Magnificat / Easter Oratorio (2 CD set)

~ Release by Johann Sebastian Bach; The Taverner Consort & Players, Andrew Parrott (see all versions of this release, 1 available)

Annotation

cover and CDs both show longer catno - but with the shorter one in bold in the middle - so unclear which it is.

Annotation last modified on 2023-02-20 11:04 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Magnificat in D major, BWV 243: I. Coro “Magnificat”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:51
2Magnificat in D major, BWV 243: II. Aria (Soprano I) “Et exultavit spiritus meus”
soprano vocals:
Emily Van Evera (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:06
3Magnificat in D major, BWV 243: III. Aria (Soprano II) “Quia respexit humilitatem”
soprano vocals:
Evelyn Tubb (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:09
4Magnificat in D major, BWV 243: IV. Coro “Omnes generationes”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:18
5Magnificat in D major, BWV 243: V. Aria (Basso) “Quia fecit mihi magna”
bass vocals:
Simon Grant (bass-baritone) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
6Magnificat in D major, BWV 243: VI. Duetto (Alto, Tenore) “Et misericordia”
alto vocals:
Caroline Trevor (contralto) (in 1989-04)
tenor vocals:
Howard Crook (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:50
7Magnificat in D major, BWV 243: VII. Coro “Fecit potentiam”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:41
8Magnificat in D major, BWV 243: VIII. Aria (Tenore) “Deposuit potentes”
tenor vocals:
Howard Crook (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
9Magnificat in D major, BWV 243: IX. Aria (Alto) “Esurientes implevit bonis”
alto vocals:
Caroline Trevor (contralto) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Andreas N. Tarkmann
arrangement of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Johann Sebastian Bach2:44
10Magnificat in D major, BWV 243: X. Coro (Sopranos I & II, Alto) “Suscepit Israel”
alto vocals:
Caroline Trevor (contralto) (in 1989-04)
soprano vocals:
Emily Van Evera (soprano) (in 1989-04) and Evelyn Tubb (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:54
11Magnificat in D major, BWV 243: XI. Coro “Sicut locutus est”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:30
12Magnificat in D major, BWV 243: XII. Coro “Gloria patri”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1989-04)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:04
13Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: I. Coro “Lobet Gott in seinen Reichen”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:34
14Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: II. Evangelista “Der Herr Jesus hub seine Hände auf”
tenor vocals:
Wilfried Jochens (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:29
15Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: III. Recitativo (Basso) “Ach, Jesu, is dein Abschied schon so nah”
bass vocals:
Stephen Charlesworth (bass-baritone) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:54
16Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: IV. Aria (Alto) “Ach, bleibe doch, mein liebstes Leben”
alto vocals:
Margaret Cable (mezzo-soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach5:58
17Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: V. Evangelista “Und ward aufgehoben zusehends”
tenor vocals:
Wilfried Jochens (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:24
18Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VI. Choral “Nun lieget alles unter dir”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1989-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:04
19Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VII. Evangelista “Und da sie ihm nachsahen”
alto vocals:
Margaret Cable (mezzo-soprano) (in 1989-04)
soprano vocals:
Evelyn Tubb (soprano) (in 1989-04)
tenor vocals:
Wilfried Jochens (tenor) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach2:10
20Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VIII. Aria (Soprano I) “Jesu, deine Gnadenblicke”
soprano vocals:
Emma Kirkby (soprano) (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:04
21Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: IX. Choral “Wenn soll es doch geschehen”
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:08
22Kantate fragment “Nun is das Heil und die Kraft”, BWV 50: Coro
choir vocals:
Taverner Choir (in 1989-04)
orchestra:
Taverner Players (in 1989-04)
conductor:
Andrew Parrott (conductor) (in 1989-04)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Kantate, BWV 50 "Nun ist das Heil und die Kraft": Coro "Nun ist das Heil und die Kraft" (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 50)
Johann Sebastian Bach3:36
▼ CD 2
#TitleArtistRatingLength
1Oratorio, “Christ lag in Todes Banden”, BWV 4: I. Sinfonia
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:23
2Oratorio, “Christ lag in Todes Banden”, BWV 4: II. Versus I (Coro) “Christ lag in Todes Banden”
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach4:13
3Oratorio, “Christ lag in Todes Banden”, BWV 4: III. Versus II (Soprano, Alto) “Den Tod niemand zwingen kunnt”
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach3:17
4Oratorio, “Christ lag in Todes Banden”, BWV 4: IV. Versus III (Tenore) “Jesus Christus, Gottes Sohn”
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:58
5Oratorio, “Christ lag in Todes Banden”, BWV 4: V. Versus IV (Coro) “Es war ein wunderlicher Krieg”
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach2:29
6Oratorio, “Christ lag in Todes Banden”, BWV 4: VI. Versus V (Basso) “Hier ist das rechte Osterlamm”
bass vocals:
David Thomas (British operatic bass) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach2:36
7Oratorio, “Christ lag in Todes Banden”, BWV 4: VII. Versus VI (Soprano, Tenore) “So feiren wir das hohe Fest”
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:42
8Oratorio, “Christ lag in Todes Banden”, BWV 4: VIII. Versus VII (Coro) “Wir essen und leben wohl”
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1993-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden"
Johann Sebastian Bach1:20
9Easter Oratorio, BWV 249: I. Sinfonia
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach4:09
10Easter Oratorio, BWV 249: II. Adagio
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach3:33
11Easter Oratorio, BWV 249: III. Coro “Kommt, eilet und laufet”
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
performer:
The Taverner Consort & Players (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:10
12Easter Oratorio, BWV 249: IV. Recitativo (Soprano, Alto, Tenore, Basso) “O kalter Männer Sinn!”
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
baritone vocals and bass-baritone vocals:
Peter Kooij (baritone) (in 1993-04)
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach1:01
13Easter Oratorio, BWV 249: V. Aria (Soprano) “Seele, deine Spezereien”
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach10:04
14Easter Oratorio, BWV 249: VI. Recitativo (Alto, Tenore, Basso) “Hier ist die Gruft”
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
baritone vocals and bass-baritone vocals:
Peter Kooij (baritone) (in 1993-04)
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:47
15Easter Oratorio, BWV 249: VII. Aria (Tenore) “Sanfte soll mein Todeskummer”
tenor vocals:
Charles Daniels (tenor) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:36
16Easter Oratorio, BWV 249: VIII. Recitativo (Soprano, Alto) “Indessen seufzen wir”
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
soprano vocals:
Emily Van Evera (soprano) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:56
17Easter Oratorio, BWV 249: IX. Aria (Alto) “Saget, saget mir geschwinde”
alto vocals:
Caroline Trevor (contralto) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (in 1993-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach5:53
18Easter Oratorio, BWV 249: X. Recitativo (Basso) “Wir sind erfreut”
baritone vocals and bass-baritone vocals:
Peter Kooij (baritone) (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach0:38
19Easter Oratorio, BWV 249: XI. Coro “Preis und Dank”
choir vocals:
Taverner Choir (in 1993-04)
orchestra:
The Taverner Choir, Consort & Players (in 1993-04) and Taverner Players (in 1993-04)
conductor:
Andrew Parrott (conductor) (in 1993-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-04)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1993-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen, Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249
Johann Sebastian Bach2:27