Tracklist

CD 1
# Title Artist Rating Length
1 Cavatina
Stanley Myers 3:36
2 Recuerdos de la Alhambra
Francisco Tárrega 4:46
3 Tango
Isaac Albéniz 2:16
4 Suite española, op. 47: Asturias
Isaac Albéniz 6:14
5 Violin Suite in E major, BWV 1006a: Prelude
Johann Sebastian Bach 3:55
6 Dance
Manuel de Falla 3:44
7 Torija
Federico Moreno Torroba 2:15
8 Alcañiz
Federico Moreno Torroba 1:58
9 Cello Suite in G major, BWV 1007: Prelude
Johann Sebastian Bach 2:24
10 Prelude no. 1 in E minor
Heitor Villa‐Lobos 4:20
11 Danza paraguaya no. 1
Agustín Barrios Mangoré 2:16
12 Romance de los pinos
Federico Moreno Torroba 1:51
13 Malagueña
Celedonio Romero 5:18
14 Ayer y hoy (guajiras)
[traditional] 4:15
15 Guitar Concerto in D major, RV 93: II. Largo
Antonio Vivaldi 5:13
16 Concierto de Aranjuez: Allegro con spirito
Joaquín Rodrigo 6:01
17 Concierto de Aranjuez: Adagio
Joaquín Rodrigo 11:31
18 Concierto de Aranjuez: Allegro gentile
Joaquín Rodrigo 5:09
CD 2
# Title Artist Rating Length
1 Romance "Jeux Interdits"
[anonymous] 1:50
2 Suite española, op. 47: Sevilla
Isaac Albéniz 4:38
3 Danzas españolas, op. 37: Andaluza
Enrique Granados 4:01
4 Suite española, op. 47: Granada
Isaac Albéniz 4:34
5 Caprice, op. 1 no. 24
Niccolò Paganini 4:46
6 Estudio brillante
Alard, Gineston, Guéniffet, Siquier 1:47
7 Prelude in D minor, BWV 999
Johann Sebastian Bach 1:30
8 Sonata in E, K. 380
Domenico Scarlatti 5:09
9 Cello Suite in C, BWV 1009: Courante
Johann Sebastian Bach 2:47
10 Fantaisie hongroise, op. 65 no. 1
Johann Kaspar Mertz 6:15
11 Dos temas populares cubanos: Canción de cuna
Leo Brouwer 3:27
12 Batucada
Isaías Sávio 2:45
13 Noche en Málaga
Pepe Romero 4:01
14 La Alcazaba (verdiales)
[traditional] 3:08
15 Bachianas Brasileiras no. 5
Heitor Villa‐Lobos 4:41
16 Oboe Concerto in D minor: Andante sostenuto
Alessandro Marcello 4:23
17 Cello Concerto no. 6 in D: Andante cantabile
Luigi Boccherini 6:15
18 Fantasía para un gentilhombre: Villano y ricercare
Joaquín Rodrigo 4:49
19 Guitar Concerto, op. 67: Con brio
Malcolm Arnold 4:28

Credits

CD 1

English horn:
Christine Pendrill (1992-07) (track 17)
classical guitar:
Pepe Romero (track 4)
Andrés Segovia (track 7)
John Williams (classical guitarist) (track 9)
Pepe Romero (1992-07) (tracks 16–18)
guitar:
Julian Bream (track 10)
Eduardo Fernández (guitarist) (tracks 2, 5, 11)
Nicola Hall (track 6)
Paco Peña (track 14)
Celin Romero (track 3)
Pepe Romero (tracks 3, 12–13)
Andrés Segovia (track 8)
Göran Söllscher (classical guitarist) (1981-06) (track 1)
Eduardo Fernández (guitarist) (1986-12) (track 15)
guitar arranger:
John Williams (classical guitarist) (track 1)
arranger:
John Williams (classical guitarist) (track 1)
balance engineer:
John Dunkerley (engineer) (1986-12) (track 15)
composer:
Isaac Albéniz (track 4)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 5, 9)
Agustín Barrios Mangoré (composer aka Agustín Barrios and Agustín Pio Barrios) (track 11)
Federico Moreno Torroba (tracks 7–8, 12)
Stanley Myers (track 1)
Celedonio Romero (track 13)
Francisco Tárrega (track 2)
Antonio Vivaldi (track 15)
Isaac Albéniz (1890) (track 3)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (tracks 16–18)
Heitor Villa‐Lobos (1940) (track 10)
conductor:
George Malcolm (English harpsichordist, conductor) (1986-12) (track 15)
Sir Neville Marriner (1992-07) (tracks 16–18)
orchestra:
English Chamber Orchestra (1986-12) (track 15)
Academy of St Martin in the Fields (1992-07) (tracks 16–18)
producer:
Paul Myers (classical record producer) (track 15)
phonographic copyright by:
PolyGram AB (1981) (track 1)
publisher:
EMI Music Publishing (do not use as a release label!) (track 1)
recorded at:
Henry Wood Hall (London) in London, England, United Kingdom (1986-12) (track 15)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (original piano version) (track 4)
arrangements:
Cavatina (catch-all for arrangements) (track 1)
Cinco prelúdios, nº 1: Andante espressivo (for piano, Brandão) (track 10)
Concierto de Aranjuez: I. Allegro con spirito (for harp and orchestra, Rodrigo 1974) (track 16)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 17)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 17)
Concierto de Aranjuez: III. Allegro gentile (for harp and orchestra, Rodrigo 1974) (track 18)
is the basis for:
Étude (Mike Oldfield instrumental) (track 2)
原野是我家 (track 1)
later versions:
He Was Beautiful (track 1)
part of:
Castillos de España (tracks 7–8, 12)
Concierto de Aranjuez (movement) (tracks 16–18)
recording of:
Danza paraguaya (track 11)
España, seis hojas de álbum, op. 165: II. Tango (catch-all for arrangements) (track 3)
Malagueña (track 13)
Suite E-Dur, BWV 1006a: I. Prélude (catch all for arrangements) (track 5)
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (track 9)
Cavatina (theme from The Deer Hunter) (1981-06) (track 1)
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements) (1983) (track 4)
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (1986-12) (track 15)
Concierto de Aranjuez: II. Adagio (1992-07) (track 17)
referred to in medleys:

CD 2

classical guitar:
Alexandre Lagoya (track 8)
Ida Presti (track 8)
Pepe Romero (1982-11) (track 1)
guitar:
Eduardo Fernández (guitarist) (tracks 2, 6–7, 11–12, 19)
Nicola Hall (tracks 5, 10)
Alexandre Lagoya (tracks 15, 18)
Paco Peña (track 14)
Celin Romero (track 3)
Pepe Romero (tracks 3–4, 9)
Los Romeros (quartet of Spanish guitarists) (track 13)
Andrés Segovia (track 17)
Alexandre Lagoya (1994-05) (track 16)
arranger:
Eduardo Fernández (guitarist) (track 7)
Heitor Villa‐Lobos (1947) (track 15)
composer:
Isaac Albéniz (tracks 2, 4)
Malcolm Arnold (track 19)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 7, 9)
Luigi Boccherini (track 17)
Leo Brouwer (track 11)
Enrique Granados (track 3)
Alessandro Marcello (track 16)
Johann Kaspar Mertz (track 10)
Niccolò Paganini (composer) (track 5)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (track 18)
Domenico Scarlatti (track 8)
Isaías Sávio (track 12)
Francisco Tárrega (track 6)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 1)
Heitor Villa‐Lobos (1938) (track 15)
Celedonio Romero (1940) (track 13)
conductor:
Barry Wordsworth (conductor) (track 19)
Kenneth Sillito (1994-05) (track 16)
orchestra:
Academy of St Martin in the Fields (1994-05) (track 16)
previously attributed to:
Vicente Gómez (guitar) (track 1)
Fernando Sor (track 1)
Narciso Yepes (track 1)
producer:
Anna Barry (track 16)
Stef Collignon (track 16)
Martha de Francisco (track 16)
recorded at:
Henry Wood Hall (London) in London, England, United Kingdom (1982-11) (track 1)
[unknown] (only use for recorded at if explicitly stated to be at an unknown place.) (1994-05) (track 16)
part of:
Appleby Catalogue (W) (number: W391) (track 15)
arrangement of:
Prelude in C minor, BWV 999 (original for lute) (track 7)
arrangements:
Fantasía para un gentilhombre: I. Villano y ricercare (for flute and orchestra, Galway 1978) (track 18)
later versions:
part of:
parts:
Bachianas Brasileiras nº 5, W391: I. Aria (Cantilena) (for voice and guitar) (track 15)
Bachianas Brasileiras nº 5, W391: II. Dansa (Martelo) (for voice and guitar) (track 15)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (catch-all for arrangements) (track 3)
Bachianas Brasileiras nº 5, W391 (for voice and guitar) (track 15)
Batucada (track 12)
Canción de cuna (track 11)
Concerto per oboe, archi e continuo in re minore: II. Adagio (catch-all for arrangements) (track 16)
Noche en Málaga (track 13)
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements) (track 4)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (track 2)
Suite no. 3 C-Dur, BWV 1009: III. Courante (catch-all for arrangements) (track 9)
Jeux interdits (1982-11) (track 1)
Prelude in C minor, BWV 999 (catch all for arrangements) (1987) (track 7)
version of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos) (track 15)