In a Jazz Orbit

~ Release by Bill Holman (see all versions of this release, 2 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Kissin' Bug
engineer:
Dayton “Bones” Howe
bass:
Buddy Clark (US jazz bassist) (from 1958-02-11 until 1958-02-13)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1958-02-11 until 1958-02-13)
piano:
Victor Feldman (jazz musician) (from 1958-02-11 until 1958-02-13)
saxophone:
Herb Geller (from 1958-02-11 until 1958-02-13), Bill Holman (from 1958-02-11 until 1958-02-13), Bill Hood (Jazz multi-instrumentalist) (from 1958-02-11 until 1958-02-13), Richie Kamuca (from 1958-02-11 until 1958-02-13), Charlie Kennedy (saxophonist) (from 1958-02-11 until 1958-02-13) and Charlie Mariano (from 1958-02-11 until 1958-02-13)
trombone:
Carl Fontana (from 1958-02-11 until 1958-02-13), Frank Rosolino (from 1958-02-11 until 1958-02-13) and Ray Sims (from 1958-02-11 until 1958-02-13)
trumpet:
Conte Candoli (from 1958-02-11 until 1958-02-13) and Al Porcino (from 1958-02-11 until 1958-02-13)
conductor:
Bill Holman (from 1958-02-11 until 1958-02-13)
arranger:
Bill Holman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-02-11 until 1958-02-13)
4:10
A2The Man I Love
engineer:
Dayton “Bones” Howe
bass:
Buddy Clark (US jazz bassist) (from 1958-02-11 until 1958-02-13)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1958-02-11 until 1958-02-13)
piano:
Victor Feldman (jazz musician) (from 1958-02-11 until 1958-02-13)
saxophone:
Herb Geller (from 1958-02-11 until 1958-02-13), Bill Holman (from 1958-02-11 until 1958-02-13), Bill Hood (Jazz multi-instrumentalist) (from 1958-02-11 until 1958-02-13), Richie Kamuca (from 1958-02-11 until 1958-02-13), Charlie Kennedy (saxophonist) (from 1958-02-11 until 1958-02-13) and Charlie Mariano (from 1958-02-11 until 1958-02-13)
trombone:
Carl Fontana (from 1958-02-11 until 1958-02-13), Frank Rosolino (from 1958-02-11 until 1958-02-13) and Ray Sims (from 1958-02-11 until 1958-02-13)
trumpet:
Conte Candoli (from 1958-02-11 until 1958-02-13) and Al Porcino (from 1958-02-11 until 1958-02-13)
conductor:
Bill Holman (from 1958-02-11 until 1958-02-13)
arranger:
Bill Holman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-02-11 until 1958-02-13)
instrumental recording of:
The Man I Love (in 1958-02)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
3:55
A3Goodbye
engineer:
Dayton “Bones” Howe
bass:
Buddy Clark (US jazz bassist) (from 1958-02-11 until 1958-02-13)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1958-02-11 until 1958-02-13)
piano:
Victor Feldman (jazz musician) (from 1958-02-11 until 1958-02-13)
saxophone:
Herb Geller (from 1958-02-11 until 1958-02-13), Bill Holman (from 1958-02-11 until 1958-02-13), Bill Hood (Jazz multi-instrumentalist) (from 1958-02-11 until 1958-02-13), Richie Kamuca (from 1958-02-11 until 1958-02-13), Charlie Kennedy (saxophonist) (from 1958-02-11 until 1958-02-13) and Charlie Mariano (from 1958-02-11 until 1958-02-13)
trombone:
Carl Fontana (from 1958-02-11 until 1958-02-13), Frank Rosolino (from 1958-02-11 until 1958-02-13) and Ray Sims (from 1958-02-11 until 1958-02-13)
trumpet:
Ed Leddy (from 1958-02-11 until 1958-02-13), Jack Sheldon (from 1958-02-11 until 1958-02-13) and Stu Williamson (from 1958-02-11 until 1958-02-13)
conductor:
Bill Holman (from 1958-02-11 until 1958-02-13)
arranger:
Bill Holman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-02-11 until 1958-02-13)
3:30
A4You Got to My Head
engineer:
Dayton “Bones” Howe
bass:
Buddy Clark (US jazz bassist) (from 1958-02-11 until 1958-02-13)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1958-02-11 until 1958-02-13)
piano:
Victor Feldman (jazz musician) (from 1958-02-11 until 1958-02-13)
saxophone:
Herb Geller (from 1958-02-11 until 1958-02-13), Bill Holman (from 1958-02-11 until 1958-02-13), Bill Hood (Jazz multi-instrumentalist) (from 1958-02-11 until 1958-02-13), Richie Kamuca (from 1958-02-11 until 1958-02-13), Charlie Kennedy (saxophonist) (from 1958-02-11 until 1958-02-13) and Charlie Mariano (from 1958-02-11 until 1958-02-13)
trombone:
Carl Fontana (from 1958-02-11 until 1958-02-13), Frank Rosolino (from 1958-02-11 until 1958-02-13) and Ray Sims (from 1958-02-11 until 1958-02-13)
trumpet:
Ed Leddy (from 1958-02-11 until 1958-02-13), Jack Sheldon (from 1958-02-11 until 1958-02-13) and Stu Williamson (from 1958-02-11 until 1958-02-13)
conductor:
Bill Holman (from 1958-02-11 until 1958-02-13)
arranger:
Bill Holman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-02-11 until 1958-02-13)
instrumental recording of:
You Go to My Head (in 1958-02)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
6:13
A5After You've Gone
engineer:
Dayton “Bones” Howe
bass:
Buddy Clark (US jazz bassist) (from 1958-02-11 until 1958-02-13)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1958-02-11 until 1958-02-13)
piano:
Victor Feldman (jazz musician) (from 1958-02-11 until 1958-02-13)
saxophone:
Herb Geller (from 1958-02-11 until 1958-02-13), Bill Holman (from 1958-02-11 until 1958-02-13), Bill Hood (Jazz multi-instrumentalist) (from 1958-02-11 until 1958-02-13), Richie Kamuca (from 1958-02-11 until 1958-02-13), Charlie Kennedy (saxophonist) (from 1958-02-11 until 1958-02-13) and Charlie Mariano (from 1958-02-11 until 1958-02-13)
trombone:
Carl Fontana (from 1958-02-11 until 1958-02-13), Frank Rosolino (from 1958-02-11 until 1958-02-13) and Ray Sims (from 1958-02-11 until 1958-02-13)
trumpet:
Conte Candoli (from 1958-02-11 until 1958-02-13) and Al Porcino (from 1958-02-11 until 1958-02-13)
conductor:
Bill Holman (from 1958-02-11 until 1958-02-13)
arranger:
Bill Holman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-02-11 until 1958-02-13)
instrumental recording of:
After You’ve Gone (in 1958-02)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:41
B1Far Down Below
engineer:
Dayton “Bones” Howe
bass:
Buddy Clark (US jazz bassist) (from 1958-02-11 until 1958-02-13)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1958-02-11 until 1958-02-13)
piano:
Victor Feldman (jazz musician) (from 1958-02-11 until 1958-02-13)
saxophone:
Herb Geller (from 1958-02-11 until 1958-02-13), Bill Holman (from 1958-02-11 until 1958-02-13), Bill Hood (Jazz multi-instrumentalist) (from 1958-02-11 until 1958-02-13), Richie Kamuca (from 1958-02-11 until 1958-02-13), Charlie Kennedy (saxophonist) (from 1958-02-11 until 1958-02-13) and Charlie Mariano (from 1958-02-11 until 1958-02-13)
trombone:
Carl Fontana (from 1958-02-11 until 1958-02-13), Frank Rosolino (from 1958-02-11 until 1958-02-13) and Ray Sims (from 1958-02-11 until 1958-02-13)
trumpet:
Conte Candoli (from 1958-02-11 until 1958-02-13) and Al Porcino (from 1958-02-11 until 1958-02-13)
conductor:
Bill Holman (from 1958-02-11 until 1958-02-13)
arranger:
Bill Holman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-02-11 until 1958-02-13)
4:16
B2No Heat
engineer:
Dayton “Bones” Howe
bass:
Buddy Clark (US jazz bassist) (from 1958-02-11 until 1958-02-13)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1958-02-11 until 1958-02-13)
piano:
Victor Feldman (jazz musician) (from 1958-02-11 until 1958-02-13)
saxophone:
Herb Geller (from 1958-02-11 until 1958-02-13), Bill Holman (from 1958-02-11 until 1958-02-13), Bill Hood (Jazz multi-instrumentalist) (from 1958-02-11 until 1958-02-13), Richie Kamuca (from 1958-02-11 until 1958-02-13), Charlie Kennedy (saxophonist) (from 1958-02-11 until 1958-02-13) and Charlie Mariano (from 1958-02-11 until 1958-02-13)
trombone:
Carl Fontana (from 1958-02-11 until 1958-02-13), Frank Rosolino (from 1958-02-11 until 1958-02-13) and Ray Sims (from 1958-02-11 until 1958-02-13)
trumpet:
Conte Candoli (from 1958-02-11 until 1958-02-13) and Al Porcino (from 1958-02-11 until 1958-02-13)
conductor:
Bill Holman (from 1958-02-11 until 1958-02-13)
arranger:
Bill Holman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-02-11 until 1958-02-13)
6:03
B3Theme & Variations #2
engineer:
Dayton “Bones” Howe
bass:
Buddy Clark (US jazz bassist) (from 1958-02-11 until 1958-02-13)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1958-02-11 until 1958-02-13)
piano:
Victor Feldman (jazz musician) (from 1958-02-11 until 1958-02-13)
saxophone:
Herb Geller (from 1958-02-11 until 1958-02-13), Bill Holman (from 1958-02-11 until 1958-02-13), Bill Hood (Jazz multi-instrumentalist) (from 1958-02-11 until 1958-02-13), Richie Kamuca (from 1958-02-11 until 1958-02-13), Charlie Kennedy (saxophonist) (from 1958-02-11 until 1958-02-13) and Charlie Mariano (from 1958-02-11 until 1958-02-13)
trombone:
Carl Fontana (from 1958-02-11 until 1958-02-13), Frank Rosolino (from 1958-02-11 until 1958-02-13) and Ray Sims (from 1958-02-11 until 1958-02-13)
trumpet:
Conte Candoli (from 1958-02-11 until 1958-02-13) and Al Porcino (from 1958-02-11 until 1958-02-13)
conductor:
Bill Holman (from 1958-02-11 until 1958-02-13)
arranger:
Bill Holman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-02-11 until 1958-02-13)
4:25
B4Aura
engineer:
Dayton “Bones” Howe
bass:
Buddy Clark (US jazz bassist) (from 1958-02-11 until 1958-02-13)
drums (drum set):
Mel Lewis (American jazz drummer) (from 1958-02-11 until 1958-02-13)
piano:
Victor Feldman (jazz musician) (from 1958-02-11 until 1958-02-13)
saxophone:
Herb Geller (from 1958-02-11 until 1958-02-13), Bill Holman (from 1958-02-11 until 1958-02-13), Bill Hood (Jazz multi-instrumentalist) (from 1958-02-11 until 1958-02-13), Richie Kamuca (from 1958-02-11 until 1958-02-13), Charlie Kennedy (saxophonist) (from 1958-02-11 until 1958-02-13) and Charlie Mariano (from 1958-02-11 until 1958-02-13)
trombone:
Carl Fontana (from 1958-02-11 until 1958-02-13), Frank Rosolino (from 1958-02-11 until 1958-02-13) and Ray Sims (from 1958-02-11 until 1958-02-13)
trumpet:
Ed Leddy (from 1958-02-11 until 1958-02-13), Jack Sheldon (from 1958-02-11 until 1958-02-13) and Stu Williamson (from 1958-02-11 until 1958-02-13)
conductor:
Bill Holman (from 1958-02-11 until 1958-02-13)
arranger:
Bill Holman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1958-02-11 until 1958-02-13)
4:44