The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

▶ CD 1: Oberto (Atto I) (Marriner, 1966)
▶ CD 2: Oberto (Atto II, Appendix) (Marriner, 1966)
▶ CD 3: Un giorno di regno (Atto I) (Gardelli, 1973)
▶ CD 4: Un giorno di regno (Atto II) (Gardelli, 1973)
▶ CD 5: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
▶ CD 6: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
▶ CD 7: I Lombardi (Atto I, Atto II) (Levine, 1996)
▶ CD 8: I Lombardi (Atto III, Atto IV) (Levine, 1996)
▶ CD 9: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
▶ CD 10: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
▶ CD 11: I due Foscari (Atto I) (Gardelli, 1976)
▶ CD 12: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
▶ CD 13: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
▶ CD 14: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
▶ CD 15: Alzira (Prologo, Atto I) (Luisi, 1999)
▶ CD 16: Alzira (Atto II) (Luisi, 1999)
▶ CD 17: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
▶ CD 18: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
▶ CD 19: Macbeth (Atto I, Atto II) (Abbado, 1976)
▶ CD 20: Macbeth (Atto III, Atto IV) (Abbado, 1976)
▶ CD 21: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
▶ CD 22: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
▶ CD 23: Jérusalem (Acte I) (Luisi, 1998)
▶ CD 24: Jérusalem (Acte II) (Luisi, 1998)
▶ CD 25: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
▶ CD 26: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
▶ CD 27: Il corsaro (Atto III) (Gardelli, 1975)
▶ CD 28: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
▶ CD 29: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
▶ CD 30: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
▶ CD 31: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
▶ CD 32: Stiffelio (Atto I) (Gardelli, 1979)
▶ CD 33: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
▶ CD 34: Rigoletto (Atto I) (Giulini, 1979)
▶ CD 35: Rigoletto (Atto II, Atto III) (Giulini, 1979)
▶ CD 36: Il trovatore (Parte I, Parte II) (Giulini, 1984)
▶ CD 37: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
▶ CD 38: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
▶ CD 39: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
▶ CD 40: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
▶ CD 41: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
▶ CD 42: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
▶ CD 43: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
▶ CD 44: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
▶ CD 45: Aroldo (Atto I, Atto II) (Luisi, 1997)
▶ CD 46: Aroldo (Atto III, Atto IV) (Luisi, 1997)
▶ CD 47: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
▶ CD 48: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
▶ CD 49: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
▶ CD 50: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
▶ CD 51: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
▶ CD 52: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
▶ CD 53: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
▶ CD 54: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
▼ CD 55: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
#TitleRatingLength
1Don Carlos : Acte I. « Le cerf s'enfuit sous la ramure » (Chasseurs)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
1:23
2Don Carlos : Acte I. « Fontainebleau ! Forêt immense et solitaire ! » (Carlos)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
1:47
3Don Carlos : Acte I. « Je l'ai vue, et dans son sourire » (Carlos)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
2:20
4Don Carlos : Acte I. « Le bruit du cor s'éteint sons l'ombre épaisse » (Carlos, Thibault, Elisabeth)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. Scène et duo « Le bruit du cor s'éteint sous l'ombre épaisse » (Carlos, Thibault, Elisabeth) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. Scène et duo « Le bruit du cor s'éteint sous l'ombre épaisse » (Carlos, Thibault, Elisabeth) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
2:40
5Don Carlos : Acte I. « Que faites-vous donc? ... De quels transports » (Elisabeth, Carlos)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. « Que faites-vous donc ? » … « De quels transports » (Elisabeth, Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. « Que faites-vous donc ? » … « De quels transports » (Elisabeth, Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
8:15
6Don Carlos : Acte I. « À celui qui vous vient, Madame ... L'heure fatale est sonné » (Thibault, Elisabeth, Carlos)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. Scène et final « À celui qui vous vient … L’heure fatale est sonnée » (Thibault, Elisabeth, Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. Scène et final « À celui qui vous vient … L’heure fatale est sonnée » (Thibault, Elisabeth, Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
2:03
7Don Carlos : Acte I. « Ô chants de fête et d'allégresse ... Le très-glorieux Roi de France » (Dames d'Elisabeth, pages, valets, peuple, Elisabeth, Carlos, Lerme)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
tenor vocals [Le comte de Lerme]:
Tibère Raffalli (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte I. « O chants de fête » (Dames d'Elisabeth, pages, valets, peuple, Elisabeth, Carlos, Lerme) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
recording of:
Don Carlos : Acte I. « O chants de fête » (Dames d'Elisabeth, pages, valets, peuple, Elisabeth, Carlos, Lerme) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
6:44
8Don Carlos : Acte II. « Charles-Quint, l'auguste Empereur » (Moines, un Moine)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 1. Scène et prière « Charles-Quint, l'auguste empereur » (Moines, un moine) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 1. Scène et prière « Charles-Quint, l'auguste empereur » (Moines, un moine) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
5:52
9Don Carlos : Acte II. « Au couvent de Saint-Just, où termina sa vie » (Carlos, un Moine)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 1. « Au couvent de Saint-Just » (Carlos, un Moine) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 1. « Au couvent de Saint-Just » (Carlos, un Moine) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
1:48
10Don Carlos : Acte II. « Le voilà! C'est l'infant! ... Dieu, tu semas dans nos âmes » (Rodrigue, Carlos, un Moine, moines)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 1. Scène et duo « Le voilà ! C'est l'infant … Dieu, tu semas dans nos âmes » (Rodrigue, Carlos, un Moine, moines) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 1. Scène et duo « Le voilà ! C'est l'infant … Dieu, tu semas dans nos âmes » (Rodrigue, Carlos, un Moine, moines) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
7:55
11Don Carlos : Acte II. « Sous ces bois au feuillage immense » (Dames d'Elisabeth, Thibault, Eboli)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. Chœur et scène « Sous ces bois au feuillage immense » (Dames d'Elisabeth, Thibault, Eboli) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. Chœur et scène « Sous ces bois au feuillage immense » (Dames d'Elisabeth, Thibault, Eboli) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
3:34
12Don Carlos : Acte II. « Au palais des fées » (Eboli, Thibault, dames d'Elisabeth)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. Chanson du voile « Au palais des fées » (Eboli, Thibault, dames d'Elisabeth) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. Chanson du voile « Au palais des fées » (Eboli, Thibault, dames d'Elisabeth) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
4:00
13Don Carlos : Acte II. « La Reine! » (Dames d'Elisabeth, Eboli, Elisabeth, Thibault, Rodrigue)
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
baritone vocals [Rodrigue, Marquis de Posa]:
Leo Nucci (baritone) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
mezzo-soprano vocals [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
mezzo-soprano vocals [Thibault, page d'Elisabeth de Valois]:
Ann Murray (Irish mezzo-soprano) (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (German audio)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano, Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 2. Scène, terzettino, dialogue et romance « La Reine! ... L’infant Carlos, notre espérance » (Dames d'Elisabeth, Eboli, Elisabeth, Thibault, Rodrigue) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 2. Scène, terzettino, dialogue et romance « La Reine! ... L’infant Carlos, notre espérance » (Dames d'Elisabeth, Eboli, Elisabeth, Thibault, Rodrigue) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
8:24
▶ CD 56: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
▶ CD 57: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
▶ CD 58: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
▶ CD 59: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
▶ CD 60: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
▶ CD 61: Don Carlo (Atto IV, Atto V) (Solti, 1965)
▶ CD 62: Aida (Atto I, Atto II beginning) (Karajan, 1959)
▶ CD 63: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
▶ CD 64: Otello (Atto I, Atto II) (Chung, 1993)
▶ CD 65: Otello (Atto III, Atto IV) (Chung, 1993)
▶ CD 66: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
▶ CD 67: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
▶ CD 68: Requiem (Requiem, Dies irae) (Solti, 1967)
▶ CD 69: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
▶ CD 70: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
▶ CD 71: Discoveries (Riccardo Chailly, 2002)
▶ CD 72: Songs (Margaret Price, Geoffrey Parsons, 1986)
▶ CD 73: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
▶ CD 74: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
▶ CD 75: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Russian operatic bass singer), Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)