In Color

~ Release by Cheap Trick (see all versions of this release, 8 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Hello There
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Hello There (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977, in 1979)
3.651:39
A2Big Eyes
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Big Eyes (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977, in 1979)
3.53:05
A3Downed
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1978)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Downed
lyricist and composer:
Rick Nielsen
3.354:00
A4I Want You to Want Me
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
I Want You to Want Me (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Gil Music Corporation, Adult Music (in 1977, in 1978), Screen Gems-EMI Music Incorporated (USA, affiliated with BMI) (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
part of:
10 Things I Hate About You
4.353:08
A5You’re All Talk
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
You’re All Talk (in 1977)
writer:
Rick Nielsen and Tom Petersson (Bass Player)
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
33:30
B1Oh Caroline
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Oh Caroline (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3.52:57
B2Clock Strikes Ten
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Clock Strikes Ten (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1977, in 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977, in 1979)
3.52:56
B3Southern Girls
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Southern Girls
writer:
Rick Nielsen and Tom Petersson (Bass Player)
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
4.353:41
B4Come On, Come On
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
Come On, Come On (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1975, in 1979)
3.52:37
B5So Good to See You
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
recording of:
So Good to See You (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3.53:34

Credits

Release

photography:Benno Friedman (photographer)
mastering:George Marino (mastering engineer)
bass:Tom Petersson (Bass Player) (in 1977)
drums (drum set):Bun E. Carlos (in 1977)
guitar:Rick Nielsen (in 1977)
Robin Zander (in 1977)
lead vocals:Robin Zander (in 1977)
vocals:Rick Nielsen (in 1977)
Tom Petersson (Bass Player) (in 1977)
design:Jim Charne
Paula Scher
mastered at:Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, United States
Discogs:https://www.discogs.com/release/1760275 [info]