Missa in h-moll

~ Release by Johann Sebastian Bach; Collegium Vocale Gent, Philippe Herreweghe (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#	Title	Artist	Rating	Length
1	Missa in h-moll, BWV 232: Kyrie, Coro, Kyrie eleison choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		9:13
2	Missa in h-moll, BWV 232: Kyrie, Duetto : Soprano I, Soprano II, Christe eleison soprano vocals [Sop I]: Dorothee Mields (German soprano) soprano vocals [Sop II]: Hana Blažíková orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:56
3	Missa in h-moll, BWV 232: Kyrie, Coro, Kyrie eleison choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:03
4	Missa in h-moll, BWV 232: Gloria, Coro, Gloria in excelsis Deo choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		1:43
5	Missa in h-moll, BWV 232: Gloria, Coro, Et in terra pax hominibus bonae voluntatis choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:16
6	Missa in h-moll, BWV 232: Gloria, Aria : Soprano II, Laudamus te soprano vocals [Sop II]: Hana Blažíková orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:01
7	Missa in h-moll, BWV 232: Gloria, Coro, Gratias agimus tibi choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:28
8	Missa in h-moll, BWV 232: Gloria, Duetto : Soprano I, Tenore, Domine Deus soprano vocals [Sop I]: Dorothee Mields (German soprano) tenor vocals: Thomas Hobbs (tenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		5:35
9	Missa in h-moll, BWV 232: Gloria, Coro, Qui tollis peccata mundi choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:42
10	Missa in h-moll, BWV 232: Gloria, Aria : Alto, Qui sedes ad dexteram Patris alto vocals: Damien Guillon (countertenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:13
11	Missa in h-moll, BWV 232: Gloria, Aria : Basso, Quoniam tu solus Sanctus bass vocals: Peter Kooij (baritone) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:30
12	Missa in h-moll, BWV 232: Gloria, Coro, Cum Sancto Spiritu choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:03

▼ CD 2
#	Title	Artist	Rating	Length
1	Missa in h-moll, BWV 232: Symbolum nicenum, Coro, Credo in unum Deum choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		1:59
2	Missa in h-moll, BWV 232: Symbolum nicenum, Coro, Patrem omnipotentem choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		1:54
3	Missa in h-moll, BWV 232: Symbolum nicenum, Duetto : Soprano I, Alto, Et in unum Dominum alto vocals: Damien Guillon (countertenor) soprano vocals [Sop I]: Dorothee Mields (German soprano) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:21
4	Missa in h-moll, BWV 232: Symbolum nicenum, Coro, Et incarnatus est choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:49
5	Missa in h-moll, BWV 232: Symbolum nicenum, Coro, Crucifixus choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:45
6	Missa in h-moll, BWV 232: Symbolum nicenum, Coro, Et resurrexit choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:03
7	Missa in h-moll, BWV 232: Symbolum nicenum, Aria : Basso, Et in Spiritum Sanctum Dominum bass vocals: Peter Kooij (baritone) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:48
8	Missa in h-moll, BWV 232: Symbolum nicenum, Coro, Confiteor choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:28
9	Missa in h-moll, BWV 232: Symbolum nicenum, Coro, Et expecto choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:22
10	Missa in h-moll, BWV 232: Sanctus, Coro, Sanctus choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: III. Sanctus (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		4:56
11	Missa in h-moll, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem, Coro, Osanna in excelsis choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:47
12	Missa in h-moll, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem, Aria : Tenore, Benedictus tenor vocals: Thomas Hobbs (tenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		3:31
13	Missa in h-moll, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem, Coro, Osanna in excelsis choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen" part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:49
14	Missa in h-moll, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem, Aria : Alto, Agnus Dei alto vocals: Damien Guillon (countertenor) orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		5:06
15	Missa in h-moll, BWV 232: Osanna, Benedictus, Agnus Dei & Dona nobis pacem, Coro, Dona nobis pacem choir vocals: Collegium Vocale Gent orchestra: Collegium Vocale Gent conductor: Philippe Herreweghe (Belgian conductor) recorded at: Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany recording of: h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (from 2011-05-14 until 2011-05-17) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232 (Mass in B minor)	Johann Sebastian Bach		2:49

Credits

Release

Discogs:	https://www.discogs.com/release/4813845 [info]
ASIN:	UK: B00694VP1O [info]
discography entry:	https://www.outhere-music.com/en/albums/mass-in-b-minor-bwv-232-lph-004 [info]

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Release information

Barcode:: 5400439000049
Format:: 2×CD
Length:: 1:41:10

Additional details

Type:: Album
Packaging:: Digipak
Status:: Official
Language:: Latin
Script:: Latin
Data quality:: Normal

Labels

Phi
LPH 004

Release events

Belgium
2011

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Last updated on 2015-06-21 17:00 UTC