Americana

~ Release by Leila Josefowicz (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Four Rags: Intoxication
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Four Rags for Violin and Piano: Intoxication (from 1999-01-05 until 1999-01-09)
composer:
John Novacek (pianist)
part of:
Four Rags for Violin and Piano
John Novacek2:00
2Four Rags: 4th Street Drag
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Four Rags for Violin and Piano: 4th Street Drag (from 1999-01-05 until 1999-01-09)
composer:
John Novacek (pianist)
part of:
Four Rags for Violin and Piano
John Novacek3:53
3Four Rags: Cockles
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Four Rags for Violin and Piano: Cockles (from 1999-01-05 until 1999-01-09)
composer:
John Novacek (pianist)
part of:
Four Rags for Violin and Piano
John Novacek2:06
4Four Rags: Full Stride Ahead
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Four Rags for Violin and Piano: Full Stride Ahead (from 1999-01-05 until 1999-01-09)
composer:
John Novacek (pianist)
part of:
Four Rags for Violin and Piano
John Novacek1:27
5Smile (Modern Times)
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Smile (for violin and piano, Ogerman) (from 1999-01-05 until 1999-01-09)
composer:
Charlie Chaplin (filmmaker)
arranger:
Claus Ogerman
arrangement of:
Smile (Modern Times; original instrumental version)
Charlie Chaplin3:21
6Souvenir d’Amerique, on Yankee Doodle
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Souvenir d’Amérique, op. 17 "Yankee Doodle" (from 1999-01-05 until 1999-01-09)
composer:
Henri Vieuxtemps (Belgian 19th century composer & violinist)
part of:
Works of Henri Vieuxtemps by opus number (number: op. 17)
Henri Vieuxtemps4:22
7The Ragtime Dance
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
piano arranger and violin arranger:
Itzhak Perlman (violinist and conductor)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
The Ragtime Dance (piano rag) (from 1999-01-05 until 1999-01-09)
composer:
Scott Joplin (composer and pianist) (in 1906)
version of:
The Ragtime Dance (folk ballet)
Scott Joplin3:09
8Estrellita (Mexican Serenade)
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Estrellita (for violin and piano, arr. Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
Manuel María Ponce (Mexican composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Estrellita
Manuel María Ponce3:27
9Short Story
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
piano arranger and violin arranger:
Samuel Dushkin (American violinist and transcriber)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Short Story (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer) (in 1925)
arranger:
Samuel Dushkin (American violinist and transcriber) (in 1925)
George Gershwin2:39
10Three Preludes: I. Allegro ben ritmato e deciso
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:41
11Three Preludes: II. Andante con moto e poco rubato
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (for violin and piano, Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin3:48
12Three Preludes: III. Allegro ben ritmato e deciso
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
George Gershwin1:19
13The Easy Winners
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
piano arranger and violin arranger:
Itzhak Perlman (violinist and conductor)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
The Easy Winners (from 1999-01-05 until 1999-01-09)
composer:
Scott Joplin (composer and pianist) (in 1901)
Scott Joplin3:14
14Deep River
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Deep River (for violin and piano, Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
[traditional] (special purpose artist)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Deep River
[traditional]2:24
15Jeanie with the Light Brown Hair
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
piano arranger and violin arranger:
Jascha Heifetz (violinist)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Jeanie With the Light Brown Hair (from 1999-01-05 until 1999-01-09)
publisher:
Random House
lyricist:
Stephen Foster (composer)
composer:
Stephen Foster (composer) (in 1854)
Stephen Foster3:10
16Old Folks at Home
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
piano arranger and violin arranger:
Jascha Heifetz (violinist)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Old Folks at Home (Swanee River) (from 1999-01-05 until 1999-01-09)
anthem of:
Florida, United States (from 1935 to present)
lyricist and composer:
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
Stephen Foster3:30
17Porgy and Bess Suite: Summertime / A Woman Is a Sometime Thing
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Porgy and Bess: A Woman Is a Sometime Thing (for violin and piano, arr. Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing”
recording of:
Porgy and Bess: Summertime (for violin and piano, arr. Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin4:09
18Porgy and Bess Suite: My Man’s Gone Now
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Porgy and Bess: My Man's Gone Now (for violin and piano, arr. Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
George Gershwin4:23
19Porgy and Bess Suite: It Ain’t Necessarily So
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
George Gershwin2:50
20Porgy and Bess Suite: Bess, You Is My Woman Now
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Porgy and Bess: Bess, You Is My Woman Now (for violin and piano, arr. Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
George Gershwin3:58
21Porgy and Bess Suite: Tempo di Blues
recording engineer:
John Newton, Soundmirror, Inc. (editor, engineer mixer)
artist & repertoire support:
Brigitte Stockmann (management)
producer:
Hein Dekker (recording producer) (task: recording producer)
editor:
Rico Yntema
piano:
John Novacek (pianist) (from 1999-01-05 until 1999-01-09)
violin:
Leila Josefowicz (violinist) (from 1999-01-05 until 1999-01-09)
piano arranger and violin arranger:
Jascha Heifetz (violinist)
balance engineer:
Hein Dekker (recording producer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (from 1999-01-05 until 1999-01-09)
recording of:
Porgy and Bess: Tempo di Blues (for violin and piano, arr. Heifetz) (from 1999-01-05 until 1999-01-09)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York”
George Gershwin2:50

Credits

Release

ASIN:US: B00004YWU9 [info]