Label: Intersound1032

Annotation last modified on 2005-08-26 09:55 UTC.


Medium 1
# Title Artist Rating Length
1 Peer Gynt Suite no. 1, op. 46: I. Morning Mood
Edvard Grieg 3:57
2 Fantasia on “Greensleeves”
Ralph Vaughan Williams 4:17
3 The Sleeping Beauty: II. Adagio-Pas d’action: Andante - Adagio maestoso - Molto sostenuto, quasi più andante - Tempo I
Пётр Ильич Чайковский 5:29
4 Piano Concerto no. 21 in C major “Elvira Madigan”, KV 467: II. Andante
Wolfgang Amadeus Mozart 3 5:39
5 The Tales of Hoffman, Eplilogue: Barcarolle
Jacques Offenbach 3:22
6 Cavalleria Rusticana: Intermezzo
Pietro Mascagni 3:29
7 Tristan and Isolde: Overture
Richard Wagner 10:45
8 Swan Lake Suite: Scene I “Enchanted Lake”
Пётр Ильич Чайковский 2:57
9 Prince Igor, Act II: Polovtsian Dance no. 17
Александр Порфирьевич Бородин 11:35
10 String Serenade in C major, op. 48: III. Elegia: Larghetto elegiaco
Пётр Ильич Чайковский 6:45
11 Boléro (Radio Symphony Orchestra)
Maurice Ravel 13:45


Medium 1

Vilmos Fischer (track 4)
Angela Giulini (track 4)
Leonard Hokanson (track 4)
Svetlana Stanceva (tracks 3–4)
István Székely (track 4)
Silvia Čápová (track 4)
Ralph Greaves (1934) (tracks 2, 2)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 3)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (track 4)
Richard Wagner (1857-10 – 1859-08) (track 7)
Edvard Grieg (1875) (track 1)
Ralph Vaughan Williams (1924 – 1928) (track 2)
Maurice Ravel (classical composer) (1928) (track 11)
Sven Bengtson (track 1)
Herbert Kraus (conductor, an Alfred Scholz pseudonym) (track 4)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 1, 3–4)
Libor Pešek (track 1)
Kurt Redel (track 4)
Alfred Scholz (tracks 3–4)
Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created) (track 3)
Peter Stern (conductor, supposedly a faux artist Alfred Scholz created) (track 3)
Peter Wohlert (track 3)
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created) (track 3)
Deutsches Symphonie‐Orchester Berlin (RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (track 3)
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra) (track 4)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 1, 6–8, 10)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (tracks 3–4)
New Philharmonic Orchestra (unknown orchestra used on budget recordings) (track 3)
New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) (track 3)
Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym) (track 3)
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra) (tracks 3, 9)
Slovenská filharmónia (Slovak Philharmonic, Bratislava) (track 1)
Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (track 1)
Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) (track 4)
revised by:
Edvard Grieg (1888) (track 1)
Oxford University Press (1936) (track 2)
premiered at:
Palais Garnier in Paris, Île-de-France, France (1928-11-22) (track 11)
part of:
Boléro (catch-all for arrangements) (track 11)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for piano and string quintet, Lachner) (track 4)
Prelude to “Tristan und Isolde” (for organ, Lemare) (track 7)
is based on:
Greensleeves (track 2)
Lovely Joan (traditional English folk song) (track 2)
Sir John in Love (track 2)
is the basis for:
No More Boleros (track 11)
Sex'n fax (track 4)
later parody versions:
Bolero (track 11)
Bolero (track 11)
Le Parti d'en rire (track 11)
later versions:
Bolero (Starink version) (track 11)
Boléro (for 2 pianos) (track 11)
Boléro (arr. Django Rheinhardt) (track 11)
Troublant Bolero (track 11)
part of:
The Sleeping Beauty, op. 66a (Suite) (track 3)
recording of:
Boléro (track 11)
referred to in medleys:
This Is the Story (Clare Muldaur) (track 11)
version of:


ASIN: US: B00083F2VQ [info]