The Basement Tapes

~ Release by Bob Dylan & The Band (see all versions of this release, 11 available)

Annotation

Original Master Recording – , Ultradisc UHR™ GAIN 2™ Series

ltd. ed. remaster

Annotation last modified on 2012-12-10 12:39 UTC.

Tracklist

| |
Hybrid SACD (CD layer) 1
#TitleRatingLength
1Odds and Ends
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Odds and Ends (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1970 to present)
41:47
2Orange Juice Blues (Blues for Breakfast)
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Orange Juice Blues (Blues for Breakfast) (from 1967-06 until 1967-10)
lyricist and composer:
Richard Manuel
publisher:
Dwarf Music
33:39
3Million Dollar Bash
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Million Dollar Bash (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Dwarf Music (from 1967 to present)
42:32
4Yazoo Street Scandal
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Yazoo Street Scandal (from 1967-06 until 1967-10)
lyricist and composer:
Robbie Robertson
53:29
5Goin’ to Acapulco
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Goin' to Acapulco (from 1967-06 until 1967-10)
additional lyricist:
Bob Dylan (in 1975)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music
45:27
6Katie’s Been Gone
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Katie's Been Gone (from 1967-06 until 1967-10)
writer:
Richard Manuel and Robbie Robertson
32:46
7Lo and Behold!
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Lo and Behold (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
42:46
8Bessie Smith
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Bessie Smith (from 1967-06 until 1967-10)
writer:
Rick Danko and Robbie Robertson
54:18
9Clothes Line Saga
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Clothes Line Saga (Song from the "Basement Tapes" (Bob Dylan & The Band, 1967)) (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1970 to present)
32:58
10Apple Suckling Tree
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Apple Suckling Tree (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1970 to present)
42:48
11Please, Mrs. Henry
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Please, Mrs. Henry (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
42:33
12Tears of Rage
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Tears of Rage (from 1967-06 until 1967-10)
lyricist:
Bob Dylan (in 1967)
composer:
Richard Manuel (in 1967)
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Dwarf Music (from 1968 to present)
3.54:15
13Too Much of Nothing
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Too Much of Nothing (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
33:04
14Yea! Heavy and a Bottle of Bread
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Yea! Heavy and a Bottle of Bread (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
32:15
15Ain’t No More Cane
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Ain't No More Cane (from 1967-06 until 1967-10)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Clear Air Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
43:58
16Crash on the Levee (Down in the Flood)
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Crash on the Levee (Down in the Flood) (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
42:04
17Ruben Remus
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Ruben Remus (from 1967-06 until 1967-10)
writer:
Richard Manuel and Robbie Robertson
43:16
18Tiny Montgomery
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Tiny Montgomery (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
32:47
19You Ain’t Goin’ Nowhere
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
You Ain’t Goin’ Nowhere (from 1967-06 until 1967-10)
additional lyricist:
Bob Dylan (in 1971)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
2:42
20Don’t Ya Tell Henry
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Don't Ya Tell Henry (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1971 to present)
43:13
21Nothing Was Delivered
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Nothing Was Delivered (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1968 to present)
44:23
22Open the Door, Homer
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Open the Door, Homer (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1968 to present)
42:49
23Long Distance Operator
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Long-Distance Operator (Song from the "Basement Tapes" (Bob Dylan & The Band, 1967)) (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1965)
publisher:
Dwarf Music (from 1971 to present)
3:39
24This Wheel’s on Fire
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
This Wheel’s on Fire (from 1967-06 until 1967-10)
lyricist:
Bob Dylan (in 1967)
composer:
Rick Danko (in 1967)
publisher:
Dwarf Music (from 1967 to present)
43:52
Hybrid SACD (SACD layer, 2 channels) 2
#TitleRatingLength
1Odds and Ends
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Odds and Ends (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1970 to present)
41:47
2Orange Juice Blues (Blues for Breakfast)
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Orange Juice Blues (Blues for Breakfast) (from 1967-06 until 1967-10)
lyricist and composer:
Richard Manuel
publisher:
Dwarf Music
33:39
3Million Dollar Bash
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Million Dollar Bash (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Dwarf Music (from 1967 to present)
42:32
4Yazoo Street Scandal
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Yazoo Street Scandal (from 1967-06 until 1967-10)
lyricist and composer:
Robbie Robertson
53:29
5Goin’ to Acapulco
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Goin' to Acapulco (from 1967-06 until 1967-10)
additional lyricist:
Bob Dylan (in 1975)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music
45:27
6Katie’s Been Gone
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Katie's Been Gone (from 1967-06 until 1967-10)
writer:
Richard Manuel and Robbie Robertson
32:46
7Lo and Behold!
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Lo and Behold (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
42:46
8Bessie Smith
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Bessie Smith (from 1967-06 until 1967-10)
writer:
Rick Danko and Robbie Robertson
54:18
9Clothes Line Saga
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Clothes Line Saga (Song from the "Basement Tapes" (Bob Dylan & The Band, 1967)) (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1970 to present)
32:58
10Apple Suckling Tree
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Apple Suckling Tree (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1970 to present)
42:48
11Please, Mrs. Henry
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Please, Mrs. Henry (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
42:33
12Tears of Rage
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Tears of Rage (from 1967-06 until 1967-10)
lyricist:
Bob Dylan (in 1967)
composer:
Richard Manuel (in 1967)
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Dwarf Music (from 1968 to present)
3.54:15
13Too Much of Nothing
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Too Much of Nothing (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
33:04
14Yea! Heavy and a Bottle of Bread
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Yea! Heavy and a Bottle of Bread (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
32:15
15Ain’t No More Cane
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Ain't No More Cane (from 1967-06 until 1967-10)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Clear Air Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
43:58
16Crash on the Levee (Down in the Flood)
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Crash on the Levee (Down in the Flood) (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
42:04
17Ruben Remus
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Ruben Remus (from 1967-06 until 1967-10)
writer:
Richard Manuel and Robbie Robertson
43:16
18Tiny Montgomery
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Tiny Montgomery (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
32:47
19You Ain’t Goin’ Nowhere
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
You Ain’t Goin’ Nowhere (from 1967-06 until 1967-10)
additional lyricist:
Bob Dylan (in 1971)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
2:42
20Don’t Ya Tell Henry
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Don't Ya Tell Henry (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1971 to present)
43:13
21Nothing Was Delivered
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Nothing Was Delivered (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1968 to present)
44:23
22Open the Door, Homer
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Open the Door, Homer (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1968 to present)
42:49
23Long Distance Operator
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Long-Distance Operator (Song from the "Basement Tapes" (Bob Dylan & The Band, 1967)) (from 1967-06 until 1967-10)
lyricist and composer:
Bob Dylan (in 1965)
publisher:
Dwarf Music (from 1971 to present)
3:39
24This Wheel’s on Fire
recording engineer:
Garth Hudson (from 1967-06 until 1967-10)
producer:
The Band and Bob Dylan
mixer:
Mark Aglietti (engineer), Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
recorded at:
basement of Big Pink, West Saugerties (basement tapes Dylan) in Ulster County, New York, United States (from 1967-06 until 1967-10)
mixed at:
Shangri La Studios in Malibu, California, United States and The Village Recorder (aka The Village Recorder) in Los Angeles, California, United States
recording of:
This Wheel’s on Fire (from 1967-06 until 1967-10)
lyricist:
Bob Dylan (in 1967)
composer:
Rick Danko (in 1967)
publisher:
Dwarf Music (from 1967 to present)
43:52

Credits

Release

manufactured in:United States
photography:Reid Miles
mixer:Mark Aglietti (engineer)
Ed Anderson (engineer)
Rob Fraboni (US record producer & audio engineer)
Nat Jeffrey
mastering:Rob LoVerde
accordion, clavinet [clavinette], organ and tenor saxophone:Garth Hudson (from 1967-06 until 1967-10)
acoustic guitar:Bob Dylan (from 1967-06 until 1967-10)
Robbie Robertson (from 1967-06 until 1967-10)
drums (drum set):Levon Helm (from 1967-06 until 1967-10)
Richard Manuel (from 1967-06 until 1967-10)
Robbie Robertson (from 1967-06 until 1967-10)
electric bass guitar and mandolin:Rick Danko (from 1967-06 until 1967-10)
Levon Helm (from 1967-06 until 1967-10)
electric guitar:Robbie Robertson (from 1967-06 until 1967-10)
harmonica:Richard Manuel (from 1967-06 until 1967-10)
piano:Bob Dylan (from 1967-06 until 1967-10)
Garth Hudson (from 1967-06 until 1967-10)
Richard Manuel (from 1967-06 until 1967-10)
compiler:Robbie Robertson
vocals:Rick Danko (from 1967-06 until 1967-10)
Bob Dylan (from 1967-06 until 1967-10)
Levon Helm (from 1967-06 until 1967-10)
Richard Manuel (from 1967-06 until 1967-10)
Robbie Robertson (from 1967-06 until 1967-10)
design:John A. Beck (designer)
manufactured by:Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyrighted (©) by:Mobile Fidelity Sound Lab, Inc. (parent of Mobile Fidelity Sound Lab, distributor and copyright holder) (in 2012)
phonographic copyright (℗) by:Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
mixed at:Shangri La Studios in Malibu, California, United States
The Village (aka The Village Recorder) in Los Angeles, California, United States
mastered at:Mobile Fidelity Sound Lab in Sebastopol, California, United States
Discogs:https://www.discogs.com/release/3943475 [info]
ASIN:US: B008EGQA2O [info]