Luck of the Draw

~ Release by Bonnie Raitt (see all versions of this release, 11 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Something to Talk About
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
acoustic guitar:
Stephen Bruton (in 1991) and Bonnie Raitt (in 1991)
bass guitar:
James "Hutch" Hutchinson (in 1991)
drums (drum set):
Curt Bisquera (in 1991) and Ricky Fataar (in 1991)
electric guitar and slide guitar:
Bonnie Raitt (in 1991)
keyboard:
Scott Thurston (in 1991)
percussion:
Debra Dobkin (in 1991)
background vocals:
Sweet Pea Atkinson (in 1991), Bonnie (in 1991), David Lasley (in 1991) and Sir Harry Bowens (in 1991)
vocals:
Bonnie (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Something to Talk About (in 1991)
lyricist and composer:
Shirley Eikhard
publisher:
Canvee Music (in 1985) and Lynn Jacobs Publishing & Associates (in 1985)
Bonnie Raitt13:48
2Good Man, Good Woman
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
acoustic guitar and slide guitar:
Bonnie Raitt (in 1991)
bass guitar:
James "Hutch" Hutchinson (in 1991)
drums (drum set):
Curt Bisquera (in 1991)
electric guitar:
Randy Jacobs (guitarist and songwriter) (in 1991)
Hammond organ [B3]:
Ivan Neville (in 1991)
harmonica:
Delbert McClinton (in 1991)
percussion:
Debra Dobkin (in 1991)
vocals:
Bonnie (in 1991) and Delbert McClinton (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Good Man, Good Woman (in 1991)
writer:
Cecil Womack and Linda Womack
publisher:
Next Flight Music (in 1991)
Bonnie Raitt & Delbert McClinton3:33
3I Can’t Make You Love Me
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
additional keyboard and piano:
Bruce Hornsby (in 1991)
bass guitar:
James "Hutch" Hutchinson (in 1991)
drums (drum set):
Tony Braunagel (in 1991)
Hammond organ [C3]:
Benmont Tench (in 1991)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1991)
background vocals:
Bonnie (in 1991), David Lasley (in 1991) and Arnold McCuller (in 1991)
vocals:
Bonnie (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 331) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 372)
recording of:
I Can’t Make You Love Me (in 1991)
writer:
Mike Reid (US country artist & former football player) and Allen Shamblin
publisher:
Universal Music–MGB Songs, Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Brio Blues Music (in 1991) and Hayes Street Music, Inc. (in 1991)
sub-publisher:
Universal Music Publishing Ltd. (Taiwan subsidiary of Universal Music Publishing Group)
Bonnie Raitt55:33
4Tangled and Dark
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
baritone saxophone:
Stephen Kupka (in 1991)
bass guitar:
James "Hutch" Hutchinson (in 1991)
drums (drum set):
Ricky Fataar (in 1991)
electric guitar:
Randy Jacobs (guitarist and songwriter) (in 1991)
horn:
Tower of Power Horn Section (in 1991)
keyboard:
Ivan Neville (in 1991)
percussion:
Debra Dobkin (in 1991)
slide guitar:
Bonnie Raitt (in 1991)
tenor saxophone:
Emilio Castillo (in 1991) and Steve Grove (in 1991)
trumpet:
Greg Adams (Tower of Power trumpeter) (in 1991) and Lee Thornburg (in 1991)
background vocals:
Bonnie (in 1991)
vocals:
Bonnie (in 1991)
horn arranger:
Greg Adams (Tower of Power trumpeter) and Bonnie Raitt
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Tangled and Dark (in 1991)
lyricist and composer:
Bonnie Raitt
publisher:
Bob‐a‐Lew Songs (ASCAP) and Kokomo Music (in 1991)
Bonnie Raitt4:54
5Come to Me
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
acoustic guitar:
Bonnie Raitt (in 1991)
bass guitar:
James "Hutch" Hutchinson (in 1991)
drums (drum set):
Ricky Fataar (in 1991)
electric guitar:
Johnny Lee Schell (in 1991)
Hammond organ [B3]:
Ian McLagan (in 1991)
percussion:
Debra Dobkin (in 1991)
background vocals:
Sweet Pea Atkinson (in 1991), Kris Kristofferson (in 1991), Arnold McCuller (in 1991) and Sir Harry Bowens (in 1991)
vocals:
Bonnie (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Come to Me (in 1991)
lyricist and composer:
Bonnie Raitt
publisher:
Bob‐a‐Lew Songs (ASCAP) and Kokomo Music (in 1991)
Bonnie Raitt4:20
6No Business
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
bass guitar:
James "Hutch" Hutchinson (in 1991)
drums (drum set):
Ricky Fataar (in 1991)
guitar:
John Hiatt (guitarist, pianist and singer-songwriter) (in 1991)
percussion:
Debra Dobkin (in 1991)
slide guitar:
Bonnie Raitt (in 1991)
vocals:
Bonnie (in 1991) and John Hiatt (guitarist, pianist and singer-songwriter) (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
No Business (in 1991)
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Universal Music Careers, Careers‐BMG Music Publishing, Inc. (in 1991) and Whistling Moon Traveler Music (in 1991)
Bonnie Raitt4:25
7One Part Be My Lover
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
electric piano:
Bonnie Raitt (in 1991)
Hammond organ [C3]:
Benmont Tench (in 1991)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1991)
tin whistle [penny whistle]:
Phil Cunningham (Scottish folk musician and composer) (in 1991)
background vocals:
Bonnie (in 1991), David Lasley (in 1991) and Arnold McCuller (in 1991)
vocals:
Bonnie (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
One Part Be My Lover (in 1991)
writer:
Michael O'Keefe (US film and television actor) and Bonnie Raitt
publisher:
Kokomo Music (in 1991)
Bonnie Raitt5:06
8Not the Only One
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
acoustic guitar:
Mark Goldenberg (in 1991)
bass guitar:
James "Hutch" Hutchinson (in 1991)
drums (drum set):
Ricky Fataar (in 1991)
electric guitar:
Richard Thompson (UK folk rock singer/songwriter) (in 1991)
Hammond organ [C3] and piano:
Benmont Tench (in 1991)
percussion:
Debra Dobkin (in 1991)
background vocals:
Bonnie (in 1991), Paul Brady (in 1991), David Lasley (in 1991) and Arnold McCuller (in 1991)
vocals:
Bonnie (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
cover recording of:
Not the Only One (in 1991)
lyricist and composer:
Paul Brady
publisher:
Rondor Music (London) Ltd. (in 1983)
Bonnie Raitt5:04
9Papa Come Quick (Jody and Chico)
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
accordion:
Steve Conn (in 1991)
acoustic guitar:
Bonnie Raitt (in 1991)
bass [jug bass]:
Don Was (in 1991)
drums (drum set):
Ricky Fataar (in 1991)
electric guitar [electric tremelo guitar]:
Billy Vera (in 1991)
background vocals:
Stephen Bruton (in 1991), Glen Clark (in 1991) and Danny Timms (in 1991)
vocals:
Bonnie (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Papa Come Quick (Jody and Chico) (in 1991)
writer:
Richard Hirsch (American guitarist, member of Wet Willie), Chip Taylor (US singer/songwriter) and Billy Vera
publisher:
Black Road Music Inc. (in 1987, in 1990), In Sync Music (in 1987, in 1990) and Vera-Cruz Music Co (in 1987, in 1990)
Bonnie Raitt2:43
10Slow Ride
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
acoustic guitar and electric guitar:
Scott Thurston (in 1991)
bass guitar:
James "Hutch" Hutchinson (in 1991)
drums (drum set):
Ricky Fataar (in 1991)
electric guitar [lead]:
Robben Ford (blues, jazz & rock guitarist and songwriter) (in 1991)
percussion:
Debra Dobkin (in 1991)
slide guitar:
Bonnie Raitt (in 1991)
background vocals:
Sweet Pea Atkinson (in 1991), Bonnie (in 1991), Debra Dobkin (in 1991), Arnold McCuller (in 1991) and Sir Harry Bowens (in 1991)
vocals:
Bonnie (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Slow Ride (in 1991)
writer:
Bonnie Hayes, Larry J. McNally (singer‐songwriter) and André Pessis
publisher:
Bob‐a‐Lew Songs (ASCAP) (in 1991), Endless Frogs Music (in 1991), Larry John McNally Music (in 1991) and Monster Music (publisher) (in 1991)
Bonnie Raitt4:00
11Luck of the Draw
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
acoustic guitar:
Mark Goldenberg (in 1991) and Bonnie Raitt (in 1991)
bass guitar:
James "Hutch" Hutchinson (in 1991)
drums (drum set):
Jeff Porcaro (in 1991)
electric guitar:
Richard Thompson (UK folk rock singer/songwriter) (in 1991) and Scott Thurston (in 1991)
Hammond organ [C3]:
Benmont Tench (in 1991)
keyboard:
Scott Thurston (in 1991)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1991)
background vocals:
Paul Brady (in 1991) and Richard Thompson (UK folk rock singer/songwriter) (in 1991)
vocals:
Bonnie (in 1991)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
Luck of the Draw (in 1991)
lyricist and composer:
Paul Brady
publisher:
Rondor Music (London) Ltd. (in 1991)
Bonnie Raitt5:17
12All at Once
recording engineer and mixer:
Ed Cherney
assistant engineer:
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) and Christina Paakkari
producer:
Bonnie Raitt and Don Was
cello:
Larry Corbett (in 1991), Ernie Ehrhardt (cellist) (in 1991) and Dennis Karmazyn (in 1991)
electric piano:
Bonnie Raitt (in 1991)
Great Highland bagpipe [great highland pipes]:
Aaron Shaw (in 1991)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1991)
viola:
Carole Castillo (in 1991), Rick Gerding (in 1991), Pamela Goldsmith (in 1991) and Novi (in 1991)
vocals:
Bonnie (in 1991)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
recording of:
All at Once (in 1991)
lyricist and composer:
Bonnie Raitt
publisher:
Kokomo Music (in 1991)
Bonnie Raitt5:03

Credits

Release

printed in:United States
mastering:Doug Sax
copyrighted (©) by:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1991 to present)
phonographic copyright (℗) by:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991)
marketed by:BMG Direct Marketing, Inc. (BMG company that owned their direct marketing company/club editions)
manufactured for:BMG Direct Marketing, Inc. (BMG company that owned their direct marketing company/club editions)
Discogs:https://www.discogs.com/release/7137019 [info]