The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

CD 1: Oberto (Atto I) (Marriner, 1966)
CD 2: Oberto (Atto II, Appendix) (Marriner, 1966)
CD 3: Un giorno di regno (Atto I) (Gardelli, 1973)
CD 4: Un giorno di regno (Atto II) (Gardelli, 1973)
CD 5: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
CD 6: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
CD 7: I Lombardi (Atto I, Atto II) (Levine, 1996)
CD 8: I Lombardi (Atto III, Atto IV) (Levine, 1996)
CD 9: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
CD 10: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
CD 11: I due Foscari (Atto I) (Gardelli, 1976)
CD 12: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
CD 13: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
CD 14: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
CD 15: Alzira (Prologo, Atto I) (Luisi, 1999)
CD 16: Alzira (Atto II) (Luisi, 1999)
CD 17: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
CD 18: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
CD 19: Macbeth (Atto I, Atto II) (Abbado, 1976)
CD 20: Macbeth (Atto III, Atto IV) (Abbado, 1976)
CD 21: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
CD 22: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
CD 23: Jérusalem (Acte I) (Luisi, 1998)
CD 24: Jérusalem (Acte II) (Luisi, 1998)
CD 25: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
CD 26: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
CD 27: Il corsaro (Atto III) (Gardelli, 1975)
CD 28: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
CD 29: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
CD 30: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
CD 31: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
#TitleRatingLength
1Luisa Miller: Atto secondo, L'intrigo. "Qui nulla s'attenta imporre al tuo core ... A brani, a brani, o perfido" (Wurm, Luisa)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 7d. "Qui nulla s'attenata imporre al tuo dore" (Wurm, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
recording of:
Luisa Miller: Atto II, Nº 7e. Cabaletta "A brani, a brani, o perfidio" (Luisa, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
5:59
2Luisa Miller: Atto secondo, L'intrigo. "Egli delira ... L'alto retaggio non ho bramato" (Walter, Wurm)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 8a. Recitativo "Egli delira: sul mattin degli anni" (Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
recording of:
Luisa Miller: Atto II, Nº 8b. Scena "Ebben?...Tutte apprestai" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
recording of:
Luisa Miller: Atto II, Nº 8c. Duetto "L'alto retaggio non ho bramato" (Walter, Wurm)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
7:28
3Luisa Miller: Atto secondo, L'intrigo. "Vien la Duchessa ... Presentarti alla Duchessa puoi, Luisa" (Wurm, Federica, Walter, Luisa)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
mezzo-soprano vocals [Federica]:
Anna Reynolds (alto) (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 9a. Recitativo "Vien la duchessa!" (Walter, Federica)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
recording of:
Luisa Miller: Atto II, Nº 9b. Quartetto "Presentarti all duchessa" (Walter, Federica, Wurm, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
7:05
4Luisa Miller: Atto secondo, L'intrigo. "Il foglio dunque? ... Oh! fede negar potessi agli occhi miei!" (Rodolfo, Contadino)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
tenor vocals [Un contadino]:
Fernando Pavarotti (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 10a. Scena “Il foglio dunque?” – “Oh! Fede negar potessi” (Rodolfo, Farmer)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
2:47
5Luisa Miller: Atto secondo, L'intrigo. "Quando le sere al placido chiaror d'un ciel stellato" (Rodolfo)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 10b. Aria "Quando la sere al placido" (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
3:47
6Luisa Miller: Atto secondo, L'intrigo. "Di me chiedeste? ... L'ara, o l'avello apprestami" (Wurm, Rodolfo, Walter, armigeri, familiari)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
bass vocals [Wurm]:
Richard van Allan (operatic bass-baritone) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto II, Nº 10c."Di me chiedeste?" (Wurm, Rodolfo, Servi, Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
recording of:
Luisa Miller: Atto II, Nº 10d. Cabaletta "L'ara, o l'avello apprestami" (Rodolfo, Walter, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
6:27
7Luisa Miller: Atto terzo, Il veleno. "Come in un giorno solo ... Luisa!... figlia mia!" (Laura, Luisa, Miller, contadine)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
mezzo-soprano vocals [Laura]:
Annette Céline (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto III, Nº 11. Coro "Come in un giorno solo" (Laura, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
5:07
8Luisa Miller: Atto terzo, Il veleno. "Pallida... mesta sei" (Miller, Luisa)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto III, Nº 12a. Recitativo "Pallida...mesta sei!..." (Miller, Luisa)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
1:55
9Luisa Miller: Atto terzo, Il veleno. "Sotto al mio pie'il suol vacilla! ... La tomba è un letto sparso di fiori ... Andrem, raminghi e poveri" (Miller, Luisa)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto III, Nº 12b. Duetto “La tomba è un letto sparso di fiori” (Luisa, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
recording of:
Luisa Miller: Atto III, Nº 12c. "Il foglio lacero, annullo" (Luisa. Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
recording of:
Luisa Miller: Atto III, Nº 12d. Cabaletta "Andrem, raminghi e poveri" (Luisa, Miller)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
11:11
10Luisa Miller: Atto terzo, Il veleno. "Ah! l'ultima preghiera in questo caro suolo" (Luisa, Rodolfo)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto III, Nº 13a. Scena "Ah! l'ultima preghiera" (Luisa, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
4:13
11Luisa Miller: Atto terzo, Il veleno. "M'ardon le vene ... Piangi, piangi ... Quai grida, intesi?" (Rodolfo, Luisa, Miller)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
recording of:
Luisa Miller: Atto III, Nº 13b. Duetto "Piangi, piangi!...il tuo dolore" (Luisa, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
partial recording of:
Luisa Miller: Atto III, Nº 13c. Terzetto "Quai grida intesi!...Padre ricevi l'estremo addio" (Miller, Luisa, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
13:17
12Luisa Miller: Atto terzo, Il veleno. "Padre... ricevi l'estremo... addio..." (Luisa, Miller, Rodolfo, Walter, contadini, contadine)
recording engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
Ray Minshull (record producer)
baritone vocals [Miller]:
Sherrill Milnes (baritone) (in 1975-06)
bass vocals [Il conte di Walter]:
Bonaldo Giaiotti (operatic bass) (in 1975-06)
choir vocals:
London Opera Chorus (in 1975-06)
soprano vocals [Luisa]:
Montserrat Caballé (soprano) (in 1975-06)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1975-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1975-06)
conductor:
Peter Maag (conductor) (in 1975-06)
chorus master:
Terry Edwards (British choir director) (in 1975-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1975-06)
partial recording of:
Luisa Miller: Atto III, Nº 13c. Terzetto "Quai grida intesi!...Padre ricevi l'estremo addio" (Miller, Luisa, Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto III. “Il veleno”
5:30
CD 32: Stiffelio (Atto I) (Gardelli, 1979)
CD 33: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
CD 34: Rigoletto (Atto I) (Giulini, 1979)
CD 35: Rigoletto (Atto II, Atto III) (Giulini, 1979)
CD 36: Il trovatore (Parte I, Parte II) (Giulini, 1984)
CD 37: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
CD 38: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
CD 39: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
CD 40: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
CD 41: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
CD 42: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
CD 43: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
CD 44: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
CD 45: Aroldo (Atto I, Atto II) (Luisi, 1997)
CD 46: Aroldo (Atto III, Atto IV) (Luisi, 1997)
CD 47: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
CD 48: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
CD 49: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
CD 50: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
CD 51: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
CD 52: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
CD 53: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
CD 54: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
CD 55: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
CD 56: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
CD 57: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
CD 58: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
CD 59: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
CD 60: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
CD 61: Don Carlo (Atto IV, Atto V) (Solti, 1965)
CD 62: Aida (Atto I, Atto II beginning) (Karajan, 1959)
CD 63: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
CD 64: Otello (Atto I, Atto II) (Chung, 1993)
CD 65: Otello (Atto III, Atto IV) (Chung, 1993)
CD 66: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
CD 67: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
CD 68: Requiem (Requiem, Dies irae) (Solti, 1967)
CD 69: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
CD 70: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
CD 71: Discoveries (Riccardo Chailly, 2002)
CD 72: Songs (Margaret Price, Geoffrey Parsons, 1986)
CD 73: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
CD 74: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
CD 75: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Russian operatic bass singer), Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre et Chœurs de l’Opéra Bastille, Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)