The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

▶ CD 1: Oberto (Atto I) (Marriner, 1966)
▶ CD 2: Oberto (Atto II, Appendix) (Marriner, 1966)
▶ CD 3: Un giorno di regno (Atto I) (Gardelli, 1973)
▶ CD 4: Un giorno di regno (Atto II) (Gardelli, 1973)
▶ CD 5: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
▶ CD 6: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
▶ CD 7: I Lombardi (Atto I, Atto II) (Levine, 1996)
▶ CD 8: I Lombardi (Atto III, Atto IV) (Levine, 1996)
▶ CD 9: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
▶ CD 10: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
▶ CD 11: I due Foscari (Atto I) (Gardelli, 1976)
▶ CD 12: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
▶ CD 13: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
▶ CD 14: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
▶ CD 15: Alzira (Prologo, Atto I) (Luisi, 1999)
▶ CD 16: Alzira (Atto II) (Luisi, 1999)
▼ CD 17: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
#TitleRatingLength
1Attila: Preludio
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: N°1 Preludio (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila
3:05
2Attila: Prologo. “Urli, rapine. gemiti, sangue" (Unni, Eruli, Ostrogoti, ecc.)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°2 Introduzione "Urli, rapine” (Unni, Eruli, Ostrogoti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
1:48
3Attila: Prologo. “Eroi, levatevi” (Attila, Unni, Ostrogoti, ecc.)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°3 Scena e cavatina “Eroi, levatevi” (Attila) (in 1972)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:22
4Attila: Prologo. “Di vergini straniere“ (Attila, Uldino)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Uldino]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°3 “Di vergini stranieri” (Attila, Uldino, Odabella, coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
0:31
5Attila: Prologo. “Santo di patria indefinito amor!” (Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
0:31
6Attila: Prologo. “Allor che i forti corrono come leoni al brando” (Odabella, Attila)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
recording of:
Attila: Prologo. N°3b Aria “Santo di patria indefinito amor!” … “Allor, che i forti corrono” (Odabella)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
3:22
7Attila: Prologo. “Da te questo or m'è concesso, o giustizia alta” (Odabella, Attila, vergini d'Aquileia, Unni, Eruli, Ostrogoti, ecc.)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°3c “Da te questo or mè concesso” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:35
8Attila: Prologo. “Uldino, a me dinanzi l'inviato di Roma ora si guidi” (Attila)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3 “Uldino, a me dinanzi l'inviato” … “Tardo per gli anni” (Attila, Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
recording of:
Attila: Prologo. N°3 “Uldino, a me dinanzi l'inviato” … “Tardo per gli anni” (Attila, Ezio)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
0:31
9Attila: Prologo. “Attila! - Oh, il nobil messo!” (Ezio, Attila)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°3 “Uldino, a me dinanzi l'inviato” … “Tardo per gli anni” (Attila, Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
1:34
10Attila: Prologo. “Tardo per gli anni, e tremulo, è il regnator d'Oriente” (Ezio, Attila)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°4 Duetto “Tardo per gli anni, e tremulo” (Attila, Ezio) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
3:57
11Attila: Prologo. “Vanitosi!” (Attila, Ezio)
baritone vocals [Ezio]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Attila]:
Ruggero Raimondi (bass-baritone) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°4 Duetto “Vanitosi!” (Ezio, Attila) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:21
12Attila: Prologo. “Qual notte!” (Eremiti)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°5 Scena e cavatina “Qual notte!” (Eremiti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:51
13Attila: Prologo. “L'alito del mattin già l'alure appura, Preghiam!” (Eremiti, voci interne)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°5 “L'alito del mattin … Preghiam!” (Eremiti) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
1:46
14Attila: Prologo. “Quai voci!” (Eremiti, popolo d'Aquileia, Foresto)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Prologo. N°5 “Quai voci!” … “Oh! Tutto di navicelle” … “Qui, qui, sostiamo” (Eremiti, Aquilejesi, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
2:17
15Attila: Prologo. “Ella in poter del barbaro!” (Foresto, popolo d'Aquileia, eremiti)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°5 “Ella in poter del barbaro … Cessato alfine il turbine … Cara patria” (Foresto, Eremiti, Aquilejesi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
3:20
16Attila: Prologo. “Cara patria” (Foresto, popolo d'Aquileia, eremiti)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Prologo. N°5 “Ella in poter del barbaro … Cessato alfine il turbine … Cara patria” (Foresto, Eremiti, Aquilejesi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
3:24
17Attila: Atto I. “Liberamente or piangi” (Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto I. N°6 Scena e romanza “Liberamente or piangi” … “Oh! Nel fuggente nuvolo” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
2:35
18Attila: Atto I. “Oh! nel fuggente nuvolo non sei tu, padre, impresso?” (Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
partial recording of:
Attila: Atto I. N°6 Scena e romanza “Liberamente or piangi” … “Oh! Nel fuggente nuvolo” (Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
3:12
19Attila: Atto I. “Qual suon di passi!” (Odabella, Foresto)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 Scena e duetto “Qual suon di passi!” (Odabella, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
1:37
20Attila: Atto I. “Sì, quell'io son” (Foresto, Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 “Sì, quell'io son” (Foresto, Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
3:35
21Attila: Atto I. “Va! Racconta al sacrilego infame, ch'io sol resto” (Foresto, Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 “Va! Racconta al sacrilego” (Foresto, Odabella) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
1:17
22Attila: Atto I. “Oh, t'inebria nell'amplesso” (Foresto, Odabella)
soprano vocals [Odabella]:
Cristina Deutekom (soprano) (in 1972)
tenor vocals [Foresto]:
Carlo Bergonzi (tenor) (in 1972)
orchestra:
Royal Philharmonic Orchestra (in 1972)
conductor:
Lamberto Gardelli (conductor) (in 1972)
recording of:
Attila: Atto I. N°7 Duetto “Oh! t'inebria nell'amplesso” (Odabella, Foresto) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto I
2:19
▶ CD 18: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
▶ CD 19: Macbeth (Atto I, Atto II) (Abbado, 1976)
▶ CD 20: Macbeth (Atto III, Atto IV) (Abbado, 1976)
▶ CD 21: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
▶ CD 22: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
▶ CD 23: Jérusalem (Acte I) (Luisi, 1998)
▶ CD 24: Jérusalem (Acte II) (Luisi, 1998)
▶ CD 25: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
▶ CD 26: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
▶ CD 27: Il corsaro (Atto III) (Gardelli, 1975)
▶ CD 28: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
▶ CD 29: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
▶ CD 30: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
▶ CD 31: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
▶ CD 32: Stiffelio (Atto I) (Gardelli, 1979)
▶ CD 33: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
▶ CD 34: Rigoletto (Atto I) (Giulini, 1979)
▶ CD 35: Rigoletto (Atto II, Atto III) (Giulini, 1979)
▶ CD 36: Il trovatore (Parte I, Parte II) (Giulini, 1984)
▶ CD 37: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
▶ CD 38: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
▶ CD 39: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
▶ CD 40: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
▶ CD 41: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
▶ CD 42: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
▶ CD 43: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
▶ CD 44: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
▶ CD 45: Aroldo (Atto I, Atto II) (Luisi, 1997)
▶ CD 46: Aroldo (Atto III, Atto IV) (Luisi, 1997)
▶ CD 47: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
▶ CD 48: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
▶ CD 49: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
▶ CD 50: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
▶ CD 51: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
▶ CD 52: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
▶ CD 53: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
▶ CD 54: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
▶ CD 55: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
▶ CD 56: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
▶ CD 57: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
▶ CD 58: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
▶ CD 59: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
▶ CD 60: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
▶ CD 61: Don Carlo (Atto IV, Atto V) (Solti, 1965)
▶ CD 62: Aida (Atto I, Atto II beginning) (Karajan, 1959)
▶ CD 63: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
▶ CD 64: Otello (Atto I, Atto II) (Chung, 1993)
▶ CD 65: Otello (Atto III, Atto IV) (Chung, 1993)
▶ CD 66: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
▶ CD 67: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
▶ CD 68: Requiem (Requiem, Dies irae) (Solti, 1967)
▶ CD 69: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
▶ CD 70: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
▶ CD 71: Discoveries (Riccardo Chailly, 2002)
▶ CD 72: Songs (Margaret Price, Geoffrey Parsons, 1986)
▶ CD 73: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
▶ CD 74: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
▶ CD 75: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Russian operatic bass singer), Coro e Orchestra dell’Accademia Nazionale di Santa Cecilia, Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre et Chœurs de l’Opéra Bastille, Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)