# | Title | Artist | Rating | Length |
---|
1 | Something in the Air | Thunderclap Newman | 4 | 3:56 |
2 | Silence Is Golden | The Tremeloes | | 3:08 |
3 | Poor Boy | The Lords | | 2:47 |
4 | Apache | The Shadows | 4.65 | 2:55 |
5 | There's a Kind of Hush- engineer:
- Dave Siddle
- producer:
- Mickie Most
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (on 1966-12-07)
- cover recording of:
- There’s a Kind of Hush (on 1966-12-07)
- lyricist and composer:
- Les Reed and Geoff Stephens
- publisher:
- Donna Music Ltd. , Glenwood Music Corp., Peermusic (UK) Limited, Songs of Peer, Ltd. , Southern Music Publishing Co., Inc. , ピアーミュージック , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Herman’s Hermits | 4.5 | 2:37 |
6 | My Little Lady | The Tremeloes | | 2:35 |
7 | Hollywood | Waterloo & Robinson | | 4:31 |
8 | Vincent | Don McLean | 4.25 | 4:01 |
9 | Have a Drink on Me | The Lords | | 3:17 |
10 | Let's Work Together | Canned Heat | | 2:49 |
11 | What's Going On | Taste | | 2:49 |
12 | Something New | John Mayall | | 4:41 |
13 | Radar Love | Golden Earring | 4 | 5:05 |
14 | Tales of Brave Ulysees | Cream | | 2:47 |
15 | Took the Car | John Mayall | | 4:06 |
16 | Thinking of My Woman | John Mayall | | 2:27 |
17 | Crossroads- recording engineer:
- Tom Dowd and Bill Halverson
- engineer:
- Adrian Barber
- producer:
- Felix Pappalardi
- drums (drum set):
- Ginger Baker (on 1968-03-10)
- electric bass guitar:
- Jack Bruce (on 1968-03-10)
- electric guitar:
- Eric Clapton (on 1968-03-10)
- vocals:
- Eric Clapton (on 1968-03-10)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1968) and Universal International Music B.V. (in 1968)
- recorded at:
- Winterland Ballroom in San Francisco, California, United States (on 1968-03-10)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 409)
- live cover recording of:
- Cross Road Blues (on 1968-03-10)
- lyricist and composer:
- Robert Johnson
- publisher:
- Encore Music , King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd.
| Cream | 4.5 | 4:15 |
18 | Strange Kind of Woman | Deep Purple | | 3:46 |
19 | Child in Time- engineer:
- Andy Knight
- producer:
- Deep Purple
- drums (drum set):
- Ian Paice (from 1969-10 until 1970-04)
- electric bass guitar:
- Roger Glover (from 1969-10 until 1970-04)
- electric guitar:
- Ritchie Blackmore (from 1969-10 until 1970-04)
- Hammond organ:
- Jon Lord (from 1969-10 until 1970-04)
- lead vocals:
- Ian Gillan (from 1969-10 until 1970-04)
- phonographic copyright (℗) by:
- HEC Enterprises Ltd. (in 1995)
- recorded at:
- IBC Studios in London , England, United Kingdom (from 1969-10 until 1970-04)
- part of:
- SWR1 Hitparade 2004 der Männer (number: 3), SWR1 Hitparade 2008 (number: 3), SWR1 Hitparade 2009 (number: 3), SWR1 Hitparade 2010 (number: 3), SWR1 Hitparade 2011 (number: 3), SWR1 Hitparade 2012 (number: 3), SWR1 Hitparade 2013 (number: 3), SWR1 Hitparade 2014 (number: 3), SWR1 Hitparade 2015 (number: 3), SWR1 Hitparade 2016 (number: 3), SWR1 Hitparade 2017 (number: 3), SWR1 Hitparade 2018 (number: 3), SWR1 Hitparade 2019 (number: 3), SWR1 Hitparade 2020 (number: 3), SWR1 Hitparade 2021 (number: 3), SWR1 Hitparade 2022 (number: 3), SWR1 Hitparade 2023 (number: 3), SWR1 Hitparade 2007 (number: 4), SWR1 Hitparade 2005 der Württemberger (number: 5), SWR1 Hitparade 2005 der Badener (number: 6) and SWR1 Hitparade 2006 (number: 6)
- recording of:
- Child in Time (from 1969-10 until 1970-04)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- B. Feldman & Co. , EMI Music Publishing , EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- is based on:
- Bombay Calling
| Deep Purple | 4.45 | 10:17 |