Cantatas, BWV 148–151

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
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1Kantate, BWV 148 “Bringet dem Herrn Ehre seines Namens”: I. Coro “Bringet dem Herrn Ehre seines Namens”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" (from 1977-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach3:54
2Kantate, BWV 148 “Bringet dem Herrn Ehre seines Namens”: II. Aria (Tenor) “Ich eile, die Lehren des Lebens zu hören”
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Aria (Tenor) "Ich eile, die Lehren des Lebens zu hören" (from 1977-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach5:12
3Kantate, BWV 148 “Bringet dem Herrn Ehre seines Namens”: III. Recitativo (Alt) “So, wie der Hirsch nach frischem Wasser schreit”
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Recitativo (Alt) "So, wie der Hirsch nach frischem Wasser schreit" (from 1977-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach1:35
4Kantate, BWV 148 “Bringet dem Herrn Ehre seines Namens”: IV. Aria (Alt) “Mund und Herze steht dir offen”
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Aria (Alt) "Mund und Herze steht dir offen" (from 1977-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach5:57
5Kantate, BWV 148 “Bringet dem Herrn Ehre seines Namens”: V. Recitativo (Tenor) “Bleib auch, mein Gott, in mir”
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Recitativo (Tenor) "Bleib auch, mein Gott, in mir" (from 1977-09 until 1977-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach0:52
6Kantate, BWV 148 “Bringet dem Herrn Ehre seines Namens”: VI. Choral “Amen zu aller Stund”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Choral "Amen zu aller Stund" (from 1977-09 until 1977-01)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 29)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach0:52
7Kantate, BWV 149 “Man singet mit Freuden vom Sieg”: I. Coro “Man singet mit Freuden vom Sieg”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": I. Coro "Man singet mit Freuden vom Sieg" (from 1983-06 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach4:23
8Kantate, BWV 149 “Man singet mit Freuden vom Sieg”: II. Aria (Bass) “Kraft und Stärke sei gesungen”
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": II. Aria (Bass) "Kraft und Stärke sei gesungen" (from 1983-06 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach2:26
9Kantate, BWV 149 “Man singet mit Freuden vom Sieg”: III. Recitativo (Alt) “Ich fürchte mich vor tausend Feinden nicht”
alto vocals:
Mechthild Georg (German mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": III. Recitativo (Alt) "Ich fürchte mich vor tausend Feinden nicht" (from 1983-06 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach0:47
10Kantate, BWV 149 “Man singet mit Freuden vom Sieg”: IV. Aria (Sopran) “Gottes Engel weichen nie”
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": IV. Aria (Sopran) "Gottes Engel weichen nie" (from 1983-06 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach5:17
11Kantate, BWV 149 “Man singet mit Freuden vom Sieg”: V. Recitativo (Tenor) “Ich danke dir, mein lieber Gott, dafür”
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": V. Recitativo (Tenor) "Ich danke dir, mein lieber Gott, dafür" (from 1983-06 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach0:47
12Kantate, BWV 149 “Man singet mit Freuden vom Sieg”: VI. Aria (Duetto Alt, Tenor) “Seid wachsam, ihr heiligen Wächter”
alto vocals:
Mechthild Georg (German mezzo-soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VI. Aria (Duetto Alt, Tenor) "Seid wachsam, ihr heiligen Wächter" (from 1983-06 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach3:24
13Kantate, BWV 149 “Man singet mit Freuden vom Sieg”: VII. Choral “Ach Herr, laß dein lieb Engelein”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-06 until 1984-02)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VII. Choral "Ach Herr, laß dein lieb Engelein" (from 1983-06 until 1984-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1569)
part of:
Breitkopf 389 Choralgesänge (number: 155)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach2:01
14Kantate, BWV 150 “Nach dir, Herr, verlanget mich”: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:23
15Kantate, BWV 150 “Nach dir, Herr, verlanget mich”: II. Coro “Nach dir, Herr, verlanget mich”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:42
16Kantate, BWV 150 “Nach dir, Herr, verlanget mich”: III. Aria (Sopran) “Doch bin und bleibe ich vergnügt”
soprano vocals:
Magdalene Schreiber (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:37
17Kantate, BWV 150 “Nach dir, Herr, verlanget mich”: IV. Coro “Leite mich in deiner Wahrheit”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach2:07
18Kantate, BWV 150 “Nach dir, Herr, verlanget mich”: V. Aria (Terzetto Alt, Tenor, Bass) “Zedern müssen von den Winden”
alto vocals:
Margret Jetter (contralto)
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor)
tenor vocals:
Peter Maus (German operatic tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:23
19Kantate, BWV 150 “Nach dir, Herr, verlanget mich”: VI. Coro “Meine Augen sehen stets zu dem Herrn”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach2:11
20Kantate, BWV 150 “Nach dir, Herr, verlanget mich”: VII. Coro “Meine Tage in dem Leide”
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1704 until 1707)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach2:57
21Kantate, BWV 151 “Süßer Trost, mein Jesus kömmt”: I. Aria (Sopran) “Süßer Trost, mein Jesus kömmt”
soprano vocals:
Nobuko Gamo-Yamamoto (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": I. Aria (Sopran) "Süßer Trost, mein Jesus kömmt" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach9:45
22Kantate, BWV 151 “Süßer Trost, mein Jesus kömmt”: II. Recitativo (Bass) “Erfreue dich, mein Herz”
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": II. Recitativo (Bass) "Erfreue dich, mein Herz" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach1:31
23Kantate, BWV 151 “Süßer Trost, mein Jesus kömmt”: III. Aria (Alt) “In Jesu Demut kann ich Trost”
alto vocals:
Hildegard Laurich (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": III. Aria (Alt) "In Jesu Demut kann ich Trost" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach5:17
24Kantate, BWV 151 “Süßer Trost, mein Jesus kömmt”: IV. Recitativo (Tenor) “Du teurer Gottessohn”
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": IV. Recitativo (Tenor) "Du teurer Gottessohn" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach0:57
25Kantate, BWV 151 “Süßer Trost, mein Jesus kömmt”: V. Choral “Heut schleußt er wieder auf die Tür”
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt": V. Choral "Heut schleußt er wieder auf die Tür" (in 1971-02)
premiered in:
Leipzig, Sachsen, Germany (on 1725-12-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Hermann (in 1560)
part of:
Breitkopf 389 Choralgesänge (number: 235)
part of:
Kantate, BWV 151 "Süßer Trost, mein Jesus kömmt"
Johann Sebastian Bach0:40

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 46) (order: 46)