Die Klassiksammlung 17: Bizet: Vollkommenheit der Form

~ Release by Georges Bizet (see all versions of this release, 10 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Carmen-Suite Nr. 1: Prélude
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
1:22
2Carmen-Suite Nr. 1: Aragonaise
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
2:14
3Carmen-Suite Nr. 1: Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
2:41
4Carmen-Suite Nr. 1: Seguidilla
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
1:54
5Carmen-Suite Nr. 1: Les Dragons d’Alcala
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
1:37
6Carmen-Suite Nr. 1: Les Toreadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
2:20
7Carmen-Suite Nr. 2: Marche de contre baderos
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
3:58
8Carmen-Suite Nr. 2: Habanera
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
part of:
Carmen Suite no. 2
42:12
9Carmen-Suite Nr. 2: Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
4:10
10Carmen-Suite Nr. 2: Chant de Toreadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
2:40
11Carmen-Suite Nr. 2: La garde montante
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: V. La Garde montante
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
3:53
12Carmen-Suite Nr. 2: Danse bohème
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
4:34
13L’Arlesienne-Suite Nr. 1: Prélude
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
6:43
14L’Arlesienne-Suite Nr. 1: Menuett
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:45
15L’Arlesienne-Suite Nr. 1: Adagietto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
2:52
16L’Arlesienne-Suite Nr. 1: Carillon
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
4:51
17L’Arlesienne-Suite Nr. 2: Pastorale
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: I. Pastorale (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
5:13
18L’Arlesienne-Suite Nr. 2: Intermezzo
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: II. Intermezzo (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
3:41
19L’Arlesienne-Suite Nr. 2: Menuett
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: III. Menuet (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
3:59
20L’Arlesienne-Suite Nr. 2: Farandole
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
arranger:
Ernest Guiraud
part of:
L’Arlésienne Suite no. 2 (for orchestra)
3:28

Credits

Release

part of:Die Klassiksammlung (number: 17) (order: 18)
Discogs:https://www.discogs.com/release/1213659 [info]