# | Title | Artist | Rating | Length |
---|
1 | As Time Goes By | Bryan Ferry | 3 | 2:38 |
2 | The Touch of Your Lips | Chet Baker | | 2:43 |
3 | In the Wee Small Hours of the Morning | Johnny Hartman | | 2:47 |
4 | The Continental- recorded in:
- Los Angeles, California, United States (in 1952-12)
- producer:
- Norman Granz
- bass guitar:
- Ray Brown
- double bass:
- Ray Brown (in 1952-12)
- drums (drum set):
- Alvin Stoller (in 1952-12)
- guitar:
- Barney Kessel (in 1952-12)
- piano:
- Oscar Peterson (in 1952-12)
- tenor saxophone:
- Flip Phillips (in 1952-12)
- trumpet:
- Charlie Shavers (in 1952-12)
- vocals:
- Fred Astaire (in 1952-12)
- recording of:
- The Continental (in 1952-12)
- lyricist:
- Herb Magidson (in 1934)
- composer:
- Con Conrad (in 1934)
- publisher:
- Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc.
- part of:
- Academy Award for Best Original Song (number: 7) and The 7th Academy Award for Best Original Song (number: 1)
- cover recording of:
- The Continental
- lyricist:
- Herb Magidson (in 1934)
- composer:
- Con Conrad (in 1934)
- publisher:
- Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc.
- part of:
- Academy Award for Best Original Song (number: 7) and The 7th Academy Award for Best Original Song (number: 1)
| Fred Astaire | | 3:31 |
5 | What a Wonderful World | Louis Armstrong | | 2:20 |
6 | For Once in My Life | James Brown | | 4:34 |
7 | Old Folks | Jack Teagarden | | 2:51 |
8 | La Fille au rasoir | Serge Gainsbourg | | 2:18 |
9 | I've Got a Crush on You | Bill Henderson | | 4:05 |
10 | Just in Time | Mel Tormé | | 3:28 |
11 | Cheek to Cheek- recording engineer:
- Alan Emig
- producer:
- Norman Granz
- alto saxophone:
- Herb Geller (on 1956-06-12) and Bud Shank (on 1956-06-12)
- baritone saxophone:
- Chuck Gentry (on 1956-06-12)
- bass:
- Joe Mondragon (on 1956-06-12)
- cello:
- Edgar Lustgarden (on 1956-06-12)
- drums (drum set):
- Alvin Stoller (on 1956-06-12)
- guitar:
- Barney Kessel (on 1956-06-12)
- piano:
- Paul Smith (on 1956-06-12)
- tenor saxophone:
- Bob Cooper (on 1956-06-12) and Ted Nash (on 1956-06-12)
- trombone:
- Milt Bernhart (on 1956-06-12), Francis Howard (on 1956-06-12), George Roberts (on 1956-06-12), Frank Rosolino (on 1956-06-12) and Lloyd Ulyate (on 1956-06-12)
- trumpet:
- Pete Candoli (on 1956-06-12), Harry “Sweets” Edison (on 1956-06-12), Maynard Ferguson (on 1956-06-12) and Conrad Gozzo (on 1956-06-12)
- viola:
- Virginia Majewski (on 1956-06-12)
- violin:
- Lew Raderman (on 1956-06-12)
- vocals:
- Bing Crosby (on 1956-06-12)
- orchestra:
- Buddy Bregman & Orchestra (on 1956-06-12)
- conductor:
- Buddy Bregman (on 1956-06-12)
- arranger:
- Buddy Bregman
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-06-12)
- cover recording of:
- Cheek to Cheek (on 1956-06-12)
- lyricist and composer:
- Irving Berlin (in 1935)
- publisher:
- Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 8th Academy Award for Best Original Song (number: 2)
- part of:
- Top Hat
| Bing Crosby | | 4:03 |
12 | How Deep Is the Ocean? | Doc Cheatham | | 5:57 |
13 | Our Game | Till Brönner | | 6:44 |
14 | Angel Eyes | Jeffery Smith | | 4:11 |
15 | If You Could See Me Now | Billy Eckstine | | 3:26 |
16 | Fascinatin' Rhythm | Antonio Carlos Jobim | | 2:13 |