Genzmer / Nielsen / Gubaidulina / Debussy

~ Release by Genzmer, Nielsen, Gubaidulina, Debussy; Auréole (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Trio for Flute, Viola and Harp: I. Fantasia
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Trio for flute, viola and harp: I. Fantasia. Andante (from 1990-10-15 until 1990-10-17)
composer:
Harald Genzmer (composer)
part of:
Trio for flute, viola and harp
Harald Genzmer5:06
2Trio for Flute, Viola and Harp: II. Scherzo
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Trio for flute, viola and harp: II. Scherzo. Allegro Vivace (from 1990-10-15 until 1990-10-17)
composer:
Harald Genzmer (composer)
part of:
Trio for flute, viola and harp
Harald Genzmer4:21
3Trio for Flute, Viola and Harp: III. Notturno
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Trio for flute, viola and harp: III. Notturno. Ruhig fließend (from 1990-10-15 until 1990-10-17)
composer:
Harald Genzmer (composer)
part of:
Trio for flute, viola and harp
Harald Genzmer5:37
4Trio for Flute, Viola and Harp: IV. Thema mit Variationen
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Trio for flute, viola and harp: IV. Thema mit Variationen über ein altes Volkslied. Moderato (from 1990-10-15 until 1990-10-17)
composer:
Harald Genzmer (composer)
part of:
Trio for flute, viola and harp
Harald Genzmer6:07
5The Mother, op. 41: The Fog is Lifting
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Moderen, op. 41, FS 94: Taagen Letter (The Fog is Lifting) (from 1990-10-15 until 1990-10-17)
composer:
Carl Nielsen (Danish composer) (in 1921)
part of:
Moderen, op. 41, FS 94
Carl Nielsen2:03
6The Mother, op. 41: The Children are Playing
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Moderen, op. 41, FS 94: Børnene leger (from 1990-10-15 until 1990-10-17)
composer:
Carl Nielsen (Danish composer) (in 1921)
part of:
Moderen, op. 41, FS 94
Carl Nielsen2:37
7The Mother, op. 41: Faith and Hope are Playing
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Moderen, op. 41, FS 94: Tro og håb spiller (from 1990-10-15 until 1990-10-17)
composer:
Carl Nielsen (Danish composer) (in 1921)
part of:
Moderen, op. 41, FS 94
Carl Nielsen2:04
8Six epigraphes antiques: Pour invoquer Pan
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Six épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d'été (arr. Victoria Drake for flute, viola, and harp) (from 1990-10-15 until 1990-10-17)
composer:
Claude Debussy (composer) (from 1914-07 until 1915)
arranger:
Victoria Drake (harpist)
arrangement of:
Six épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d'été (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (arr. Victoria Drake for flute, viola, and harp)
Claude Debussy2:42
9Six epigraphes antiques: Pour un tombeau sans nom
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom (arr. Victoria Drake for flute, viola, and harp) (from 1990-10-15 until 1990-10-17)
composer:
Claude Debussy (composer) (from 1914-07 until 1915)
arranger:
Victoria Drake (harpist)
arrangement of:
Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (arr. Victoria Drake for flute, viola, and harp)
Claude Debussy3:45
10Six epigraphes antiques: Pour que la nuit soit propice
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Six épigraphes antiques, L. 131: III. Pour que la nuit soit propice (arr. Victoria Drake for flute, viola, and harp) (from 1990-10-15 until 1990-10-17)
composer:
Claude Debussy (composer) (from 1914-07 until 1915)
arranger:
Victoria Drake (harpist)
arrangement of:
Six épigraphes antiques, L. 131: III. Pour que la nuit soit propice (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (arr. Victoria Drake for flute, viola, and harp)
Claude Debussy2:28
11Six epigraphes antiques: Pour la danseuse aux crotales
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Six épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin (arr. Victoria Drake for flute, viola, and harp) (from 1990-10-15 until 1990-10-17)
composer:
Claude Debussy (composer) (from 1914-07 until 1915)
arranger:
Victoria Drake (harpist)
arrangement of:
Six épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (arr. Victoria Drake for flute, viola, and harp)
Claude Debussy2:29
12Six epigraphes antiques: Pour l’Egyptienne
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Six épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales (arr. Victoria Drake for flute, viola, and harp) (from 1990-10-15 until 1990-10-17)
composer:
Claude Debussy (composer) (from 1914-07 until 1915)
arranger:
Victoria Drake (harpist)
arrangement of:
Six épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (arr. Victoria Drake for flute, viola, and harp)
Claude Debussy3:15
13Six epigraphes antiques: Pour remercier la pluie au matin
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Six épigraphes antiques, L. 131: V. Pour l'Égyptienne (arr. Victoria Drake for flute, viola, and harp) (from 1990-10-15 until 1990-10-17)
composer:
Claude Debussy (composer) (from 1914-07 until 1915)
arranger:
Victoria Drake (harpist)
arrangement of:
Six épigraphes antiques, L. 131: V. Pour l'Égyptienne (for piano 4-hands)
part of:
Six épigraphes antiques, L. 131 (arr. Victoria Drake for flute, viola, and harp)
Claude Debussy2:20
14Garden of Joys and Sorrows
assistant engineer:
David Merrill (Recording engineer at Master Sound Astoria; also bass player)
engineer:
Ben Rizzi (engineer)
producer:
Michael Fine (producer)
flute:
Laura Gilbert (flautist) (from 1990-10-15 until 1990-10-17)
harp:
Barbara Allen (harpist) (from 1990-10-15 until 1990-10-17)
viola and spoken vocals:
Mary Hammann (from 1990-10-15 until 1990-10-17)
recorded at:
Master Sound Astoria in Astoria, New York, New York, United States (from 1990-10-15 until 1990-10-17)
recording of:
Garten von Freuden und Traurigkeiten (from 1990-10-15 until 1990-10-17)
composer:
София Асгатовна Губайдулина (composer) (in 1981)
Sofia Gubaidulina18:30