Il trovatore (Highlights)

~ Release by Giuseppe Verdi; Leontyne Price, Plácido Domingo, Sherrill Milnes, Fiorenza Cossotto, New Philharmonia Orchestra, Zubin Mehta (see all versions of this release, 8 available)

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Il trovatore: Atto I. “Che piu t'arresti?” / “Tacea la notte” / “Di tale amor”
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Elizabeth Bainbridge (mezzo-soprano, contralto)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
compilation of:
Il trovatore: Atto I, Scena II. "Che più t'arresti?" (Inez, Leanora) by Elizabeth Bainbridge (mezzo-soprano, contralto); Leontyne Price (soprano), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor), Il trovatore: Atto I, Scena II. "Di tale amor, che dirsi" (Leonora, Inez) by Leontyne Price (soprano), Elizabeth Bainbridge (mezzo-soprano, contralto), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor) and Il trovatore: Atto I, Scena II. "Tacea la notte placida" (Leonora, Inez) by Leontyne Price (soprano), Elizabeth Bainbridge (mezzo-soprano, contralto), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi9:59
A2Il trovatore: Atto II. Anvil Chorus / “Stride la vampa!”
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:52
A3Il trovatore: Atto II. “Mal reggendo” / “Perigliarti ancor”
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
compilation of:
Il trovatore: Atto II, Scena I. "Inoltra il piè" (Manrico, messenger, Azucena) by Plácido Domingo (tenor), Nielson Taylor (operatic tenor), Fiorenza Cossotto (mezzo-soprano), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor), Il trovatore: Atto II, Scena I. "Mal reggendo all'aspro assalto" (Manrico, Azucena) by Plácido Domingo (tenor), Fiorenza Cossotto (mezzo-soprano), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor) and Il trovatore: Atto II, Scena I. "Perigliarti ancor languente" (Azucena, Manrico) by Plácido Domingo (tenor), Fiorenza Cossotto (mezzo-soprano), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi7:19
A4Il trovatore: Atto II. “Il balen del suo sorriso”
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone) (in 1969-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
phonographic copyright (℗) by:
BMG Entertainment (in 1970)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (in 1969-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:32
B1Il trovatore: Atto III. “Ah, si ben mio” / “Di quella pira”
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Ryland Davies (tenor) and Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
compilation of:
Il trovatore: Atto III, Scena II. "Ah si, ben mio, coll'essere io tuo" (Manrico) by Plácido Domingo (tenor), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor), Il trovatore: Atto III, Scena II. "Di quella pira l'orrendo foco" (Manrico, Leonora, Ruiz, armed men) by Plácido Domingo (tenor), Leontyne Price (soprano), Ryland Davies (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor) and Il trovatore: Atto III, Scena II. "L'onda de' suoni mistici pura discenda al cor!" (Leonora, Manrico, Ruiz) by Leontyne Price (soprano), Plácido Domingo (tenor), Ryland Davies (tenor), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi8:11
B2Il trovatore: Atto IV. “D'amor sull'ali rosee” / “Miserere”
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
compilation of:
Il trovatore: Atto IV, Scena I. "D'amor sull'ali rosee" (Leonora) by Leontyne Price (soprano), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor) and Il trovatore: Atto IV, Scena I. "Miserere d' un'alma già vicina" ... "Quel son, quelle preci" (Leonora, Manrico, choir) by Leontyne Price (soprano), Plácido Domingo (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi9:48
B3Il trovatore: Atto IV. “Udiste? Come albeggi” / “Mira, di acerbe lagrime”
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
baritone vocals:
Sherrill Milnes (baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Leontyne Price (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
compilation of:
Il trovatore: Atto IV, Scena I. "Mira, di acerbe lagrime" (Leonora, Count) by Leontyne Price (soprano), Sherrill Milnes (baritone), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor), Il trovatore: Atto IV, Scena I. "Udiste? Come albeggi, la scure al figlio" (Count, Leonora) by Leontyne Price (soprano), Sherrill Milnes (baritone), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor) and Il trovatore: Atto IV, Scena I. "Vivrà! ... Contende il giubilo" (Leonora, Count) by Leontyne Price (soprano), Sherrill Milnes (baritone), New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Zubin Mehta (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi7:21
B4Il trovatore: Atto IV. “Si. la stanchezza m'opprime” / “Ai nostri monti”
recording engineer:
Anthony Salvatore (engineer) (in 1969-08)
producer:
Richard Mohr (producer)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano)
soprano vocals:
Leontyne Price (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1969-08)
conductor:
Zubin Mehta (conductor) (in 1969-08)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1969-08)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:28

Credits

Release

ASIN:ES: B0040O9H5G [info]