
Neil Finn
Split Enz33:32
8I Can’t Stand Up for Falling Down
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
cover recording of:
I Can’t Stand Up for Falling Down
composer:
Homer Banks and Allen Jones (producer/songwriter/musician/engineer)
Elvis Costello4.52:06
9Another Nail in My Heart
engineer:
Andy Lumm
producer and mixer:
Squeeze (UK new wave band) and John Wood (UK producer)
bass:
John Bentley (UK bassist, member of Squeeze)
drums (drum set):
Gilson Lavis
guitar:
Chris Difford
guitar and keyboard:
Glenn Tilbrook
keyboard:
Jools Holland
vocals:
Chris Difford, Jools Holland and Glenn Tilbrook
recorded at:
Chelsea Olympic in Chelsea, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Another Nail in My Heart
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Deptford Songs
Squeeze4.352:57
10Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie43:47
11To Cut a Long Story Short
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint)
mixed at:
Jam Studios in Islington, London (Greater London), England, United Kingdom
recording of:
To Cut a Long Story Short
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Reformation Publishing Co. Ltd.
Spandau Ballet3.53:20
12Antmusic
producer:
Chris Hughes (Producer. aka Merrick)
acoustic guitar, harmonica, piano and lead vocals:
Adam Ant (English new wave singer and actor)
bass guitar:
Kevin Mooney
drums (drum set):
Merrick (Producer. aka Merrick) and Terry Lee Miall
electric guitar:
Marco Pirroni (British musician and producer)
vocals:
Kevin Mooney
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
music videos:
Antmusic by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 139)
recording of:
Antmusic
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Adam & the Ants43:35
13A Forest
producer:
Mike Hedges (UK producer/recording engineer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
bass:
Simon Gallup
drums (drum set):
Lol Tolhurst
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
keyboard:
Matthieu Hartley
vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records (not for release label use! please use “Fiction” for that instead)
recording of:
A Forest
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure3.654:56
14Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.653:29
15Johnny and Mary
recording of:
Johnny and Mary
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Island Music (Island Music Ltd.) and Warner/Chappell
Robert Palmer3:54
16Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha & the Muffins43:34
17Going Underground
producer:
Vic Coppersmith‐Heaven
bass:
Bruce Foxton (on 1980-01-16)
drums (drum set):
Rick Buckler (on 1980-01-16)
guitar:
Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
vocals:
Bruce Foxton (on 1980-01-16) and Paul Weller (English singer-songwriter and musician) (on 1980-01-16)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1980)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1980-01-16)
recording of:
Going Underground (on 1980-01-16)
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam4.252:54
18Ace of Spades
producer:
Vic Maile (from 1980-08-04 until 1980-09-15)
bass:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (from 1980-08-04 until 1980-09-15)
drums (drum set):
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (from 1980-08-04 until 1980-09-15)
guitar:
'Fast' Eddie Clarke (Motörhead guitarist) (from 1980-08-04 until 1980-09-15)
vocals:
'Fast' Eddie Clarke (Motörhead guitarist) (from 1980-08-04 until 1980-09-15) and Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (from 1980-08-04 until 1980-09-15)
performer:
Motörhead (from 1980-08-04 until 1980-09-15)
phonographic copyright (℗) by:
Universal Music (plain logo: “Universal Music”) (in 1980)
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 3), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 33), TV Cream: Real 100 Best Singles Ever (number: 41) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 442)
recording of:
Ace of Spades (from 1980-08-04 until 1980-09-15)
writer:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) and Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.22:46
CD 2
#TitleArtistRatingLength
1Too Much Too Young
recording of:
Too Much Too Young
lyricist and composer:
Jerry Dammers
The Special A.K.A.42:05
2Food for Thought
engineer:
Bob Lamb (UK drummer, producer and audio engineer)
producer:
Bob Lamb (UK drummer, producer and audio engineer) and UB40
bass:
Earl Falconer
congas and percussion:
Norman Hassan
drums (drum set):
Jim Brown (UB40 drummer)
guitar [lead guitar]:
Robin Campbell
guitar [rhythm guitar] and lead vocals:
Ali Campbell (UB40’s former vocalist)
keyboard, organ and strings:
Michael Virtue
melodica and tenor saxophone:
Brian Travers
spoken vocals [talk over vocal]:
Astro (UB40 toast, trumpet & percussion)
vocals:
Robin Campbell
phonographic copyright (℗) by:
Graduate Records (in 1980)
recorded at:
Home of the Hits in Birmingham, West Midlands, England, United Kingdom (from 1979-12-21 until 1980-07-01)
recording of:
Food for Thought (from 1979-12-21 until 1980-07-01)
writer:
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue and Terence Wilson (aka Astro of UB40)
UB4054:09
3Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
4Upside DownDiana Ross3.754:04
5Celebration
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:38
6Let’s Get SeriousJermaine Jackson3:28
7Oops Upside Your Head
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
Gap Band3:26
8Don't Stop the Music
edit of:
Don’t Stop the Music by Yarbrough & Peoples
recording of:
Don’t Stop the Music
writer:
Jonah Ellis, Alisa Peoples and Lonnie Simmons (producer, songwriter)
publisher:
BMG Platinum Songs US and BMG Rights Management (UK) Ltd. (not for release label use!)
Yarbrough and Peoples4:07
9Stomp
recording of:
Stomp!
writer:
George Johnson (member of Brothers Johnson, guitar), Louis Johnson (bass, member of Brothers Johnson), Valerie Johnson and Rod Temperton
Brothers Johnson4:06
10Funky Town
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
edit of:
Funkytown by Lipps, Inc.
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Red Sea Songs, Rick S. Music (publishing company associated with Casablanca) and Steven Greenberg Music
Lipps Inc4.153:57
11Let’s Go Round AgainAverage White Band5:27
12Coming Up
recording engineer:
Paul McCartney (The Beatles) (from 1979-06 until 1979-07)
producer:
Paul McCartney (The Beatles)
assistant mixer:
Eddie Klein (engineer, Hog Hill Mill) (in 1979-09)
mixer:
Paul McCartney (The Beatles) (in 1979-09)
bass, drums (drum set), electric guitar, electric piano, percussion, synthesizer, tambourine, background vocals, background vocals and lead vocals and lead vocals:
Paul McCartney (The Beatles) (from 1979-06 until 1979-07)
recorded at:
Home Studio in East Sussex, England, United Kingdom (from 1979-06 until 1979-07) and Spirit of Ranachan Studio in Scotland, United Kingdom (from 1979-06 until 1979-07)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1979-09)
recording of:
Coming Up (from 1979-06 until 1979-07)
lyricist and composer:
Paul McCartney (The Beatles)
Paul McCartney4.353:53
13Please Don’t GoKC & the Sunshine Band43:50
14Babooshka
assistant engineer:
John Barratt (British audio engineer) (from 1979-09 until 1980-05)
engineer:
Jon Kelly (engineer at Air London Studios) (from 1979-09 until 1980-05)
producer:
Kate Bush and Jon Kelly (engineer at Air London Studios)
analog synthesizer [CS 80] and lead vocals:
Kate Bush (from 1979-09 until 1980-05)
balalaika:
Paddy Bush (from 1979-09 until 1980-05)
drums (drum set):
Stuart Elliott (Session drummer, member of Cockney Rebel) (from 1979-09 until 1980-05)
electric bass guitar:
John Giblin (from 1979-09 until 1980-05)
electric guitar:
Brian Bath (from 1979-09 until 1980-05) and Alan Murphy (UK session guitarist) (from 1979-09 until 1980-05)
Rhodes piano [Fender Rhodes]:
Max Middleton (from 1979-09 until 1980-05)
background vocals:
Paddy Bush (from 1979-09 until 1980-05) and Gary Hurst (from 1979-09 until 1980-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) and EMI America Records, Inc. (holding - file NO releases here!) (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-09 until 1980-05)
recording of:
Babooshka (from 1979-09 until 1980-05)
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Kate Bush Music Ltd.
Kate Bush3.53:28
15I Hear You Now
recording of:
I Hear You Now
lyricist:
Jon Anderson (Yes/Jon & Vangelis)
composer:
Jon Anderson (Yes/Jon & Vangelis) and Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric B.V., Topographic Music, Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Bros., Inc. (not for release label use!)
Jon and Vangelis4:13
16It’s Different for Girls
recording engineer:
Alan Winstanley (English record producer)
producer:
David Kershenbaum
mixer:
Aldo Bocca
bass guitar:
Graham Maby
drums (drum set):
Dave Houghton
guitar:
Gary Sanford
lead vocals:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
recorded at:
TW Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
music videos:
It’s Different for Girls by Joe Jackson (English musician)
recording of:
It’s Different for Girls
lyricist and composer:
Joe Jackson (English musician)
publisher:
Albion Music Ltd. (in 1979)
Joe Jackson43:45
17Everybody’s Got to Learn Sometime
recording of:
Everybody’s Got to Learn Sometime
lyricist and composer:
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) and Warner Bros. Ltd. (publisher) (in 1980)
Korgis4.054:11
18Crying
cover recording of:
Crying
lyricist:
Joe Melson (in 1961) and Roy Orbison (in 1961)
composer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (on 1961-08-16)
part of:
50/50
Don McLean53:40