The History of Classical Music in 24 Hours

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Music of the Middle Ages
#TitleArtistRatingLength
1Graduale: Omnes de Saba venient
producer:
Heinz Wildhagen (engineer, producer)
choir vocals:
Benedictine Monks of the Abbey Münsterschwarzach (in 1981-01)
chorus master:
Pater Godehard Joppich (in 1981-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1981-01)
recorded at:
Münsterschwarzach Abbey in Schwarzach am Main, Bayern, Germany (in 1981-01)
[anonymous]3:56
2Offertorium: Reges Tharsis
producer:
Heinz Wildhagen (engineer, producer)
choir vocals:
Benedictine Monks of the Abbey Münsterschwarzach (in 1981-01)
chorus master:
Pater Godehard Joppich (in 1981-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1981-01)
recorded at:
Münsterschwarzach Abbey in Schwarzach am Main, Bayern, Germany (in 1981-01)
[anonymous]9:55
3Communio: Vidimus stellam eius
producer:
Heinz Wildhagen (engineer, producer)
choir vocals:
Benedictine Monks of the Abbey Münsterschwarzach (in 1981-01)
chorus master:
Pater Godehard Joppich (in 1981-01)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1981-01)
recorded at:
Münsterschwarzach Abbey in Schwarzach am Main, Bayern, Germany (in 1981-01)
[anonymous]2:58
4Introitus: Terribilis est locus iste
choir vocals:
Benedictine Monks of the Abbey Münsterschwarzach
chorus master:
Pater Godehard Joppich
[anonymous]3:47
5Alleluia: Adorabo ad templum sanctum tuum
choir vocals:
Benedictine Monks of the Abbey Münsterschwarzach
chorus master:
Pater Godehard Joppich
[anonymous]2:50
6Offertorium: Domine Deus, in simplicitate
choir vocals:
Benedictine Monks of the Abbey Münsterschwarzach
chorus master:
Pater Godehard Joppich
[anonymous]7:51
7Communio: Domus mea
choir vocals:
Benedictine Monks of the Abbey Münsterschwarzach
chorus master:
Pater Godehard Joppich
[anonymous]4:15
8Viderunt omnes
vocals:
Rogers Covey‐Crump (tenor), Paul Elliott (US tenor vocalist, member of Theatre of Voices) and Martyn Hill (tenor)
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
Pérotin11:51
9Sederunt principes
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Sederunt Principes
lyricist:
Philippe le Chancelier
composer:
Pérotin (European composer, fl. c. 1200 CE)
is based on:
Sederunt principes
is based on:
Viderunt omnes
Pérotin11:16
10Lasse! comment oublieray
vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices), Martyn Hill (tenor) and Geoffrey Shaw (bass-baritone vocalist)
conductor:
David Munrow (UK early music historian & musician)
Guillaume de Machaut4:06
11Qui es promesses
choir vocals:
Early Music Consort of London
vocals:
James Bowman (UK countertenor) and Charles Brett (English counter-tenor active in late 20th century)
orchestra and performer:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Qui es promesses
recording of:
Qui es promesses / Ha, Fortune! / Et non est qui adjuvet
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:56
12Hoquetus David
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
Guillaume de Machaut3:18
13Christe, qui lux es
vocals:
James Bowman (UK countertenor) and Charles Brett (English counter-tenor active in late 20th century)
orchestra:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
Guillaume de Machaut4:14
▼ CD 2: Music of the Renaissance
#TitleArtistRatingLength
1Lamento di Tristano - La Rotta
orchestra:
Ulsamer Collegium
conductor:
Josef Ulsamer (viola da gamba, conductor, specialized on historically informed performances)
[anonymous]3:28
2Motets: Veni Sancte Spiritus
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble)
orchestra:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble
conductor:
Bruno Turner (musicologist, choral conductor)
John Dunstable5:52
3Istampita Cominciamento di gioia
orchestra:
Ulsamer Collegium
conductor:
Josef Ulsamer (viola da gamba, conductor, specialized on historically informed performances)
[anonymous]4:36
4Motets: Flos florum
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble)
orchestra:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble
conductor:
Bruno Turner (musicologist, choral conductor)
Guillaume Dufay4:53
5Motets: Alma redemptoris mater
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble)
orchestra:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble
conductor:
Bruno Turner (musicologist, choral conductor)
Guillaume Dufay4:24
6Basse danse la Brosse - Tripla - Tourdion
orchestra:
Ulsamer Collegium
conductor:
Josef Ulsamer (viola da gamba, conductor, specialized on historically informed performances)
Pierre Attaingnant1:57
7Basse danse la Gatta
orchestra:
Ulsamer Collegium
conductor:
Josef Ulsamer (viola da gamba, conductor, specialized on historically informed performances)
Pierre Attaingnant0:48
8Basse danse la Magdalena
orchestra:
Ulsamer Collegium
conductor:
Josef Ulsamer (viola da gamba, conductor, specialized on historically informed performances)
recording of:
Basse danse La Magdalena
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Pierre Attaingnant2:12
9Déploration sur la mort de Ockeghem
producer:
Dr. Andreas Holschneider
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble) (from 1973-02-08 until 1973-02-10)
orchestra:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble (from 1973-02-08 until 1973-02-10)
conductor:
Bruno Turner (musicologist, choral conductor) (from 1973-02-08 until 1973-02-10)
performer:
Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble and Pro Cantione Antiqua (UK early music vocal ensemble)
balance engineer:
Wolfgang Mitlehner
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1973-02-08 until 1973-02-10)
recording of:
Déploration sur la mort de Johannes Ockeghem (for 5 voices) (from 1973-02-08 until 1973-02-10)
lyricist:
Jean Molinet (South Netherlandish 15/16th century poet, chronicler, composer)
composer:
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin des Prez5:33
10Passamezzo d’Italye - Reprise - Gaillarde
orchestra:
Ulsamer Collegium
conductor:
Josef Ulsamer (viola da gamba, conductor, specialized on historically informed performances)
recording of:
Passamezzo d’Italye - Reprise - Gaillarde
publisher:
Pierre Phalèse (unspecified)
Pierre Phalèse2:38
113 Motets: Super flumina Babylonis
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
Giovanni Pierluigi da Palestrina4:38
12A Fantasia
lute:
Konrad Ragossnig (lutenist)
recording of:
Fantasia (catch-all for unknown fantasia for lute)
composer:
John Dowland (composer and lutenist)
John Dowland3:48
13Mass for Three Voices: Kyrie
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
William Byrd0:44
14Mass for Three Voices: Gloria
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
William Byrd5:08
15Mass for Three Voices: Credo
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
William Byrd8:43
16Mass for Three Voices: Sanctus - Benedictus
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
William Byrd3:17
17Mass for Three Voices: Agnus Dei
choir vocals:
Pro Cantione Antiqua, London (UK early music vocal ensemble)
conductor:
Bruno Turner (musicologist, choral conductor)
William Byrd3:20
▼ CD 3: Baroque Vocal
#TitleArtistRatingLength
1Easter Oratorio, BWV 249: I. Sinfonia
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:10
2Easter Oratorio, BWV 249: II. Adagio
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach3:26
3Easter Oratorio, BWV 249: III. Chorus: Kommt, eilet und laufet
choir vocals:
Gabrieli Consort & Players (UK early music ensemble)
vocals:
Paul Agnew (tenor / conductor), Robin Blaze (countertenor), Neal Davies (operatic bass) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:01
4Easter Oratorio, BWV 249: IV. Recitativo: O kalter Männer Sinn (Alto, Soprano, Tenor, Bass)
alto vocals:
Robin Blaze (countertenor)
bass vocals:
Neal Davies (operatic bass)
soprano vocals:
Kimberly McCord (American soprano)
tenor vocals:
Paul Agnew (tenor / conductor)
vocals:
Paul Agnew (tenor / conductor), Robin Blaze (countertenor), Neal Davies (operatic bass) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:52
5Easter Oratorio, BWV 249: V. Aria: Seele, deine Spezereien (Soprano)
soprano vocals:
Kimberly McCord (American soprano)
vocals:
Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach10:13
6Easter Oratorio, BWV 249: VI. Recitativo: Hier ist die Gruft (Tenor, Bass, Alto)
alto vocals:
Robin Blaze (countertenor)
bass vocals:
Neal Davies (operatic bass)
tenor vocals:
Paul Agnew (tenor / conductor)
vocals:
Paul Agnew (tenor / conductor), Robin Blaze (countertenor) and Neal Davies (operatic bass)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:44
7Easter Oratorio, BWV 249: VII. Aria: Sanfte soll mein Todeskummer (Tenor)
tenor vocals:
Paul Agnew (tenor / conductor)
vocals:
Paul Agnew (tenor / conductor)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach7:39
8Easter Oratorio, BWV 249: VIII. Recitativo: Indessen seufzen wir (Soprano, Alto)
alto vocals:
Robin Blaze (countertenor)
soprano vocals:
Kimberly McCord (American soprano)
vocals:
Robin Blaze (countertenor) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach1:02
9Easter Oratorio, BWV 249: IX. Aria: Saget, saget mir geschwinde (Alto)
alto vocals:
Robin Blaze (countertenor)
vocals:
Robin Blaze (countertenor)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: IX. Aria "Saget, saget mir geschwinde" (catch-all for arrangements) (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde"
Johann Sebastian Bach5:36
10Easter Oratorio, BWV 249: X. Recitativo: Wir sind erfreut (Bass)
bass vocals:
Neal Davies (operatic bass)
vocals:
Neal Davies (operatic bass)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:33
11Easter Oratorio, BWV 249: XI. Chorus: Preis und Dank
choir vocals:
Gabrieli Consort & Players (UK early music ensemble)
vocals:
Paul Agnew (tenor / conductor), Robin Blaze (countertenor), Neal Davies (operatic bass) and Kimberly McCord (American soprano)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) and Gabrieli Players
conductor:
Paul McCreesh (conductor)
recorded at:
Ev.-Luth. Kirche - St. Michaelis in Brand-Erbisdorf, Sachsen, Germany
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 2000-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach2:21
12Messiah, HWV 56: Symphony
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:19
13Messiah, HWV 56: “Ev’ry Valley Shall Be Exalted”
producer:
Christopher Alder (editor/engineer/producer)
tenor vocals:
Charles Daniels (tenor) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:05
14Messiah, HWV 56: “And the Glory of the Lord”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:50
15Messiah, HWV 56: “And He Shall Purify the Sons of Levi”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:22
16Messiah, HWV 56: “For Unto Us a Child Is Born”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:36
17Messiah, HWV 56: “He Shall Feed His Flock”
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals:
Susan Gritton (soprano) (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:20
18Messiah, HWV 56: “Lift Up Your Heads”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:48
19Messiah, HWV 56: “Hallelujah”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:36
20Messiah, HWV 56: “Worthy Is the Lamb… Amen”
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Gabrieli Consort (in 1996-12)
orchestra:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-12)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1996-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel7:34
▼ CD 4: Baroque Instrumental
#TitleArtistRatingLength
1Canon and Gigue in D major, P 37: 1. Canon
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1985-01)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1985-01)
violin:
Micaela Comberti (violinist) (in 1985-01), Simon Standage (violinist and conductor) (in 1985-01) and Elizabeth Wilcock (violinist) (in 1985-01)
orchestra:
The English Concert (in 1985-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-01)
balance engineer:
Hans-Peter Schweigmann (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (in 1985-01)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:30
2Canon and Gigue in D major, P 37: 2. Gigue
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1985-01)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1985-01)
violin:
Micaela Comberti (violinist) (in 1985-01), Simon Standage (violinist and conductor) (in 1985-01) and Elizabeth Wilcock (violinist) (in 1985-01)
orchestra:
The English Concert (in 1985-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-01)
balance engineer:
Hans-Peter Schweigmann (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Canon and Gigue in D major, T. 377: II. Gigue (in 1985-01)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel1:21
3Solomon, HWV 67: Arrival of the Queen of Sheba
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03)
balance engineer:
Hans-Peter Schweigmann (in 1984-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1984-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:07
4Brandenburg Concerto no. 1 in F, BWV 1046: 1. (without tempo indication)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
bassoon:
Alastair Mitchell (bassoonist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
natural horn:
Anthony Halstead (horn soloist, conductor and director) (from 1982-03 until 1982-05) and Christian Rutherford (from 1982-03 until 1982-05)
oboe:
Valerie Darke (oboist) (from 1982-03 until 1982-05), Sophia McKenna (oboist) (from 1982-03 until 1982-05) and David Reichenberg (oboist) (from 1982-03 until 1982-05)
violino piccolo:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (Allegro) (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach4:11
5Brandenburg Concerto no. 1 in F, BWV 1046: 2. Adagio
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
bassoon:
Alastair Mitchell (bassoonist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
natural horn:
Anthony Halstead (horn soloist, conductor and director) (from 1982-03 until 1982-05) and Christian Rutherford (from 1982-03 until 1982-05)
oboe:
Valerie Darke (oboist) (from 1982-03 until 1982-05), Sophia McKenna (oboist) (from 1982-03 until 1982-05) and David Reichenberg (oboist) (from 1982-03 until 1982-05)
violino piccolo:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach4:13
6Brandenburg Concerto no. 1 in F, BWV 1046: 3. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
bassoon:
Alastair Mitchell (bassoonist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
natural horn:
Anthony Halstead (horn soloist, conductor and director) (from 1982-03 until 1982-05) and Christian Rutherford (from 1982-03 until 1982-05)
oboe:
Valerie Darke (oboist) (from 1982-03 until 1982-05), Sophia McKenna (oboist) (from 1982-03 until 1982-05) and David Reichenberg (oboist) (from 1982-03 until 1982-05)
violino piccolo:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach4:10
7Brandenburg Concerto no. 1 in F, BWV 1046: 4. Menuet - Trio - Polonaise
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
bassoon:
Alastair Mitchell (bassoonist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
natural horn:
Anthony Halstead (horn soloist, conductor and director) (from 1982-03 until 1982-05) and Christian Rutherford (from 1982-03 until 1982-05)
oboe:
Valerie Darke (oboist) (from 1982-03 until 1982-05), Sophia McKenna (oboist) (from 1982-03 until 1982-05) and David Reichenberg (oboist) (from 1982-03 until 1982-05)
violino piccolo:
Simon Standage (violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046
Johann Sebastian Bach7:26
8Music for the Royal Fireworks Suite, HWV 351: 1. Ouverture
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr Gerd Ploebsch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
The English Concert (in 1984-08)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-08)
balance engineer:
Hans-Peter Schweigmann
recorded at:
London, St. John's, Smith Square in London (Greater London), England, United Kingdom (in 1984-08)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture (in 1984-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel7:21
9Music for the Royal Fireworks Suite, HWV 351: 2. Bourrée
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr Gerd Ploebsch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
The English Concert (in 1984-08)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-08)
balance engineer:
Hans-Peter Schweigmann
recorded at:
London, St. John's, Smith Square in London (Greater London), England, United Kingdom (in 1984-08)
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée (in 1984-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:37
10Music for the Royal Fireworks Suite, HWV 351: 3. La Paix
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr Gerd Ploebsch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
The English Concert (in 1984-08)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-08)
balance engineer:
Hans-Peter Schweigmann
recorded at:
London, St. John's, Smith Square in London (Greater London), England, United Kingdom (in 1984-08)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana (in 1984-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel4:11
11Music for the Royal Fireworks Suite, HWV 351: 4. La Réjouissance
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr Gerd Ploebsch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
The English Concert (in 1984-08)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-08)
balance engineer:
Hans-Peter Schweigmann
recorded at:
London, St. John's, Smith Square in London (Greater London), England, United Kingdom (in 1984-08)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1984-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:09
12Music for the Royal Fireworks Suite, HWV 351: 5. Menuet I
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr Gerd Ploebsch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
The English Concert (in 1984-08)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-08)
balance engineer:
Hans-Peter Schweigmann
recorded at:
London, St. John's, Smith Square in London (Greater London), England, United Kingdom (in 1984-08)
recording of:
Music for the Royal Fireworks, HWV 351: Va. Menuet I (in 1984-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
George Frideric Handel1:30
13Music for the Royal Fireworks Suite, HWV 351: 6. Menuet II
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr Gerd Ploebsch
editor:
Gregor Zielinsky (Balance engineer)
orchestra:
The English Concert (in 1984-08)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-08)
balance engineer:
Hans-Peter Schweigmann
recorded at:
London, St. John's, Smith Square in London (Greater London), England, United Kingdom (in 1984-08)
recording of:
Music for the Royal Fireworks, HWV 351: Vb. Menuet II (in 1984-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
George Frideric Handel1:37
14Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 “La primavera”: 1. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans-Peter Schweigmann (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi3:20
15Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 “La primavera”: 2. Largo
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans-Peter Schweigmann (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1981-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi2:41
16Concerto for Violin and Strings in E major, op. 8 no. 1, RV 269 “La primavera”: 3. Allegro (Danza pastorale)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans-Peter Schweigmann (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1981-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi3:41
17Ciacona in G minor, Z. 730
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1984-03)
balance engineer:
Hans-Peter Schweigmann (in 1984-03)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Chacony in G minor for 2 violins, viola and continuo, Z. 730 (in 1984-03)
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 730)
Henry Purcell5:18
▼ CD 5: The Classical Symphony
#TitleArtistRatingLength
1Symphony no. 94 in G major, Hob. I:94 “Surprise”: 1. Adagio - Vivace assai
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hanno Rinke
producer:
Hanno Rinke and Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (on 1985-10-28)
conductor:
Leonard Bernstein (on 1985-10-28)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1985-10-28)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1985-10-28)
live recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai (on 1985-10-28)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: I. Adagio cantabile. Vivace assai
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Franz Joseph Haydn9:07
2Symphony no. 94 in G major, Hob. I:94 “Surprise”: 2. Andante
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hanno Rinke
producer:
Hanno Rinke and Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (on 1985-10-28)
conductor:
Leonard Bernstein (on 1985-10-28)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1985-10-28)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1985-10-28)
live recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (on 1985-10-28)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Franz Joseph Haydn6:32
3Symphony no. 94 in G major, Hob. I:94 “Surprise”: 3. Menuet (Allegro molto)
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hanno Rinke
producer:
Hanno Rinke and Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (on 1985-10-28)
conductor:
Leonard Bernstein (on 1985-10-28)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1985-10-28)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1985-10-28)
live recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet (on 1985-10-28)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: III. Menuet. Allegro molto – Trio – Menuet
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Franz Joseph Haydn5:30
4Symphony no. 94 in G major, Hob. I:94 “Surprise”: 4. Finale (Allegro di molto)
sound engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hanno Rinke
producer:
Hanno Rinke and Hans Weber (producer/engineer)
orchestra:
Wiener Philharmoniker (on 1985-10-28)
conductor:
Leonard Bernstein (on 1985-10-28)
balance engineer:
Klaus Scheibe (editor/engineer) (on 1985-10-28)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (on 1985-10-28)
live recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto (on 1985-10-28)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: IV. Finale. Allegro di molto
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Franz Joseph Haydn3:46
5Symphony no. 35 in D major, K. 385 “Haffner”: 1. Allegro con spirito
orchestra:
Wiener Philharmoniker (on 1984-10-09)
conductor:
Leonard Bernstein (on 1984-10-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1984-10-09)
live recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: I. Allegro con spirito (on 1984-10-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart5:45
6Symphony no. 35 in D major, K. 385 “Haffner”: 2. Andante
orchestra:
Wiener Philharmoniker (on 1984-10-09)
conductor:
Leonard Bernstein (on 1984-10-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1984-10-09)
live recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: II. Andante (on 1984-10-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart7:09
7Symphony no. 35 in D major, K. 385 “Haffner”: 3. Menuetto
orchestra:
Wiener Philharmoniker (on 1984-10-09)
conductor:
Leonard Bernstein (on 1984-10-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1984-10-09)
live recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: III. Minuetto & Trio (on 1984-10-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart3:16
8Symphony no. 35 in D major, K. 385 “Haffner”: 4. Finale (Presto)
orchestra:
Wiener Philharmoniker (on 1984-10-09)
conductor:
Leonard Bernstein (on 1984-10-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1985)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1984-10-09)
live recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: IV. Presto (on 1984-10-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart3:38
9Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
orchestra:
Wiener Philharmoniker (on 1977-09-05)
conductor:
Leonard Bernstein (on 1977-09-05)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1977-09-05)
live recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (on 1977-09-05)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:38
10Symphony no. 5 in C minor, op. 67: 2. Andante con moto
orchestra:
Wiener Philharmoniker (on 1977-09-05)
conductor:
Leonard Bernstein (on 1977-09-05)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1977-09-05)
live recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (on 1977-09-05)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:20
11Symphony no. 5 in C minor, op. 67: 3. Allegro
orchestra:
Wiener Philharmoniker (on 1977-09-05)
conductor:
Leonard Bernstein (on 1977-09-05)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1977-09-05)
live recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (on 1977-09-05)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5:22
12Symphony no. 5 in C minor, op. 67: 4. Allegro
orchestra:
Wiener Philharmoniker (on 1977-09-05)
conductor:
Leonard Bernstein (on 1977-09-05)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (on 1977-09-05)
live recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (on 1977-09-05)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven11:18
▼ CD 6: The Classical Concerto
#TitleArtistRatingLength
1Trumpet Concerto in E-flat, H. VIIe/1: 1. Allegro
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hickmann
producer:
Wolfgang Lohse
editor:
Helmut Najda
harpsichord:
Hilde Noe (in 1966-11)
trumpet:
Maurice André (French trumpeter) (in 1966-11)
orchestra:
Münchener Kammerorchester (in 1966-11)
conductor:
Hans Stadlmair (conductor) (in 1966-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-11)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: I. Allegro (in 1966-11)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro (in 1966-11)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1
Franz Joseph Haydn6:26
2Trumpet Concerto in E-flat, H. VIIe/1: 2. Andante
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hickmann
producer:
Wolfgang Lohse
editor:
Helmut Najda
harpsichord:
Hilde Noe (in 1966-11)
trumpet:
Maurice André (French trumpeter) (in 1966-11)
orchestra:
Münchener Kammerorchester (in 1966-11)
conductor:
Hans Stadlmair (conductor) (in 1966-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-11)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: II. Andante cantabile (in 1966-11)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1
Franz Joseph Haydn4:02
3Trumpet Concerto in E-flat, H. VIIe/1: 3. Allegro
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hickmann
producer:
Wolfgang Lohse
editor:
Helmut Najda
harpsichord:
Hilde Noe (in 1966-11)
trumpet:
Maurice André (French trumpeter) (in 1966-11)
orchestra:
Münchener Kammerorchester (in 1966-11)
conductor:
Hans Stadlmair (conductor) (in 1966-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1966-11)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro (in 1966-11)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1
Franz Joseph Haydn4:33
4Clarinet Concerto in A, K. 622: 1. Allegro - Cadenza by Charles Neidich
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
basset clarinet:
Charles Neidich (clarinetist) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Clarinet in A major, K. 622: I. Allegro (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart12:29
5Clarinet Concerto in A, K. 622: 2. Adagio - Cadenza by Charles Neidich
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
basset clarinet:
Charles Neidich (clarinetist) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:37
6Clarinet Concerto in A, K. 622: 3. Rondo (Allegro)
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
basset clarinet:
Charles Neidich (clarinetist) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:21
7Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato
recording engineer:
Volker Martin and Werner Wolf (engineer/producer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
piano:
Wilhelm Kempff (pianist) (in 1961-07)
orchestra:
Berliner Philharmoniker (in 1961-07)
conductor:
Ferdinand Leitner (conductor) (in 1961-07)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1961-07)
medley including a recording of:
Cadenza for the First Movement of Beethoven's Piano Concerto no. 4 (op. 58) (Kempff) (in 1961-07)
composer:
Wilhelm Kempff (pianist)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato (in 1961-07)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven17:15
8Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto
recording engineer:
Volker Martin and Werner Wolf (engineer/producer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
piano:
Wilhelm Kempff (pianist) (in 1961-07)
orchestra:
Berliner Philharmoniker (in 1961-07)
conductor:
Ferdinand Leitner (conductor) (in 1961-07)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1961-07)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (in 1961-07)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven4:49
9Piano Concerto no. 4 in G major, op. 58: 3. Rondo. Vivace
recording engineer:
Volker Martin and Werner Wolf (engineer/producer)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
piano:
Wilhelm Kempff (pianist) (in 1961-07)
orchestra:
Berliner Philharmoniker (in 1961-07)
conductor:
Ferdinand Leitner (conductor) (in 1961-07)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1961-07)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace (in 1961-07)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven10:32
▼ CD 7: A Trip to France
#TitleArtistRatingLength
1Symphonie fantastique, op. 14, H. 48: 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai)
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz14:15
2Symphonie fantastique, op. 14, H. 48: 2. Un bal (Valse: Allegro non troppo)
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:08
3Symphonie fantastique, op. 14, H. 48: 3. Scène aux champs (Adagio)
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
compilation of:
Symphonie fantastique, op. 14: 3. Satz: 1. Teil: Scène aux champs. Adagio by Orchestre Lamoureux, Igor Markevitch (conductor) and Symphonie fantastique, op. 14: 3. Satz: 2. Teil: Scène aux champs. Adagio by Orchestre Lamoureux, Igor Markevitch (conductor)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:58
4Symphonie fantastique, op. 14, H. 48: 4. Marche au supplice (Allegretto non troppo)
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:48
5Symphonie fantastique, op. 14, H. 48: 5. Songe d’une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso)
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (in 1961-01)
composer:
Hector Berlioz (composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz11:03
6“Anacreon” Overture
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Anacréon: Overture (in 1961-01)
composer:
Luigi Cherubini (composer)
part of:
Anacréon
Luigi Cherubini9:44
7La muette de Portici: Overture
producer:
Hans Ritter
orchestra:
Orchestre Lamoureux (in 1961-01)
conductor:
Igor Markevitch (conductor) (in 1961-01)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-01)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1961-01)
recording of:
Masaniello, ou La Muette de Portici: Overture (in 1961-01)
composer:
Daniel François Esprit Auber (composer)
part of:
Masaniello, ou La Muette de Portici
Daniel François Esprit Auber8:18
▶ CD 8: The Romantic Symphony
▶ CD 9: Cycles and Songs
▶ CD 10: The Virtuoso I
▶ CD 11: The Virtuoso II
▶ CD 12: The Romantic Cello
▶ CD 13: The Virtuoso III
▶ CD 14: Big Voice, Big Orchestra
▶ CD 15: Get Your Programme!
▶ CD 16: New Currents
▶ CD 17: A World Re‐Arranged
▶ CD 18: ¡Viva España!
▶ CD 19: Lasting Impressions
▶ CD 20: Points of View
▶ CD 21: Minimalism
▶ CD 22: Opera – Overtures
▶ CD 23: Opera – Arias
▶ CD 24: Opera – Duets & Choruses