Nanny McPhee

~ Release by Patrick Doyle (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleRatingLength
1They’ve Eaten the Baby!
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
They’ve Eaten the Baby!
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:39
2No More Nannies
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
No More Nannies
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:23
3Secret Toast and Jam
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Secret Toast and Jam
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:27
4A Clockwork Mouse
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
A Clockwork Mouse
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:01
5The Pink Chair
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Pink Chair
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:00
6I Did Knock
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
I Did Knock
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
5:59
7Goodnight, Children
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Goodnight, Children
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
4:22
8Measle Medicine
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Measle Medicine
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:29
9Soup du jour
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Soup du jour
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:10
10I Smell Damp
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
I Smell Damp
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:38
11Barnyard Fashion
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Barnyard Fashion
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:34
12Lord of the Donkeys
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Lord of the Donkeys
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
0:36
13The Girl in the Carriage
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Girl in the Carriage
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:18
14Kites in the Sky
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Kites in the Sky
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:25
15The Room at the Top of the Stairs
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Room at the Top of the Stairs
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
1:42
16Toad in the Teapot
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Toad in the Teapot
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:38
17Our Last Chance
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Our Last Chance
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:14
18Mrs. Brown’s Lullaby
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Mrs. Brown’s Lullaby
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
writer:
Emma Thompson
composer:
Patrick Doyle (Scottish score composer)
1:19
19The Lady in Blue
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Lady in Blue
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
2:01
20Bees and Cakes
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Bees and Cakes
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
3:42
21Snow in August
assistant engineer:
Chris Barratt (engineer), Olga FitzRoy and Nick Taylor (UK recording engineer)
engineer:
Nick Vollage
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Youki Yamamoto
orchestra:
London Symphony Orchestra
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc. (not for release label use!)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Snow in August
orchestrator:
Patrick Doyle (Scottish score composer), Larry Ashmore (composer, arranger and orchestrator) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
7:00