Jazz Top 100 Allertijden: The Greatest Standards

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1High and Dry
cover recording of:
High and Dry
writer:
Colin Greenwood, Jonny Greenwood (English musician and score composer), Ed O’Brien, Philip Selway and Thom Yorke
publisher:
Warner Chappell Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
50/50
Jamie Cullum4:54
2New York City
vocals and performer:
Norah Jones
The Peter Malick Group feat. Norah Jones5:07
3Tell Me All About It
cover recording of:
Tell Me All About It
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co. and 大洋音楽
Natalie Cole4:05
4Peroxide Swing
lead vocals:
Michael Bublé (in 2001)
recording of:
Peroxide Swing
writer:
Andrew Van Slee
Michael Bublé42:39
5The Girl From Ipanema
Astrud Gilberto4:06
6Moonlight in Vermont
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-03)
drums (drum set):
Alvin Stoller (on 1957-01-03)
guitar:
Barney Kessel (on 1957-01-03)
piano:
Jimmy Rowles (on 1957-01-03)
tenor saxophone:
Ben Webster (on 1957-01-03)
trumpet:
Harry “Sweets” Edison (on 1957-01-03)
vocals:
Billie Holiday (on 1957-01-03)
recording of:
Moonlight in Vermont (on 1957-01-03)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Billie Holiday3:51
7The Nearness of You
recording engineer and mixer:
Al Schmitt
assistant engineer:
Steve Genewick
producer:
Tommy LiPuma
drums (drum set):
Peter Erskine (American jazz drummer) (in 2004)
electric bass guitar:
Christian McBride (American jazz bassist) (in 2004)
guitar:
Anthony Williams (guitar) (in 2004)
keyboard:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist) (in 2004)
vocals:
Al Jarreau (in 2004)
arranger:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States
cover recording of:
The Nearness of You (in 2004)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing, LLC (1995–2020)
Al Jarreau3:45
8Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:47
9Ev’ry Time We Say Goodbye
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
orchestra:
Buddy Bregman Orchestra (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Ella Fitzgerald3.53:34
10Let There Be Love
recording of:
Let There Be Love
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing
Silje Nergaard3:18
11Crazy
Curtis Stigers5:11
12Piano in the Dark
recording engineer:
Csaba Petocz, Bill Schnee, Steve Sykes (US engineer), Janne Ugand and Gary Wagner (recording engineer)
producer:
Andre Fischer (US drummer and funk/soul/pop producer), Jeff Hull (songwriter and producer) and Brenda Russell (US singer-songwriter & keyboardist)
recording of:
Piano in the Dark
writer:
Scott Cutler, Jeff Hull (songwriter and producer) and Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Dwarf Village Music
Brenda Russell45:21
13Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:54
14The Way You Look Tonight
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-08)
piano:
Julian Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1957-02-08)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
Cannonball Adderley4:27
15That Ole Devil Called Love
recording of:
That Ole Devil Called Love
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Chet Baker3:17
16Singin’ in the Rain
Joe Williams2:28
17My Foolish Heart
cover recording of:
My Foolish Heart
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Billy Eckstine3:05
18Open Your Eyes, You Can Fly
recording engineer:
Joe Ferla (from 2002-08 until 2002-12)
producer:
Brian Blade (US jazz drummer, composer, and session musician), Jon Cowherd (piano) and Tommy LiPuma
assistant mixer:
Steve Genewick
mixer:
Al Schmitt
double bass:
Doug Weiss (US jazz bassist) (from 2002-08 until 2002-12)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician) (from 2002-08 until 2002-12)
guitar:
John Hart (jazz guitarist) (from 2002-08 until 2002-12)
organ:
Sam Yahel (US jazz keyboardist) (from 2002-08 until 2002-12)
percussion:
Jeff Haynes (from 2002-08 until 2002-12)
piano:
Kenny Banks (from 2002-08 until 2002-12)
vocals:
Lizz Wright (US jazz & gospel singer) (from 2002-08 until 2002-12)
arranger:
Jon Cowherd (piano)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Right Track Recording in Manhattan, New York, New York, United States (from 2002-08 until 2002-12)
mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (in 2003-01)
recording of:
Open Your Eyes, You Can Fly (from 2002-08 until 2002-12)
lyricist:
Neville Potter
composer:
Chick Corea (jazz pianist)
publisher:
Litha Music Co., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Lizz Wright35:08
19My Funny Valentine
bass:
Charles Ables (in 1997-12)
drums (drum set):
Steve Williams (US jazz drummer) (in 1997-12)
piano:
Shirley Horn (in 1997-12)
vocals:
Shirley Horn (in 1997-12)
recording of:
My Funny Valentine (from “Babes in Arms”) (in 1997-12)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司 (1995–2019)), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Shirley Horn5:36
20Corcovado (Quiet Nights of Quiet Stars)
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
Astrud Gilberto (from 1963-03-18 until 1963-03-19), João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19) and Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
recording of:
Corcovado (from 1963-03-18 until 1963-03-19)
lyricist and composer:
Antônio Carlos Jobim
Stan Getz4:16
▼ CD 2
#TitleArtistRatingLength
1What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (Jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong's Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 171)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.82:19
2Unforgettable
recording of:
Unforgettable
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Marvin Gaye3:43
3The Lady Wants to Know
producer:
Ruud Jacobs
guitar:
Leonardo Amuedo
tenor saxophone:
Ferdinand Povel
vocals:
Laura Fygi
arranger:
Jurre Haanstra
Laura Fygi4:58
4All of Me
recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC
sub-publisher:
Peermusic and 日音 Synch事業部
Count Basie2:28
5Since I Fell for You
guest tenor saxophone:
Charles Neville
cover recording of:
Since I Fell for You
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Aaron Neville5:07
6Samba De Una Nota So
recording of:
Samba de uma nota só
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated) and 大洋音楽
Antonio Carlos Jobim2:17
7When I Fall in Love
recorded in:
New York, New York, United States (from 1958-12-01 until 1958-12-02)
double bass:
Joe Benjamin (US jazz bassist) (from 1958-12-01 until 1958-12-02)
drums (drum set):
Charlie Smith (US jazz drummer) (from 1958-12-01 until 1958-12-02)
piano:
Don Abney (US jazz pianist) (from 1958-12-01 until 1958-12-02)
vocals:
Carmen McRae (from 1958-12-01 until 1958-12-02)
conductor:
Frank Hunter (Arranger/composer during the 50s/60s) (from 1958-12-01 until 1958-12-02)
arranger:
Frank Hunter (Arranger/composer during the 50s/60s)
cover recording of:
When I Fall in Love (from 1958-12-01 until 1958-12-02)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Carmen McRae3:49
8What the World Needs Now Is Love
producer:
Creed Taylor
cello:
Charles McCracken (cellist) (on 1966-03-17) and George Ricci (on 1966-03-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1966-03-17)
drums (drum set):
Grady Tate (on 1966-03-17)
guitar:
Wes Montgomery (on 1966-03-17)
violin:
Paul Gershman (on 1966-03-17), Emanuel Green (on 1966-03-17) and Harry Lookofsky (on 1966-03-17)
conductor:
Claus Ogerman (on 1966-03-17)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1966-03-17)
instrumental recording of:
What the World Needs Now Is Love (on 1966-03-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部, フジパシフィックミュージック 第2事業部, BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use!) (in 1993)
Wes Montgomery4:52
9Lullaby for a Ladybug
Christian McBride4:20
10What Is This Thing Called Love?
Dee Dee Bridgewater3:17
11There Is No Greater Love
Mary Haskell3:51
12So What
producer:
Longsy D and Ronny Jordan
double bass:
Arnie Somogyi
piano:
Joe Bashorun
vocals:
Isabel Roberts
recorded at:
PLJ Studios
recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
cover recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Ronny Jordan5:07
13As Time Goes By
Helen Merrill5:16
14Parker’s Mood
recording of:
Parker's Mood
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker3:04
15Claudia Acuna
Nature Boy6:00
16How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Abbey Lincoln3:21
17These Foolish Things
Johnny Hartman4:19
18I Never Meant To
Matt Bianco4:49
19Night and Day
Coleman Hawkins Quartet3:20
20East of the Sun
George Shearing3:07
▼ CD 3
#TitleArtistRatingLength
1Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
Astrud Gilberto2:22
2Guess I’m Falling for You
lead vocals:
Michael Bublé (in 2001)
recording of:
Guess I'm Falling 4 U
writer:
Ian Putz and Andrew Van Slee
Michael Bublé41:50
3The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Tony Bennett2:29
4Circle of Smiles
Toots Thielemans3:05
5Stormy Weather
Quincy Jones3:16
6Walk on By
cover recording of:
Walk On By (in 1996)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 and フジパシフィックミュージック 第2事業部
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Gabrielle23:16
7Autumn in New York
cover recording of:
Autumn in New York (1934)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Sarah Vaughan3:21
8Desafinado
recording engineer:
Edward Green (engineer) (on 1962-02-13)
producer:
Norman Granz and Creed Taylor
bass and guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
bass guitar:
Gene “Joe” Byrd (jazz lyrical bassist)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
Stan Getz & Charlie Byrd45:51
9Try a Little Tenderness
producer:
Phil Ramone
bass guitar:
Chuck Berghofer (Jazz bassist)
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Paul Viapiano
piano:
Diane Schuur and Randy Waldman
solo electric guitar:
B.B. King
vocals:
B.B. King and Diane Schuur
cover recording of:
Try a Little Tenderness
lyricist:
James Campbell (British songwriter and music publisher) and Reginald Connelly
composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Campbell Connelly & Co. Ltd. (on 1932-11-04)
Diane Schuur4:30
10Have You Met Miss Jones?
recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
Bing Crosby2:30
11Stardust
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Mel Tormé5:48
12A Night in Tunisia
recording of:
Night in Tunisia (instrumental)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
Dizzy Gillespie3:13
13Misty
cover recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Ella Fitzgerald2:44
14Makin’ Whoopee
recording of:
Makin’ Whoopee!
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
Gerry Mulligan4:05
15Milestones
producer:
Creed Taylor
bass trombone:
Tony Studd (on 1966-09-21)
double bass:
Richard Davis (American jazz bassist) (on 1966-09-21)
drums (drum set):
Grady Tate (on 1966-09-21)
guitar:
Wes Montgomery (on 1966-09-21)
Hammond organ [organ]:
Jimmy Smith (US jazz organist) (on 1966-09-21)
trombone:
Jimmy Cleveland (on 1966-09-21) and Melba Liston (on 1966-09-21)
trumpet:
Jimmy Maxwell (Trumpet) (on 1966-09-21), Joe Newman (US jazz trumpeter) (on 1966-09-21), Ernie Royal (on 1966-09-21) and Clark Terry (American swing trumpeter) (on 1966-09-21)
woodwind:
Bob Ashton (on 1966-09-21), Danny Bank (reeds) (on 1966-09-21), Jerry Dodgion (on 1966-09-21), Jerome Richardson (on 1966-09-21) and Phil Woods (US jazz woodwind player) (on 1966-09-21)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (on 1966-09-21)
recording of:
Milestones (originally titled “Miles”) (on 1966-09-21)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, since 1972), Jazz Horn Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Jimmy Smith and Wes Montgomery4:11
16In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
Rosemary Clooney3:24
17Gone With the Wind
Art Tatum2:53
18Jamaica
Bobby Caldwell4:49
19I Can’t Help It
recording engineer:
Will Downing (American soul, house singer, songwriter and producer)
producer:
Will Downing (American soul, house singer, songwriter and producer) and Ronnie Foster
bass:
Marcus Miller (jazz musician)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Michael Thompson (session guitarist)
keyboard:
Ronnie Foster
percussion:
Luis Conte (percussionist)
solo saxophone:
Boney James
background vocals:
Darcy Aldridge and Will Downing (American soul, house singer, songwriter and producer)
cover recording of:
I Can’t Help It
composer:
Susaye Greene and Stevie Wonder
Will Downing5:08
20Time After Time
cover recording of:
Time After Time (in 2004)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Gray Matter Music, Human Boy Music, Rellla Music Corp., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Japan, Synch division, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label), WB Music Corp. (1929–2019) (until 2019-05-28), Dub Notes Music (publisher) (in 1984), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
Tuck & Patti5:05
▼ CD 4
#TitleArtistRatingLength
1I’ve Grown Accustomed to His Face
assistant engineer:
Angela Gomez (engineer)
engineer:
Joe Ferla
producer:
Stefan F. Winter
double bass:
Lonnie Plaxico (in 1988-02)
drums (drum set):
Terri Lyne Carrington (in 1988-02)
piano:
Mulgrew Miller (in 1988-02)
vocals:
Cassandra Wilson (in 1988-02)
phonographic copyright (℗) by:
Polydor K.K. (DO NOT USE AS A RELEASE LABEL!)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1988-02)
recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (in 1988-02)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Cassandra Wilson5:16
2Ask a Woman Who Knows
Natalie Cole4:15
3The Shadow of Your Smile
Wes Montgomery2:16
4What a Difference a Day Made
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.352:30
5Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
The 8th Academy Award for Best Original Song (number: 2)
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4:16
6Moonlight Serenade
The Rosenberg Trio4:35
7Feels So Good
Chuck Mangione3:28
8The Very Thought of You
guest flugelhorn:
Roy Hargrove
performer:
Linda Ronstadt
cover recording of:
The Very Thought of You
lyricist, writer and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Linda Ronstadt & Aaron Neville4:31
9How Intensitive
Roy Hargrove5:23
10If You Love Somebody
Silje Nergaard4:05
11Just One of Those Things
Laura Fygi3:36
12I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!) and Chappell (in 1974)
part of:
Anything Goes
Charlie Parker3:36
13My Baby Just Cares for Me
live cover recording of:
My Baby Just Cares for Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3:02
14Love Is Here to Stay
Carmen McRae2:39
15A Sunday Kind of Love
producer:
Leonard Chess, Leonard & Phil Chess (Legendary US production duo) and Phil Chess
lead vocals:
Etta James
vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
performer:
Sugar Pie DeSanto
arranger:
Riley Hampton
cover recording of:
A Sunday Kind of Love
writer:
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima and Stan Rhodes
publisher:
Leeds Music Inc.
Etta James4.53:18
16Diamonds Are a Girl’s Best Friend
recording of:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Leo Robin (US composer, lyricist & songwriter) and Jule Styne
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent)
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:32
17One for My Baby (and One for the Road)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Billie Holiday5:41
18Bewitched
Susannah McCorkle4:36
19Body and Soul
tenor saxophone:
Sonny Rollins (on 1958-07-10)
recorded at:
Beltone Studios in New York, New York, United States (on 1958-07-10)
Sonny Rollins4:20
20Night Train
recording of:
Night Train (Jimmy Forrest’s original instrumental version)
composer:
Jimmy Forrest
Oscar Peterson4:51
▼ CD 5
#TitleArtistRatingLength
1Moon River
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
Sarah Vaughan2:51
2Bluesette
chromatic harmonica:
Toots Thielemans
Toots Thielemans4:36
3All Your Love
The Peter Malick Group feat. Norah Jones4:31
4The Look of Love
recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dusty Springfield53:32
5They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Stacey Kent5:00
6Someone to Watch Over Me
Blossom Dearie3:59
7Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:08
8April in Paris
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
cover recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Sammy Davis Jr. & Count Basie2:47
9Antonio’s Song
assistant recording engineer and assistant mixer:
Jonas Zadow
recording engineer:
Jens Kuphal and Arne Schumann
producer:
Till Brönner (German trumpet player) and Jens Kuphal
mixer:
Jens Kuphal
bass:
Timothy Lefebvre (US bass guitarist)
cello:
Timothy Park (Cellist)
drums (drum set):
Wolfgang Haffner
flugelhorn, trumpet and lead vocals:
Till Brönner (German trumpet player)
flute:
Wolfgang Dünschede
guitar:
Chuck Loeb
keyboard:
Roberto Di Gioia (jazz pianist)
percussion:
Rolo Rodriguez
viola:
Gareth Lubbe (violist and harmonic singer)
violin:
Anastasia Pylatyuk (Violinist) and Una Sveinbjarnardóttir (violinist)
strings arranger:
Wolf Kerschek
arranger:
Till Brönner (German trumpet player)
phonographic copyright (℗) by:
Universal Classics & Jazz (GERMANY - "a division of Universal Music GmbH"; use only for copyrights, licensing and/or distribution) (in 2004)
recorded at and mixed at:
Nucleus Studio in Berlin, Germany
cover recording of:
Antonio’s Song (The Rainbow)
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co.
sub-publisher:
Universal Music Publishing France (not for release label use!) and 大洋音楽
Till Brönner5:01
10Close to You
cover recording of:
(They Long to Be) Close to You
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), Carlin Music Corporation, Casa David LP, Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. and フジパシフィックミュージック BMG事業部
Tuck & Patti6:18
11Stop, Look, Listen to Your Heart
cover recording of:
Stop, Look, Listen (to Your Heart)
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Assorted Music, Bellboy Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Will Downing and Gerald Albright3:40
12Walter Whitman Where Are You
bass:
Phil Baker (US upright bassist)
drums (drum set):
Graham Lear
harmonica:
Tollak Ollestad (Production music composer)
keyboard:
Joe Vannelli (Canadian musician, composer and record producer)
piano:
Randy Porter
vocals:
Gino Vannelli
Gino Vannelli4:18
13On the Sunny Side of the Street
Johnny Hodges2:59
14Embraceable You
cover recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Brenda Holloway2:42
15Flying Home
recording of:
Flying Home (instrumental version)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Ragbag Music (ASCAP) and Regent Music (BMI)
Benny Goodman3:55
16Stompin’ at the Savoy
recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
Anita O’Day3:20
17A Time for Love
recording engineer:
Ray Hall (engineer) (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1968-09 until 1968-10)
recorded at:
Webster Hall in New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
A Time for Love (from 1968-09 until 1968-10)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Warner/Chappell North America (ended), M. Witmark & Sons and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
Bill Evans5:07
18It Might as Well Be Spring
cover recording of:
It Might as Well Be Spring (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair
part of:
State Fair (1962 film soundtrack)
part of:
State Fair (1945 film soundtrack)
Debby Boone4:30
19My Favorite Things
cover recording of:
My Favorite Things (The Sound of Music)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane2:41
20’round Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Kenny Rankin3:47