Annotation

Part of "G. Schirmer Opera Anthology" series.
ISBN 978-1-4803-2851-8.

The book is not explicit about when arranging of music, or recordings, took place. Where relationships are attributed to "1991–2011" or "–1991", it is a guess based on the following facts. The book claims copyright dates of 1991, 2008, and 2011. That seems to say that part of the total work was completed in each of those years. Nothing says explicitly when any task began. The Editor's Foreward, talking about the arrangements, is dated March 1991. Thus it seems likely that the arrangements were complete by then. The Diction Coach CD's (1 & 2) have copyright dates of 2008 on the media. The Accompaniment CD's (1 & 2) have copyright dates of 2011 on the media.

MB Works for this Release

As a first step, the MB Recordings of this MB Release are linked to the catch-all MB Works for that aria or song. Larsen is credited as Arranger of these Recordings.

In the future, it might be an improvement to create Works specifically for the Larsen arrangement of each accompaniment track, and link the Recordings to that instead. These Larsen Works will connect to the catch-all Work with an Arrangement-Of Relationship. Similarly, it might be good to create Works for each diction coach track, with a Relationship (but which?) to the same catch-all Works.

There are pros and cons to creating these Larsen-specific Works. See Style/Classical/Works, forum thread Book of carefully-edited songs, with CD: what Works?, and forum thread 'Thoughts on data model: MB-Works, music scores, and FRBR-Expressions. One objection to Release-specific Works is that it's hard to tell whether a particular Recording is performed from that Work, but with the Larsen anthology, we know for certain that they performed this arrangement — it's the point of the anthology.

Release 26 Italian Songs and Arias by Paton is similar to this one: a carefully-edited collection of song and aria scores, supplied as both printed scores and Recordings of non-vocal performances of those scores.

Annotation last modified on 2017-04-24 03:52 UTC.

Tracklist

Enhanced CD 1: CD One, Accompaniment CDs
# Title Artist Rating Length
1 L'Arlesiana: È la solita storia del pastore
Francesco Cilea 4:15
2 Il barbiere di Siviglia: Ecco ridente in cielo
Gioachino Rossini 4:56
3 La bohème: Che gelida manina
Giacomo Puccini 4:14
4 Carmen: La fleur que tu m'avais jetée
Georges Bizet 3:38
5 Così fan tutte: Un'aura amorosa
Wolfgang Amadeus Mozart 4:31
6 Don Giovanni: Dalla sua pace
Wolfgang Amadeus Mozart 5:09
7 Don Giovanni: Il mio tesoro
Wolfgang Amadeus Mozart 4:18
8 Don Pasquale: Com'è gentil
Gaetano Donizetti 4:05
9 L'elisir d'amore: Quanta è bella
Gaetano Donizetti 2:52
10 L'elisir d'amore: Una furtiva lagrima
Gaetano Donizetti 4:37
11 Die Entfuhrung aus dem Serail: O wie ängstlich
Wolfgang Amadeus Mozart 5:02
12 Die Entfuhrung aus dem Serail: Frisch zum Kampfe!
Wolfgang Amadeus Mozart 3:27
13 Eugene Onegin: Lenski's Aria
Peter Ilyich Tchaikovsky 5:45
14 Falstaff: Dal labbro il canto
Giuseppe Verdi 3:07
15 Faust: Salut! demeure chaste et pure
Charles‐François Gounod 4:58
16 La Favorita: Spirto gentil
Gaetano Donizetti 4:41
17 Fedora: Amor ti vieta
Umberto Giordano 1:55
18 Gianni Schicchi: Firenze è come un albero fiorito
Giacomo Puccini 3:21
Enhanced CD 2: CD Two, Accompaniment CDs
# Title Artist Rating Length
1 Die lustigen Weiber von Windsor: Horch, die Lerche
Otto Nicolai 5:03
2 Madama Butterfly: Amore o grillo
Giacomo Puccini 1:09
3 Manon: En fermant les yeux
Jules Massenet 3:22
4 Martha: Ach, so fromm
Friedrich von Flotow 3:31
5 Paul Bunyan: Inkslinger's Song
Benjamin Britten 5:44
6 Les Pêcheurs de perles: Je crois entendre encore
Georges Bizet 3:12
7 Rigoletto: Questa o quella
Giuseppe Verdi 1:58
8 Rigoletto: La donna è mobile
Giuseppe Verdi 2:10
9 Le Roi d'Ys: Vainement, ma bien-aimée
Édouard Lalo 3:00
10 The Saint of Bleecker Street: I Know That You All Hate Me
Gian Carlo Menotti 3:34
11 Street Scene: Lonely House
Kurt Weill 3:31
12 The Tempest: Be not afeard
Lee Hoiby 3:15
13 La traviata: De' miei bollenti spiriti
Giuseppe Verdi 4:01
14 Vanessa: Outside this house
Samuel Barber 3:07
15 Werther: Pourquoi me réveiller?
Jules Massenet 2:41
16 Die Zauberflöte: Dies Bildnis ist bezaubernd schön
Wolfgang Amadeus Mozart 4:10
CD 3: Diction Coach, Disc One
# Title Artist Rating Length
1 L'Arlesiana: È la solita storia del pastore (Recitation)
Robert L. Larsen, Corradina Caporello 1:03
2 L'Arlesiana: È la solita storia del pastore (Diction Lesson)
Robert L. Larsen, Corradina Caporello 3:13
3 Il barbiere di Siviglia: Ecco ridente in cielo (Recitation)
Robert L. Larsen, Corradina Caporello 0:47
4 Il barbiere di Siviglia: Ecco ridente in cielo (Diction Lesson)
Robert L. Larsen, Corradina Caporello 2:13
5 La bohème: Che gelida manina (Recitation)
Robert L. Larsen, Corradina Caporello 1:38
6 La bohème: Che gelida manina (Diction Lesson)
Robert L. Larsen, Corradina Caporello 4:55
7 Così fan tutte: Un'aura amorosa (Recitation)
Robert L. Larsen, Corradina Caporello 0:22
8 Così fan tutte: Un'aura amorosa (Diction Lesson)
Robert L. Larsen, Corradina Caporello 0:49
9 Don Giovanni: Dalla sua pace (Recitation)
Robert L. Larsen, Corradina Caporello 0:53
10 Don Giovanni: Dalla sua pace (Diction Lesson)
Robert L. Larsen, Corradina Caporello 2:56
11 Don Giovanni: Il mio tesoro (Recitation)
Robert L. Larsen, Corradina Caporello 0:24
12 Don Giovanni: Il mio tesoro (Diction Lesson)
Robert L. Larsen, Corradina Caporello 1:12
13 Don Pasquale: Com'è gentil (Recitation)
Robert L. Larsen, Corradina Caporello 1:04
14 Don Pasquale: Com'è gentil (Diction Lesson)
Robert L. Larsen, Corradina Caporello 2:52
15 L'elisir d'amore: Quanta è bella (Recitation)
Robert L. Larsen, Corradina Caporello 0:38
16 L'elisir d'amore: Quanta è bella (Diction Lesson)
Robert L. Larsen, Corradina Caporello 1:59
17 L'elisir d'amore: Una furtiva lagrima (Recitation)
Robert L. Larsen, Corradina Caporello 0:55
18 L'elisir d'amore: Una furtiva lagrima (Diction Lesson)
Robert L. Larsen, Corradina Caporello 2:25
19 Falstaff: Dal labbro il canto (Recitation)
Robert L. Larsen, Corradina Caporello 0:57
20 Falstaff: Dal labbro il canto (Diction Lesson)
Robert L. Larsen, Corradina Caporello 3:01
21 La Favorita: Spirto gentil (Recitation)
Robert L. Larsen, Corradina Caporello 0:55
22 La Favorita: Spirto gentil (Diction Lesson)
Robert L. Larsen, Corradina Caporello 3:00
23 Fedora: Amor ti vieta (Recitation)
Robert L. Larsen, Corradina Caporello 0:23
24 Fedora: Amor ti vieta (Diction Lesson)
Robert L. Larsen, Corradina Caporello 1:04
25 Gianni Schicchi: Firenze è come un albero fiorito (Recitation)
Robert L. Larsen, Corradina Caporello 1:46
26 Gianni Schicchi: Firenze è come un albero fiorito (Diction Lesson)
Robert L. Larsen, Corradina Caporello 5:54
27 Madama Butterfly: Amore o grillo (Recitation)
Robert L. Larsen, Corradina Caporello 0:42
28 Madama Butterfly: Amore o grillo (Diction Lesson)
Robert L. Larsen, Corradina Caporello 2:29
29 Rigoletto: Questa o quella (Recitation)
Robert L. Larsen, Corradina Caporello 0:47
30 Rigoletto: Questa o quella (Diction Lesson)
Robert L. Larsen, Corradina Caporello 2:27
31 Rigoletto: La donna è mobile (Recitation)
Robert L. Larsen, Corradina Caporello 0:34
32 Rigoletto: La donna è mobile (Diction Lesson)
Robert L. Larsen, Corradina Caporello 1:49
33 La traviata: De' miei bollenti spiriti (Recitation)
Robert L. Larsen, Corradina Caporello 1:08
34 La traviata: De' miei bollenti spiriti (Diction Lesson)
Robert L. Larsen, Corradina Caporello 3:38
CD 4: Diction Coach, Disc Two
# Title Artist Rating Length
1 Carmen: La fleur que tu m'avais jetée (Recitation)
Robert L. Larsen, Pierre Vallet 1:11
2 Carmen: La fleur que tu m'avais jetée (Diction Lesson)
Robert L. Larsen, Pierre Vallet 5:02
3 Faust: Salut! demeure chaste et pure (Recitation)
Robert L. Larsen, Pierre Vallet 1:06
4 Faust: Salut! demeure chaste et pure (Diction Lesson)
Robert L. Larsen, Pierre Vallet 4:33
5 Manon: En fermant les yeux (Recitation)
Robert L. Larsen, Pierre Vallet 1:04
6 Manon: En fermant les yeux (Diction Lesson)
Robert L. Larsen, Pierre Vallet 5:05
7 Les Pêcheurs de perles: Je crois entendre encore (Recitation)
Robert L. Larsen, Pierre Vallet 0:28
8 Les Pêcheurs de perles: Je crois entendre encore (Diction Lesson)
Robert L. Larsen, Pierre Vallet 2:09
9 Le Roi d'Ys: Vainement, ma bien-aimée (Recitation)
Robert L. Larsen, Pierre Vallet 0:48
10 Le Roi d'Ys: Vainement, ma bien-aimée (Diction Lesson)
Robert L. Larsen, Pierre Vallet 4:06
11 Werther: Pourquoi me réveiller? (Recitation)
Robert L. Larsen, Pierre Vallet 0:39
12 Werther: Pourquoi me réveiller? (Diction Lesson)
Robert L. Larsen, Pierre Vallet 3:13
13 Die Entfuhrung aus dem Serail: O wie ängstlich (Recitation)
Robert L. Larsen, Irene Spiegelman 0:49
14 Die Entfuhrung aus dem Serail: O wie ängstlich (Diction Lesson)
Robert L. Larsen, Irene Spiegelman 1:55
15 Die Entfuhrung aus dem Serail: Frisch zum Kampfe! (Recitation)
Robert L. Larsen, Irene Spiegelman 0:26
16 Die Entfuhrung aus dem Serail: Frisch zum Kampfe! (Diction Lesson)
Robert L. Larsen, Irene Spiegelman 0:53
17 Die lustigen Weiber von Windsor: Horch, die Lerche (Recitation)
Robert L. Larsen, Irene Spiegelman 0:36
18 Die lustigen Weiber von Windsor: Horch, die Lerche (Diction Lesson)
Robert L. Larsen, Irene Spiegelman 1:33
19 Martha: Ach, so fromm (Recitation)
Robert L. Larsen, Irene Spiegelman 1:02
20 Martha: Ach, so fromm (Diction Lesson)
Robert L. Larsen, Irene Spiegelman 2:55
21 Die Zauberflöte: Dies Bildnis ist bezaubernd schön (Recitation)
Robert L. Larsen, Irene Spiegelman 1:10
22 Die Zauberflöte: Dies Bildnis ist bezaubernd schön (Diction Lesson)
Robert L. Larsen, Irene Spiegelman 2:30
23 Paul Bunyan: Inkslinger's Song (Recitation)
Robert L. Larsen, Kathryn LaBouff 1:39
24 Paul Bunyan: Inkslinger's Song (Diction Lesson)
Robert L. Larsen, Kathryn LaBouff 3:51
25 The Saint of Bleecker Street: I Know That You All Hate Me (Recitation)
Robert L. Larsen, Kathryn LaBouff 1:45
26 The Saint of Bleecker Street: I Know That You All Hate Me (Diction Lesson)
Robert L. Larsen, Kathryn LaBouff 3:59
27 Street Scene: Lonely House (Recitation)
Robert L. Larsen, Kathryn LaBouff 1:25
28 Street Scene: Lonely House (Diction Lesson)
Robert L. Larsen, Kathryn LaBouff 2:51
29 The Tempest: Be not afeard (Recitation)
Robert L. Larsen, Kathryn LaBouff 0:38
30 The Tempest: Be not afeard (Diction Lesson)
Robert L. Larsen, Kathryn LaBouff 1:32
31 Vanessa: Outside this house (Recitation)
Robert L. Larsen, Kathryn LaBouff 1:13
32 Vanessa: Outside this house (Diction Lesson)
Robert L. Larsen, Kathryn LaBouff 2:33
33 Eugene Onegin: Lenski's Aria (Recitation)
Robert L. Larsen, Gina Levinson 3:23
34 Eugene Onegin: Lenski's Aria (Diction Lesson)
Robert L. Larsen, Gina Levinson 9:23

Credits

Enhanced CD 1: CD One, Accompaniment CDs

piano:
Laura Ward (1991 – 2011) (tracks 1–18)
additional librettist:
Johann Gottlieb Stephanie ('The Younger') (tracks 11–12)
arranger:
Robert L. Larsen (– 1991) (tracks 1–18)
composer:
Gaetano Donizetti (Italian opera composer) (tracks 8–9, 16)
Wolfgang Amadeus Mozart (classical composer) (tracks 5–7, 11–12)
Giacomo Puccini (Italian composer) (track 18)
Gioachino Rossini (track 2)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 13)
Giuseppe Verdi (Italian opera composer) (track 14)
Gaetano Donizetti (Italian opera composer) (1832) (track 10)
Charles‐François Gounod (French composer) (1859) (track 15)
Georges Bizet (1875) (track 4)
Giacomo Puccini (Italian composer) (1896) (track 3)
Francesco Cilea (1897) (track 1)
Umberto Giordano (Italian opera composer) (1898) (track 17)
librettist:
Gaetano Donizetti (Italian opera composer) (track 8)
Jules Barbier (track 15)
Christoph Friedrich Bretzner (tracks 11–12)
Michel Carré (track 15)
Arturo Colautti (track 17)
Lorenzo Da Ponte (tracks 5–7)
Giovacchino Forzano (track 18)
Giuseppe Giacosa (track 3)
Luigi Illica (track 3)
Leopoldo Marenco (librettist) (track 1)
Giovanni Ruffini (librettist) (track 8)
Ludovic Halévy (1875) (track 4)
Henri Meilhac (1875) (track 4)
arrangements:
Eugene Onegin, op. 24: Lensky's Aria (catch-all for arrangements) (track 13)
L'elisir d'amore: Atto II. Romanza "Una furtiva lagrima" (catch-all for arrangements) (track 10)
instrumental recording of:
Fedora: Atto II. "Amor ti vieta" (1991 – 2011) (track 17)
is the basis for:
later translated versions:
人知れぬ涙 (track 10)
later versions:
part of:
Carmen : Acte II (track 4)
Falstaff: Atto III (track 14)
Faust: Acte III (track 15)
Fedora: Atto II (track 17)
Gianni Schicchi (track 18)
La bohème: Atto I (track 3)
translated version of:

Enhanced CD 2: CD Two, Accompaniment CDs

piano:
Laura Ward (1991 – 2011) (tracks 1–16)
arranger:
Robert L. Larsen (– 1991) (tracks 1–16)
composer:
Samuel Barber (track 14)
Benjamin Britten (track 5)
Édouard Lalo (track 9)
Jules Massenet (tracks 3, 15)
Gian Carlo Menotti (track 10)
Otto Nicolai (track 1)
Giacomo Puccini (Italian composer) (track 2)
Giuseppe Verdi (Italian opera composer) (track 13)
Kurt Weill (track 11)
Giuseppe Verdi (Italian opera composer) (– 1851-03-11) (track 8)
Lee Hoiby (– 2008) (track 12)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 16)
Giuseppe Verdi (Italian opera composer) (1850 – 1851-03-11) (track 7)
Georges Bizet (1863-04 – 1863-08) (track 6)
librettist:
Gian Carlo Menotti (track 10)
W. H. Auden (track 5)
Édouard Blau (Librettist) (track 15)
Michel Carré (track 6)
Eugène Cormon (track 6)
Philippe Gille (track 3)
Georges Hartmann (librettist) (track 15)
Henri Meilhac (track 3)
Paul Milliet (Librettist) (track 15)
Elmer Rice (track 11)
Emanuel Schikaneder (track 16)
Francesco Maria Piave (– 1851-03-11) (track 8)
Mark Shulgasser (– 2008) (track 12)
Francesco Maria Piave (1850 – 1851-03-11) (track 7)
lyricist:
Giuseppe Giacosa (track 2)
Langston Hughes (track 11)
Luigi Illica (track 2)
arrangements:
Aubade "Vainement, ma bien-aimée" from Le Roi d'Ys (for violin and piano, Szigeti) (track 9)
Venise (track 6)
instrumental recording of:
Madama Butterfly: Atto I. “Amore o grillo” (Pinkerton, Sharpless) (1991 – 2011) (track 2)
Martha: Akt II. "Ach so fromm" (Lyonel) (1991 – 2011) (track 4)
Street Scene: Act I. No. 10 "Lonely house" (1991 – 2011) (track 11)
later translated versions:
part of:
Martha: Akt II (track 4)
Street Scene (american opera) (track 11)
The Tempest (1985 opera) (track 12)
Werther: Acte III (track 15)
Rigoletto: Atto I (track 7)
Manon: Acte II (track 3)

CD 3: Diction Coach, Disc One

arranger:
Robert L. Larsen (– 1991) (tracks 1–34)
composer:
Gaetano Donizetti (Italian opera composer) (tracks 13–16, 21–22)
Wolfgang Amadeus Mozart (classical composer) (tracks 7–12)
Giacomo Puccini (Italian composer) (tracks 25–28)
Gioachino Rossini (tracks 3–4)
Giuseppe Verdi (Italian opera composer) (tracks 19–20, 33–34)
Giuseppe Verdi (Italian opera composer) (– 1851-03-11) (tracks 31–32)
Gaetano Donizetti (Italian opera composer) (1832) (tracks 17–18)
Giuseppe Verdi (Italian opera composer) (1850 – 1851-03-11) (tracks 29–30)
Giacomo Puccini (Italian composer) (1896) (tracks 5–6)
Francesco Cilea (1897) (tracks 1–2)
Umberto Giordano (Italian opera composer) (1898) (tracks 23–24)
librettist:
Gaetano Donizetti (Italian opera composer) (tracks 13–14)
Giuseppe Giacosa (tracks 5–6)
Luigi Illica (tracks 5–6)
Arturo Colautti (tracks 23–24)
Lorenzo Da Ponte (tracks 7–12)
Giovacchino Forzano (tracks 25–26)
Leopoldo Marenco (librettist) (tracks 1–2)
Francesco Maria Piave (tracks 33–34)
Giovanni Ruffini (librettist) (tracks 13–14)
Francesco Maria Piave (– 1851-03-11) (tracks 31–32)
Francesco Maria Piave (1850 – 1851-03-11) (tracks 29–30)
lyricist:
Giuseppe Giacosa (tracks 27–28)
Luigi Illica (tracks 27–28)
vocals:
Corradina Caporello (1991 – 2011) (tracks 1–34)
arrangements:
L'elisir d'amore: Atto II. Romanza "Una furtiva lagrima" (catch-all for arrangements) (tracks 17–18)
is the basis for:
Spirto gentil, S. 400a (tracks 21–22)
later translated versions:
Rigoletto: O, I kvinnor (tracks 31–32)
人知れぬ涙 (tracks 17–18)
part of:
Don Pasquale: Atto III (tracks 13–14)
Falstaff: Atto III (tracks 19–20)
Fedora: Atto II (tracks 23–24)
Gianni Schicchi (tracks 25–26)
L'Arlesiana: Atto II (tracks 1–2)
L'elisir d'amore: Atto I (tracks 15–16)
L'elisir d'amore: Atto II (tracks 17–18)
La traviata: Atto II (tracks 33–34)
Rigoletto: Atto III (tracks 31–32)
Rigoletto: Atto I (tracks 29–30)
Madama Butterfly: Atto I (tracks 27–28)
La bohème: Atto I (tracks 5–6)
recording of:
Fedora: Atto II. "Amor ti vieta" (1991 – 2011) (tracks 23–24)
La favorita: "Favorita del re!" ... "Spirto gentil" (1991 – 2011) (tracks 21–22)
Madama Butterfly: Atto I. “Amore o grillo” (Pinkerton, Sharpless) (1991 – 2011) (tracks 27–28)
Rigoletto: Atto III. "La donna è mobile" (Duca) (1991 – 2011) (tracks 31–32)
translated version of:

CD 4: Diction Coach, Disc Two

additional librettist:
Johann Gottlieb Stephanie ('The Younger') (tracks 13–16)
arranger:
Robert L. Larsen (– 1991) (tracks 1–34)
composer:
Samuel Barber (tracks 31–32)
Benjamin Britten (tracks 23–24)
Friedrich von Flotow (tracks 19–20)
Édouard Lalo (tracks 9–10)
Jules Massenet (tracks 5–6, 11–12)
Gian Carlo Menotti (tracks 25–26)
Wolfgang Amadeus Mozart (classical composer) (tracks 13–16)
Otto Nicolai (tracks 17–18)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (tracks 33–34)
Kurt Weill (tracks 27–28)
Lee Hoiby (– 2008) (tracks 29–30)
Wolfgang Amadeus Mozart (classical composer) (1791) (tracks 21–22)
Charles‐François Gounod (French composer) (1859) (tracks 3–4)
Georges Bizet (1863-04 – 1863-08) (tracks 7–8)
Georges Bizet (1875) (tracks 1–2)
librettist:
Gian Carlo Menotti (tracks 25–26)
W. H. Auden (tracks 23–24)
Jules Barbier (tracks 3–4)
Édouard Blau (Librettist) (tracks 11–12)
Christoph Friedrich Bretzner (tracks 13–16)
Michel Carré (tracks 3–4, 7–8)
Eugène Cormon (tracks 7–8)
Philippe Gille (tracks 5–6)
Georges Hartmann (librettist) (tracks 11–12)
Henri Meilhac (tracks 5–6)
Paul Milliet (Librettist) (tracks 11–12)
Salomon Hermann Mosenthal (tracks 17–18)
Elmer Rice (tracks 27–28)
Friedrich Wilhelm Riese (tracks 19–20)
Emanuel Schikaneder (tracks 21–22)
Mark Shulgasser (– 2008) (tracks 29–30)
Ludovic Halévy (1875) (tracks 1–2)
Henri Meilhac (1875) (tracks 1–2)
lyricist:
Langston Hughes (tracks 27–28)
vocals:
Kathryn LaBouff (Diction coach) (1991 – 2011) (tracks 23–32)
Gina Levinson (1991 – 2011) (tracks 33–34)
Irene Spiegelman (Diction coach) (1991 – 2011) (tracks 13–22)
Pierre Vallet (Diction coach) (1991 – 2011) (tracks 1–12)
arrangements:
Aubade "Vainement, ma bien-aimée" from Le Roi d'Ys (for violin and piano, Szigeti) (tracks 9–10)
Eugene Onegin, op. 24: Lensky's Aria (catch-all for arrangements) (tracks 33–34)
Venise (tracks 7–8)
later translated versions:
Martha (Ah! So Pure) (tracks 19–20)
later versions:
part of:
Carmen : Acte II (tracks 1–2)
Faust: Acte III (tracks 3–4)
Le Roi d'Ys: Acte III (tracks 9–10)
Martha: Akt II (tracks 19–20)
Street Scene (american opera) (tracks 27–28)
The Tempest (1985 opera) (tracks 29–30)
Vanessa, op. 32: Act II (tracks 31–32)
Werther: Acte III (tracks 11–12)
Manon: Acte II (tracks 5–6)
recording of:
Martha: Akt II. "Ach so fromm" (Lyonel) (1991 – 2011) (tracks 19–20)
Street Scene: Act I. No. 10 "Lonely house" (1991 – 2011) (tracks 27–28)
The Tempest: Act Two: "Be not afeared" (Caliban) (1991 – 2011) (tracks 29–30)