Up! (red and green)

~ Release by Shania Twain (see all versions of this release, 17 available)

Annotation

Other Catalog #:
Disc 1 (Red): 088 170 316-2
Disc 2 (Green): 088 170 317-2

Annotation last modified on 2016-01-24 15:23 UTC.

Tracklist

| |
CD 1: Red
#TitleRatingLength
1Up!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
music videos:
Up! (red version) by Shania Twain
recording of:
Up!
composer:
Robert John “Mutt” Lange and Shania Twain
52:53
2I’m Gonna Getcha Good!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) and Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
music videos:
I'm Gonna Getcha Good! (red version) by Shania Twain
recording of:
I’m Gonna Getcha Good!
composer:
Robert John “Mutt” Lange and Shania Twain
3.354:29
3She’s Not Just a Pretty Face
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
She’s Not Just a Pretty Face
composer:
Robert John “Mutt” Lange and Shania Twain
53:49
4Juanita
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Juanita
composer:
Robert John “Mutt” Lange and Shania Twain
53:50
5Forever and for Always
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
membranophone:
Paul Leim
lead vocals:
Shania Twain
vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) and Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Forever and for Always
composer:
Robert John “Mutt” Lange and Shania Twain
publisher:
Loon Echo, Inc., Universal–Songs of PolyGram International, Inc. and Zomba Enterprises, Inc.
54:44
6Ain’t No Particular Way
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Ain’t No Particular Way
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Imagem London Ltd.
44:25
7It Only Hurts When I’m Breathing
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
It Only Hurts When I’m Breathing
composer:
Robert John “Mutt” Lange and Shania Twain
53:19
8Nah!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Nah!
composer:
Robert John “Mutt” Lange and Shania Twain
44:09
9(Wanna Get to Know You) That Good!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
(Wanna Get to Know You) That Good!
composer:
Robert John “Mutt” Lange and Shania Twain
44:34
10C’est la vie
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
C’est la vie
composer:
Robert John “Mutt” Lange and Shania Twain
43:43
11I’m Jealous
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
I’m Jealous
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Imagem London Ltd.
44:05
12Ka-Ching!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Ka-Ching!
composer:
Robert John “Mutt” Lange and Shania Twain
43:20
13Thank You Baby! (for Makin’ Someday Come So Soon)
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Thank You Baby! (for Makin’ Someday Come So Soon)
composer:
Robert John “Mutt” Lange and Shania Twain
44:01
14Waiter! Bring Me Water!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Waiter! Bring Me Water!
composer:
Robert John “Mutt” Lange and Shania Twain
33:20
15What a Way to Wanna Be!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
What a Way to Wanna Be!
composer:
Robert John “Mutt” Lange and Shania Twain
43:36
16I Ain’t Goin’ Down
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
I Ain’t Goin’ Down
composer:
Robert John “Mutt” Lange and Shania Twain
53:58
17I’m Not in the Mood (to Say No)!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
I’m Not in the Mood (to Say No)!
composer:
Robert John “Mutt” Lange and Shania Twain
33:26
18In My Car (I’ll Be the Driver)
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
In My Car (I’ll Be the Driver)
composer:
Robert John “Mutt” Lange and Shania Twain
43:17
19When You Kiss Me
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
When You Kiss Me
composer:
Robert John “Mutt” Lange and Shania Twain
54:08
CD 2: Green
#TitleRatingLength
1Up!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) and Mercury Records (The Holding. Use for ©/℗ credits only!) (in 2022)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Up!
composer:
Robert John “Mutt” Lange and Shania Twain
52:53
2I’m Gonna Getcha Good!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
I’m Gonna Getcha Good!
composer:
Robert John “Mutt” Lange and Shania Twain
54:29
3She’s Not Just a Pretty Face
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
She’s Not Just a Pretty Face
composer:
Robert John “Mutt” Lange and Shania Twain
53:49
4Juanita
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Juanita
composer:
Robert John “Mutt” Lange and Shania Twain
53:50
5Forever and for Always
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Forever and for Always
composer:
Robert John “Mutt” Lange and Shania Twain
publisher:
Loon Echo, Inc., Universal–Songs of PolyGram International, Inc. and Zomba Enterprises, Inc.
54:43
6Ain’t No Particular Way
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Ain’t No Particular Way
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Imagem London Ltd.
44:25
7It Only Hurts When I’m Breathing
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
It Only Hurts When I’m Breathing
composer:
Robert John “Mutt” Lange and Shania Twain
53:20
8Nah!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Nah!
composer:
Robert John “Mutt” Lange and Shania Twain
44:14
9(Wanna Get to Know You) That Good!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
(Wanna Get to Know You) That Good!
composer:
Robert John “Mutt” Lange and Shania Twain
44:31
10C’est la vie
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
C’est la vie
composer:
Robert John “Mutt” Lange and Shania Twain
43:39
11I’m Jealous
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
I’m Jealous
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Imagem London Ltd.
43:59
12Ka-Ching!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Ka-Ching!
composer:
Robert John “Mutt” Lange and Shania Twain
43:20
13Thank You Baby! (for Makin’ Someday Come So Soon)
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Thank You Baby! (for Makin’ Someday Come So Soon)
composer:
Robert John “Mutt” Lange and Shania Twain
44:01
14Waiter! Bring Me Water!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Waiter! Bring Me Water!
composer:
Robert John “Mutt” Lange and Shania Twain
33:20
15What a Way to Wanna Be!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
What a Way to Wanna Be!
composer:
Robert John “Mutt” Lange and Shania Twain
43:33
16I Ain’t Goin’ Down
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
I Ain’t Goin’ Down
composer:
Robert John “Mutt” Lange and Shania Twain
53:45
17I’m Not in the Mood (to Say No)!
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
I’m Not in the Mood (to Say No)!
composer:
Robert John “Mutt” Lange and Shania Twain
33:26
18In My Car (I’ll Be the Driver)
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
In My Car (I’ll Be the Driver)
composer:
Robert John “Mutt” Lange and Shania Twain
43:15
19When You Kiss Me
assistant recording engineer:
Guido Andreani, Peppe De Angelis, Oswald Bowe, Alex Dixon and Taketo Gohara
recording engineer:
Bob Bullock, Kevin Churko and Brian Masterson
miscellaneous support:
Protools mixing and fixing operator
programming:
Kevin Churko and Kieran Lynch
engineer:
Kevin Churko
producer:
Robert John “Mutt” Lange
mixer:
Mike Shipley (audio engineer, mixer, producer)
editor:
Kevin Churko and Stewart Whitmore
lead vocals:
Shania Twain
arranger:
Gavin Greenaway, Robert John “Mutt” Lange and Arthur Stead
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
recorded at:
Compass Point Studios in Nassau, Bahamas, Officine Meccaniche in Milano, Milano, Lombardia, Italy and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
When You Kiss Me
composer:
Robert John “Mutt” Lange and Shania Twain
54:07

Credits

Release

mastering:Bob Ludwig (mastering engineer)
Stephen Marcussen (mastering engineer)
copyrighted (©) by:Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits)
mastered at:Gateway Mastering Studios in Portland, Maine, United States
Marcussen Mastering in Hollywood, Los Angeles, California, United States
Discogs:https://www.discogs.com/release/428475 [info]
ASIN:US: B00006IX86 [info]