Cantatas, BWV 27–29

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 3 available)

Tracklist

▼ Digital Media 1
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1Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende?”: I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) “Wer weiß, wie nahe mir mein Ende?”
French horn:
Bernhard Schmid (classical trumpetist)
alto vocals:
Gabriele Schreckenbach (contralto)
bass vocals:
Walter Heldwein
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Edith Wiens (soprano)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach5:08
2Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende?”: II. Recitativo (Tenore) “Mein Leben hat kein ander Ziel”
French horn:
Bernhard Schmid (classical trumpetist)
tenor vocals:
Lutz-Michael Harder
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:03
3Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende?”: III. Aria (Alto) “Willkommen! will ich sagen”
French horn:
Bernhard Schmid (classical trumpetist)
alto vocals:
Gabriele Schreckenbach (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach5:10
4Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende?”: IV. Recitativo (Soprano) “Ach, wer doch schon im Himmel wär!”
French horn:
Bernhard Schmid (classical trumpetist)
soprano vocals:
Edith Wiens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:09
5Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende?”: V. Aria (Basso) “Gute Nacht, du Weltgetümmel!”
French horn:
Bernhard Schmid (classical trumpetist)
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Walter Heldwein
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:19
6Kantate, BWV 27 “Wer weiß, wie nahe mir mein Ende?”: VI. Choral “Welt, ade! ich bin dein müde”
French horn:
Bernhard Schmid (classical trumpetist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1982-02 until 1982-10)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (from 1982-02 until 1982-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
part of:
Breitkopf 389 Choralgesänge (number: 350)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:18
7Kantate, BWV 28 “Gottlob! nun geht das Jahr zu Ende”: I. Aria (Soprano) “Gottlob! nun geht das Jahr zu Ende”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach5:01
8Kantate, BWV 28 “Gottlob! nun geht das Jahr zu Ende”: II. Coro “Nun lob, mein Seel, den Herren”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann Gramann (in 1530)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach4:58
9Kantate, BWV 28 “Gottlob! nun geht das Jahr zu Ende”: III. Recitativo (Arioso: Basso) “So spricht der Herr”
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:57
10Kantate, BWV 28 “Gottlob! nun geht das Jahr zu Ende”: IV. Recitativo (Tenore) “Gott ist ein Quell, wo lauter Güte fleußt”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:18
11Kantate, BWV 28 “Gottlob! nun geht das Jahr zu Ende”: V. Aria (Duetto: Alto, Tenore) “Gott hat uns im heurigen Jahre gesegnet”
alto vocals:
Gabriele Schreckenbach (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach2:17
12Kantate, BWV 28 “Gottlob! nun geht das Jahr zu Ende”: VI. Choral “All solch dein Güt wir preisen”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-11 until 1982-02)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen" (from 1981-11 until 1982-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 124)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:20
13Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": I. Sinfonia (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:21
14Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: II. Coro “Wir danken dir, Gott, wir danken dir”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach2:49
15Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: III. Aria (Tenore) “Halleluja, Stärk und Macht”
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": III. Aria (Tenore) "Halleluja, Stärk und Macht" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach5:11
16Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: IV. Recitativo (Basso) “Gottlob! es geht uns wohl!”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": IV. Recitativo (Basso) "Gottlob! es geht uns wohl!" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:07
17Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: V. Aria (Soprano) “Gedenk an uns mit deiner Liebe”
soprano vocals:
Ulrike Sonntag
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": V. Aria (Soprano) "Gedenk an uns mit deiner Liebe" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach4:36
18Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: VI. Recitativo (Alto) e Coro “Vergiß es ferner nicht, mit deiner Hand”
alto vocals:
Elisabeth Graf (contralto)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VI. Recitativo (Alto) e Coro "Vergiß es ferner nicht, mit deiner Hand" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach0:36
19Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: VII. Aria (Alto) “Halleluja, Stärk und Macht”
alto vocals:
Elisabeth Graf (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VII. Aria (Alto) "Halleluja, Stärk und Macht" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:42
20Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: VIII. Choral “Sei Lob und Preis mit Ehren”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble') and Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": VIII. Choral "Sei Lob und Preis mit Ehren" (in 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 272)
part of:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach1:52